Britney in Green

 

Britney`s Oops I Did It Again video features herself in a red pilot`s suit on the red planet Mars and, as it`s `science fiction`, there are genre references. The first `Grand Master` of SF was the US writer Robert A. Heinelin (1907-88), who wrote Red Planet amongst other juvenile stories for boys. However, Britney`s red suited character corresponds closely to that of Heinlein`s `Poddy` in Podkayne Of Mars, the only novel length story Heinlein specifically wrote for teenage girls. The story has two endings; Poddy dies shielding a baby `fairy` from Venus in a bomb blast, or she`s injured shielding a baby Venusian `fairy` from a bomb blast. Britney`s red pilot`s suit in Oops I Did It Again is explainable:

 

`Podkayne Fries, born and raised on Mars, has just one ambition: to earn her wings as a starship pilot and rise through the ranks to command deep-space explorations.`

 

 When Britney, in her red pilot`s suit, raises above herself in a white bikini dress a space suited astronaut who`s landed on her Mars, the spaceman looks down upon her `babe`. Descending inside a giant ring, Britney`s one of the `little people`, and so the `Babe` in the white bikini dress must similarly be one of the `fairy folk`. Britney uses a hook and winch to raise the spaceman, until he`s above her `baby fairy` in a white bikini dress, rendering him helpless to do anything but film her with the camera that `Mission Control` has attached to the side of his space helmet. The spaceman`s ineffectual helplessness at the hands of Britney underscores her protective role as the `body shield` of her `Babe` of Venus; just as Heinlein`s girl character in Podkayne Of Mars is Poddy shielding her Venusian `baby fairy`.

 In a white bikini dress, Britney`s `baby fairy` in Oops I Did It Again lies languidly upon what seems to be a white counterpane, while surrounding her bed are the eight points of a star. She`s the `baby fairy`; the `star` at the apex of the tree in traditional Christian celebrations of the nativity of Jesus Christ, which commemorate the appearance of the `star of Bethlehem` that announces the Advent of the infant Messiah in the New Testament. In Lucky Britney appears as the `star` herself, but she`s surrounded again by her avatars wearing red, which suggests that she`s continuing in her role of  body `shield` to her `baby fairy`, that is, her Poddy`s shielding her `star`.

 

 

 In Glory Road (1964) Robert A. Heinlein`s `star` character is the woman named `Star` who, as `Empress of the Twenty Universes`, advertises for a hero in a newspaper ad. Together, she and Oscar Gordon, subsequently embark on a fabulous adventure, and she becomes Oscar`s bride. In Lucky Britney`s `star` wins a Hollywood `Oscar`, that is, she`s the heroine that`s shielded her `star` qualities so she`s able to win her Oscar.

 

 

 The very first episode of Star Trek (1965-) was The Cage, which featured a character called `Vina`. Britney`s conceit is that actress Susan Oliver`s `star quality` is the `baby fairy` of Vina`s, which `star quality, if properly shielded, will win her an Oscar:

 

 `... the landing party discovers a camp of survivors from a scientific expedition that has been missing for 18 years. Among the survivors is a beautiful young woman named Vina.`

 

 

 The plot is that the alien race of Talosians keep Vina looking young and beautiful by means of their capacity to generate illusions through the power of their highly developed brains; although Vina is severely disfigured in reality. Captain Pike falls in love with her but leaves aboard the Starship Enterprise, so concluding the `pilot` episode:

 

`She has an illusion, and you have reality. May you find your way as pleasant.`

 

 

 The `pilot` episode of Star Trek was later remade as the two part The Menagerie in which Captain James T. Kirk takes now heavily disabled Pike back to the Talosians and Vina. The closing address to Kirk slightly adapts the original ending:

 

`Captain Pike has an illusion, and you have reality. May you find your way as pleasant.`

 

 

 Susan Oliver`s several roles in the Talosians` illusions required that, amongst other various guises, including that of the prototypical `Starfleet` blonde, she be seen as a green skinned `Orion` woman. Jestingly, she held up a placard at a Star Trek publicity event, enquiring of her `Oscar`.

 

 

 Britney`s spaceman gives her a gift in Oops I Did It Again, of which she enquires: `But I thought the old lady dropped it into the ocean in the end.` It`s an allusion to the blue heart shaped diamond dropped into the ocean at the close of the movie the Titanic (1997) by Rose, who`s love was betrayed by someone planting the jewel in his pocket and calling him a thief. Rose`s lover drowns when the Titanic hits an iceberg and sinks. Because Oops I Did It Again is `scifi`,  the `heart of the ocean` jewel, as it is known in the Titanic movie, refers to the Talosians of The Cage in which Vina`s `Keeper` is depicted wearing a blue jewel.

 

 

 The Talosian roles were all acted by women; although they appear manlike. Britney`s subject is `illusion`. In the British `scifi` series Dr Who, in which the central protagonist is a time-traveller, a Thal is a member of a blonde race of humanoids on the planet Skaro which is devastated by a doomsday weapon developed by the other humanoid species on their world, the Dal, who become Daleks after the holocaust, creatures directing their hatred for the Thal from inside machines, and whose vocabulary seems to consist of one word:

 

 `Exterminate!`

`

 

 The Talosians are women with the bodies of men, that is, men with the `souls` of women that, according to the psychology of Carl Gustav Jung (1875-1961), is a psychological truism; because a man`s soul, which Jung calls the anima, is female and feminine. The Talosians perceive the  necessity of preserving illusions, which is why Jung associates the anima with Buddhism`s `Maya`, the `goddess of illusion`. If women had their own penis, and they do as `futanarian` women, they`d be the species on planet Earth and the danger would be that men would become Daleks attempting to prevent them from living. The Talosians of The Cage in the Star Trek `pilot` episode are women because they represent the illusion that men are a species, whereas what is female inside of men corresponds to the `soul`, or Jungian anima, which in Hinduism is a sepaprate living entity with its own relationship with God. The anima, or soul, spins the necessary illusion that men and women represent species` love, whereas men aren`t of the same species but, existing as a parasitical `leech`, represent that which feeds upon woman`s `host womb`. In the New Testament of the Bible Jesus` disciples receive the Holy Spirit as their `teacher` after Christ`s death, Resurrection, and Ascension to heaven following Christ Jesus` crucifixion by the murderous torturers. The truth is that, without `God`s spirit`, men are bereft of that which can redeem them; because woman, and her `soul`, are the species on the planet Earth: and men aren`t. Dr Who`s Daleks are the epitome of the `soulless machine`, which is what a man is without a `soul` and its woman:

 

`Exterminate!`

 In the Bible the  `hidden` woman of Revelation is depicted as being protected by the New Redeemer before she leaves to spread her `seed` amongst the stars and, presumably as a futanar woman with her own penis and  `seed`, ultimately fight a war in heaven against the evil serpent`s `seed`, that is, men, before God creates a new heaven and Earth for her to dwell in forever, while the evil `seed` receive perdition.

 In accordance with Poddy`s ambition in Podkayne Of Mars, Britney wears her her red jump suit in Oops I Did It Again to indicate her readiness to pilot her `starship`. In Revelation `the woman clothed with the sun and with the moon at her feet` gives birth to the New Redeemer. On Mars, Britney has the moon beneath her and the sun behind her, which means that the New Redeemer is he who keeps her. The wisdom of the Earth is to know that man and woman are one, which means that the woman is the man. Consequently, the wise man is he who understands that the woman with the penis, that is, the `futanarian` woman, is him. Consequently, the New Redeemer would be he who keeps that secret.

 In the New Testament Jesus preached `love your neighbor as you love yourself`, because you are your neighbor. The preaching of the New Redeemer would be `love woman as you love yourself`, because you are woman, and she is a species with her own penis, while men aren`t; because they can`t reproduce independently. If they do not wish to be perceived as a `parasitical organism` upon woman`s `host womb`, men must accept that they are woman, that is, redemptive love for oneself as another. In shielding herself as Venus` `baby fairy`, that is, herself in a white bikini dress, Britney`s demonstrating that love for another as oneself, and love for woman as a species, necessary for the female pilot of a `futanarian` woman`s starship who must know when to `cloak`, and put up her `shields`.

 Britney`s Talosian `heart` is the blue heart shaped diamond jewel which is the Thal `ocean`, that is, the ocean of life in which the Thal are blonde, blue-eyed, beautiful, and a `blue movie`. That`s why Britney`s spaceman in Oops I Did It Again films her as a `Babe` in a white bikini dress. Sex is life. The false illusion is that there`s more to life than love. Britney`s observation is that machines help us to love; even a camera. That`s what they`re for.

 The spaceman with the camera from `Mission Control` has a hook put into his backpack by Britney and, herself in a red pilot`s suit, winches him above herself in a white bikini dress to where he films her.

 For `Mission Control`, he `s a camera, but the analogy is `possession`. Anything that helps a person is something that a system that depends on demonic possession doesn`t want for that individual. If the camera is helping the spaceman, he isn`t a possession and so isn`t possessed.

 Britney employs the spaceman as her camera, which is analogous to being possessed, as he`s become a possession of hers. However, if she`s helpful she`s from God. A demon is whatever takes away what`s helpful, which is demonic possession. The demonic lie is that I am possessed by what is helpful, because those who are demons want to be helped by what it is that I have.

 If my camera`s taken away from me by Christians, it`s not because I photograph Britney Spears and so I`m being rescued by Christians from possession by the `demon of the camera`. The demons, that is, Christian businessmen, want my camera to help them, which is what `Mission Control` is. I won`t give up my self, so they possess it. Through coercion and, inevitably, violence if I don`t give up my self to `demonic possession`.

 Britney`s spaceman in Oops I Did It Again is a symbol of the struggle between the `demons` of `Mission Control`, and the destiny of Britney Spears` star. As the red suited `pilot` of `Starship` Oops I Did It Again, Britney wants `directorial control`. Anything taking control away from her is a `demon`, and is a manifestation of `demonic possession`. `Mission Control` is a `director` that wants control of Britney`s `movie`. To save her and her spaceman, Britney must stop `Mission Control` from possessing him, and using him as a possession to possess her `movie`.

 Oops I Did It Again demonstrates the spaceman`s `camera` function. In her red pilot`s suit Britney raises her astronaut to where he looks down upon her in a white bikini dress; as if he were upon a `camera gantry` on her `film set`. As the `camera` given to Britney by `Mission Control`, the astronaut represents the `demonic` aspect of men through whom the demons of `Mission Control` seek to possess Britney. It`s an analogy of relationships. Anyone who wants her `image` is a `demon`. To protect herself from `demons`, she must `pilot` her own `Starship`; as the beautiful `Poddy` wants to do in Heinlein`s Podkayne Of Mars. Avoiding `possession`, Britney`s `Poddy` won`t be `possessed`.

Oops Byzantium!

 

In the Byzantine period of Christianity (330-1453 C.E.) the child of the Madonna is depicted as a small man rather than as an infant. In the prelude to her performance in the `scifi` promotional video for the single, `Oops! ... I Did It Again` (2000), Britney Spears descends inside a giant`s ring as a `small woman`, so inviting us to look for further signs of small `Byzantine` features in relation to giant size. Wearing a red pilot`s suit Britney uses a hook and pulley to lift up the spaceman `eagle` who`s `landed` on her Mars to where he`s looking down on another Britney lying below him wearing a white bikini-dress. Beside his space helmet are the `tines` of what appear to be a giant`s fork: `byzant` tines. In her red pilot`s suit, raising her spaceman above her own self in a white bikini dress, Britney is a `double headed` eagle, symbol of Byzantia,1 which signifies `doubling` or multiplication by means of an individual dividing into two, or more than two.

 In the Hindu belief system Vishnu is the god who can be all of the women, which is understandable if futanarian women, who can sexually reproduce with each other from their own penis` semen, are Vishnu. Jesus born uncontaminated by male semen from his mother, the Virgin Mary, represents the same principle. Although its gods and goddesses aren`t accepted by Christianity, Hinduism`s a reality critique, and Jesus is equivalent to Vishnu, because he represent women`s capacity for multiplying:

 

`... a thumb-sized being [is] known as the innermost self or soul [and] dwells in the heart ..`.2

 

 In the Bible Adam and Eve are exhorted by God: `Be fruitful and multiply.` However, according to Hinduism, the soul is thumb-size, living and spiritual. The five senses of sight, hearing touch, taste, and smell, are the limiters of the `physical` body, of which the conscious brain is that part which we define as the `I`. In `Oops! ... I Did It Again`, Britney is the Hindu `thumb`, as fairytale `Thumbelina`,3 descending inside a giant`s ring. She`s the giant`s soul that, according to Hindu belief, is a spiritual thumb-size being that, unlike the occluded ego of the individual, which here corresponds to the `giant`, can perceive the spiritual realm, and that`s why she doesn`t wear a spacesuit. She removes her spaceman`s helmet after he gives her a gift, of which she asks:

 

`But I though the old lady dropped it into the ocean in the end?`4

 

 It`s an allusion to the Titanic (1997) movie in which actress Gloria Stuart, as 100 year old Rose Dawson Calvert, drops the blue heart-shaped jewel, the `heart of the ocean`5 into the sea at the point where the ship is being salvaged where it sank after hitting an iceberg on its maiden voyage from Southampton on April 15, 1912. Rose`s love was subsequently drowned while helping people to the lifeboats. The story`s `framing device` is that of a jealous ex-lover of actress Kate Winslet, in the role of the young Rose, putting the `heart of the ocean` diamond into the pocket of Rose`s new love, accused him of theft and thereby betrayed her love.

 Because the soul dwells in the heart, as a thumb-size being, according to Hinduism, Britney`s descent inside her giant`s ring is symbolic of the soul that dwells in the `heart of the ocean`. If we accept the Hindu notion of the `Cosmic Man`, then the `heart of the ocean` is his. Or, in less anthropomorphic terms, the `heart of the ocean` contains the soul of the cosmos, and is Britney`s `Thumbelina`. The monarchical tradition of Europe is that their `thumbs` rule. In other words, they divide things between themselves in order to `manage` with each other, which is why the `double-headed eagle` is a symbol of empire. Thumbelina`s name is changed to Maia when she becomes a `Queen of Fairy`, and Maia means `Great Mother`, which is an archetype of Eastern religion, according to the developmental psychology of Carl Gustav Jung (1875-1961), who viewed archetypes as God`s impelling of human progress through figures and images appearing in dreams, art and the imagination. Britney`s a `Great Mother` because she`s a `thumb`, who makes more of herself. In the USA alone `Oops! ... I Did It Again` sold more than 10, 000, 000 copies and went `diamond`. `Oops! ... I Did It Again` is, therefore, the `heart of the ocean`, a `blue diamond`, which the English rock group, Led Zeppelin (1969-80), perceived as the collective unconscious of their audience. Led Zeppelin`s archetypal material emerged from a dialogue between themselves, their audience, and the archetypes, for example, in The Ocean, the archetype is the `little girl`:

 

`Now I'm singing all my songs to the girl who won my heart. She is only three years old and it's a real fine way to start.`6

 

 It`s the reciprocated love of the soul for her `giant`, whose spirit may first be awakened by his daughter`s first steps, although the `small woman` is much older and wiser, which is why Thumbelina`s name changes to Maia in the fairytale in which she marries her prince. The name Maia means `Great Mother`, but also `illusion`. The thumb-size living soul is wise, but the `giant` lives an occluded existence in which the `real` is only perceivable by the soul, which attempts to communicate what she sees and knows to be the truth to the `giant`, who is living an illusion and is taught to think of it as reality. In `Oops! ... I Did It Again` Britney is the soul of the blue diamond `heart of the ocean` pendant, which the English nursery rhyme, `Little Boy Blue`, identifies as an archetype seeking to awaken:

                                                

``Will you wake him?`

`Oh no, not I,

For if I do

He will surely cry.``7

                                                                                         

 Thumbelina is Maia, the `Great Mother`, and `illusion`, because the `giant` is her `little boy`, and she keeps to herself the knowledge of what transpires with him in the realm of the spirit. He lives an illusion she doesn`t want to roughly awaken him from, so she creates stories like `Oops! ... I Did It Again` that contain enough discoverable truth to allow him to live within the illusion, for example, the lie that women can`t sexually reproduce with each other, without being disillusioned. The `giant` is `Purusha` in Hinduism, and is `Purusha Atman`, because the light of God, that is `Atman`, is visible to the soul, which Hindus call the `thumb`, through Purusha, the `Cosmic Man`.

 If man accepts there`s a separate living relationship between the soul, as `thumb`, and God, throughout the cosmos, that individual living soul is there to help man out of his occlusion. In `Oops! ... I Did It Again` Britney presents herself as a Byzantine `thumb` that, `doubled`, or dividing, represents the Christian concept of the Paraclete, or Holy Spirit which, according to the New Testament, emerged from the side of Jesus as `Second Eve`, as it were, when pierced by the spear of the Roman centurion Longinus; a spear that was consequently known afterwards as the `Spear of Destiny`. Symbolically, Britney Spears as a `doubled` or dividing ` thumb`, signifies the multitudinous Paraclete that, in Hinduism, is a separate living soul or `thumb` of the collective, or `giant` individual. This explains the existence of the `giant` motifs, of fork and ring, in `Oops! ... I Did It Again`. By asking us to understand their meaning, Britney`s `thumb` is pointing towards a more conscious awareness of `Purusha Atman`, the `Cosmic Man`, that is, she`s showing a path out of occlusion.

 

 

 In the language which was Byzantine`s a `byzant` is a gold coin. Britney appears below her spaceman surrounded by the points of a star. It`s a symbolic `pentacle` in which golden haired Britney in her white bikini dress is a `byzant`. In terms of Tarot symbolism, which has pentacles or coins, swords, spears, and cups to represent the Torah of Judaism`s advice to the soul journeying through life, CD sales of `Oops! ... I Did It Again` are highly anticipated. Britney lies abed betwixt the points of her star, a white circular counterpane stretching beneath her body. It`s a fairytale, and the giant `byzant` tines of its fork, that is, Spears` sword, is poised above the ogrish giant `s table.

 In the legends of King Arthur and la table ronde the symbol of the heart is the cup of the Holy Grail,8 the vessel containing food and drink used by Christ at the `Last Supper`, before his crucifixion, death, Resurrection, and Ascension to heaven. At the `Last Supper` Jesus offered `bread and wine` from the Grail as `tokens` of his body and blood. In real terms, eating and drinking in fellowship is good for the heart, and so the cup is the second of the four symbols of Britney`s Torah, that is, Britney`s spaceman`s `mysterious gift`, which is the box she opens:

 

 `But I thought the old lady dropped it into the ocean in the end?`

 

 The spaceman`s gift is a symbol of the heart`s love; the cup of the Holy Grail. Britney`s allusion is to the Titanic movie in which Rose drops the blue diamond, the `heart of the ocean` overboard at the scene of the salvaging of the sunken liner. It`s the story of how an ex-lover betrayed her by framing her new fiancée for stealing the jewel by placing it in his pocket. Rose`s love subsequently drowned in the disaster when the Titanic hit an iceberg and sank. She drops the heart-shaped blue diamond into the sea at the film`s close as a remembrance.

 The heart is a symbol of the cup that, for example, overflows with tears, and is among the four symbols of the portable Torah; the Tarot deck. Britney`s allusion is to the `byzant` as Byzantine gold, which in the Tarot deck is the pentacle, that is, `Oops! ... I Did It Again` was to be a big disk.

 

 

 Britney`s suspension of her astronaut relates to the figure of the `hanged man` of the Tarot, who hangs by his foot and represents treachery. She`s alluding to the ex-lover that betrayed Rose aboard the Titanic. In fact, before Britney`s spaceman gives her the gift of the `heart of the ocean`, a voice is heard calling `All aboard!` Although the Titanic sank, many lives were saved. Britney`s winching of the spaceman above her is the hanged man `reversed`. He doesn`t hang by his foot. Reversed, the card signifies `limbo`; a drifting lifeboat, for example.

 

 

 The giant`s ring, and the spaceman`s hands that contain the gift of the `heart of the ocean`, signify the Irish `Claddagh` or `friendship ring`,9 which is constructed in three parts;  a pair of hands holding a heart surmounted by a crown. `Oops! ... I Did It Again` is Britney`s `friendship`, and she recovers the spaceman from his `lifeboat` as a voice calls: `All aboard!` He`s the `heart of the ocean`, and she`s the safe pair of ship`s `hands` that receive him for `touchdown`. The giant`s `superbowl` ring is Britney`s small woman`s. The `crown` is Jesus`. Depicted born fully formed but small in Byzantine icons, Jesus is a `baby man` from the womb of his Madonna, whereas Britney`s a `small step`, that is, a representative of God and Jesus` plan for women`s futanarian future.

 Below her suspended spaceman Britney`s a `starfish`, a symbol of the archetype of the `Self` in Jungian developmental psychology. According to Jung the `Self` exists in an unconscious state but can be realized or made conscious by means of the individuation process, which Jung likens to the descent and ascent of a `pearl diver`. Jung`s characterological and symbolic `archetypes` represent stages in the growth or individuation of the psyche. Descent into what Freud termed `the oceanic` is a journey into the imagery of the unconscious self. The `starfish` symbolizes self-actualization or the individuation of the soul in accordance with the promptings of the `star` archetype, which is a symbol of God`s wisdom and knowledge from the heavenly realm of the spirit.

 In Jungian psychology the unconscious is instinct and so the `star` of the individuated `self`` is symbolized by the `starfish` hidden in the depths of the psyche. Jung argues that instinct is transformed into spirit and that water is a symbol of the deep unconscious. Consequently, the `starfish` is a symbol of instinct that`s transformed into a spiritual `star`. Symbolized by the `star of Bethlehem` at the Advent of Jesus, the beginnings of self-actualization in the Christian era appeared as a `star` in `heaven` in 1969, when the technology of the Saturn V rocket, representing the power of Christ, Logos, to transform instinct from within the New Testament of Jesus` Gospel, placed a man on the moon:

 

`One small step for a man, one giant leap for mankind.`10

 

 In `Oops! ... I Did It Again` Britney`s a `small woman` and her `place` is the red planet Mars. In Jungian psychology, red symbolizes instinct and so Britney appears in her red pilot`s suit. The `heart of the ocean` is a blue jewel, a symbol of spiritual love, because the colour blue is associated with instinct transformed into spirit in Jungian psychology. In her white bikini dress, beneath the visored eye of her spaceman`s helmet, and that of the camera lens affixed to its side, Britney is the anima or soul as archetypal guiding muse; the `wishing star` that increases desire and fulfils yearning. To live is to live comfortably, and financial development defines how comfortably life is lived. Consequently, the `star` archetype represents the desire to achieve and attain to a life within the `comfort zone` of high technological advancement represented by Britney`s `byzant` disk. In her white bikini dress she signifies sexual desire, and its zenith, which is to live `in the zone` of technological comfort:

 

`I’m not ashamed of the things that I dream.

...
The more I come to understand

The touch of my hand.`11

 

 `The Touch Of My Hand`, from the 2003 album In The Zone, is about `masturbation`12 and the spaceman above Britney, in her white bikini dress, is her pornographer. Filming her with the lens of the camera eye, his other eye is the visor of his spacehelmet, which is the focus of the consciousness contained within his spacesuit. He`s an ogrish symbol of the `sex starver`, who wants others to develop his `comfort zone`, and who is represented by `Mission Control`, which is `directing` the spaceman. When sexual desire for the woman is repressed, the `spiritual` aspect of the penis emerges as a `space rocket`, that is, technological development through repression. The repressed seek escape, and sexual fulfilment through technology, while the repressors enslave their desire for liberation, take the technology, remain in the `comfort zone`, and maintain the prisoners.

 The Earth`s social malaise became recognizable to the early pioneers of late nineteenth century psychology (Freud, Jung, Adler) with Communism, where the concept of `sharing` was perceived as excusing the powerful from dispossessing the less powerful, and Capitalism subsequently represented the dispossessing of the poorer by the wealthier. The 20<sup>th</sup> century was one of humanity dispossessed and demoniacally possessed. Although a space rocket represents `escape`, an Intercontinental Ballistic Missile (ICBM) doesn`t. Consequently, demonic repression is the same as demonic possession. Humanity can`t escape from the possessive demon it has created for itself upon the Earth. The ICBMs produced by demonic repression won`t allow it.

 

 

 The Apollo space programme `boosted` the growth of technological society, but Britney`s spacesuit-encased astronaut, helplessly suspended above her, represents her denying of sex to him. The camera affixed to his spacehelmet by `Mission Control` signifies her role as a soft core porn `star`. Suspended above Britney, who`s wearing her white bikini dress, the spaceman is repressed by her denying of sex to him and possessed by his desire to masturbate, which is denied him by `Mission Control`, that is, pop video conventions.

 In Jungian psychology there are two basic psychological types; the `Extraverted` and the `Intraverted`. Britney`s sexually inhibited spaceman is a metaphor for enforced technological development by means of the harnessing of intraverted sexual energy produced through sexual repression. In Britney`s apocalyptic `Hold It Against Me` (2011) her `star` is seen crashing into the Earth. The demons of introverted repression and extraverted possession (ICBMs) won`t allow her to leave. Its reminiscent of a short story by Grand Master Of Science Fiction, Isaac Asimov, `Hell-Fire` (1956), narrating the slow motion film of a detonated H-bomb:

 

`The oval fireball had sprouted projections, then paused a moment in stasis, before expanding rapidly into a bright and featureless sphere.

 That moment of stasis – the fireball had shown dark spots for eyes, with dark lines for thin, flaring eyebrows, a hairline coming down v-shaped, a mouth twisted upward, laughing wildly in the hell-fire-and horns.`13

 

 In Britney`s `Till The World Ends` (2011) there`s an apocalyptic vision of fireballs crashing into the Earth reminiscent of the `giant hailstones` Revelation depicts as plaguing mankind`s `last days`. Because meteors are largely composed of frozen water, Britney`s fireballs in `Till The World Ends` are `hailstones` that combust as they enter the Earth`s atmosphere. In Catholicism, hell is ice and fire, a symbol of that repression and demonic possession which has resulted in the production of `weapons of mass destruction` and the `nuclear winter` that`d follow upon the `Armageddon` of an ICBM  war. In `Hold It Against Me` Britney fights herself but doesn`t overcome self-hatred. The American poet Robert Frost, in `Fire and Ice`, describes the end of a relationship as the end of the world:

 

`Some say the world will end in fire,
Some say in ice.
From what I’ve tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To know that for destruction ice
Is also great
And would suffice. `14

 

 

 In `Hold It Against Me` Britney is the `Snow Queen`. The fairytale describes the mirror of an evil troll that fails to reflect all the good and beautiful aspects of people and things while it magnifies all the bad. However, the evil laughter of the mirror causes it to shatter:

 

 `... splinters are blown around and get into people's hearts and eyes, making their hearts frozen like blocks of ice and their eyes like the troll-mirror itself, only seeing the bad and ugly in people and things.`15

 

 The `troll mirror` is a metaphor for possession by the shadow, which in Jungian psychology is defined as the inferior aspect of the personality projected onto others so that they are perceived as evil. Jung argues that shadow-projection has to be recognized so that through projecting the personality can be made whole as the shadow receives integration. According to Jung the shadow makes one of the four functions of consciousness, that is, `Thinking`, `Sensation`, `Intuition` or `Feeling`, into an inferior or undifferentiated function. The shadow-contaminated anima is a concomitant feature of such `abnormal` psychologies. To become individuated an ego personality has to differentiate the inferior function (`Thinking`, `Sensation`, `Intuition` or `Feeling`) and integrate the projected shadow, which is a defragmentation of the psyche corresponding to the `introjection` of the shadow-contaminated anima, which corresponds to the thawing of the block of ice around the heart caused by the pieces of glass from the metaphorical `troll mirror` that have found their way into the eyes.

 In the `Snow Queen` the cure for one infected by the `troll mirror` is to spell `eternity` from the pieces of ice in the palace of the `Snow Queen`. Eternity represents those aspects of the soul`s wisdom occluded by the metaphorical splinters from the mirror of the troll who represents actual evil and not the shadow personality that merely feeling itself inferior, projects it upon others to where the individuating ego, perceiving it, reintegrates itself into a more consciously differentiated, and therefore less inferior, totality.

 In `Piece Of Me` Britney is again the `Snow Queen`. The CD cover features her upon the cross in the place of Christ. Those who tortured Jesus were the victims of the `troll`s mirror` insofar as they were projectors of their own inferiority upon the crucified, but evil insofar as they didn`t. In Jungian psychology the cross is a symbol of the four functions of differentiated conscious wholeness, that is, `Thinking`, `Sensation`, `Intuition` and `Feeling`. `Piece Of Me` therefore refers to Britney Spears` ice palace, while `Hold It Against Me` depicts the flaw in her oeuvre of immortality represented on the `small screen` of the television monitors as she fights herself assertively before her ego disintegrates with `Till The World Ends`:

 

`Next one on my hit list;

Baby, let me blow your mind tonight.`16

 

 

 In Jungian psychology the four functions of consciousness, in undifferentiated form, are associated with the ear (`Thinking`), eye (`Sensation`), mouth (`Feeling`), and nose (`Intuition`). `Hold It Against Me` focuses specifically on ear, eye, nose and mouth. Surrounded by microphones, Britney`s mouth (`Feeling`) and ears (`Thinking`). Promoting a perfume with the name `Radiance`, she`s alluding to a heightened sense of feminine `Intuition`, the nose and `smell`. Her brown eye, however, appears with two pupils, which suggests an abnormal `Sensation` function.

 

 

 `Sensation` and `Thinking`, the eye and ear, are usually associated in Jungian psychology with being masculine functions, whereas the functions of `Feeling` and `Intuition` are feminine. Masculine is `extraverted` whereas feminine is `intraverted`. The dual pupil in Britney`s brown eye suggests a struggle within a psychological type between `introverted` and `extraverted` `Sensation` in which repression and possession define her as someone with `bipolar disorder`:

 

 `... a mixed state in which features of both mania and depression are present at the same time.`17

 The `Intraverted` type is associable with repression, and consequently `depression`, and the `Extraverted` type is associable with possession or `mania`. In the promotional video for the single, `Lucky` (2000), Britney appears in front of a curtain with the masks of comedy and tragedy printed upon it. She is playing the role the fate of the Earth demands, which is to struggle between repression (depression) and possession (mania), that is, the manic depression of the artist who only experiences freedom as a slave to her art:

 

`All you people look at me like I'm a little girl. Well, did you ever think it'd be okay for me to step into this world?`18

 

 In `I`m A Slave 4 U`  Britney`s a `little girl`, and `Oops! ... I Did It Again` presents her as a `small woman` on Mars descending inside a giant`s ring, where she only appears to be a `little girl`. She`s the `Snow Queen` in the fairytale, `Hold It Against Me`, and on Mars she takes that `small step` for a `Byzantine` futanarian woman, before her spaceman arrives from the moon where he took that `small step` to reach her.

 On Mars her Apollo wears a spacesuit, while she`s appears `doubled` in a red pilot`s suit raising him above herself in a white bikini dress by means of a hook and winch. It`s a symbolic fantasy in which she doesn`t have to wear a spacesuit, because she`s women`s futanarian future in which pilot`s fly spaceplanes to Mars, but he does, or he can`t visit, because he`s trapped in the bullet from a gun conventions of male penetration, whereas human futanarian women with their own penis` semen are a single species without alien rape. Raised above her, he`s helpless to do anything other than look at and film her. It`s a woman`s illusion of power over men. Britney`s `small step` on Mars is `great leap` for herself, but a `giant step` on Earth, as a `small woman`, is Land Of The Giants (1968-70) territory:

 

`When those clothes you're wearing are full of holes, you'll be glad we collected these giant rags.`19

 

 

 In Land Of The Giants, a 60s TV show in which small people `crashland` their damaged spaceship on a planet similar to their own Earth`s, the inhabitants are `giants`. Britney`s giant`s ring and fork allude to her role as a `small woman` with her own Mars` `giant` to deal with. In the biblical Revelation the `red dragon` waits to devour the New Redeemer who protects the `hidden` woman until she and her `seed` are ready to leave. The giant fork by the spaceman`s helmet as he hangs over Britney in her white bikini-dress in `Oops! … I Did It Again` is a Byzantine`s symbol of the devourer in Revelation, which devours men and women born small, as Jesus is depicted in Byzantine`s icons of the Madonna, but fully grown. As a `small man`, Jesus` offering of the `bread and wine` (a symbol of his `body and blood`) from the `last supper bowl`, that is, the Holy Grail, is a test to see if he has friends. Judas betrays Christ to the Roman Empire. As a man born uncontaminated by male semen from his mother, the Virgin Mary, Jesus represents futanarian `woman`s seed`. As a `dissident` against male braining, Jesus is crucified before his Resurrection and Ascension to heaven prefigures that of futanarian human women`s own species. Britney descends in what is, symbolically, the last super bowl napkin ring, a symbol of her spaceman`s `touchdown` on the red planet, Mars, who`ll be a New York Giant in friendship and eat with her, rather than an ogrish giant devourer.

 On September 11, 2001, Al-Qaeda terrorists tried to put a viral worm in the `Big Apple` of New York`s city of the Giants and the Jets as the four horsemen of the apocalypse rode their four hijacked airliners as `Trojan horse` to crash them into the Twin Towers of New York city`s World Trade Centre, Arlington, Virginia`s Defense Department of the Pentagon, and President of the United States, George W. Bush`s Washington, D.C. residence, the Whitehouse, before passengers forced that hijacked plane to crash enroute at Shanksville, Pennsylvania. In American football terms, the Jets were devouring the Giants, that is, the terrorists, proclaiming an `Islamic jihad`, were spreading aggression as a plague virus promoting war, pestilence, famine, and death:

 

` The Arab Spring ... is a revolutionary wave of demonstrations and protests occurring in the Arab world that began on Saturday, 18 December 2010. To date, rulers have been forced from power in Tunisia, Egypt, Libya, and Yemen; civil uprisings have erupted in Bahrain and Syria; major protests have broken out in Algeria, Iraq, Jordan, Kuwait, Morocco, and Oman; and minor protests have occurred in Lebanon, Mauritania, Saudi Arabia, Sudan, and Western Sahara. Clashes at the borders of Israel in May 2011, as well as protests by the Arab minority in Iranian Khuzestan and a rebellion in Mali have also been inspired by the regional Arab Spring, while the Malian coup d'état has been described as `fallout`.`20

 

 Land Of The Giants relates what `small people` invariably discover; there are bullies. Repression of sexual desire leads to becoming possessed by insatiability. To satiate is to devour, which is what the `H-bomb` represented for the Japanese citizens of Nagasaki and Hiroshima when the jets, `Enola Gay` and `Bokscar`, dropped their bombs, `Little Boy` and `Fat Man`, on August 6 and 9, 1945, to leave those cities giants` craters. In simple terms, killing is what men possessed by insatiability do. The fork poised above Britney in her white bikini dress in `Oops! ... I Did It Again` is a symbol of the male brained `red dragon` of Revelation waiting to devour the New Redeemer, who`ll protect the `hidden` woman of the Earth`s futanarian `seed` from being farmed for cannibals, who`d murder `woman`s seed` after having enough sex; or eat her simply because she`s `bite size`. In primitivism mana or `power`21 personalities are devoured by those who want the power or mana that they have. As a `bite size` pop superstar, Britney`s `small woman` in `Oops! … I Did It Again` represents mana personality. The crew of the crashed spaceship in Land Of The Giants spend the entire series` attempting to repair their craft and leave. It`s a biblical metaphor for the perceived `smallness` of futanarian woman who, `hidden` from our knowledge of her as a species, seeks escape from the giant slave ring of the devouring ogres with their New York jets.

 

 

 Earth`s paradigm is that of the maniac who doesn`t want others to be bigger, and so the bigger man (or woman) is bullied until the bigger individual is depressed or `small`. Small can be best, but bullies want what is big to be `manageable`, which makes them identical to the paedophile, who wants sex with children rather than adults, because they can`t `manage` developed individuals. Their methodology is that of the bully who wants children to remain undeveloped and `smaller`, which of course is suicide in terms of societal growth.

`Small-mindedness` is a concomitant of the mentality of the bullying paedophile as a viral form reducing everybody in size by means of what might be described as the `cowardice` infection. The 9/11 terrorists that began the `Islamic jihad` hijacked their planes to transform themselves into the transmitters of warfare as a viral infection inside the `Trojan horse` jets they crashed into New York city`s giant Twin Towers of the World Trade Centre, and through the wall of the Pentagon. The `small minded` want human women`s futanarian nature smalled and managed, while in Moslem Islam four wives are permissible in marriages that afford the possibility of sexual reproduction between women. In the United States of America `Trojan` is a brand name for condoms, while American women without penis` semen of their own as futanarian humans are condoms spreading the infection.

 In Revelation the biggest bully, amongst the cowards who have the virus, is the `beast` who sits upon their throne: `Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16. 10) The virus that represses, and possesses demoniacally, is HIV/AIDS which promulgates fear of sex as a `demon driver` channelling sexual libidic energy into activities other than sexual fulfilment, and so represents enslavement by a coward or cowards. In Revelation the coward is identified as the `beast`. Enslavement by men as a parasitical organism is that which the cowardly men ruled by the `beast` refuse to repent of. Scientists believe that AIDS originated with monkeys, which Sir Charles Darwin, in his seminal The Origin Of Species (1859) depicted as being the evolutionary antecedents of men. Men who want futanarian humanity to be smaller are a cowardly virus equivalent to AIDS, a regressivity that will result in the success of the biblical `plague aims` of reducing the Earth to the rubble of monkey men`s evolutionarily regressive `play games` system of producing ICBMs for the Earth`s `shoot-em-up` destruction, rather than Saturn V rockets for humanity`s expansion to the stars.

 

 

 In Revelation the `hidden` woman of the Earth is explicitly protected by the New Redeemer born to the `woman clothed with the sun and with the moon at her feet`. The concept of expansion by humankind to the stars is no longer a proposition and the `hidden` woman is depicted as escaping with her `seed` to live amongst the stars where she and her `seed` shall fight a war against the evil serpent`s `seed` and God shall create a new heaven and Earth for her and her `seed` to dwell in forever while the serpent`s `seed` shall have eternal unendurable pain in hell. Because the `hidden` woman has `seed`, the implication is that she has her own penis. If so, then woman is a species and men are `leeches`, which is how they`re defined by the Koran of the Moslems: `... the embryo ... obtains nourishment from the blood of the mother, similar to the leech, which feeds on the blood of others.`22

 

 Women with a penis exist upon the Earth, are intrinsically beautiful, and are described as `futanarian`. But they are `hidden` because the only medium where a person unaware of the system of ignorance perpetrated upon the Earth could discover them pictorially is pornography, which is a male braining `taboo`. In `Hold It Against Me` Britney`s `Snow Queen` fights herself. Bisexual, her struggle is with repression and possession, symbolized by her brown eye with dual pupils that signify a `Sensation` function that wants to touch something she can`t yet see. Because of pop video conventions, the viewer can`t detect whether Britney`s alter ego has a penis; but she could have.

 

 

 In `Oops! ... I Did It Again` Britney appears `doubled` in a red pilot`s suit and white bikini dress, and the filmmaker`s metaphor is a girl`s innocent struggle with narcissistic self-love and intimations of a lesbianism that she accepts as psychological bisexuality, rather than knowledge of women`s futanarian humanity which would heal a schizophrenia induced in male braining`s taboos so that young women don`t want what they see in the mirrors of their dreams. In `Hold It Against Me` Britney struggles with herself in symbolic differentiation of the `Sensation` function, which wants to touch what she only intuits. Her earlier divided nature in `Oops! ... I Did It Again` represents an intuitive grasp of woman`s hermaphroditism as a futanarian species. The perfume `Radiance` in `Hold It Against Me` signifies sudden enlightenment and Britney surrounded by microphones symbolizes her desire to broadcast her newfound woman`s self-knowledge: `If I said you had a beautiful body, would you hold it against me?`23

 In Revelation a sword is depicted coming out of the mouth of Jesus, because he speaks with true feeling from the heart and, therefore, authority to be heard. In Jungian psychology, the `Feeling` function is associated with the mouth, but the `Thinking` function is associated with the ear that listens with `Feeling`. Britney, surrounded by microphones in `Hold It Against Me`, signifies a heart that`s listened and is speaking authoritatively.

 Although Britney`s `Mission Control` in `Oops! ... I Did It Again` symbolizes sex starvation, the spaceman is denied sex, though he`s required to film her. She`s `soft core` pornography and, although Draconian restraints have often been used to curb it, masturbation is enjoyable. In Islamic culture, hand restraint is common, to persuade the individual to use the right hand in eating etc., because use of the left hand in is `forbidden` or haraam as `unclean`. In Western culture the fork is used in the left hand, but left handed people naturally use the knife in the left hand, so are often `trained` to use the right. Draconian measures to cure `handedness` involved restraints akin to those employed in curbing masturbation.

 

 

 In `Oops! … I Did It Again` the giant tines of a Byzantine`s fork are visible beside the spacehelmet of Britney`s astronaut, because it`s a symbol of a gigantic repressed desire to see the ejaculate, rather than fertilize the ovum, that is, waste the penetration, which is what the hijacked jets crashed into the giant twin towers of the WTC symbolize. The giant`s fork suspended over Britney`s small woman is the `biz` & tines, because the business of devourers, and those who cater to them, is to farm to produce small men and women, whose concentrated mana or power is wasted by cowards for `live` entertainment.

 

 

 In the icon art of Byzantium Jesus is the `baby man` born fully grown but `small`, so vulnerable to the ogre who`d eat him for the mana power he contains as a `small man`. What passes for human amongst ogres are the babies they reproduce themselves as, which is what men correspond to. In `Oops! ... I Did It Again` Britney`s spaceman finds her icon in the sands of Mars as Byzantine`s `small woman`, that is, a `baby woman` who`s human futanarian. Her spaceman is from the jets and the giants` New York city, but the ogrish symbols in the video, that is, Britney`s butcher`s hook and giant`s fork, are draconian images of human futanarian desire repressed through sex starvation to create a giant ogrish ego before its unleashing as the Earth`s insatiable devourer.

 The draco, that is, the `red dragon` of Revelation, waits to devour the New Redeemer born to the woman `clothed with the sun and with the moon at her feet`, who symbolically corresponds to Britney on Mars in `Oops! ... I Did It Again`, where the sun is behind her and the moon is beneath her feet as Mars is closer to the sun than the Earth and its satellite. The New Redeemer protects the `hidden` woman of the Earth until she`s ready to leave. The symbol of the power of the New Redeemer is an `iron sceptre`, which represents the `will of God`. According to Revelation the `seed` of the `hidden` woman will fight against Earth`s evil serpent`s `seed` in heaven, and win, before God creates a new heaven and Earth for her and her `seed` to dwell in while the evil serpent`s `seed` receives perdition, which is unendurable eternal pain.

 The role of the New Redeemer is of one who fights repression and possession, which means that the New Redeemer is a meritocrat; the raising of people on merit. However, Britney raises her spaceman above her in `Oops! .. I Did It Again`, because he`s meat on her butcher`s `hook`, while the viewer sees a giant`s fork beside his spacehelmet, as he films her with his camera eye, because she`s meat too. In Communism or Capitalism, which are the basic socio-economic principles of Earth, the focus is on state power (serfdom) and wealth (wage slavery), where Communism is `collective ownership of the means of production`, that is, women, and Capitalism is the individual ownership and disposal of property, that is, the civilization, culture and art that women perforce are still able to produce from their host wombs in parasitism; despite their parasitoid devourer`s depredations in its wars against futanarian human nature`s `woman`s seed`.

 Descending inside her giant`s ring, Britney is alluding to the fairytale of the giant that cannot be killed, because his heart, a symbol of love for the image of the soul which brings knowledge and wisdom, that is, woman as an anima figure, is `hidden` outside his body. The giant`s ring suggests that Britney`s `married` to the giant. In symbolic terms, the setting for the `heart of the ocean` blue diamond is Britney`s giant`s ring. Her heart is, metaphorically, a giant`s. Because the spaceman brings her the heart shaped blue diamond, he`s a Jungian diver into the developmental depths of the unconscious to bring her the archetypal `treasure` of immortality. Suspended above Britney in her white bikini dress, he looks down upon her as his `fish` surrounded by the points of her `star`; a `starfish` in her white bikini dress representing wisdom discovered by means of the journeyings of the soul into the depths of the unconscious.

 Britney`s star has eight points, which means that it`s Arabian, rather than Judaic, which is the six pointed star of Solomon, the wise, who advised women, who were quarrelling about which of them a child belonged to, to cut it in two, whereby the true mother`s more genuine concern became evident. In her red pilot`s suit and white bikini-dress Britney`s `starfish` points to the Koran of Moslem Islam for an Arabic solution. In `The Cave` Moses travels to the Red Sea where he loses a fish he`s brought for a meal. The fish disappears in the waters,24 but the figure of the wise Khidr emerges and teaches Moses to bear with patience what he doesn`t comprehend. Khidr corresponds to the `Wise Old Man` archetype of Jungian psychology, although there isn`t a `red sea` on the arid red planet of desert Mars in `Oops! ... I Did It Again`, where water and `starfish` are rare.

 In novelist J. R. R. Tolkien`s Lord Of The Rings Sméagol is a member of a people that dove and ate fish from the river,25 so he`s analogous to Britney`s spaceman/diver, while she`s Jung`s `Wise Old Woman` of the soul, his counterpart. Sméagol discovers a ring of power in the river cut from the hand of the `Dark Lord`, Sauron, which devours him if he wears it. Consequently, Britney`s giant ring inside which she descends to her stage set in `Oops! … I Did It Again` is a symbol of the devourer, Dark Claude. Although the `fish` is also a Christian symbol, Khidr`s wisdom is that life is water, and the fish is nature`s power to sustain, rather than devour. To want power for anything other than living or helping others to live, is evil. When Britney`s astronaut arrives he relays to `Mission Control`: `Ninety-eight per cent oxygen.`

 Humans, with bodies comprising 60-70% water, are like fish. They extract oxygen from water, which is why `the fish` is both a Christian and Moslem symbol. Jesus feeds five thousand people with five loaves and two fish, which precedes his offering `bread and wine` as his `body and blood` to the disciples at the `Last Supper` before his crucifixion, death, Resurrection and Ascension to heaven. Christianity`s birth ceremony of `baptism` is a protection against evil and requires total submersion of the infant, and conscious reaffirmation in later life, which is the meaning of the `fish` symbol. Just as the eating of `bread and wine` as a wafer and sip from the officiate`s chalice connotes acceptance of `woman`s seed`, betrayal is represented by Jesus` `body and blood`, that is, Jesus` crucifixion and death. Consequently, the symbolism of `starfish` and desert aridity on the red planet of Mars in Britney Spears` `Oops! … I Did It Again` signify that what`s needed is water. In the miracle of the loaves and fishes, Jesus observes that bread, water and fish are for life, that is, the power to give life, and live, whereas the giant ring inside which Britney Spears` `small woman` descends to her stage set in `Oops! … I Did It Again` is the symbol of her devourer.

 In `The Giant Who Had No Heart In His Body` the heart of the giant is `hidden`,26 so that he can`t be killed. It`s reminiscent of the `hidden` woman of Revelation whom the New Redeemer is able to protect knowing that the `red dragon` can`t devour him. The New Redeemer`s heart is `hidden`; because she`s the woman of Revelation who`ll defeat the evil serpent`s `seed` and receive a new heaven and Earth as her reward through Jesus` rule. Consequently, that giant can`t be killed, because she`s his heart.

 In Revelation God punishes by means of a plague in which all water turns to blood and every living thing dies. In other words, water is most `precious`, which is the name Sméagol gives to his ring of power as it devours him. The blood disease AIDS, which is transmitted by homosexuals mixing blood, shit and semen in each others` anuses in rejection of `woman`s seed`, is men`s `biological weapon` keeping women in fearful faithfulness to monogamous ring slavery of their host wombs for the parasitoid alien devourer, and which corresponds to Britney Spears` ring of Dark Claude , who is attempting to kill the `heart` of the giant, Jesus, that is, the `hidden` woman`s.

 If the blue diamond `heart of the ocean` is given to Britney by her spaceman in `Oops! ... I Did It Again`, together with a red-suited Britney and a Britney in a white bikini dress, it signifies the red, white and blue of the `star spangled banner`; blue for water, red for haemoglobin, and white for the phagocytes, 27 which kill the viruses that would harm the body of Hinduism`s `Cosmic Man`, futanarian Vishnu. The virus is the 21<sup>st</sup> century metaphor for terrorism (AIDS), and Britney Spears is the soul of the `giant` that lives, in the heart, so that the giant cannot be killed, as she`s `hidden` there: `I`m Miss American Dream since I was seventeen.`28

 

 

 

1 Khutarev, Vladimir `From Byzantium To Present-Day Russia, The Double-Headed Eagle Still Soars`, Russia Beyond The Headlines, July 13, 2014, https://rbth.com/arts/2014/07/13/from_byzantium_to_modern-day_russia_the_double-headed_eagle_still_soars_38131.html .

2 Tatar, Maria The Annotated Hans Christian Andersen, W. W. Norton & Company, 2008, pp. 193–194, 205.

3 Andersen, Hans Christian `Thumbelina`, Fairy Tales Told for Children, C. A. Reitzel, Copenhagen, 1835.

4 Martin, Max, Rami Yacoub Britney Spears `Oops! … I Did It Again`, Oops! … I Did It Again, Jive, 2000.

5 Stuart, Gloria Titanic, 20^th Century Fox, 1997.

6 Bonham, John, John Paul Jones, Jimmy Page, and Robert Plant Led Zeppelin `The Ocean` Houses Of The Holy, Swan Song, 1973.

7 Field, Eugene `Little Boy Blue`, America, Chicago, 1888.

8 Troyes, Chrétien de Perceval, The Story of the Grail, 1135- 90.

9 https://en.wikipedia.org/wiki/Claddagh_ring .

10 Armstrong, Neil July 21, 1969, 2: 56 UTC,  https://en.wikipedia.org/wiki/Apollo_11#cite_note-29

11 Harry, Jimmy, Balewa Muhammad, Shep Solomon, Britney Spears, Britney Spears `Touch Of My Hand`, In The Zone, Jive, 2003.

12 https://en.wikipedia.org/wiki/In_the_Zone .

13 Asimov, Isaac `Hell-Fire`, Fantastic Universe, May, 1956.

14 Frost, Robert `Fire and Ice`, Harper`s Magazine, December, 1920.

15 Andersen, Hans Christian `The Snow Queen`, New Fairy Tales, Vol. 1, December 21, 1844,  https://en.wikipedia.org/wiki/The_Snow_Queen .

16 Gottwald, Lukasz `Dr. Luke`, R Kelly, Alexander Kronlund,  Max Martin, Nicki Minaj, Kesha Sebert and Britney Spears, Britney Spears, `Till the World Ends`, Femme Fatale, Jive, 2011.

17 WebMD https://www.webmd.com/bipolar-disorder/guide/mixed-bipolar-disorder .

18 Hugo, Chad, and Pharrell Williams, Britney Spears `I`m A Slave 4 U`, Britney, Jive, 2001.

19 Lund, Deanna as Valerie Scott, Land Of The Giants, `Double Cross`, Season 1, Episode 10, December 8, 1968.

20  https://en.wikipedia.org/wiki/Arab_Spring .

21 https://en.wikipedia.org/wiki/Mana .

22 Ibrahim, I. A., A Brief Illustrated Guide To Understanding Islam, Darussalam, Houston, Texas, USA, 1997, pp. 74, p.7.

23 Bellamy, David `If I Said You Had a Beautiful Body Would You Hold It Against Me` The Two and Only, The Bellamy Brothers, Warner Bros., March, 1979.

24 Koran, Al Khaf (The Cave), Sura (Ch.) 18, ayat (verses) 65-82.

25 Tolkien, J. R. R. `Riddles In The Dark`, The Hobbit, Ch. 5, George Allen & Unwin ,1937.

26 Asbjørnsen, Peter Christensen, and Jørgen Moe Norwegian Folktales, 1841-.

27 https://en.wikipedia.org/wiki/Phagocyte#cite_note-Ilya-6 .

28 Åhlund, Klas, Christian Karlsson, and Pontus Winnberg, Britney Spears `Piece Of Me`, Blackout, Jive, 2007.

Is Britney Spears Widow Twanky?

 

 

The theatre tradition of the `principal boy` being played by a girl is to be found in `Pantomime`, which is a type of musical comedy based on folktales. Aladdin is the story of a boy who finds a `magic lamp` that summons a genie.

 

 

 The mother of Aladdin is `Widow Twanky`, usually played by a man, and his brother is `Wishy Washy`, which is a reference to the laundry owned by Aladdin`s mother, the fulfillment of desire by means of the lamp, and the need to be certain about what one wants rather than `wishy washy`. The boy, Aladdin, is played by a girl, because the `lamp` she rubs is the symbol of a woman`s penis, which is the true fulfillment of any boy`s desire; to be the penis of the woman he loves. For a boy to want to be a woman with a penis is brave, and certainly not `Wishy Washy` in terms of wish fulfillment.

 

 

 During her 2009 Circus tour, Britney Spears` media circus focused on her `Chinese laundry` shoes. Women with a penis are `futanar`, so Britney`s `Chinese laundry` shoes refer to the woman`s desire to be the penis of the boy she loves, and the boy`s desire to be the penis of the woman he loves. Her `fut`.

 

 

 Aladdin indicates the underlying sexual metaphor. `Self-love` is love for a woman from the woman`s point of view. The masturbator`s fantasy is to be her, and for her to have a penis. Aladdin`s mother is played by a man because, without women, who are a species with their own penis, men are `widowed`. A euphemism for the penis is `key`, to unlock the secrets of a woman, so men bereft of women, because they know they`re futanarian, are `widowed to wank keys` (Widow Twanky`s).

 

 

 In the Bible the red dragon of Revelation is depicted as waiting to devour the New Redeemer who`ll protect the `hidden` woman of the Earth until she`s ready to leave for the stars where her `seed` will fight against the evil serpent`s `seed` and win. God will reward her with a new heaven and Earth, and the evil will receive eternal perdition. The `hidden` woman has `seed` of her own because she`s a progenitor with a penis of her own. She`s `hidden` because men would kill her to prevent her from escaping from her womb enslavement to them as `blood sucking leeches`.

Islam`s Koran (23:12-14) actually defines men as `leeches`:

 

`... the embryo ... obtains nourishment from the blood of the mother, similar to the leech, which feeds on the blood of others.`1

 

 The pronouncement is similar to Jesus` offer of his `body and blood` because his disciples are `leeches` and he`s man born of parthenogenesis, which is by woman alone. Consequently, he`s not a `leech`. In Catholicism transubstantiation is the transforming of the `bread and the wine` of the `Communion Service` into the `body and the blood` of Jesus, which is what the priest offers to the congregation, and Jesus offers to his disciples. To Become as Jesus, who was born without acceptance of the Holy Spirit, which is the Paraclete that, effectively, emerged from the side of Christ after it was pierced by the spear of the Roman Centurion Longinus.

 Because the Paraclete is God`s omnipresence, and those who accept her are accepting `Eve` born from their side with all the wisdom of woman since Eden as their `tutelary guide`, the spear of Longinus, known as the `Spear of Destiny`, produces `Spears of God`, which is why Britney Spears appears on the cross in the place of Jesus for the cover of her CD Piece Of Me. Corresponding to the `Second Eve`, because Eve in Eden emerged from the side of Adam 2000 years before, the wisdom of the Paraclete is the `spirit of God`, the `Shekinah`, described as `dwelling` within the tabernacle that contains the Commandments of `God`s law` in the Old Testament. The `Paraclete` of the New Testament is the `Shekinah` of the Old Testament because Jesus distils `God`s law` as `God`s love`. In other words, the `spirit of God` is needed if `leeches` are to become humans. Both the Koran and Bible agree men are `leeches` and, in Revelation, the turning of seas and rivers to blood is how the Bible focuses on men`s refusal to repent:

 

`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.`

 

 AIDS is an `immuno-deficiency virus`, which means that, in destroying the body`s immunity to disease, it leeches away its strength. Because the virus destroys the white cells that protect the red cells that carry oxygen, in AIDS the blood effectively kills the body. If the waters of the Earth were blood, the Earth would die, which is why the Bible uses it as an analogy for men`s refusal to accept Redemption from vampiristic parasitism and remain leeches. In Piece Of Me Britney writes SUCKER in red lipstick on the forehead of a paparazzi with a secret tiny camera concealed beneath his shirt to `take pictures`. He`s an art thief leeching the life`s blood of her career.

 Because women have vaginas, the correct receptacle for semen is unmistakable. Anal sex is how AIDS is spread; through blood, shit and semen. The disease AIDS that leeches the strength of the woman of the Earth`s body away from her is, by analogy, consequent to leeches having anal sex with each other, which is why God destroyed Sodom and Gomorrah in the Old Testament. If a woman has a penis, and she does, as futanarian, then she doesn`t need leeches, which is why Jesus was born of a virgin. Because a woman needs neither men`s semen nor their leech, and her species has a penis of her own. Men, according to Revelation, have had their chance at reproduction, Redemption, and will have perdition. A man and not a leech, that is, he who is as Jesus, the `New Redeemer`, shall protect the `hidden` woman of the Earth who`ll leave to sow her own seed with her own penis. Only leeches will remain. According to the Bible, man has appeared on Earth on only three occasions; as Adam, Jesus, and shall appear in the person of the `New Redeemer` of Revelation. Others may have had Redemption, but man has appeared only as Adam, Jesus, and will appear in the future again as the figure of the `New Redeemer`.

 

1 'A Brief Illustrated Guide to Understanding Islam', https://www.islam-guide.com/ch1-1-a.htm .

Britney`s Sucker

 

The `fourth wall`1 is a well known concept in drama, that is, the audience. In Pantomime the phrase that acknowledges the existence of a `fourth wall` is, `Look behind you!`2 Left, right, and behind are the three walls of the living room, or the theatre, with the television, or stage set, as the focus, which is important if others` focus is upon you. Then it`s alarming, `Look behind you!` As Revelation warns, `The number of a man is the number of the beast`. Mobile `phones give men the opportunity to target the individual as their `fourth wall`, while they can`t be seen by the targeted. The result is a dramatis personae in which the target is `gamed` by shadowy protagonists who`re capriciously helpful or hindering, because the `fourth wall` prevents their `game` from escaping.

 

 

 In the developmental psychology of Carl Gustav Jung (1875-1961) a woman`s animus or `spirit` appears in dreams as a group of men that form her opinions. An `opinionated` woman is a woman that hasn`t had her opinions formed for her by a group of men corresponding to her animus. Consequently, as the more vulnerable members of society, women are the focus for the `bull ring` of cowardly men with phones who, encircling her as tormentors, ultimately constitute a `snuff ring`. The Pantomime exhortation is directed at the girl who, traditionally, plays the principal male lead in the `Panto`, `Look behind you!` Because women have to learn to defend each other from men as the cowardly `beasts` that would murder her as a species.

 

 

 In `Piece Of Me` Britney has the role of the fairytale Princess, in `Cinderella`,3 who`s a `rags to riches` family slave but goes to a ball at the palace where the Prince falls in love with her, because her foot fits the `glass slipper` he uses to find the woman with the perfect `foot`, that is, she`s futanarian human `woman`s seed`, which is depicted in Christian iconography as Jesus, mother, the Virgin Mary, crushing the head of the serpent with her `foot`, because Jesus is `woman`s seed` for the sexual reproduction of human brainpower uncontaminated by male semen, which is why Jesus is killed: `Love your neighbour as you love yourself.` (Mk: 12. 31) The angel, Satan, was expelled from heaven by God for rejecting God`s plan that the human host would be greater than the angelic, and Satan was placed in God`s garden, Eden, on Earth as a serpent. Tempting the first woman, Eve, with the `fruit of the tree of the knowledge of good and evil, that is, death, the serpent told Eve, `You shall be as gods.` (Gen: 3. 5) God`s `fruit of the tree of life` was immortality, and God told Eve and the first man, Adam, that Redemption would occur after the pair were expelled for disobedience if Adam labored, although Eve would experience labor pain: `You shall crush the head of the serpent with your foot, but he shall bruise your heel.` (Gen: 3. 15) As `woman`s seed` Jesus was Eve`s labor, because futanarian women`s brains have the power to crush Satanism, which is host womb parasitism to ephemerality in death to the human race in a war waged against humanity by a parasitoid nature, men`s.

 

 

 In Egyptian mythology, the `Shu` is the `feather of truth` of Ma`at,4 the goddess who balances it against the heart`s worth, and if the two balance the balanced human enters heaven, which is a metaphor for psychological balance deriving from the sexual reproduction of human futanarian brainpower. Cinderella`s mind can be seen by looking at her `foot` through her `glass slipper`, which is the `Shu` of the Prince. In simple terms, he`s asking if he can see her penis. Traditionally, vampires can`t be seen in the glass of a mirror and so Britney`s promotional video for `Piece Of Me` features the mirror, that is, the `Shu`, which shows women why they`re not psychologically balanced, because the vampire has devoured their penis. Now they have the unbalanced psychopathology of the male brained victim that wants to be killed by the misogynist`s parasitoid nature.  Futanarian women can see their penis in the glass `Shu`, and so are psychologically balanced, whereas women who like what they see in the mirror of their dreams are told they`re `lesbian` abominations, although sex between women is normal for their species, which isn`t men`s.

 

 

 Identifying herself with Jesus Christ on the cross for the cover of the `Piece Of Me` CD single, Britney`s observing how the male brained Roman Empire balanced without a futanarian `foot`. Jesus was crucified after the disciple Judas, who was used to stealing from the collection plate after a service, saw a woman anointing his feet with expensive perfume and suggested that the perfume be sold to raise money. As the human host at the `Last Supper`, Jesus offered `bread and wine` in fellowship to the disciples as symbols of his `body and blood`, and Judas betrayed the human host to agents of the Roman Empire then occupying Jewish Palestine as a `dissident` who threatened to introduce `woman`s seed` to restore balance to human nature. Taken to the hill of Calvary outside the city of Jerusalem, Jesus was nailed to a cross of wood and left there until he died, although he had Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed` with the brainpower to build starships and escape from Satanism in colonization of the planets and stars, along with the medical science conferring permanent knowledge of how to maintain the operation and live.

 

 

 Vampires can`t be seen in the `Shu` of balance, that is, the mirror, because they don`t want the human race to have brainpower through sexual reproduction as the futanarian species, but rather blind ignorant unconscious brainlessness in decapitation without women`s capacity for sexually reproducing brainpower from their own penis` semen. The vampire lives at the expense of the human host, which was Judas` sin. It`s stake in the human species is as a parasitoid creature that`s stolen the penis of women to enslave her host womb for the production of whatever human civilization, culture and art she`s still able perforce to produce, before the parasitoid nature of the draco emerges to destroy `woman`s seed`, which is why the evil nihilists breed her.

 In `Piece Of Me`, Britney writes `sucker` on the forehead of a paparazzi with a tiny camera concealed under his shirt, because he`s a vampire bred in blind ignorant unconsciousness to accept his role. A reference to the incredible microminiaturization that has preceded the development of tiny moving pictures for `phones, the biblical prophecy of Revelation that phone numbers are the beast`s `name` represents the cowardly secret of the vampire that has bred in heterosexuality a single male brained creature corresponding to a `TV` transvestite wearing each others` clothes in a `snuff film` masquerading as a continuing socio-historical report on the doings of the people of Earth, who`ve been duped at least since Vlad, `the impaler` of Wallachia, known in the Middle Ages for impaling his victims on stakes, was romanticized in the film capital, Hollywood, Babylon, with actor Christopher Lee as Dracula (1958) based in the novel, Dracula (1897), by Bram Stoker, who depicted young beautiful women receiving immortality after their blood was drunk out of their bodies by a suave gentleman.

 The desire of evil vampires is to murder, and parasitoid men`s nature is the desire is to be immortal, so that they can continue to murder women, which is `vampirism`, and a concomitant of parasitism, although parasites aren`t necessarily parasitoid, which is the beginnings of Redemption: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was institutionalize `Greek` democracy, which was host womb slavery for homosexuality in pederasty to wage war on `woman`s seed`, which is what Empires are.

 Hollywood, Babylon`s Mogul Empire similarly promotes male braining for war movies to ensure the absence of `woman`s seed`: `… women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`5 In the mirror of the Hollywood `Shu` women`s unseen futanarian species can`t be a part of a balanced `scene`: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)  In `Piece Of Me`, Britney and her go-go dancers` glass is Cinderella`s `Shu`, and the `sucker` is the vampire who can`t see her penis in the mirror, which represents immortality through brainpower, rather than parasitoid devouring in parasitism. Cinderella`s sisters are `ugly`, as they`re futanarian, although she wants to `ball` with them, that is, they`re beautiful women with penis of their own, but the fairytale convention is that they`re `ugly`, as they aren`t men, because men don`t want human brainpower to interfere with their host womb slavery and vampirism.

 

 

 `Cinderella` is an illegal fiction because it tells girls looking in the mirror what to expect to see. Consequently, the socio-economic history of the Earth`s democratic nations is based on the illegal fiction that women can`t sexually reproduce with each other as a potential voting majority to outvote men`s psychopathological imbalance based on warfare against `woman`s seed` to enforce host womb slavery for parasitoid devourment. Or, in other words, men`s fiction is illegal because it depicts the depredations of their vampirism as human nature. When Britney Spears had her fortune and sons taken away from her by a United States` court, who gave custody of the children, Sean and Jayden, aged two and one, to their fatherer, Kevin Federline, and financial control to her fatherer, Jim, and someone who said he knew her well, Jason Trawick, it was an illegal vampiristic fiction, although the star`s earnings weren`t.

 

 

 The 20^th century was the vicarious enjoyment of large scale murder in the form of `historical` depictions of `epic` wars in wide screen cinemas with film formats such as `Cinemascope` and `Panavision`. The audience`s `enjoyment` of battlefield carnage from the American Civil war (1861-5) at `Gettysburg`, the `Somme` battle in Imperial Germany`s WWI (1914-18) attempt to enslave the Earth, Japan`s December 7, 1941, `sneak attack` on the US Pacific fleet at Hawaii`s `Pearl Harbour`, the Allied `D-Day` landings at France`s Normandy beaches in the overthrow of the German`s second attempt to enslave the Earth in WWII (1939-45), and World Trade Centre (2006), the movie of the news report, `live on CNN` and other networked `TV` channels, of September 11, 2001, when Afghanistan`s Al Qaeda terrorist group hijacked civil airliners to crash into the Twin Towers of New York city`s World Trade Centre, which precipitated what came to be known as the `Video Game War` in the Persian Gulf, after Iraq`s dictator, Saddam Hussein, offered his support to Al Qaeda, and his deposing on December 30, 2006, was watched on `TV` as a vicarious `shoot-em-up` that the `couch potatoes` didn`t have to touch their `Play Station`, `Saga`, and `Microsoft X-box` consoles to enjoy as nihilistic psychic vampires feeding upon the energy of elation as they vicariously experienced the life force draining from the bodies of the slain.

 In `Piece Of Me` Britney`s `sucker` comment in red lipstick on the forehead of a paparazzi with a small `phone camera is about Salvation. Although Christians associate Salvation with the salvage of vessels, that is, those sunken and downtrodden by vicissitudes, and the re-training of such `down-and-outs`, Salvation is memory of who one is, and where one was, so that one is saved there with others who want Salvation with you. Although it sounds science fictional, Salvation is being saved as a memory with those you want to be remembered by. In the Bible the `red dragon` of Revelation waits in vain to devour the new born New Redeemer who would protect the `hidden` woman of the Earth, whereas Britney`s `sucker` is for those who spurn Salvation as `blood-drinkers` who want moving pictures to be a cowardly bully with, secretly on I-phones` `shoot-em-ups`, and other torment and torture `games` of memory deletion, rather than a `hard drive` for `PC` permanence, where `pc` means `politically correct`, which feminist `pc` isn`t. Taught `pc`, women are encouraged to believe that lesbians are homosexuals so equal to men, whereas lesbians are human futanarian expressions of what futanarian women`s species are, and men can`t sexually reproduce with each other, because they aren`t women`s human species, which is why they practice homosexuality. `PC` is permanently correct, because Salvation is the saving of human futanarian women`s memory for `woman`s seed` as the Earth`s species.

 Enjoyment in the 20^th century was defined as the vicarious thrill of seeing identifiable actors murdering actors with whom you didn`t identify, because you knew who the successful murderer was. Clint Eastwood dares the forgotten young actor in the film, Dirty Harry (1971), and then cold bloodedly murders him with the popular Magnum .45 of the period, `Go ahead punk. Make my day!` Fourth wall convention tells the viewer that, as both are actors, it isn`t a real `snuff film` in which real people are killed for the entertainment of the viewer, whereas that`s what humans are being prepared for in wars against `woman`s seed`.

 

 

 Women in Moslem Islam are unidentifiable actresses `hidden` beneath their burkas in public, because they`re human futanarian women`s species. In Islam four wives are permissible in marriage because of an Old Testament story of Abraham `s wife, Sara, who became barren after birthing Isaac, founder of Judaism, and gave Hajer, her Egyptian maid, to Abraham, and Hajer birthed Ishmael, founder of Islam through his descendant Mohamed, who received the Koran (610-30 C.E.) from the angels, according to tradition, which is the basis for Islam`s four wives. Because the women are unidentifiable, they`re Clint Eastwood`s `punks` in the Gulf wars against women`s futanarian humanity. After the deposing of Saddam Hussein, Abu Bakr Al Baghdadi declared the Independent Levant (IL) of Iraq and Syria, as a `pun` on September 11`s (a Levant`s) declaration of war. Because women`s sexual reproduction would mean they`d outvote men, `woman`s seed` is `elephant` for which `big guns` are wanted. 9/11`s US President, George W. Bush`s, `Dead Or Alive!` warrant for Saddam Hussein was a `big game` hunter`s `post`. By the late 20<sup>th</sup> century, Hollywood, Babylon, movies like Scream (1996) had ceased all pretense at sympathy for the murdered, and simply accepted the murdered was the cowardly audience, who cheered addictedly as the helpless woman was slain. In short, the biblical `beast` was their hero, the coward who`d murder some heroin.

 The heroine of movies like Scream represented the programers, who wanted women to die. They`d become pogromers, so they could have more `snuff film` promotions based on real life reportage; for example, `ethnic cleansing` of Islamic communities in Bosnia by Christian Serbs during the Bosnian war (1992-5), who set up `rape camps` to male brain a generation of Moslems, and Sudan`s Dharfur province, where black West African Moslems weren`t of the `white` Arabian Moslem rulership. Those promotions led to more `Video Game War` for cowards addicted to smoking some unidentifiable heroine, after the first `TV war` in the Gulf (1990-1), in which aerial `TV` pictures of Kuwait relayed `live` made the US` destruction of the invading Iraqi army seem fun and simple.

 Rejecting the hero as a role model, Hollywood, Babylon`s audience had been prepared to accept the killer and blame the `producer`, women, used as a breeder of men for war since ancient Greece, when male homosexuality was `normalled`. Effectively, women are a `host womb` for men as the alien parasitical organism seeks to live as a cowardly murderer, and vicariously so in modern snorts of life energy inhaling elatedness. Because women have their own penis, as futanarian woman does, she`s a species. Consequently, unredeemed men are identifiably  women`s parasites, and the entertainment associated with the biblical `Baal worship`, which is traditionalized in modernity as `ball` sports, where the ball is the ovum and men play with `woman`s seed` because she can`t fertilize. In the Old Testament God punished the `chosen people` of the Jews for `Baal worship`, because `Baal` was male and the idol had a bull`s horns, whereas in Judaism Jews are born from women, because Jews are women, that is, although `Baalat` was the female `Baal`,6 human are futanarian, so `Baal` and `Baalat` were that `TV` transvestism created by heterosexuality as a single male brained creature wearing each others` clothes in a bullies` `snuff film` of the human race, which is why ball sports involve people running madly.

 God punished the Jews because history is the worship of the biggest bully, supported by the bullies (police). In German National Socialism (Nazism), Adolf Hitler became leader after the 1933 election, and pogromed 20, 000, 000 Jews in `death camps` before and during WWII (1939-45). In Revelation, 666 is `the number of the beast`. Globally, the `bull`, that is, the `player` with the `ball`, is supported, as Roman Emperors by their `police`, the Praetorian Guard, or `sucker` fans. Apart from the telephone number, 911, in the USA, the telephone number of the police globally is 999, whereas it`s 666 Satanically reversed, and a popular choice for taxi companies, because the local `bully` wants to levy taxes on travellers, and so the local taxis are there to offer `protection`. 911 was 9/11 because the Italians exported a `fireman` statue to New York two days before Manhattan`s Twin Towers were destroyed there by hijacked planes, and the local bullies wanted a war economy to reduce the level of technological investment in transportation, so that local taxi drivers continued `screwing`, where `screw` is the term used for `fixers`, as the replacers of the nails that kept Jesus` hands and feet in place, remain within the bosoms of their families.

 9/11 was `breaking the fourth wall`, which is a dramatic term for what occurs when reality is observed to merge with the drama, so that the distinction between the dramatic production and reality no longer obtains, which is what propaganda does. Many Americans thought the CNN reporting of 9/11 was a `movie` because they`re used to films like Steve McQueen`s Towering Inferno (1973), in which the fictional Glass Tower in Chicago is burned by fire, and Harrison Ford`s Air Force One (1997) in which the US President`s plane`s hijacking probably contributed to the passengers crashing the civil airliner hijacked by Al Qaeda terrorists at Shanksville, Pennsylvania, when it was reportedly on its way to crash into the US President George W. Bush`s Whitehouse residence in Washington, D.C. Britney Spears` `Piece Of Me` lyricizes the breaking of the boundaries between private and public, which propagandizes to the extent that fiction becomes reality:

 

I'm Miss bad media karma;

Another day another drama,

Guess I can't see the harm

In working and being a mama;

And with a kid on my arm

I'm still an exceptional earner:

And you want a piece of me?`

 

 Al-Qaeda broke the boundaries between what the USA perceived as `entertainment`, and Arabians watching Arnold Schwarzenegger in Terminator (1984), and its prequels and sequels on MBC Action, who`d accepted such `action` as prescribed:

 

`...  action in the world ... [is] extended [to] the idea ... [of] the ... imaginary boundary ...  acknowledging the audience through the ... imaginary wall ...  is considered a technique of metafiction, as it deconstructs the boundaries ... `7

 

 Movies like Enemy Of The State (1998) starring Gene Hackman, in which the US` National Security Administration`s (NSA) `spy-eye` intelligence satellite cameras watch an individual`s movements and `engineer` his life, irrespective of criminal involvement, suggests the bullies won the Gulf Wars, because all power is now in the hands of whatever passes for `police`, and CCTV `security` surveillance. As George Orwell`s prophetic 1948 post-Nazism novel of a dystopian future (1984) warned, `Big Brother is watching you!` What the Earth`s enslavers don`t want is Adam who`s sane, and `Baal` worship is fascist `snuff film` propaganda, that is, as 19<sup>th</sup> century natural philosopher Charles Darwin argued in Origin Of Species (1859), real intelligence loses to the bullies in the `big game` of species` survival, which is the human race.

 

 

 Enemy Of The State shows `Baal` worship, or `bullying`, as what men`s intelligence is for. The `hero` of Enemy Of The State is black actor Will Smith in what amounts to a slave film about an escaper bullied into accepting an evolutionary cul de sac, because he`s black. Will has the woman`s role, as pop singer John Lennon intuited, `Woman is the nigger of the world.`8 The viewer who identifies with Will is human,  because Will is the victim, which is what black people represent, a last bastion of male misogyny where the black man becomes the woman for a sympathetic audience unable to accept `woman`s seed`, but willing to be sympathetic to blacks with their history of slavery before the American Civil war (1861-5) of manumission. As Saddam Hussein`s army of Iraq was evicted from the Emir of Kuwait`s home during the Gulf war (1990-1), black US President, Barack Obama, during 2011`s deposing of Libya`s dictator, Colonel Ghadaffi, gave his sympathetic black support to `Baal worship`, that is, bullying, in a `domestic dispute`, where the legal fiction was of a woman`s house being restored to her. In short, black Obama gave his supporters over to `Baal worship`, although bullying by men of any color waging wars of vendetta is what parasitism for parasitoid nature`s devouring of human nature is.

 On the cover of the CD for the pop song, `Piece Of Me`, Britney Spears appears on the cross in the place of Jesus. She`s the `Second Eve` from the side of Jesus crucified after being pierced by the spear of the Roman guard, Longinus. Eve was the woman that emerged from the side of Adam in Eden, and so the Paraclete or Holy Spirit, which Jesus told his disciples would teach after him, represents the wisdom of Eve gained since Eden and that Longinus` sought to birth by `caesarean` section upon Jesus` death on the cross. Jesus` subsequent Resurrection and Ascension to heaven owes something to Longinus` intervention: `Surely, this was the son of God.` (Matt: 27. 54) Because Jesus was born uncontaminated by male semen from his mother, the Virgin Mary, he was `woman`s seed`, so prefigured the Resurrection and Ascension of human women`s futanarian nature through their own cycle of sexual reproduction as women with women producing brain capacity for technological Salvation in colonizing escape to the planets and stars away from enslavement to a parasitoid devourer.

 Eve`s symbol on September 11, 2001, was the `Big Apple` of New York city`s World Trade Centre, which symbolized `rough trade`, that is, that `brutality and violence` which is associated with `Greek` homosexuality in pederasty for warfare against `woman`s seed`. 9/11 was an attack on the wisdom of God`s Paraclete, because it released the Holy Spirit from the side of Christ, Jesus, which is why Longinus` spear was the spear of Destiny, and Britney Spears` `Piece Of Me` alludes to the Paraclete`s absence being due to what women can`t see of themselves in the broken glass of the pieces of humanity`s mirror:

 

`Don't you know I still believe

That you will be here

And give me a sign

Hit me baby one more time.`

 

 If the Gulf Wars hadn`t occurred, the future would`ve been symbolized by Britney Spears, whose initial album, … Baby One More Time (1999), contained the hit single, `… Baby One More Time`, which implied revenge against misogynists who`d hit her again even though women in male braining are bred to be submissive victims of their assailants. The `second fruit` of Eden was pears, symbolized by Britney Spears, as the Earth`s futanarian species. Revelation describes the `New Redeemer` protecting the `hidden` woman, who leaves to sow her `seed` amongst the planets and stars before war with the evil `serpent`s seed`, and a new heaven and Earth from God for `woman`s seed` to live forever, while the `serpent`s seed` receive perdition as God`s punishment.

 The election of US President Barack Obama was significant in biblical terms, because of the black `First Lady`, Michelle. Blessed is `barack` in Arabic, and in Hungarian, `peach`, so Michelle is the `black peach` in the Whitehouse. The bullies` `game`, which was that of Libya and the US` `global policeman`, during the continuation of George W. Bush`s `War On Terror`, received the Obamas supporters, which is the third `fruit` of Eden`s wisdom, supporters aren`t the supported, that is, `bullying` or `Baal worship` is for the `players`, whereas the bullied are the unsupported, rather than the unsupportable, which is voting for insupportable `Baal`.

 

 

 Although Britney Spears` name is penetratingly male, like the spear of the Roman, Longinus, piercing the side of Jesus to effect a `caesarean birth, Spears symbolizes `woman`s seed`.  In `Piece Of Me` Britney`s reaction to bullies is defiant on behalf of humanity: `You want a piece of me?` Because being bullied into acceptance of slavery in host womb parasitism to a devouring parasitoid is human history. When the Jews were removing themselves from slavery in Egypt, with the Ark of the Covenant, that is, God`s promise of liberty, because it contained God`s law, which Jesus taught was `love`, the female Shekinah or `spirit of God` dwelt therein, who is the Holy Spirit of Jesus` teaching. In Judaism a `Sukkah` is a lean to such as they`d use during the exodus from Egypt, which is remembered in the `Sukkot` festival, and Britney Spears` writing `sucker` on the forehead of the paparazzi in `Piece Of Me`, that is, `Sukkah`, because the Shekinah is the `spirit of the law`:

 

`Blessed are You, Lord, our God of the universe, who has sanctified us with the commandments and commanded us to dwell in the sukkah.`9

 

 The Sukkah is built without a `third wall`, that is, it`s open at front and side. There are two areas for receivers and guests, and two vantage points. In `Oops! ... I Did It Again` Britney in her red pilot`s suit descends to her stage set inside a giant`s ring, which looks like a `Sukkah`, and she suspends her spaceman visitor with a hook above herself in a white bikini-dress, that is, her `Sukkah` has two distinct areas, in accordance with tradition, which is the indwelling of the `spirit of God` amongst friends. The hook means Britney`s `Sukkah`, that is, the spaceman is a guest where the `spirit of God`, the Shekinah indwells: `All aboard!`

 

 

 `Oops! ... I Did It Again` is pinball too. Captain Hook lost his hand to a crocodile in J. M. Barrie`s play, `Peter Pan` (1904),10 so Britney`s hooking of the spaceman makes her `Hook`, which is a well-known pinball game, and she does make `bumper` movements with her hands linked outwardly, and emphasizing the `skirt` repelling pinballs from the bumper, although the figure in her red pilot`s suit isn`t actually wearing a skirt: `But I thought the old lady dropped it into the ocean in the end.`

 

 

 The scene shifts to Britney`s spaceman`s gift giving, which alludes to the movie, Titanic (1997), and 100 year old Rose`s dropping of the `heart of the ocean` diamond blue pendant into the sea at the point of salvage of the ship that sank on its maiden voyage from Southampton to New York after it hit an iceberg on March 15, 1912. The diamond`s a symbol of Cal, her ex-fiancée, who betrays Jack, her new boyfriend, by planting the `heart of the ocean` into his coat pocket and accusing him of theft. Rose`s boyfriend was amongst the drowned, which is why she laments his loss. Assisting passengers to the lifeboats, while some were throwing women and children into the sea to take their places in the boats, he wasn`t her ship`s hand, which is why she`s `Hook`, who lost a hand.

 In Egyptian mythology, the goddess Ma`at weighs the heart to see if it`s worthy, that is, to see if the individual is psychologically balanced in acceptance of `woman`s seed`,  but Ammit, the goddess with the jaws of a crocodile, devours it if it`s evil. Consequently, the crocodile in Peter Pan is Ammit, and Captain Hook is eventually devoured entire. When Britney in her red pilot`s suit raises her spaceman visitor above herself in the white bikini-dress, he`s suspended there like the feather of Ma`at, while his heart is weighed in the balance. The giant fork looming adjacent to the spaceman`s spacehelmet, as he hangs suspended, is Ammit`s. `Hook` suggests the Moslem tradition of cutting a thief`s hand off, and the `spy` camera attached to the spacehelmet of this paparazzi suggests thievery, although the invisibly suggested presence of Ammit suggests a curb to masturbatory impulses too as a form of theft, whereas human futanarian `woman`s seed` would argue that`s how sexual desire between women produces:

 

`I`m Miss American Dream since I was seventeen.`

 

 Descending inside the giant`s ring onto her red suited part of the two stage set of her `Sukkah` in `Oops! ... I Did It Again`, Britney suspends her spaceman visitor so he can watch her below in the second area of the `Sukkah` in her white bikini-dress, as she breaks the `fourth wall` to comment on the reality attending the fiction that the owners of the CDs she sells of herself aren`t masturbating while they watch her perform, so the tradition of the `Sukkah` leaves her open to attack, just as the tradition of issuing visas to students left the United States of America open to terrorist attack from Boston, Logan airport, when hijacked civil airliners were crashed into the Twin Towers of New York city on 9/11.

 

 

 The propaganda film that programed 9/11 was Logan`s Run (1976) in which actress Jenny Agutter as Jessica 6 is a `runner` in a society where everyone must die at the age of 21 to keep a socio-economic system with scarce resources viable. Actor Michael York has the role of Logan 5, a `sandman` who helps Jessica 6 to `run`, and the allusion is to women`s futanarian race, which can`t escape parasitoid devourment. The Al Qaeda terrorist attack on 9/11, 2001, was designed to prevent the 21^st century from being born, and on the anniversary of the sinking of the Titanic, on April 15, 2013, the Boston Marathon was attacked by terrorists to prevent the human footrace from running.

 Britney`s invitation to her game is a modern `cookie`, which is a code used by online gamers to give them access to internet websites so that they can resume their `play` where they paused, and a similar codex is used in video film technology to pause the `play`. Britney`s `cookie` is shaped like a traditional `cookie`, which is a biscuit. Britney`s spaceman visitor finds her image in the sand, a `cookie` miniature, and her giant`s `Sukkah` emerges from the arid desert of the red planet, Mars, as if she`s the plaything of some external power - and the spaceman can`t leave either. He walks backwards, as if the video is being rewound by a giant resetting the pinball game, Hook, and he`s returning as the ball to be relaunched in an attempt by the `player`, represented by `Mission Control`, to obtain more pictures.

 

 

 The giant ring`s for cock, and Britney`s `Sukkah`, which again breaks the `fourth wall`, that is, the `spirit of God`, which is the Shekinah, is succour, because human women`s futanarian species is single, whereas the single male brained transvestite creature produced by heterosexuality as its `TV` is a blood `sucker`, where `cock` is the raising of the hammer of the gun, rather than women`s human species of futanarian`s `woman`s seed`.  In H. P. Lovecraft`s Necronomicon,11 the labyrinth of Iot Sokkot alludes to the Jewish `Sukkut`, and denotes a spiral that encircles, so affording the illusion of protection, while imprisoning, because men are blood-suckers, rather than succour. The prisoner is a `sucker` of the imprisoner, and the spiral `Sukkah` is a prison. Consequently, the movie Spiral (2007), starring actress Amber Tamblyn as Amber, features a painter of nudes, actor Joel David Moore as Mason, who murders Amber when she discovers he`s painted other women nude. He`s a psychopath, and she`s unaware of the nature of his prison, which is a `Sukkah` for the blood of women. In `Piece Of Me` Britney`s dancers look at their `Shu`, that is, the `glass slipper` of the mirror, which doesn`t show their futanarian nature, while Britney writes `sucker` on the paparazzi photographer`s forehead in blood-red lipstick, because although vampires can`t be seen in the mirror, women can see that they`ve been there.

 In US slang a `piece` is a gun, and a murderer is a `modern vampire`, so `Piece Of Me` presents Britney Spears` as a modern `piece`, which is how she appears in the promotional video for the song from the Femme Fatale (2011) album, `Criminal`, in which it`s implied that, although she uses a gun to terrorize a supermarket cashier, she`s made to steal by a man: `He is a sucker with a gun (Gun, gun, gun) ...` On the cover of the CD single, `Piece Of Me`, as Jesus crucified, the allusion is to Jesus` Resurrection after, at the `Last Supper`, he offered his `body and blood` to the disciples, which is what a vampire master might do, if he were offering to confer immortality upon his followers. Modern blood-drinkers don`t offer immortality, which is what gunmen don`t do, and what the murderers of Jesus didn`t do, because Jesus` Resurrection and Ascension prefigured that of `woman`s seed` by nature`s sexual reproduction between women. In `Piece Of Me` Britney criticizes the paparazzi who use her public appearances as an excuse for `going on a shoot`, which is a dangerously apposite hunting analogy in the `snuff movie` era.

 Vampires didn`t want Jesus to live, because `woman`s seed` poses a threat to host womb slavery in ephemerality. Modern phones` with moving pictures narrow the theatre goer`s vision to ignore the externality, which deteriorates and dissolves, devoured by the diminishing screen, which is what `TV` does. War is the only panorama remaining, and T.S. Eliot warned of that in his poem `The Wasteland` (1922), which was designed to effect a regeneration of vision and, like Britney Spears` `Oops! … I Did It Again` contained desert imagery contrasting to that of oases:

 

`April is the cruellest month, breeding

Lilacs out of the dead land, mixing

Memory and desire, stirring

Dull roots with spring rain.`12

 

 

 9/11 was what narrowing of vision produces. Technophiliacs with the tiniest cinema screens for `phones  desensitizing individual responses to `action` until 9/11 became a visual appetizer for a second Gulf War and global terror reporting was presented as a `TV event`, because it`s a programed `snuff film` arranged by Hollywood Babylon`s unofficial propaganda ministry. Reality is now a media-mediated hiatus, which the killers produce as a program menu. War is `action`, then `small screen`, before becoming scarcely observed on the tinier `phone screens. Amusement arcade culture that celebrated body counts in `pinball` games, Big Guns, and Lethal Weapon 3, is now a central feature of TVs adapted for games consoles that primarily celebrate the `shoot-em-up` in top 50 body count games, Abuse and Abductor, and even tinier `phone games, the early devouring Pac-Man and the later, Critter Crunch, celebrating trivialization of life to the point of inconsequentiality and doom.

 

 

1 Fourth Wall, https://en.wikipedia.org/wiki/Fourth_wall .

2 Christopher, David British Culture: An Introduction, Routledge & Kegan Paul, London, 2002, p. 74.

3 Basile, Giambattista `Cenerentola` (Cinderella) Pentamerone, Naples, 1634.

4 Shu, https://en.wikipedia.org/wiki/Shu_(Egyptian_god) .

5 TV Tropes, 'Foot Poppin', https://tvtropes.org/pmwiki/pmwiki.php/Main/FootPoppin .

6 Baalat, https://en.wikipedia.org/wiki/Ba%E2%80%98alat_Gebal .

7 Fourth Wall, https://en.wikipedia.org/wiki/Fourth_wall .

8 Lennon, John, and Yoko Ono `Woman Is The Nigger Of The World`, Some Time In New York City, Apple, 1972.

9 Sukkot, https://en.wikipedia.org/wiki/Sukkah .

10 Barrie, J. M. `Peter Pan`, Premiered December 27, London, 1904-1913.

11 Lovecraft, H. P., `The Hound` Weird Tales, February 1924.

12 Eliot, T.S. `The Wasteland`, `The Burial Of The Dead`, I, Horace Liveright, 1922, l. 1-4.

Britney Spears and Leviathan, Behemoth, Ziz, and Chronos in Oops I Did It Again

 

 

In Oops I Did It Again (2000) Britney Spears plays the red dragon of Revelation, which is associated in Judaism with Leviathan from the Book of Job in the Old Testament of the Bible. Leviathan is interesting because the `sea monster` is equated with Satan in Christianity, and in Judaism forms part of a triumvirate of creatures; the others being Behemoth and Ziz, `monsters` of the land and air. Britney`s spaceman arrives on the arid desert world of Mars with a gift for her. Dressed in red, she asks:

 

`But I thought the old lady dropped it into the ocean in the end?`

 

 Britney`s Oops I Did It Again is about a sunken `Leviathan`, because of the allusion to `the heart of the ocean`, which is the blue diamond in the shape of a heart dropped into the sea by Rose at the site of the salvage of the Titanic liner that sank after hitting an iceberg on its maiden voyage in 1912 from Liverpool to New York. The movie Titanic (1997) details the story of Rose who`s heart was betrayed by her ex-fiancée`s placing of the `heart of the ocean` jewel into her new boyfriend`s coat pocket and accusing him of theft. Rose`s new beau subsequently drowns and, lamenting her loss at movie`s end, she allows the jewel to slip through her fingers and into the sea.

 

 

 In Egyptian mythology, the `feather of truth`, which is the goddess Ma`at`s, is weighed against the heart of the deceased and, if it balances, the `Akh`, that is, the personality (`Ba`) and spirit (`Ka`) conjoined, travel beyond the Earth to heaven. The heart of Rose`s drowned love is symbolized by the `heart of the ocean`, and Britney`s weighing of it. Red suited she hoists her spaceman on a pulley until he sees her from above in a white-bikini-dress.

The spaceman is  suspended, or `balanced`, above Britney in her white bikini-dress, who represents the feather of Ma`at. In her red suit, she`s Seshat, the Egyptian goddess of `building`, whose emblem is a rope. Descending inside a giant`s ring, a `superbowl ring`, her spaceman has `touchdown` (TD) on Mars. She `hooks` him with a `block and tackle`, lifting him above herself in a white bikini-dress. It`s American football and her `hook` is a quarterback `play` where the `eligible receiver` runs upfield, stops, and turns back to take the `pass`. We see Britney in red running to `hook` the spaceman with her `block and tackle`. When `hooked up`, she`s ready below in her white bikini-dress.  It`s Seshat`s `scientific romance`. Oops I Did It Again is her builder`s  bildungsromans.

 If the QB is `tackled` in American football, he`s `sacked`. In Oops I Did It Again he gives Britney a gift, and so he`s `sacked`, that is, she has a present from his `sack`. However, Britney in her red suit is the `real` Santa; because she`s Ma`at weighing Rose`s `heart of the ocean` against the `feather of truth`, and `love`s `heavenly reward` is what she has in her sack. In short, the spaceman is an `investor`, but isn`t supposed to know. He thinks he`s Santa. He gives Britney the `heart of the ocean`, which is a symbol of what the developmental psychology of Carl Gustav Jung (1875-1961) calls the `God archetype`. According to Jung there exist in the psyche of each individual images and figures that, in dreams and reverie, assist creativity and knowledge. Because the `ocean` is a symbol of the unconscious `Self` of the world, the `heart of the ocean` would contain the collective archetypes of God. Consequently, Britney`s been given the Earth, moon, and stars.

 Britney`s Till The World Ends begins with a `meteor ` crashing upon the Earth and, in Australian aborigine legend, the `coalsack`, or Black Magellanic Cloud, is personified as `Utdjungon`, who has the power to destroy the Earth with a `fiery star`. The world`s `Self` is `balanced` in Oops I Did It Again because Britney has the `heart of the ocean` from her spaceman`s `sack`, that is, the developmental capacity of the collective archetypes; or, in other words, the potential to leave Earth and moon for the stars. ICBM`s are men`s `fiery stars`; but you need a relationship to leave.

 

 

 The history of men is of devouring anything that doesn`t accept them; including woman. Or, to put it another way, if women don`t accept that they are men, that is, that women are men, men will devour them; as they devour everything else that isn`t themselves. If women have a penis of their own, they`re a species. Revelation describes how the `New Redeemer` protects the woman `hidden` upon the Earth before she leaves for heaven where her `seed` and that of the evil serpent`s fight a war in which she`s victorious and God creates a new heaven and Earth for her to dwell in forever. The red dragon of Revelation waits to devour the `New Redeemer` as the child born to the `woman clothed with the sun and with the moon at her feet`. It can`t. But the `New Redeemer` can protect the `hidden` woman. The meaning is simply that the `hidden` woman is a species with her own penis and doesn`t need to be defended. She only needs to hide. Men defend what they want to attack. If they`re declare they`ll defend you, they`re asking for you to be attacked. The `New Redeemer` protects the `hidden` woman by hiding her. She`s a species with her own penis who`s to sow her `seed` amongst the stars in preparation for the evil serpent`s `seed` final defeat and perdition. She doesn`t need men, so if they`re looking for her it`s because they`re the evil serpent`s `seed` that wants to attack her.

 

 

 In Oops I Did It Again Britney `has her own space` but, according to aboriginal legend, Utdjungon is the `lawman` who punishes lawbreakers. Utdjungon is the `devourer` of Britney`s woman because she `isn`t a man`. In Britney`s `gangster` video I Wanna Go, in which she`s `Bonnie` to Guilermo Diaz`s `Clyde`, and Criminal, in which she`s romantically `involved` in  murder, she`s `being a man` because men won`t accept anything else. By the late 20^th century Britney had defined herself as `bisexual` and, in Oops I Did It Again, she has the role of `spirit`, in her white bikini-dress, and `soul`, in her red suit, which is indicative of her `self-love`. The `path` of the `hidden` woman of the Earth who leaves to spread her `seed` amongst the stars of heaven, in  preparation for her victorious war against the serpent`s `seed`, is that of the woman with her own penis, which is what Britney`s psychological bisexuality and self-love is preparing her for. The red dragon of Revelation represents men who`d destroy woman here on Earth rather than allow her to leave and develop herself as an independent species. Till The World Ends, I Wanna Go, and Criminal are indicative of her possession by the devouring imago of men, which wants her to be as they are. Effectively, they don`t want her to live because she `isn`t a man`.

 

 

 `Santa` is an anagram of `Satan` and, in Egyptian mythology, the goddess Ammit devours the heart of the deceased if he isn`t `heaven worthy`, and therefore she corresponds to Satan in Christian iconography, which is understandable if woman is equated with `Satan` who wants to leave Earth but is to receive perdition from God. However, according to the Bible, the serpent of Eden gave Eve the `poisoned apple` to give to Adam, which means that Eve isn`t evil but `temptable`. Symbolically, the serpent`s saying `Eat her.` However, if she leaves she can`t be eaten. Ammit, in Egyptian mythology, is Ma`at and Seshat`s `man-eater` who devours the hearts of the evil men who`d destroy the `hidden` woman who has her own penis and is an inviolate species in her separateness from mankind`s. In other words, she`s `Satan` to men but isn`t male, and so represents the aspect of God which redeems `Satan`, which is identified in Genesis with the snake, that is, the penis. If the penis is no longer a male Satan`s, then it`s woman`s and she`s redeemed the male.

 According to Judaism, `Behemoth` lives `East of Eden` in an `invisible desert`, and Britney Spears` Mars in Oops I Did It Again is a desert in which she`s invisible before the spaceman visits. In Hebrew `behemoth` means `great` and is a feminine plural noun. Similarly, Elohim means God as a plurality, corresponding to the Holy Spirit, or Paraclete, of Christianity. Britney, in her red suit, and in her white bikini-dress, represent `plurality`. For Piece Of Me she appears on the cover of the CD as Jesus` Paraclete. At the crucifixion Jesus` side is pierced by the spear of Longinus and, effectively, the Paraclete emerges therefrom as the `Second Eve`, the `tutelary guide` with the wisdom of her species that had been developing since her emergence from Adam`s side in Eden. Britney crucified doesn`t have the `Spear of Destiny` in her side but she symbolizes the Paraclete or `Spears of God` that, emergent from Christ Jesus` side when pierced by Longinus` spear, afterwards was known as the `Spear of Destiny`, because it released the Paraclete or `Spears of God` from the side of Christ. Consequently, as a feminine plurality,  `Behemoth` might be the Paraclete, or `Spears of God`, and refers to woman with a male penis; `be he mother`. However, `Behemoth` is  described as `he`, depicted in battle with `Leviathan` in the Jewish prayer book or `siddur`.

 

 `... they will interlock with one another and engage in combat, with his horns the Behemoth will gore with strength, the fish [Leviathan] will leap to meet him with his fins, with power. Their Creator will approach them with his mighty sword ... the righteous ... will eat the meat of the Behemoth and the Leviathan amid great joy and merriment.` (Artscroll siddur, p. 719)

 

 They`re male, and therefore they`ll be eaten; because that`s what males do. The `righteous` are those who`ll eat them because they`re male. In truth `Leviathan` is that `hidden` content of the unconscious that, repressed into unconsciousness by men over thousands of years, that is, the knowledge of woman`s penis, emerges from the `heart of the ocean` as a sparklng blue jeweled heart of love and desire for her own species` development.

 In Christianity, the exhortation is `to love your neighbor as you love yourself` because your neighbor is yourself, which men are unable to do because they want to `devour` their neighbours (Cf. Hitler`s Anschluss of Austria in 1938, and Saddam`s invasion of Kuwait in 1990). `Behemoth` is a plural feminine noun because the female aspect is God`s. Similarly, the female aspect of `Leviathan` and `Ziz` denote the `hidden` woman of the Earth that wishes to leave, and that`s why she`s `Satan` to men who want to keep her here as an enslaved `host womb` for the promulgation of their devouring wars against her species, the Earth`s `builder` from whose `womb` everything emerges that time contains. Chronos (Saturn/Satan) is the male aspect that `devours`, and `space` is what the `hidden` woman needs so that she can build God`s heaven and dwell there amongst the stars forever. Consequently, the `Behemoth` of the `invisible desert` in Oops I Did It Again is Britney`s `hidden` woman, the female aspect of the red dragon of Revelation, that is, Ammit, the `devourer` of men`s evil hearts, and `Ziz` is the `unmanned` Mars` lander, which was named `Phoenix` by the USA because the mythological bird is a symbol of Resurrection:

 

 `From the [ashes] ... of [its] ... parent [it]... issues [from its nest to] ... the city of Heliopolis in Egypt, and deposits it in the temple of the Sun.`1

 

 In Judaism, `Ziz` finds correspondence with the Arabian `Simurgh`. However, whereas Ziz is male, Simurgh is female and wholly benevolent. Consequently, the devouring of Ziz at the end of time, `amid great joy and merriment`, isn`t surprising; if he represents the male as the `devourer` of women.

 If `Mars lander` were `Simurgh` in Oops I Did It Again and, according to legend, the Simurgh has that attribute of the `Phoenix`, Britney`s alluding to the Titanic movie in which Rose, grieving for her lost love, drops the `heart of the ocean` into the sea at the place of salvage where, Phoenix-like, the Titanic is to rise from the ocean`s depths. Rose`s boyfriend aboard the liner many years before had painted her nude, wearing the blue heart-shaped jewel, the `heart of the ocean`. Rose`s `picture` is the `zimmer frame`, which helps her to walk in her grief. Her boyfriend was `framed` by her ex-fiancée for stealing the `heart of the ocean`,  a `Ziz` character because male, and so she doesn`t grieve for him, whereas `Simurgh` is God`s benevolence, and Rose is able to walk in her grief, because the `Simurgh frame` of God`s benevolence is the `heart of the ocean`, which is her `Self` in the picture. Her Earth, moon, and stars.

 In spying, `sleepers` are those who steal secrets from companies, governments, or individuals, by `method acting`, that is, they play the role assigned to them until `activated`. Because the archetypes of the collective unconscious are the `jewels of God`, `demonic possession` results from a `sleeper` who wants what God`s given you to work with, and the work that you`ve produced. Rose`s `Titanic` story is hers, but Hollywood made billions of dollars from her memoir. In literary circles, `ghost writing` is a mode available to authors who can`t write, and so writers are employed. As the product of a `sleeper`, Rose`s story is `demonic possession` so that Hollywood can make `big bucks`. The `sleeper` is a `demon` that takes possession of a writer to `whore` the `jewels` of the writer`s archetypal creativity.

 When Britney`s spaceman picks up her picture from the Martian sands, it`s a `Simurgh frame`. He`s a `Ziz`, a creature of the air of Earth in his sealed spacesuit. Britney`s the benevolent Simurgh, which is why Mars has 98% oxygen. Her spaceman is encouraged by the picture in the `Simurgh frame` to walk towards her home, `the city of the sun`. She`s the Phoenix of legend and her home, Heliopolis, miraculously emerges from the desert floor of Mars as the spaceman `takes her picture`. With a camera beside his space helmet, he`s a `picture taker`. The `geek` at `Mission control` is the `demon` for whom he `takes pictures`. Britney`s the spaceman`s `dream girl`, the archetype of Resurrection in the spaceman`s unconscious `Self`, corresponding to his `soul` (Britney, in her red suit) and `spirit` (Britney, in her white bikini-dress), but she`s being `whored` by the `demon` of `Mission control` who wants the spaceman`s `pictures`.

 In Egyptian mythology, the Phoenix is the `Bennu` bird, which is represented as `bursting` from the heart of the god Ra: `I am the Bennu bird, the Heart-Soul of Ra, the Guide of the Gods to the Tuat.` According to the Egyptians, the Tuat was the `Other World` and a guide was required to negotiate dangers, such as devourment by evil creatures, in order to progress into the `heavenly realms`.

In Oops I Did It Again, Britney`s `temple`, Heliopolis, appears reflected, rising majestically, in the visor of her spaceman`s helmet, as he picks up her `cameo brooch` from where he discovers it lying in the desert. However, when he gives Britney the `gift` of Ra`s `heart of the ocean`, her guide isn`t the `Bennu` bird:

 

`Iranian legends consider the bird so old that it had seen the destruction of the World three times over. The Simurgh learned so much by living so long that it is thought to possess the knowledge of all the Ages.`2

 

 

 `Simurgh` is also the Iranian word for `rocket`. According to legend, the Simurgh has the attribute of a `firebird`, that is, Resurrection from destruction, but she`s female and `wholly benevolent`.

 

 

In terms of Christian symbolism, Britney`s `clothed with the sun and with the moon at her feet` on Mars, and `Ra`, the sun god, is the `heart of the ocean` because he corresponds to the `archetype of God` in Egyptian mythology, that is, the Earth`s `Self`, which is the `womb` of the `hidden` woman of the Earth that contains all that`s to emerge in time. But the woman of the Earth needs `space and time` to emerge fully, and the red dragon of Revelation represents men as the devourers that would prevent her from escaping into space, which is why the `woman clothed with the sun and with the moon at her feet` is depicted as giving birth to a `New Redeemer` that protects the `hidden` woman until she`s able to leave and `have her own space`.

 

 

 In her red suit, Britney represents the `clause` of Santa, that is, if you`re good you`ll receive your `heavenly reward`, but she`s also the `claws` of Satan, that is, if you`re evil you`ll go to hell. Surrounded by giant steel claws throughout Oops I Did It Again, Britney`s red suited heroine symbolizes Redemption through `good work`, and Resurrection, but also the rending claws and teeth of the red dragon of Revelation.

  Suspended above her with the eye of his bulbous space helmet`s transparent faceplate complimented by that of the camera lens attached to its side like an ear that can also see, Britney`s spaceman is a `Buddha`. His ear is trained to see what`s `hidden` by adhering to what the Egyptians call `Kheru`, the `Voice`, corresponding to the `tutelary guidance` of the Paraclete in Christianity, but `demoniacal possession` if the `voice` is proven evil, represented by the `geek` at `Mission Control` who`s in `possession` of the spaceman`s `soul` (Britney, in red) and `spirit` (Britney, in white) so that he can `take pictures`.

 Christians are exhorted to `test the spirits to see if they are evil` (1 John: 4.1), which implies that the spirits can be seen. By listening they become manifest to the eye, according to Buddhism. In terms of the archetypes of the unconscious `Self`, Britney`s spaceman is dreaming in colour. But the demonic `geek` won`t let him out of his suit to have sex with her. He`s `Mission Control` and she and her spaceman are possessed by the `geek`. Hoisting her spaceman into `position` where he can `take pictures` for the `geek`, her spaceman`s desire is impotent.

 Ma`at`s `test of truth` is symbolized by the fork beside the helmet of Britney`s spaceman. If his heart`s worthless, Ammit will devour it. Conversely, if he`s worthless, he`d devour Britney, and so it`s a sexual `meta-fork`, as it were, for the desire to devour when sexual activity is satiated. Britney, and her spaceman`s `geek` at `Mission Control`, represent masturbation. Her spaceman`s there to `take pictures` for `Mission Control` and so Britney and her spaceman represent the possessed ego and the archetypes of the collective unconscious, which are the `jewels of creation`. The masturbator wants pornography, so the demonic `geek` wants `pictures`. Theoretically, the masturbator is more harmless than the sexually satiated, because the masturbator doesn`t have access to the `flesh` of the desired.  Satiation precedes devourment of the `finished with` work, no matter how much time was taken in the development of the `product` (e.g., film) or relationship.  However, if the `sleeper`, as demoniacal possessor of the `soul` and `spirit` of the `sexual athlete` or `masturbatory fantasist` is insatiate, it`s imago of male devourer, constellated within the unconscious of the individual by movies like Silence Of The Lambs, which features the character of Hannibal `the cannibal` Lecter, will devour the in potentiam `Self` of the individual.

 In Revelation the red dragon attempts to reverse the consequences of its sexual desire, that is, the `New Redeemer`  born to `the woman clothed with the sun and with the moon at her feet`, by devouring the child which is destined to protect the woman `hidden` in the desert before she leaves Earth. Men would devour her and the `New Redeemer` rather than allow her to leave Earth because they are, by nature, cannibals. Sexual satiation precedes this `awakening`. Usually projected outside themselves as the god Mars, cannibalism characterizes their collective as `devouring war`. Consequently, woman is most vulnerable when she`s sexually satiated men, because they will devour her; as they do in warfare: a `metafork` for cannibalism.

 Britney`s spaceman, with the eye of a camera attached to his helmet where an ear would be, is a `Buddha` in his spacesuit. He`s able to see Britney because his ear is `trained` and he can see her from within himself as a `spirit`, which accords with the notion that she has the role of the goddess Ma`at weighing the heart of the deceased to see whether Ammit`s to devour it, or her spaceman`s to journey further into her `heavenly realm`.

 

 

 The camera eye is Britney`s spaceman`s `devouring mechanism`. In Egyptian mythology, the `Ba` is the soul as `personality`, and so the notion of `capture` relates to the notion of `image` and slander, that is, the personality or `soul` can be tormented by lies if someone is using their captured image to lie about them as Hollywood paparazzi are infamous for doing. The first spacecraft to land on Mars was the unmanned `Mars lander`. `Maa`, in ancient Egyptian, is the word for `truth`. Insofar as Maa derives from the name for Ma`at, the goddess of truth, Britney`s spaceman is Maa`s `lander`, but Maa`s `slander` if he`s a paparazzi there to propogate devourer`s lies about her.

 

 

 Piece Of Me is about cannibalism also. The paparrazi are depicted as her devourers, and the cover for the CD features herself as Jesus upon the cross. The symbolism refers to the effective emergence of the Holy Spirit or Paraclete as `Second Eve` from the side of Jesus when pierced by the spear of the Roman centurion Longinus at the crucifixion. Afterwards Longinus` spear came to be known as the `Spear of Destiny`, and Britney Spears` symbolic acceptance of the role of the `hidden` woman by the side of man is an allusion to the Paraclete as the `Second Eve`, that is, Christians` acceptance of  the Holy Spirit`s `tutelary guidance`. Britney`s presented as `the Spears of Destiny`, but Piece Of Me suggests cannibalism and, in Egyptian mythology, the god Osiris is dismembered by the evil Set, which can be construed as a metaphor for schizophrenia. Britney`s similarly `torn apart` by the paparazzi`s slander of her `image`:

 

`Oh Oh

Tell me have you seen her

Because I'm so

Oh

I can't get her off of my brain

I just want to go to the party she gonna go

Can somebody take me home

Ha ha he ha ha ho.`

 

 

 In If You Seek Amy Britney`s lyrics are `schizophrenic`, which is a result of media slander. The personality becomes `split` into `I`, and what the paparazzi want. When the ego of the individual is identified with the collective shadow, that is, other people`s negative perspective, you`re `captured` by cannibals who`re `tearing you to pieces` and `devouring` you. Britney, in Piece Of Me, is in danger of being `captured`:

 

 `You want a piece of me?`

 

 If You Seek Amy is her way of dealing with `them`. In Hollywood it`s called `method acting`. The `star` doesn`t act, she is the `role`, which requires faith in yourself, and God, because your own personality (and ego) disappears  while `in character`. If You Seek Amy is `F-U-C-K me`, which relates to Piece Of Me, and Oops I Did It Again where, in her red suit, she hoists the spaceman above herself in a white bikini-dress. She`s made a `grab` for him and it should be a `piece of cake`. All he has to do is `grab` the giant`s fork. But it`s too big for him to hold because he isn`t a giant. Nor is he a cannibalistic ogre. That`s the idea in the demoniacally possessive mind of the `geek` at `Mission Control` who`s staged the `Set`.

 Britney`s spaceman represents the god Thoth or `thought` and, as Ma`at,  goddess of truth, she`s Ma`at`s feather. Because `Ba` is `personality` and `Ka` is spirit, Ma`at, the goddess of truth, is Britney`s `Ka` or spirit. Her `personality` is represented by the Masonic goddess Seshat, her `Ba`, and Seshat the builder`s bildungsromans is about the relationship between `physical and spiritual love`. The spaceman hoisted above her can`t `grasp` her in `truth`. He has a camera from the cannibals at `Mission Control` who want to `capture` her. He thinks she`s `heaven`, but he`s sold his soul to the `meat trade`.

 In the psychology of Carl Gustav Jung (1875-1961), the feminine component of the soul is the anima, and those who fear their soul`s capture by cannibals are defined as believers in `animism`. Britney`s spaceman`s anima corresponds to Britney Spears, or any woman that`s desirable, but he`s `capturing` her for the cannibals he`s agreed to sell his soul to, which makes of him the red dragon seeking to devour the child of the woman who, according to Revelation, will protect the woman `hidden` upon the Earth before she leaves for the stars of heaven. Because he doesn`t want to sell his soul and eat it too, which is what the `fork` beside the spaceman`s helmet alludes to:

 

`You can have your cake and eat it too.`

 

 Piece Of Me, Fuck Me and Oops I Did It Again are about forgiveness for a desireful love that has become `a devour ring`. As the goddess Seshat, red-suited Britney has `balanced` the `heart of the ocean`, represented by the spaceman from which she`s `taken heart`, with the goddess Ma`at`s `feather of truth`, who is represented as herself in her white bikini-dress. Descending inside her giant`s ring, it`s a wedding or a cannibal feast. In Jungian psychology, `balance` means `healthy`, and `ocean` is a metaphor for the unconscious self which contains facultas praeformandi or `archetypes` that, appearing in dreams or reverie, assist conscious development. Archetypes can be figures, or images, and the `heart of the ocean` corresponds to the `God archetype` which, according to Jung, is `unknowable`, but visible in those who have achieved self-actualization or individuation (Buddha, Mohammed, Jesus).

 Jesus offered his `body and blood` to the disciples at the `Last Supper` before his crucifixion, death, Resurrection, and Ascension to God`s heaven. In Catholicism Jesus` `body and blood` is represented in `Communion` by the `bread and the wine`, and the Catholic `ritual` of drinking and eating is called `transubstantiation`, whereby the `tutelary guidance` of the Paraclete is invoked. In Jungian psychology, the `bread and the wine` are equated  with the soul and the spirit, or the `Ba` and the `Ka` of Egyptian mythology. But the symbolism remains the same. If your heart`s evil, you`ll be devoured.

 Jesus enacts the typical myth of the vampire who offers his `body and blood` so that his `disciples`can receive eternal life. The crucifixion of Jesus is a torture and murder, and although  Jesus` has Resurrection and Ascension the indication is that he`s an immortal `blood drinker` offering to `drink a little blood` from the body, and give the recipient life eternal; rather than rend and murder as his tormentors had done. In short, Jesus is a messianic vampire who understands the nature of reality. Either you accept `God`s love` from whichever vampire wants to give you eternal life, or you`ll be a possession and tortured to death by vampires who are devourers and don`t want you to live.

 According to Judaism, the three creatures (Leviathan, Behemoth, and Ziz) slain by God at the end of time, are eaten amidst great jubilation, which is logical if they represent the devouring male imago that sought to devour the Earth. In the Graeco-Roman tradition, the god Chronos (Saturn) devours his children, and so corresponds to the figure of the red dragon (Satan) of Revelation in the Bible that waits to devour the `New Redeemer` that protects the woman `hidden` upon the Earth; presumably from being eaten. The red dragon waits in vain because unable to devour the New Redeemer. Evidently, there are those who`ll be eaten in a godly way, and those who remain undevoured because godly. Clearly the `hidden` woman is godly while Leviathan, Behemoth, Ziz, and Chronos (Saturn/Satan) are masculine `principalities` or `powers`.

 Leviathan, Behemoth, Ziz, and Chronos (Saturn/Satan) constitute a quaternio in which the sea (Leviathan), the air (Ziz), the land (Behemoth), and time (Chronos/Saturn/Satan) are represented. In symbolic terms, Leviathan, Behemoth, and Ziz are to be absorbed into God in the course of history while Chronos (Saturn/Satan) receives eternal unendurable pain for cannibalistically devouring his children, which the figure of the red dragon of Revelation waiting in vain to devour the `New Redeemer` symbolizes.

 

 

 The dimension missing from the quaternio of sea (Leviathan), air (Ziz), land (Behemoth) and time (Chronos/Satan) is `space` which, according to Revelation, is the destiny of the woman `hidden` upon the Earth before she leaves; `Britney Space`. In Lucky Britney is depicted amongst Lucky`s stars, where the `hidden` woman and her `seed` await the final victorious battle with the evil serpent and its `seed` before God creates a new heaven and Earth for her and hers to dwell in forever while the evil serpent and its `seed` receive eternal perdition as their punishment.

 

 

 Woman with a penis is called `futanar` and she`s God`s basic survival pattern for her species. She has milk in her breasts, and semen from her penis can fill a bucket with protein. In species` survival terms female vampires are indispensable too. Futanarian woman has the male aspect of her species, and the rising of her penis to God is, effectively, the Redemption of Satanӓel, the first of angels, and the `Leviathan` of the masculine component of woman, sunk without trace like the Titanic, and emerging into a `Salvation` that isn`t the devouring homosexual sterility of men. Satan is redeemed in the shape of this female `Leviathan`, `Behemoth` or `Simurgh` and, as it says in the Bible, the evil shall still experience eternal unendurable pain. Because they`re evil and not because of their name.

 

 

1 Phoenix,  https://en.wikipedia.org/wiki/Phoenix_(mythology) .

2 Simurgh, https://en.wikipedia.org/wiki/Simurgh .

Cannibalism in Britney Spears` Oops I Did It Again

 

Britney suspends her spaceman from a meathook in Oops I Did It Again, and the tines of a fork are visible at the side of his space helmet, which is suggestive of the the ancient pagan practice of god-eating, whereby the `magical personality`, called the `Akh` in Egyptian mythology, is eaten in order to have the mana or power of the one who is `special`.

The practice derives from approaches towards `animism`, which is an old belief system based on the notion that the world is animated by the figures within it that demonstrate the ability to create something ex nihilo, because they are creative. Consequently, geniuses, film or pop stars, etc., contain mana and are sought after by cannibals who want to devour them. Oops `I Did It Again is infra dig; `fork`, get it? Either you`ll reply `Forget it!` Or you`re a cannibal:

 

 `Fork, get it!`

 

 Britney`s referring to the ancient tradition of remembering in ancient Egyptian mythology where Isis puts back together the pieces of the god Osiris after he`s been dismembered by the evil Set. Women represent desire, so if resurrection is what you want, which includes memory, desire for women is integral. The erect penis is not only the desire to be greater than you are, but to remember where you`ve been and who you were with. In the myth Isis can`t find Osiris` penis and fashions a new one. It`s symbolic of woman`s power to resurrect through desire for her, and the memory of those places you have been with her as well as what you were doing there.

 

 

 D.H Lawrence`s The Escaped Cock (1929) details the story of Jesus` Resurrection, that is, restoration of memory after his crucifixion and death, by means of the physical love of a priestess of Isis. Of course, `cock` is a euphemism for `penis`. In the biblical book of Revelation the red dragon waits to devour the `New Redeemer` because the dragon represents that which doesn`t want the woman `hidden` upon the Earth, and which the New Redeemer is born to protect, to escape. After escaping, and spreading her `seed` amongst the stars in heaven, according to Revelation she and her `seed` fight against the serpent`s `seed` and, defeating the draco, God creates a new heaven and Earth for her to dwell in forever. Lawrence`s The Escaped Cock is a metaphorical tale of the power of the penis` liberation, Jesus` Resurrection, and Ascension (or escape) to God. Revelation is, therefore, the story of the penis of the woman `hidden` upon the Earth before she escapes to sow her `seed` amongst the stars.

 

 

 Jesus` teachings are memorable because they contain the wisdom that, through `God`s love`, which is what Jesus distils as the essence of `God`s law` in the New Testament, comes Resurrection and Redemption. Because woman is the focus for man`s desire she`s the focal point for memory, and so Jesus` message of Resurrection is dependant on love for God and woman. The difficulty for men is loving a father image. After all, God destroyed Sodom. However, if a woman, `hidden` upon the Earth, had her own penis, she`d be a `fatherer`, and the image of God that could be loved by man without homosexuality, which appears in the homoerotic sadism of Jesus` crucifixion, and his Ascension to God and heaven as the `Son of Man`.

 In the Bible the red dragon of Revelation is depicted as waiting to devour the `New Redeemer`, the child born to the mana figure of the `woman clothed with the sun and with the moon at her feet`. The New Redeemer is a type of the mana figure, the new `magical personality`, which is to protect the woman `hidden` upon the Earth. The war against the serpent`s `seed`, that is, the dragon`s `seed`, is with the cannibalist devourers of the `special` ones with `special` abilities, and the nurturing, procreative, and developmental `seed` of Christian woman wins.

 

 

 The scenario is difficult to understand because a woman would have to have a penis to sow her own `seed`, which is why she`s described as `hidden` upon the Earth before she leaves. The scarcity of women with a penis in the media is indicative of the prejudice against her, but the fact of her existence undeniably makes of her a species capable of reproduction, whereas men cannot reproduce alone, and are therefore correlatable with the red dragon of Revelation, which seeks to devour the `New Redeemer`, who represents any individual with an ego-consciousness developed enough to want to protect her here.

 The concept of the `hidden` woman is important, because of the fine dividing line between `farming` her secretly in order to breed her as powerful mana meat, and protecting her. Britney alludes to the framework of meat production in her descent inside a giant ring as a `little person`, and the scene with the spaceman hanging like meat on a hook above her, with the tines of a giant`s fork beside his spacehelmet, emphasizes the role of the `little woman`, who`s the `magical personality`, full of mana for the devourer that wants her power.

 In Oops I Did It Again Britney is small in comparison to the giant ring and fork, and beneath the spaceman she has hanging above her on a `meathook`, she appears in a white bikini-dress; as if she were upon a white tablecloth. Britney`s addressing the production of mana personalities small enough to be easily devourable by the cannibals.

 In her red suit, she suspends the spaceman above her white bikini-dressed self, and it`s The Tale Of Rose And Snow White, which features a bear and a `little man`. The girls befriend the bear, and help a `little man` whose irascibility towards them annoys the bear. However, the bear himself is irritable, and says to the girls: `Children, leave me alone. Little Snow White and Rose Red. You will strike your lover dead.` Paradoxically, it`s the bear that kills the `little man`, that is, irascibility. Logically the `little man` is their lover, and the girls receive his `treasure` from the bear, who reveals himself as a prince transformed by the `little man` into a bear. The bear explains that the `little man` did this so that he could have the prince`s `treasure`, but if the `little man` is the girls` lover, he`s the educator who`s transformed the prince, so the `little man` is the `lover` who the bear/prince says will be killed (and, indeed, kills him), because they`re girls who need the education of the `little man`, which the prince doesn`t want them to receive. He has been taught that it`s man`s nature to enslave women, and the `little man` represents the educative principle that, if women knew they were a species, they wouldn`t want `parasites` as their `masters`.

 

 

 The story is `traditional` insofar as the girls marry the prince and his brother. However, in Christine Stahl`s earliest version of the tale, the bear kills the `little man`; has never met him; isn`t a prince: but the girls have the `treasure`. In other words, the girls obtain the treasure of the `little man` from the bear who becomes a prince because it`s man`s nature to catch women for sex and work, and not to educate them in `true nature`, which is what the `little man` that the bear kills represents.

 

 

 In Bible terms, the `New Redeemer` is the `treasure`, which the girls would have from `mother nature`; if the `little man` grew. But the bear has the role of the devouring red dragon of Revelation, which waits to devour him. The pattern is familiar from Graeco-Roman mythology, where the god Chronos (Saturn) devours his children; particularly Zeus (Jove) the new father. The red dragon of Revelation is a `son devourer`, because this `New Redeemer` would protect the `hidden` woman of the Earth and educate the girls into becoming women. The red dragon is the father-imago, who doesn`t want female development, and devours the son who`d be their new `teacher`, as it were. The `treasure` of the `little man`, although the best he has, isn`t the `treasure` that `mother nature` is educating her species, that is, woman, to receive, which is that she`s a `hidden` treasure, a species whose mission is to fight the `seed` of the evil serpent, and win the reward of the new heaven and Earth promised by God in Revelation to her, and her `seed` forever.

 

 

 In both Revelation and Genesis God tells Eve there`ll be `perpetual enmity` between her `seed` and the serpent`s, and she `shall crush his head with her heel as she leaves`, that is, the serpent`s, who devoured her sons that fought for her freedom at Gettysburg in the American Civil War (1861-5), in the trenches of the Somme in World War I (1914-18), at the Normandy beaches in World War II (1939-45), and in the desert sands of the Gulf Wars (1990-2011). According to the Bible, the evil serpent, and the serpent`s `seed` receive the punishment of unendurable eternal pain. Saddam Hussein`s name means `crusher`, which means he was the red dragon of Revelation, and his name actually means `he who is to be crushed`, because that`s why he`s labeled red for danger. Freedom, represented by the statue of Liberty in New York`s harbor on 9/11, symbolizes the `hidden` woman who, seeking  liberation, crushes the head of the serpent.

 

 

 `Saddam` also means `shoemaker` or `cobbler`, and it`s a torturers` practice to `shoe` a man and woman, which means to put them together in a confined space, such as an `iron maiden`and, unable to see each another, they are tortured together in torment. Effectively, the `iron maiden` becomes a `sarcophagus`, which is what the ancient Egyptian pharaohs were placed in as their `coffin` that resembles a `shoe`.

 

 

 Similarly, the `burkahs`, or `abiyahs`, of Arabian women, have the appearance of `shoes`, while Saddam Hussein, whose name means `shoer`, represents unredeemed man as the tormentor. Those who are `shoed` live, while their `emanations`, the `soul` or `spirit` bodies, which the ancient Egyptians called the `Ba`, corresponding to the personality, and the `Ka`, corresponding to `life force`, combined as the `magical personality`, or `Akh`, enter Paradise, which is `Jennah`, `hidden` from the `shoed`, and where the `shoers` torture the couple to death, which is hell for them and that`s why they`re `shoed` by the `shoers`.

 

 

 The red dragon of Revelation was Saddam, the `shoer`, `crushed` by the heel of `Liberty`, because Christian women don`t want to wear a shoe; you need two feet to crush a red dragon`s head before you leave for the stars:

 

`One small step for a woman. One giant leap for womankind.`

 

 In Egyptian mythology, Ra is the sun god, and is incarnated as Osiris, who`s dismembered by the evil Set. Osiris` scattered parts are found and put back together, or re-membered, by the goddess Isis. As the resurrected Horus, he has the moon and sun as his eyes, and finds correspondence in the New Redeemer of Revelation born to the `woman clothed with the sun and with the moon at her feet`.

 In Oops I Did It Again Britney makes feather-like movements beneath her spaceman`s gaze and camera eye. She`s the Egyptian goddess Ma`at, whose `feather of truth`, called `Shu` in Egyptian mythology, is weighed against the heart of the hero to see if he`s brave enough to journey with her. He gives her a `mysterious gift`, and she asks:

 

`But I thought the old lady dropped it into the ocean in the end?`

 

 Red suited she hoists the spaceman until, hanging suspended above her white bikini-dressed `twin`, `feather` and `heart` are in the balance. The oblique reference to the `old lady` is a reference to the Titanic (1997) movie in which Rose drops the `heart of the ocean` into the sea at the site of the shipwreck`s salvage operation. The Titanic hit an iceberg and sank on its maiden voyage in 1912 from Liverpool, England, and the story is about Rose`s betrayal be an ex-fiancée who frames her new lover by planting the jeweled pendant in his pocket.

 Rose`s boyfriend subsequently drowns and Rose is left with only the blue heart-shaped jewel. Symbolically, therefore, the spaceman`s gift corresponds to the heart of Horus, and Britney`s white-bikini-dressed self is the Egyptian goddess Ma`at, whose `feather of truth` is weighed against the heart of the hero to see if he is `true` and will journey with her to heaven. According to tradition the feather and the heart balance if they are to go together. In her red suit Britney corresponds to Seshat, who `answers important questions` and `opens the door of heaven`. To those who`re true to her and follow her path of wisdom, she`ll reveal her secret truths.

 In Egyptian mythology `Kheru` is `Word` or `Voice` and the name `Christ` derives therefrom, so `Ma`at Kheru` is the `voice of truth`. In Egyptian mythology, Horus is a hawk and `Kheru-ur`, the `face of heaven`, and so Ma`at-Kheru-ur` is `the voice of truth from heaven`s face` (Jesus Christ). Egyptian mythology is prefiguring the Old Testament `Word of God`, Jesus Christ, and the New Redeemer, who protectively watches over the `hidden` woman of Revelation `like a hawk` (Horus) before she leaves for heaven. Ancient texts were written by scribes employing a feather in the form of a quill dipped in ink, and so the Egyptian goddess Seshat is depicted as a scribe to indicate the beginnings of writing, and the keeping of written knowledge:

 

 `I am thy writing pallet, O Thoth, and I have brought unto thee thine ink-jar. I am not of those who work iniquity in their secret places; let not evil happen unto me.`

 

 

 The hemp symbol above her head signifies paper and writing, and her role as `architect`, because rope, made from hemp, is used in measurement. The Egyptian symbol `10` appears to be above the hemp leaf and denotes the science of mathematics, so the basic building materials of civilization are present; written language and numbers:

 

 `... a number world ruling ours behind the scenes supplied five thousand years later the screen script for the science-fiction movie The Matrix.`1

 

 The ancient Egyptian constellation of the `bull`s foreleg` corresponds to Ursa Major, and Britney hoists her spaceman aloft using a pulley. Symbolically, she`s dealing with a `bully`. In the tale of Rose Red and Snow White the bear becomes a prince after it kills the `little man`. In Oops I Did It Again, the bear, symbolized by Ursa Major, would be a `Giant Prince` if it were transformed from bear to prince, which is why Britney descends inside a giant`s ring.

 Britney`s spaceman isn`t big enough to wear her ring, because he has a `little man`. The pulley and `Bull`s Foreleg` symbolism indicate that, as Seshat, she`s suspending the judgement of Ma`at upon this `bully`.  Metaphorically, he`s to be `killed` beneath the sign of `the bear`, and the spaceman transformed by `Kheru`, in Egyptian, that is, the `Word` or `Voice` of Christ, thereby becoming the `Giant Prince` who`ll wear her ring. The `bully` is the `little man` who`s bullying him. Effectively, the bespectacled `geek` at `Mission Control` who`s made a `game` of Christ Jesus` love.

 

 

 Britney`s spaceman is the pinball in a game. When he uncovers a `cameo brooch` of hers from the desert sands of Mars it`s the token that begins it. When the `game` is over we see him walking backwards; he`s the pinball being reset.

 Historically, the first pinball game to have the ball bearing exit the playfield after the end of play was Bumper. In fact `bumpers` define pinball. The ball bearing bounces between them and you can`t predict where the ball will be propelled.

 

 

Britney and her dancers make `bumpers` by holding their hands clasped in front of themselves. Of course, the women`s breasts are nature`s `bumpers`, to which men are either `propelled` or `repelled` by their mothers` `bumpers`.

 

 

 The original pinball game Thumper was new because the ball bearing was propelled away, and the `bumper` registered a `hit`. Britney is the `Red Rose` at the `heart` of her `game`, Ring-Ring-A-Roses, which is a nursery rhyme recited by children as a mnemonic to remind them of the plague, that is, children `play games` but the aim of adults corresponds to `plague aims`, and that`s what Revelation warns against; sodomy and war.

 

 

`A ring, a ring o' roses,

A pocket full o’posies -

Atishoo atishoo we all fall down.` (1883)

 

 Britney`s male dancers fall away from herself and her female dancers, because men represent death; they`re not the Earth`s species and the death of the Earth is what they are. The sneezing in Ring-a-Ring-a-Roses is a disease anology, and the 21<sup>st</sup> century killer is the STD AIDS, which is described in Revelation as God`s punishment on `homosexuality`. The men of Revelation, as parasites upon the wombs of women, represent the sterility of a cancer that only wants to replicate itself and needs a `host womb` to replicate itself as `war, famine, plague, and death`:

 

`... ugly and painful sores broke out on the people who had the mark of the beast and worshiped his image ... [the Earth`s water] ... [`became blood`] like that of a dead man, and every living thing ... died ...`  (Rev: 16. 2-4)

 

 The AIDS` plague is described in terms of the `horsemen of the apocalypse` in direct contrast to the role of the `Holy Spirit`, the Paraclete, described in the Bible in `womanly` terms as `guide, teacher, comforter, and helpmeet`. Because men have rejected Jesus, as they did originally on the hill of Calvary in Jerusalem, and in Revelation they are seen to be the Earth`s cancer of sterile homosexuality.

 The pinball game Thumper had a `skirt`, now standard, around the base of the `bumper`, which sensed the ball bearing touching it. A `Popper Ring` came down, hit the ball bearing, and propelled the ball bearing away. The giant`s ring Britney descends in at the beginning of Oops I Did It Again is a `Popper`. Her spaceman is the `toy`, a usual pinball `feature`; the `crane grab` of the `amusement arcades`, which is the homosexual amusement of men not satisfied with the delights of the love permitted by God; the homosexual amusement, dark AIDS`.

 

 

 Suspended above her as if by a crane, Britney`s spaceman represents the god Thoth, who`s the male counterpart to Seshat, and judge of the dead, whose symbol is the `crane`, the Egyptian ibis. Thoth is `thought` over action. Britney`s surrounded by what seem like giant steel bears` claws, and a pinball is a steel ball bearing, so the symbolism of the `bear ring` in Oops I Did It Again `is sin, repentance, and forgiveness; for the `bears`, whose homosexual amusement, dark AIDS, is forbidden.

If it were Jesus Christ`s ring, it`d be the ring of Britney`s `Giant Prince`, and the bears would be forgiven or have eternal perdition. Britney`s `game` is `Christian conversion`, which accepts Egyptian mythology (or any other) as `costume drama`, but not the modern worship of God, which is simple:

 

`One of the most important ceremonies in the foundation of Egyptian temples was known as `stretching the cord`. The reigning pharaoh, and a priestess personifying Seshat, proceeded to the site, each with a mallet and a peg connected by a cord to another peg. Seshat, 

sch, he drives his peg in, marking the position of a future temple.`2

 

 

 Thoth may be simply understood as `thought`, and when Ma`at weighs the heart of the hero against the `feather of truth`, he`s reading the heart and the thoughts within it as if it were a book. It`s analogous to the evaluation of an author when his story has been written.

 

 

 The ibis headdress of Thoth is the `mask` or persona. The ibis` long curved beak probes deeply below the surface to get at the real nourishment below, and is a symbol of the individual whose persona belies their thirst for knowledge. Like American football players who have to learn hundreds of plays each season, or they can`t play no matter how good they are. It`s no accident Britney`s astronaut looks like an American `superbowl` winner. Every astronaut is a pilot and scientist, and Britney`s spaceman`s Horus, with the `face of heaven` mirroring the cosmos, and Britney`s particular `star`, looking out from the persona of the space helmet`s visor that hides him as the woman of the Earth is `hidden`.

 Britney alludes to the cord again in the symbol of the `tuning fork` beside the spaceman`s helmet as he hangs suspended above her white bikini-dressed self. She`s Rose Red in her red suit, Rose White in her white bikini dress, and the blue of the `star spangled banner` is her spaceman. Oops I Did It Again is `four chord` red, white and `blues`, and Britney`s Seshat is a mason of the USA because she`s planted herself and her flag and built a temple on Mars.

 

 

 The `blue lodge` is the traditional Masonic temple, and Britney`s Oops I Did It Again`s `four cord blues` refers to the `cord of Seshat`. The earliest Egyptian mason`s `compass` was a hempen rope, which was particularly used to link the four corners during temple building, and appears in Seshat`s emblem in the same relation as the compass in the blue lodge`s emblem. This suggests that the seven points of the hemp leaf, appearing beneath the mason`s cord in Seshat`s emblem, correlate with the mason`s `square` insofar as it can be related

 When Britney`s spaceman finds her cameo brooch in the sands of Mars it`s as if he`s clicked on an internet `icon`, and mirrored in the visor of his spacehelmet her temple miraculously emerges from the arid desert of the red planet.

 Without water, plant life can`t be, and so the hempen rope of Seshat is emblematic of the importance given to water by the Arabians who live in the deserts, and why it appears in Christianity`s baptismal `font`. For those who accept Jesus Christ and the Holy Spirit, the water of life is the ink in the pen of God`s Word. In the Eastern tradition of the desert peoples, which can`t easily be understood by people of the West where water is plentiful, Seshat is the knowledge of the desert. From water comes plant life and, from hemp, ropes are made; the mason`s squares and compasses from which ancient Egyptian temples were built.

 

 

 In the West, the temples of the head are associated with cannabis, and `illumination`. The Illuminati are an ancient Masonic order, and hemp is a consciousness-expanding drug. Consequently, Thoth or `thought` finds correspondence in Seshat, life`s activating principle. The `cord` of Seshat is a psilocybin mushroom, which is a natural psychotropic drug that again relates to mind expansion.

 

 

 In ancient Egyptian mythology the `Khaibit` is the shadow of the personality, which is separate from the `Ba`, personality, and `Ka`, spirit. Britney`s Oops I Did It Again is `four Ba blues` because her `Ka` seats four, according to the developmental psychology of Carl Gustav Jung (1875-1961), which says there are four functions of consciousness; `Sensation, Thinking, Feeling, and Intuition`.

 

 

 The Egyptian `Khaibit` is depicted as looking something like a mushroom with a parasol umbrella, which is why the cannabis leaf appears beneath it in

the emblem of Seshat as if the shadow or `Khaibit` were a lampshade unfolded by the light of the mind; like the parasol of an umbrella over what is illuminating the room.

 

 

 According to Jungian psychology, the shadow is libido or instinct, which is transformed into spiritual activity as the individual achieves enlightenment, that is, success through work. Beside the foot of Seshat is the `genie` of the `lamp`, the activating principle and symbol of genius resting upon the Egyptian symbol for `infinite creativity` that can`t be subdued.

 

 The symbol of `infinity` is a `cock ring` to maintain desire, and Seshat`s genius personifies the vegetative principle of desireful Thoth or `thought`, while the height of thought is symbolized by the tip of a condom signifying that she mediates the emergence of his enlightened state, which could be productive of something as mundane now, and as earth-shaking then, as the invention of the electric light bulb.

 

 

 Star Trek`s (1965-) Enterprise extends the analogy. People enter and it leaves, which makes it a `good dragon` rather than a devourer. The ship`s `shield` corresponds to the aura of the individual, a protective umbrella, that is, the `magic lamp` of Arabian folklore is an archetype of the collective psyche to which Jung accords developmental power. In simple terms, it`s the friction upon the penis` length during intercourse or masturbation that causes it to grow greater and receive the reward of orgasm for its desirefulness for the woman in pleasure outside of work, where the libido is channeled into less instinctive (physical), and more spiritual (intellectual) effort, which results in more time for pleasure and greater safety in the enjoyment of it.

 

 

 The Enterprise isn`t `developed` in the sense that it has `phasers` and `photon torpedoes` that assist it in its schoolboy `action` role as a `devourer` of men, whereas what`s needed is a shield that can`t be penetrated, and that`s what Seshat`s condom represents. In simple terms, you wouldn`t need to attack if you were able to defend. That`s why the red dragon of Revelation is depicted as waiting to devour the New Redeemer – and can`t. God is omnipotent, unassailable, and doesn`t need devourers: noone does.

 The simplest feature of Oops I Did It Again is that Britney on Mars doesn`t need a space helmet, whereas her astronaut does. In other words, she`s Seshat and her emblem indicates that she has a helmet; but invisible: like a `starship shield` or `cloaking device`. A shield is designed to withstand an attack, whereas a cloak is designed to `hide` from an attack. In short, a shield presupposes an attack, and so is designed to withstand one, whereas a cloak presupposes one isn`t an attacker, and that no one can attack you. It`s developmentally wiser. Why invite an attack by presupposing that you can be attacked? That`s the meaning of the woman `hidden` upon the Earth waiting to leave and protected by the New Redeemer who can`t be devoured by the red dragon before she leaves.

 

 

 The New Redeemer`s mother is `clothed with the sun and with the moon at her feet`, or `cloaked`, which suggests that she`s the archetype of what can`t be attacked. In terms of religious development, Seshat and Thoth are the pre-inventors of the electric light bulb, lamp shade, umbrella, starship shield, and cloaking device; because they`re the archetypal pairing that represent those developments. They`re also the developers of the condom, another meaning of Seshat`s emblem, which protects the `hidden` woman preparing to leave the Earth in Revelation from the sodomite`s disease AIDS that men are dying from, that is, the homosexuality and faithlessness they refuse to repent of:

 

`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10)

 

 Seshat and Thoth are an archetype of constance because faithfulness to a woman (or, indeed Woman) over many lifetimes, or reincarnations, assists memory of desire, cr and so resurrection. Jung describes archetypes as facultas praeformandi which descry the future. The ourobouros archetype of the dragon that gives birth to itself, for example. Appearing in the mind of the sleeping scientist Klulé, the ourobouros inspired him to model the structure of  the `benzene` molecule.3

 

 

  Occasionally, the `Voice` speaks in dreams or reverie, and in Christianity the Holy Spirit or Paraclete is described as `guide, teacher, comforter and helpmeet`, which suggests that it speaks the `Word of God` to the believer. In Egyptian mythology , `Kheru` is `Voice`. Because `Christ` derives from `Kheru`, Oops I Did It Again is about `Voice` and the `Ib`, which is `heart` in Egyptian. In her white bikini dress, Britney has the role of Ma`at`s feather while, in her red suit, she`s Seshat who, balancing her spaceman above her white bikini-dressed self with the fork beside his space helmet, is referring to the goddess Ammit`s eating of the hearts of those who are unworthy to journey with her into heaven.

 When her spaceman gives her the gift of the `heart of the ocean`, she `takes heart`, and the blue jewel in the shape of a heart is to be weighed in her balance to reveal what truth it contains. Because of the allusion to the Titanic, Rose, and betrayal, it`s the heart of Saddam Hussein, the `friend` of the USA that betrayed her:

 

`I think I did it again.

 I made you believe we're more than just friends.

Oh baby.

It might seem like a crush.

But it doesn't mean that I'm serious.

'Cause to lose all my senses.

That is just so typically me.

Oh baby, baby.`

 

 

 Saddam means `crusher`. Here Britney is saying that the USA`s friendship is lost and Ammit, the `devourer`, will eat the treacherous heart of Saddam, whose name means `the crusher`, and who himself has been crushed beneath the heel of the woman, `hidden` upon the Earth, and in accordance with the `Voice` of God (Gen: 3.15) all traitors` hearts shall be eaten.

 

 

 In the movie Silence of the Lambs, which refers to the quietude that descends upon lambs before they`re slaughtered because they instinctively know what`s to occur, Hannibal Lecter, the `cannibal`, has Jodie Foster, the FBI agent, assigned to `read his heart` to discover the extent of his and others` crimes that he knows of.

 

 

 Cannibalism is eating to obtain power or mana, and Oops I Did It Again`s `bear` motif is present in the acting career of Hannibal the cannibal`s Christian `lamb`, Jodie. As a rape victim in The Hotel New Hampshire (1984), a movie in which the founder of the Viennese school of psychology, Sigmund Freud, is portrayed as blind and with a `performing bear`, who turns out to be a girl in a `bear costume` (Nastassja Kinski), Jodie`s revenge for the rape is to have her assailant, `Chip` Dove, sodomized by `Susie the bear`. Jesus and the `Holy Spirit` are `the lamb of God` and the `Dove` respectively, which means that cannibalism and sodomy are the enemies of God.

 The motif of the blind Freud in The Hotel New Hampshire is important because it`s present in the Freudian drama of ancient Greece, Sophocles` Oedipus Rex. The implicit meaning of the story is that Oedipus is the mother (Jocasta) he marries, but the incest taboo causes him to stab out his own eyes, and Antigone his daughter, who is also implicitly Oedipus himself, becomes his guide. The meaning is that any woman could love him. But it`s a `revenge play` on the part of homosexual men who don`t want `mankind` to see. Christian `agape` is a `familial` and `universal` love, but Greek society was institutionalized homosexuality in which women were bred to produce more homosexual men. The Christian knowledge that women are men because they share the `Holy Spirit` is a `secret` dramatized by Sophocles. Oedipus` self-blinding is a measure of the power of the homosexual, which in the 21<sup>st</sup> century is manifest as the `killer disease` AIDS, that is, the `disease of the killer`, and is identified in Revelation with the `throne of the beast` - and `blindness`:

 

`... his kingdom was plunged into darkness. Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10)

 

 The story of the Greek war against Troy is of the development of a homosexual virus. 9/11 was a `Trojan horse` whereby the terrorists feigned `friendship` and, pretending to wear a condom (a `Trojan` in the USA), that is, fly politely in `civil` aircraft, hijacked them, crashed the planes into the Twin Towers of New York and, betraying their `welcome` (the `greatest crime` in Islam), launched a `Trojan virus` attacking Christianity`s war upon blindness, symbolized by the `Big Apple`, that is, Redemption from the serpent`s `seed` of homosexuality, which is the sin of the `fruit of the knowledge of the tree of good and evil`.

 The Paraclete, given by God as `teacher, guide, comforter and helpmeet` after Jesus` crucifixion, effectively emerged from Christ`s side as the `Second Eve` when that side was pierced upon his death by the spear of the Roman centurion Longinus. Exactly 2000 years later it was Saddam and Eve. The `crusher` would restore the blindness of war, and that`s what the Greeks bred homosexuals for.

 

 

 Osama Bin Ladan was the terrorist organizer of 9/11 supported by Saddam, and the name `crusher` suggests affinity with the jaws of the crocodile, the oldest living dinosaur or serpent`s `seed`. Osama means `lion`, and lion and crocodile are two of the three composite parts that go to make up the body of Ammit, the `devourer; the other being hippopotamus. The ancient Egyptians viewed the amphibious creature as a cannibal and associated a red hippopotamus with Set, the `dismemberer`. Consequently, Britney Spears` red suited self in Oops I Did It Again refers to the `hippopotamus` who is `Set upon the Earth` as the `third` enemy of God:

 

`He is a lion. Yes, he is better than a lion—he is a hippopotamus.` - Zulu national anthem

 

 The `Behemoth` of Job (40: 15-24), greatest creature of the land is, according to tradition, a hippopotamus and, along with Leviathan (greatest of the creatures of the sea), and Ziz (greatest of the creatures of the air), is slain at the end of time by God, their creator, before they are `devoured`.

 The `Behemoth` is represented as living invisibly in a desert `East of Eden`. Britney, in her red suit in the Martian desert sands is referring to Set as `the red hippo`. Because the first spacecraft from the USA to make an unmanned landing on Mars was the `Mars lander`, Britney`s also referring to `Ziz`, a `griffin` that, with the body of a lion (representing humanity) and the head and talons of an eagle (representing divinity), was a figure of Christ to the Middle Ages because of the protection it was said to afford against witchcraft, and evil`s `slander`, that is, `bearing false witness` against `God`s law`.

 In Oops I Did It Again, Britney`s borne by her ring, which means that the ring bears her, that is, she bears the truth. It`s important because that makes her a `she bear`, as `Susie` was; the woman in The Hotel New Hampshire inside the `bear costume` who exacted vengeance upon `Chip` Dove for rape. Although Behemoth is described as male, in Judaism the plural feminine noun is applied, which means Britney`s acting the part of the woman protected by the `New Redeemer` and `hidden` (Rev: 12.6) in the wilderness. A jew can only be born from a woman, because only women are jews, and jews aren`t cannibals. `Behemoth` is the `hidden` woman of Revelation. The description of her `tail` that `moves like a cedar` (Job: 40.17) is her penis. In terms of the cannibalism implicit in Oops I Did It Again`s careful arrangement of props, that is, the fork beside the helmet of the spaceman and the blue jeweled heart of the ocean that`s being weighed for Ammit, the `devourer`, Britney`d disagree with anyone who wanted to eat her because she has `seed` to sow from her own penis amongst the stars of heaven.

 

 

 In Arabic `my` means `water`, and `sas` is `horse` so, because the hippopotamus is `water horse`, the third enemy of God would be `My sas.` To deny water to a thirsty man is a great crime in Arabia. Camels are described as `ships` because their humps contain enough water for journeys across the vast arid seas of the deserts. Consequently, water is valuable and someone with the character of a `hippopotamus` would, in psychological terms, be a `miser`s type`; a `possessive` and a `possessor` who`d want to possess and dispossess others. In Christian terms, he`d be `possession` and `possessed`:

 

`Iranian President Mahmoud Ahmadinejad told the United Nations most people believe the United States government was behind the attacks of September 11, 2001.`4

 

 

 Ahmadinejad reportedly refused to accept his election defeat in 2009 and instead possessively held on to the power he possessed in Iran. He was among the students that seized control of the US embassy in 1979, which led then US President Jimmy Carter to mount Delta Force`s `Operation Eagle Claw` that resulted in the debacle of a helicopter crashing during a sandstorm, another returning to the aircraft carrier Nimitz, and a further helicopter unable to continue with `engine trouble`. This reduced the number of RH-53D `Sea Stallion` helicopters below the number required for the mission to be `operational` and, returning, a helicopter collided with a C-130 Hercules transport plane, resulting in the remaining helicopters being left behind and the deaths of eight servicemen.

 

 

 The British `special forces` are the SAS (Special Air Service), symbolized by Pegasus, the mythical wingéd horse. In Arabic, `my sas`, that is, `water horse`,  would be `Sea Stallion`, and Britney Spears` Radar alludes to the RH-53Ds that were to fly `under radar` in `Operation Eagle Claw` to rescue the US Embassy hostages from the roof.

 

 

 Britney`s Radar features a horse standing in water ridden by an English `polo player`. Traditionally the `sport of kings`, polo began amongst Arabian knights. Early Mamluk5 playing cards featured `polo sticks`, along with swords, cups, and coins. According to Jungian psychology, there are four functions of consciousness, which correspond to the sword (`Thinking`), coins (`Sensation`), the cup (`Feeling`) and, in the Mamluk deck, the `polo stick` (`Intuition`).

 

 

 What the individual thinks (sword) is desirable (cup) relates to finances (coins). `Intuition` is the heightened instinct that shows how the goal (polo stick, and cup) is to be achieved. This is the indefinable `something` that battle commanders possess. English knights were heavier in their armour, a tradition borne out in Gulf War I (1990-1) in which the Challenger tanks of the British 1^st Armoured Division protected the right flank as allied forces delivered a debilitating `left hook` to Saddam`s Iraqi army. This was the `battle plan`. Because of the heaviness of their armour, knights can`t dismount alone, and so Oops I Did It Again depicts red-suited Britney hoisting her man above herself while signaling from her `helipad` in a white bikini-dress.

 Symbolically, Britney`s `Sea Stallions`, in their red pilot`s suit and white bikini-dress, together with their `spaceman`, symbolize the `blue diamond` that`s the USS Nimitz helicopter carrier in `Operation Eagle Claw`, a `star` upon the USA`s red, white, and blue `banner`. Obviously, because he has the role of a `grab` in her pinball game, she`s also `seize dalliance` (Sea Stallions), that is, the promise of sex for her man. Britney`s spaceman`s a `Navy Seal`. He tells her, when she says she `thought the old lady dropped it into the ocean`:

 

`Well, I went down and got it for you baby.`

 

 

 Britney`s spaceman is a `deep sea diver`, that is, a `Seal`, because he`s brought her the `heart of the ocean` from the wreck of the Titanic. Navy Seal training includes being dropped into the ocean from a helicopter and being required to complete a `dummy mission`, and occasionally a mission that`s genuine but unannounced to the SEAL. Britney`s `gun and tackle` is a `helicopter pulley`, and Oops I Did It Again is her `helicopter carrier`. In her red pilot`s suit, and her white bikini-dress, she`s a Navy pilot and a SEAL. The literary reference is to a line from If, a Rudyard Kipling poem:

 

`If you can meet with triumph and disaster, and treat those two imposters just the same.`6

 

 The US `Sea Stallions` proposed rendezvous in `Operation Eagle Claw` was `Desert One` which, symbolically, corresponds to Britney Spears` Mars, where Oops I Did It Again begins with her spaceman`s discovering her `image` in the sand:

 

`Whoah there horsey!`

 

 `Operation Eagle Claw` was woeful for the `Sea Stallions`, but there`d be other missions, and Britney `takes heart` from her spaceman`s `touchdown` on her `carrier`, the USS Oops I Did It Again, which name signifies forgiveness for mistakes as a prerequisite for success. There isn`t any water on Mars, but Britney`s spaceman effectively says:

 

 `My horse.`

 

 In Arabic, `my` is water, and `sas` is `horse`. Traditionally, US `horse soldiers` are the 7^th Cavalry, who flew very successful helicopter missions in Gulf War II (2001-11). Because an Arabian horse (sas) needs water (my), and `special forces` in Saudia Arabia are SASAS, the acknowledgment from Britney Spears is that the USA`s efforts in the Gulf were `complimented` by `my sas`, whoever that may be. We may assume that Britney didn`t `desert one`.

 If Britney in her red suit is the `real` Britney, then Britney in her white bikini-dress is an `impostor` but, if the mission is completed successfully, noone cares who`s the `real` Britney, because it`s the `team` that`s important. She descends in a giant`s ring to indicate that the `little people` are valuable to a `mission`, and she values the giant even though the ring is too big for her finger. In other words, `little people` are big enough for themselves, and the giant`s ring fits his finger; as the little people`s rings fit theirs. Britney`s descent inside her giant`s ring comments on how small things look from below, and from the air:

 

 `Yeah yeah yeah yeah yeah yeah.`

  

 President Carter was a `big man` but the members of the family`s of the Delta Force that lost their lives in `Operation Eagle Claw` weren`t `small` men to him, which is the meaning of Britney`s ring. Inside her giant`s ring, she appears `smaller`, and the fork beside the spaceman`s helmet is designed to make her appear small enough to swallow. If you are an ogre and not a  `true` giant, that is. Only an ogre would eat her, and a `small woman` is vulnerable to such. Iranian President Ahmedinejad`s remarks were those of an ogre, and he`s not a `small man`; but neither is he a giant ogre. He`s man-sized.

 The motif of the `small man` is present in Byzantine Christian iconography, which depicts the Madonna with a fully formed child that isn`t a baby. Both Britney, in her white bikini-dress, and in her red suit, are `small women`, and so they correspond to the folktale`s Rose Red and Snow White awaiting the `Giant Prince`, who`s Jesus Christ; and their ring is for him. Because small women don`t want to be devoured by the ogre. In Iran or anywhere else.

 

 

1 Seshat, Recovered Science, https://www.recoveredscience.com/const201seshathempmath.htm .

2 Seshat, Tour Egypt, https://www.touregypt.net/featurestories/seshat.htm .

3 Friedrich August Kekulé discovered the ring shape of the benzene molecule after a dream of a snake seizing its own tail, https://en.wikipedia.org/wiki/Benzene#Discovery .

 

4 https://www.haaretz.com/news/international/u-s-delegation-walks-out-of-ahmadinejad-s-speech-over-9-11-accusations-1.315359

 

5 The Mamluk`s were Turkish slaves brought to Baghdad by the Caliphs to strengthen their military power. The Persians were nominally the masters of the Mamluk`s, and the entirety of the Muslim Middle East. The height of Mamluk power was 1250-1817 when they ruled Egypt, but they remained powerful until 1811.

 

6 Kipling, Rudyard If, 1895.

Britney Spears` distillation of  the Bible`s meaning; encapsulating its entirety in Oops I Did It Again: from Genesis to Revelation - to eat, and not to devour.

 

 In Oops I Did It Again Britney Spears` red suited figure`s counterpart is her white bikini-dressed figure who, resembling a snow flake, beneath the huge eye of her spaceman`s spacehelmet, as he directs at her the `lesser` eye of his camera lens, strengthens a Christmas motif that begins with the appearance of herself as a red suited Santa Claus.

 Above her the spaceman appears as a Christmas `bauble` that Britney`s red suited Santa figure hoists above her white bikini-dressed self so that she appears below him as if upon a white tablecloth, symbolic of the `Last Supper`, and the Holy Grail.

 Britney`s red suited figure repeatedly poses with arms raised, as if she were a cup or bowl, that is a figure of the type of the vessel that Jesus is said to have drunk, and eaten from at the `Last Supper`, and so she is a figure of Redemption, because she recognizes the value of companionship.

 

 

 At the `Last Supper`, Jesus is depicted as offering his `body and blood`, in the form of the `bread and the wine`, which is a concrete, rather than symbolic, offer of `fellowship`, and the betrayer Judas prefers the role of the `bloodthirsty` assistant to those  who are the torturers and murderers of Jesus` body.

 Britney`s spaceman, hoisted above her white bikini-dressed self by her red suited Santa Claus, as if he were a Christmas `bauble`, and she were the `star` upon her Christmas tree, is depicted with the giant tines of a fork almost resting against his faceplate. It`s a `giant` motif that doesn`t stand alone in Oops I Did It Again, as her red suited figure descends at the video`s outset inside a giant ring. It`s as if she were a `New York Giant` with her `Last Supper Bowl` ring as, with her arms raised aloft, she makes the `sign` of the  `superbowl` to  her spaceman, and signals the `extra point` following Mars Lander`s `touchdown`.

 He responds by giving her a gift. She exclaims: `But I though the old lady dropped it into the ocean in the end?` It`s a cinematographical allusion to The Titanic movie, another story of betrayal, in which Rose, betrayed by an ex-lover who, placing the blue jewel, the `heart of the ocean`, inside the coat pocket of her new fiancée, contributes to his drowning when the ship, the Titanic, of the White Star Line, sinks after hitting an iceberg on its maiden voyage. An older, sadder Rose, consigns the blue jewel to the ocean depths at the movie`s end, which is what Britney`s alluding to in her exlamation at her spaceman`s gift: `But I thought the old lady dropped it into the ocean in the end?` The `cup` is a symbol of the `heart`, and so Britney`s receiving of the blue jewel is the passing of the `Holy Grail` from one American Rose to another `American Beauty`.

 The Rose motif is present in Britney`s red suited and white-bikini figures, who`re now understandable as Rose Red and Snow White from the Hans Christian Andersen tale, and whose kindnesses, as `little women`, towards a `little man`, were looked upon by him as being insufficiently considerate, and he is killed by a bear they allowed into their home:

 

`Do not be frightened, I will do you no harm; I am half frozen, and only want to warm myself a little.`1

 

 The `little man` is their irascible educator, that is, he`s an impatient teacher, in contradistinction to the tranquil leadings of Jesus. The bear kills him because the `little man` is frightened, but remains a good but irascible teacher insofar as he affords the friends an option to stop:

 

`Dear Mr. Bear, spare me, and you shall have all my treasures; look at the beautiful precious stones that lie there. Give me my life! for what do you want with a poor thin little fellow like me? You would scarcely feel me between your teeth. Rather seize those two wicked girls; they will be tender morsels for you, as fat as young quails; pray, eat them at once.`

 

 The girls` mother is a representative of her socio-cultural conditioning, which is imposed from without by men. The `little man` is irascible, because girls aren`t stupid, although the story is about how men want them to be stupid, and the `little man`, perceiving that he`s trapped within a perspective in which girls don`t have a penis of their own, is angry with the `storytellers`. It`s the story of the invisibility and unviability of the woman`s penis, although history and contemporary pornography tells us that she has one.

 The bear reveals itself as a handsome prince, which reinforces the socio-cultural conditioning of the mother who describes the bear as `honest`, that is, he`s an animal with a compatible penis. The prince tells the girls that the `little man` turned the prince into a bear, but the `little man` is an educator, and so the bear represents traditional thinking, that is, the bear becomes a man when he kills his teacher, because he doesn`t accept further education, which would be the beautiful princess with a large, powerful penis with testicles full of sperm to fulfil the two girls `who loved each other dearly and always walked hand in hand together`.

 

 

 The bear represents the traditional thinker who believes that the girls should have the `treasure` of the `little man`, because the `little man` is a boy that, in Christian terms, the red dragon of Revelation wants to devour because it’s the `New Redeemer`. Dragons are often depicted as the `guardians` of treasure, and so the `treasure` that the red dragon of Revelation perceives itself as guarding is that of the girl, which actually belongs to the `little man` it seeks to devour.

 As the First Redeemer, Jesus was betrayed by a group of homosexuals, who prevented him from being with a woman, and served as the guards of his `treasure`, which were his teachings. Jesus was subsequently tortured and murdered by the prevailing homosexual spirit of victimization, which prevailed in the 20^th Century in the attitudes towards the `cannon fodder` of WWI, the Jewish holocaust of WWII, and the `ethnic cleansings` of the late 20^th century (Yugoslavia), and early 21^st century (Kurdistan, Dharfur).

 The spirit of the Antichrist is that of the bear that kills the `little man`, who represents the `teachings of Jesus` that, in Revelation, are reborn as the New Redeemer who`ll `protect` the `hidden` woman of the Earth. The `little man` can never leave Earth because the bear will kill him. The woman of Revelation is a woman because the Bible says so, whereas the `treasure` that the dragon is guarding is for a girl, and the ruins of art, civilization, and culture that are the beginnings of the 21<sup>st</sup> century represent the attempt by a traditionalist thinker, in the spirit of homosexual victimization, to protect his girl by destroying his boy, whereas the `New Redeemer` is the `son of the woman`, who`s there to protect the girls, that is, the woman`s daughters, and the `hidden` woman, so that she`ll grow, which is the `treasure` that the red dragon of Revelation doesn`t want.

 Britney`s Oops I Did It Again presents the basic 21<sup>st</sup> century dilemma, which is that of the unwanted visitor. 9/11 was the visitor`s feigning of friendliness in order to effect a terrorist attack, and the bear is a guest of the mother of the girls before he kills the `little man`, which means that he`s like the Taliban who don`t want their girls to receive the `treasure` of becoming women. In Judaism it`s understood that the `little man` can`t live, because you can only be a jew if you`re born from a woman, which is why Jesus is born from a virgin. If you can be a jew only if you`re born from a woman, then only a woman is a jew, and Jesus can`t live because he`s a `little man` who guards woman`s education.

 Marriage is a prison because, on the understanding that women are a species with her own penis, if men wanted you to be with a woman, you`d be a woman, and so women would be together, which is what Oops I Did It Again observes. Britney is with herself as `Rose Red` and `Snow White`, while the visitor is a guest if he isn`t a `cheat`, which is why Britney has her spaceman pick up a `cookie`, the `Open Sesame` to her home. He passes her `protocol`, which the 9/11 Taliban terrorists didn`t, because they wanted to kill the `little man` who wouldn`t cheat women of the `treasure` of an education that would allow them to perceive that, 2000 years after Christ, their war was over, and they`d won. The `little man` would be George W. Bush, who was despised by Saddam Hussein, Osama Bin Ladan, and the Taliban. The plunging of the Earth into the `War On Terror` (2003-) may well be the death throes of the red dragon of Revelation, that is, the traditionalist thinker, who`s prepared to sacrifice the sons of millennia for a girl he doesn`t want to be a woman.

 In biblical terms, man`s Redemption upon the Earth depends upon an acceptance of the `hidden` woman of Revelation who has her own penis, and the transformation symbolism of The Tale Of Rose Red And Rose White is that of the role of traditional thinking as opposed to educated thinking, which is what the `little man` as Giant represents.

 Britney`s observing that there`s a place for traditionalist thinking, and so the contest for the `Supper Bowl`, which is the `Holy Grail` of fellowship, is between the Bear`s `clause`, which is action according to `positional sense`, in US football terms, that is, how a man acts in his position as a man, and the Giant`s ring of the `little man`, which is that of the educated woman, but is more difficult to attain for the man who wants her, because she isn`t a stupid girl who believes that men are the centre of the cosmos because they have a penis. She has one of her own. A point underlined in Oops I Did It Again by Britney`s dispensing with her male dancers during her `routine` by means of a simple upward gesture with her hands, at which they all fall inert, leaving her to dance on with the educated `girls`.

 

 

The Tale Of Rose Red And Snow White suggests girls should be stupid, which means the author`s being written by an evil predator, as were the authors of the Bible. Jesus` symbolic New Testament offering of fellowship in the `bread and the wine` of the `Last Supper`, as a symbol of his `body and blood`, for example, is a test to see whether he`s with friends or predators.

 Jesus` realization is that he`s being written by a homosexual predator, which in Revelation appears as the red dragon that waits to devour the New Redeemer, born to the woman `clothed with the sun and with the moon at her feet`. He decides to end the `scene` with an appeal to God, and the Paraclete, the `tutelary spirit`, effectively emerges from his side, pierced at his crucifixion by Longinus` spear, as the soul`s redemptive guide. Earlier, in Genesis, the homosexual predator appears as the serpent, that is, the not yet fully grown dragon that, in Revelation, wants to enslave and devour the child of the woman, the New Redeemer, who`s the `protector` of the hidden` woman of the Earth, before she leaves to sow her `seed` amongst the stars in heaven, with her own `hidden` penis.

 

 

 The dragon is an evil draco, a `blood drinking` parasitical vampire and Jesus` offer of his `body and blood`, as the symbolic `bread and the wine` of friendship, is his awareness that the body is a vessel from which a little blood may be drunk; if the vampire is going to give eternal life: whereas an evil draco will drain the body of blood and in effect devour the life force. It`s Jesus` recipe for living on the Earth. His Resurrection, Redemption, and Ascension to God and heaven is his escape from the evil draco, and the `hidden` woman `protected` by the New Redeemer is promised a similar escape by God. She will leave Earth bodily and her `seed` will defeat the evil `seed` of the draco in a war in heaven.

The bear in The Tale Of Rose Red and Rose White is evil, because it`s a man, and the `little man` is angry because girls aren`t stupid, and the author is being forced to write of `little men` who are trying to emerge, dwarflike, from beneath the weight of social and cultural conditioning with their `treasure`, the truth. The bear explains to the girls that the `little man` had transformed him from  a prince to a bear, and had stolen his treasure, but the `hidden` truth is that the prince doesn`t know how to regain his treasure. He`s told that the death of the `little man` will restore him, and his death does restore the prince to himself and his treasure, but the `hidden` meaning is that the girls want themselves, and in an older version of the tale written by Caroline Stahl, the bear never met the `little man` before he kills him, isn`t an enchanted prince, and the girls take the treasure, which is woman`s `hidden` wisdom.2 To develop as a species, you need a penis. The girls are comfortable, but they`re not reproductive, and therefore not productive either. If the bear were to be restored as a princess with a penis, the girls would be more than parasites.

 In order to show that the bear has the truth he has to say `no` to the little man`s asking if it`s a devourer like the red dragon of Revelation, which lies in wait for the New Redeemer, who `protects` the `hidden` woman of the Earth until she leaves for the stars where her `seed`, that is, the `seed` of her descendants from her own penis, according to Revelation, fights a war against the evil serpent`s `seed`, that is, men, and are rewarded victoriously by God`s creation of a new heaven and Earth for them to dwell in forever, while the real `evil little men`, that is, the homosexuals, who have actually enslaved women and her `womb` in order to devour it in warfare, receive eternal unendurable pain as their punishment.

 

 

 In Oops I Did It Again Britney is surrounded by bears` claws, as she sings and dances. She`s `Snow White`, `star` of the North, with the signs of the bear`s friendship about her, while her `Red Rose` is watched over by the `Eastern star` of joviality, the Giant`s `red eye`:

 

`The Great Red Spot is a persistent anticyclonic storm, 22° south of Jupiter's equator, which has lasted for ... possibly longer than 347 years.`3

 

 The claws of the bear`s paws, in Jungian terms, represent the `pause` of the differentiated sword, as the `Thinking` function, which pauses before acting because wise, and in biblical terms here on Mars, the name of the god of war in Roman mythology, represents Jove`s (Jehovah`s) controlled omnipotent anger, whereas the `Great Red Spot` (GRS) of Jupiter is the `eye of Jove`, here a symbol of a differentiated `Sensation` function which isn`t an eye of a devourer, and so is a symbol of God`s omnibenevolence.

 As Jehovah (YAHWEH) promised to guide the Israelites, the `chosen people`, to the `Promised Land` in the Old Testament, so God`s `Holy Spirit` was the `tutelary guide` vouchsafed to Jesus` adherents in the New Testament for the Christians, and is represented in Jungian terms, by the differentiated function of `Intuition`. Essentially, God`s omnipotence (the sword as `Thinking` function, in Jungian terms) is tempered by omnibenevolence (the cup, Grail, or heart of `Feeling` in Christian iconography), and the pentacle, symbolized by the `bread and the wine` of the table, is a symbol of the spirit of God`s approving omnipresence (the eyes, and the `Sensation` function), while omniscience is in `tuition` (`Intuition`), that is, the knowledge of God`s plan through the acceptance of the `tutelary guidance` of the Holy Spirit.

 Britney`s Giant`s `Supper Bowl` ring is a symbol of strength, and forbearance, towards `little women`, God`s omnipotent anger should be towards the bear, who murders. The girls are needy opportunists, and are forgiveable, whereas the `little man` is a dead giant. In Oops I Did It Again Britney Spears, as `Rose Red` and `Snow White`, receives the blue jewel (Jupiter is blue, emphasizing the `Great Red Spot`), that is, she `takes heart` from the story, which is that it`s possible for the `little man` to have Redemption because he`s a giant, and that`s why she wants to make of him a giant and give him to wear the ring that she descends within in Oops I Did It Again. He`s the hero of both tales, and dead in both, which is why Oops I Did It Again is a memorial to Rose`s love aboard the Titanic, a love that was doomed because it was infected by a Judas.

 Jesus` understanding that he`s being written by a homosexual predator reflects his relations with the disciples and Jesus, and the disciples collectively confirm it whenever he meets a woman who is interested in him: `...a woman came to him with an alabaster vial of very costly perfume, and she poured it on his head as he reclined at the table. But the disciples were indignant when they saw this, and said, `Why this waste? For this perfume might have been sold for a high price and the money given to the poor.` But Jesus, aware of this, said to them:

 

 `"Why do you bother the woman? For she has done a good deed to me. For you always have the poor with you; but you do not always have me. For when she poured this perfume on my body, she did it to prepare me for burial. Truly I say to you, wherever this gospel is preached in the whole world, what this woman has done will also be spoken of in memory of her." Then one of the twelve, named Judas Iscariot, went to the chief priests and said, "What are you willing to give me to betray Him to you?" And they weighed out thirty pieces of silver to him. From then on he began looking for a good opportunity to betray Jesus.' (Matt: 26: 7-17)

 

 Oops I Did It Again presents Britney as a `little woman` waiting for a big enough good man to put her ring on his finger. She`s a figure of the woman who`d be told by the disciples that she`s too big a woman for Jesus. That`s why she appears as herself upon what seems to be a white tablecloth as her `star` revolves beneath the eyes of her spaceman`s visor, and the camera lens beside his spacehelmet.

 The white tablecloth`s her pentacle, symbolic of the table at which Jesus was sitting when the woman poured expensive oil upon his head. In Oops I Did It Again Britney is an `anointing` for the spaceman`s eyes, and through the eye of his camera, the eyes of all those who will see her. The fork next to the spaceman`s spacehelmet, as he hangs suspended above her, is asking the same question the `little man` asked of the bear:

 

 `Are you Cain or Abel?`

 

 Abel was murdered by Cain, because Abel could cook, and Cain wanted the fruit of immortality, so showed God he grew fruit. However, women are traditionally homemakers, which is why the Holy Spirit is called `teacher, guide, helpmeet, and comforter`. Britney is asking the spaceman: are you going to eat with me, or devour me? It`s her understanding that the `little man` is a good giant and so is the best, so Britney`s ring for him is going to be big and she shows it to her spaceman, who`s too small to wear it and, walking backwards, leaves disconsolately.

 Oops I Did It Again is `Chrismassy`, in the sense that she`s Santa in her red suit, and so the video is a Christmas e-card. The figure of the spaceman resembles Santa trudging through the snow with his sled, by which signifier we`d assume Britney`s `Rose Red` and `Rose White` to be Christmas `elves` (selves), while several of her gestures, with her arms raised above her as she dances, suggest she`s a `reindeer` for her spaceman`s sled. He`s brought her the blue `heart` jewel (`Feeling`), and she`s anointed his eyes (`Sensation`), which means that they need `Intuition` (spear, which `Rose Red` and `Rose White` represent as Spears), and `Thinking`, which is represented by the thoughtfulness of the `interactive video content`. There are eight reindeer in the poem `Twas the Night Before Christmas, but a line from the verses indicates that they all have the same function as `Dasher`:

 

`Now dash away! Dash away! Dash away all!`

 

 Britney`s white bikini-dressed figure, a `star` beneath the spaceman`s eyes of visor and camera lens, has eight of her dancers between the Christmas snowflake`s radial points which, together with herself in the red Santa`s suit, suggests she`s her Christmas selves with her reindeer. Oops I Did It Again is A Christmas Carol, the Charles Dickens` tale of the spirits of past, present, and future, which Scrooge is shown to have him convert from miserliness. The Titanic is the past, the spaceman`s the present, she`s the future, and the message she preaches is `take heart` from Jesus` teachings and accept the Holy Spirit.

 

 

 The psychological interpretation suggests that she has a `reined ear`; or, in other words, she`s reining in her sword, that is, the cogitations of her `Thinking` function, before she`s ready to acts her part with the `dashing knight` who`s going to attain to the `Holy Grail` she represents. The spaceman isn`t dashing enough because she sends him home, but the imagery of I`m Walking Backwards For Christmas indicates the theme:

 

`I'm walking backwards for Christmas, to prove that I love you.`

 

 Because the spaceman gives her the `heart of the ocean`, the blue jewel from the sinking of the Titanic, he`s a deep sea diver and  an astronaut, which means he`s a pilot also. Meeting him in her pilot`s suit, Britney`s indicating her understanding of what it takes to get to her there on Mars. She seems to give him nothing in return but, immediately he picks up her icon from the sands of Mars, Britney`s palace emerges from the desert.

 Her palace can only be seen in the faceplate of the spaceman`s spacehelmet because that`s how the Earth appears in the visor of the spaceman`s spacehelmet for the `ASE` Award, which is given by the Association of Space Explorers to those who have distinguished themselves in the field of space exploration. In short, Britney gives her spaceman the ASE Award for his landing on Mars to be with her. His gift is a message, and it says:

 

 `Take heart.`

 

 The science fiction allusion is to American Grand Master Robert A. Heinlein`s Stranger In A Strange Land which features the character Valentine Michael Smith who, born on Mars and raised by Martians, becomes a Christ-figure on Earth. Heinlein`s other relevant character here would be Podkayne of Mars, called `Poddy` by her friends and family, and Britney would be `Poppy` of Mars, because she`s a `poppy of rememberance`, whereas her spaceman`s Valentine, the blue heart`s jewel, the `heart of the ocean`, is in memory of Christmas past, the American Grand Master, Robert A. Heinlein, died in 1988.

 There`s a brief allusion to Heinlein`s most famous character, Lazarus Long, from Methuselah`s Children (1958) and Time Enough For Love (1973), when the spaceman in Oops I Did It Again finds Britney`s icon in the sands of Mars, exclaiming:

 

 `Whoah there horsey!`

 

 One of Lazarus Long`s roles during his long-lived life was as a `horse and buggy doctor`. His role in Heinlein was as a persecuted minority of people who had longevity, and effectively were immortal. Because they were long-lived, people became suspicious at their remaining while others passed away, and so Lazarus periodically changed his identity.

 

 

 Valentine Smith`s religion of universal love was a necessary antidote to the persecution of the long-lived `Families`, as they were called, and Britney`s spaceman, a `stranger` on Mars who gives her a Valentine, is welcomed by herself as Poppy, who represents the rememberance of Christmas past, the present, as the USA`s plans for landing on Mars, which Britney`s video projects as a reality, and Robert A. Heinlein`s `Future History`, the several stories that, containing Methuselah`s Children, and detailing the persecution of those with longevity in `If This Goes On -`, constitute the future that Britney`s `Poppy` is remembering.

 In the New Testament Jesus is depicted as having a sword that comes out of his mouth, which signifies thought before speech, that is, differentiation of the `Feeling` and `Thinking` functions, whereas the ear that`s undifferentiated `Thinking` is susceptible to the lies it`s told if the `heart` doesn`t temper the sword, which is the `Holy Grail` of action in accordance with truth.

 The bear that thinks he`s a man remains a bear, because he wants the role of `prison warder` for the `hidden` woman of the Earth with a penis that the evil draco doesn`t want to leave, and so Britney dances and sings surrounded by bears` claws because she undestands that the little man`s irascibility is actually his ability to teach, but he`s socio-culturally unexplicable because evil men don`t want his knowledge and wisdom to, be known, which is that girls have a penis of their own.

 In lesbian circles, it`s fashionable to wear a `thumb` ring, and so Britney`s thumb-size heroine, inside her giant`s ring in Oops I Did It Again, is proclaiming a sexual awareness in keeping with the revelation that women have a penis of their own, and she`s preparing, in the characters of `Rose Red` and `Rose White`, to take care of herself as a `thumb`, which is what the first wife of a `hand` is called in Moslem countries, where four wives are permissible.

  In psychological terms, the Moslem `hand` is a metaphor for Jungian individuation in which the self has four differentiated functions of consciousness to work with, and it`s also a symbol of cooperation where the `hand` of friendship has genuine meaning, because a `hand` that doesn`t have a `thumb` can`t humanly grasp anything.

 Oops I Did It Again`s `Rose Bowl Stadium`, from which all other `bowls` derive their origination in American football, and the heart`s symbol of the cup, bowl, or Holy Grail is associated, in the developmental psychology of Carl Gustav Jung (1875-1961), with the `Feeling` function. According to Jungian psychology, there are three other `functions of consciousness`; `Thinking`, `Sensation`, and `Intuition`. In the tarot deck of cards, believed to be a pictorial Torah, or `book of the law`, from the Old Testament of the Bible, the cup, sword, spear, and pentacle are their symbols.

 The `sword` is associated with the function of `Thinking`, and the ear; because thoughts are communicated by means of the speaker, to the hearer. The `spear` is associated with `Intuition`, and the nose, or sense of smell; because the `Holy Spirit` is in `tuition`, that is, the `tutelary spirit`, which effectively emerged as the `Second Eve` from the side of Jesus when pierced by the spear of Longinus at the crucifixion. She`s the `inner voice` of woman that distinguishes between what is, and what is not, God. `Feeling`, associated with the mouth that eats, but can also speak, is the cup, or bowl, of the `Holy Grail` of fellowship. The pentacle, associated with the function of `Sensation`, or tangibility, is `sightedness`.

 The eyes inform the body of what is edible, and the soul, taught by the `Holy Spirit`, prevents the individual from becoming a devourer. Britney`s red suited figure isn`t the red dragon of Revelation, waiting to consume the `New Redeemer`, born to the `woman clothed with the sun and with the moon at her feet`, a symbol of the `body and the blood` as warfare, rather than the `bread and the wine`, which is the redemptive friendship of Christianity.

 Britney`s white-bikinied self, revolving as a white Christmas `star`, beneath the eyes of her spaceman`s visor, and the camera beside his helmeted spacesuit, is a symbolic `vision` of what it means to accept the Holy Spirit, that is, the `Holy Grail` of Jungian individuation, which is the differentiation into consciousness of the four functions of `Thinking`, `Sensation`, `Feeling`, and `Intuition`, and the development of an individual with the attributes of a sharp ear for truth, respectful eyes, a love that speaks, and inner wisdom.

 

 

 The eye motif is important in Oops I Did It Again. Britney`s spaceman discovers her icon in the sands of Mars, and `Mission Control` on Earth sees it through the `camera eye` beside the eye of the spaceman`s spacehelmet`s visor.  The icon seems to be an `Open Sesame`, as it were, a `cookie` functioning as a `password`.

 A structure appears dramatically arising from the desert in the spaceman`s helmet visor, and the `Open Sesame` motif suggests Jennah, the `hidden` Paradise of the Arabian Tale Of A Thusand Nights and One Night, which features Sheherezade, a woman who saves other women by telling stories of genies and hidden treaures to a man who`d murdered his faithful wife in order to marry a new wife each day after beheading the previous one each evening as a punishment for his first wife`s unfaithfulness. Britney`s lyrics in Oops I Did It Again reflect on this:

 

`I think I did it again. I made you believe
We're more than just friends.
Oh, baby;
It might seem like a crush,
But it doesn't mean
That I'm serious.
'Cause to lose all my senses...
That is just so typically me.
Oh, baby; baby.`

 

 Shah Jehan `lost his senses` when he cut off the head of his faithful wife, so that he could marry a new woman each day and behead her each evening. Shah Jehan`s wives were those who actually lost their senses; because they died. Britney`s describing the fate of woman, the inadequacy of men`s apology - Oops I Did It Again – and the knowledge and wisdom represented by the sane woman who`s `not that serious`. In Jungian psychology `Sensation` is the key function because it represents the eyes, and what is tangible. Britney`s alluding to Jung`s Theory Of Psychological Types, that is, men would have her believe that Oops I Did It Again excuses them for being `typically` themselves. However, you can`t touch what you can`t see and, if a woman`s intangible, seeing her is the issue. Shah Jehan`s wife was faithful, but he said she was having an affair with his brother, although she wasn`t. Shah Jehan was unfaithful, and compounded it with `serial murder`. He`s the prototypically undifferentiated man who observes to his wife that, because she`s been speaking with, and seeing, his brother, she`s unfaithful. Shah Jehan has a problem with `Sensation`, in Jungian terms, that is, his eyes are his `tangibility function` and his ears are his `Thinking` function, and together they tell him what he perceives visually, and mentally. He communicates his perceptions of his wife`s unfaithfulness by means of his `Feeling` function, which in Jungian psychology is associated with the mouth, and so he has a `bad heart`.

As the `teacher, guide, helpmeet, and comforter`, a wife`s traditional role is defined as the activity of the Holy Spirit in Christianity, Shah Jehan`s wife therefore corresponds to  the `tutelary spirit`, which is identifiable in Jungian psychology as `Intuition`, and is what Shah Jehan rejects. The storyteller of 1001 Nights, Sheherezade, saves the women of the kingdom by telling tales that both educate and entertain Shah Jehan so that he prefers her, and Britney Spears in Oops I Did It Again is contributing to her storytelling insofar as she remains intangible for as long as she`s being watched.

In 1001 Nights Shah Jehan observes his wife and his brother, and she remained intangible for as long as he was watching her. The Arabian tradition is that the `evil one` is a whisperer, and has no other power, so Shah Jehan must have been under the influence of such a `Shaitan`, as it is called in Moslem countries. In other words, Shah Jehan`s `Thinking`, that is, his ears, were at fault, so that his eyes perceived what was not – his wife`s unfaithfulness. However, so long as he watched over her, she was `untouched`, which is why Britney`s Giant`s ring refers to jovial Jupiter, and its `Great Red Spot`, which is the tranquil eye of a storm twice the size of Earth. It’s the calm required of a man for a woman, who does (and should) represent the Holy Spirit for him, and without which he can`t attain to Redemption.

Better read, then Redemption, as it were. The legend of King Arthur and the Knights of the `Round Table` is also present in Britney`s treatment of the theme of cup, sword, spear, and of course pentacle; a symbol of the table itself, upon which Britney`s white bikini-dressed self revolves in symbolic depiction of the modern age`s `Rotary Club`, which follows the precepts of fellowship set by Arthur and his knights of le table ronde.

 Shah Jehan believed his brother to be having an affair with his wife, and so beheaded her. The Christian tradition is of `brotherly love`, and the `Holy Grail` is a symbol of the fellowship that promotes it. Jesus approach towards the disciples is as a brother who offers the `bread and the wine` as a symbol of his `body and blood`, prior to the crucifixion, so he`s Shah Jehan atoning for the sin of mankind, which is to view the woman as evil. Jesus is born from a virgin, Mary, his mother, and is man not touched by man, nor is his mother.

 Jesus and the Virgin Mary are a reflection upon the idea that women can give birth without men, as a solution to the problem of the evil that they represent. Moreover, they can give birth to each other, irrespective of whether they have a penis or not, which is why Mary is a virgin. There`s no reason why a woman should ever be anything else; if parthenogenesis were to be practised.

 Evil is what men perpetrate upon woman, who is the Earth`s species, whereas men are `aliens`, that is, parasitical, vampiristic enslavers of woman`s art, civilization, and culture in their wars. Devourers of what`s produced from woman`s `host` womb, nevertheless the wisdom of Eve finally emerged from the side of  the `Second Adam`, as the `tutelary spirit` from the side of Jesus, to put a man on the moon in 1969, `One small step for a man, one giant leap for mankind.` On Mars, 2000 years after Christ, it`s Oops I Did It Again – spending billions on WWI, II, III, etc., was retarded, and Britney`s womankind, `hidden` upon the Earth, and ready to leave, may find that men have done it to her Earth before, as they have always sought to retard it and her. In Oops I Did It Again Britney suggests she`ll  be waiting for them `out there` with a better offer. It`s a  small step for a woman, but it`s a giant leap for womankind.

 

1 'Snow White and Rose Red', https://www.tonightsbedtimestory.com/snow-white-and-rose-red/ .

2 `In The Ungrateful Dwarf, the bear has no encounters with the girls except that in which it eats the dwarf; it is not an enchanted prince. The girls take the treasure that the dead dwarf was carrying and make themselves rich.`

3 Great Red Spot, https://en.wikipedia.org/wiki/Red_Spot_Junior#Great_Red_Spot .

4 Clement Clarke Moore `Twas The Night Before Christmas, 1822.

Britney Spears: The ASE Award

 

In the video for Oops I Did It Again Britney Spears` spaceman finds her icon in the sand and there`s a Marsquake. What ensues shows that her scifi has profundity; for example, she`s aware of  `The Association of Space Explorers` Crystal Helmet Planetary Award`:

`The award consists of a solid crystal sphere set in a thin rectangular standing crystal block. The front of the sphere is etched to depict a space helmet with a translucent visor. The back of the sphere is etched with blue ocean and seas adjacent to a translucent European continent.`1

 

 

 Viewed from the front, the visor reflects the lands and seas on the back, which appear reversed, as they would in an astronaut's faceplate. The sphere is the eye of the astronaut looking back at the Earth, and reflects upon the astronaut`s role as a mirror through which the Earth sees itself and its aspirations. The `reversal` of externals is visible in Britney`s astronaut`s translucent visor as her demesne emerges in the mirror of the eye of his spacesuit.

 There`s an international element to the scene. Vladimír Remek (1948-) was a Czechoslovakian Cosmonaut in the Russian space programme and the first non-Russian (or American) in space aboard Soyuz 28 (1978). With the entry of the Czech Republic into the European Union in 2004, he is deemed the first EU spaceman. The Mars spacecraft were part-designed by Hungarian Ferenc Pavlics between 1961 and 1988 and `remek` in Hungarian means `thumb`, so Britney`s descent in a giant`s ring is symbolic of her knowledge of space exploration, and love for science fiction: one small step for a woman, one giant leap forward for womankind.2

 Britney`s heart is clearly with scifi and space exploration, and she`s playing a Valentine`s ASE card in Oops I Did It Again. When her spaceman gives her his gift, she says: `But I thought the old lady dropped it into the ocean at the end.` The allusion is to the Titanic movie in which Rose drops the blue jewel, `the heart of the ocean` into the sea in lamentation over her lost love who drowned in the `disaster` when the great ship sank on its maiden voyage. Valentine Tereshkova, a Russian Cosmonaut, was the first woman in space in 1963, and Britney`s the first woman on Mars in Oops I Did It Again in 2000.

 The heart`s symbol is the `Holy Grail`, the cup or bowl, and Britney`s ring is her superbowl ring, that is, the `Last Supper` bowl ring, because the Grail was the bowl from which Jesus Christ offered his `body and blood` to the disciples in the form of the `bread and the wine` before his crucifixion. Britney`s ring is Christian, and for her friends wherever they may be upon the Earth. Her Grail ring is a symbol of le table ronde at which her friends may sit, drink and eat with her without fear; as the Knights and Ladies of the Round Table of the legendary King Arthur of the Britons were wont to do.

 Valentine Tershkova is highly regarded because of the tines of the fork that appear beside Britney`s spaceman, as he hangs suspended above her as she lies on a white tablecloth. Elsewhere Britney Valentine is surrounded by the claws of a Russian bear, and she`s happy to be with a friend. In the tale of Rose Red and Rose White a `little man` is evil towards the two girls, and a bear kills him. In Oops I Did It Again Britney appears as Rose Red, in her red pilot`s suit, and as Rose White on the white tablecloth. Surrounded by bears` claws, she`s grateful to her rescuer, and doesn`t care which country he`s from.

 

 

1 ASE Award, https://www.space-explorers.org/association/awards.html .

2 The first man to set foot on the moon in 1969 was Apollo 11`s Neil Armstrong: `One small step for a man. One giant leap for mankind.`

 

Grace Spears

 

 

Say `Grace`, be raised for crew;

Fork rue is for gruesome:

F**k hard, groan - be grew some!`

 

Raising Spears

 

 The tannoy announcing `All aboard!` in the promotional video to Britney Spears` song, `Oops! ... I Did It Again` (2000), set on Mars with its spaceman visitor to Britney Spears` red planet announces her affinity for the TV series Star Trek (1965-) featuring the starship Enterprise and its crew. Appearing three times, as different members of her own crew, in her red pilot`s suit she`s in the literary tradition of those who prepare to be read. The spaceman wearing an Apollo Space Program astronaut suit from the era of the Apollo moon landings, gives her a gift in a small black box, which she looks into: `But I thought the old lady dropped it into the ocean at the end?` The audience is expected to identify the allusion to the Titanic (1997) film about a ship that sank on its maiden voyage from England, Southampton, to New York city, USA, on 15 April, 2012, after being holed by an iceberg. At the beginning of the movie 100 year old Rose drops the `heart of the ocean` blue diamond pendant into the sea at the place where the Titanic ship is being salvaged, before the movie begins to tell her story through the acting of Kate Winslet who evinces the bitterness of betrayal by ex-beau, Cal, who places the diamond into the pocket of her new lover, Jack, to discredit him in her eyes. Jack subsequently drowns rescuing passengers while Cal escapes with those who throw the women and children into the sea for a place in the lifeboats.

 

 

 In her red pilot`s suit, Britney is the red Rose of her own Titanic ship. The flowering rosebud appears in the mysticism of the Rosicrucianists, whose symbol is the cross of Jesus who was taken by agents of the Roman Empire to the hill of Calvary outside Jerusalem and nailed to a wooden cross where he died accused of dissidency for his teaching: `Love your neighbor as you love yourself.` (Matt: 12. 31) Jesus had Resurrection and Ascension to heaven which is why the cross is depicted flowering with roses in Rosicrucianism. It`s a symbol of healing through medicine, and adherents heal for `kindnesses`, because that`s the perception of Jesus` work amongst the sick, which brought Resurrection and Ascension to heaven. According to Jesus a Holy Spirit would teach after him and the Roman guard Longinus at his crucifixion speared Jesus` side, who was known as the `Second Adam` after the first man, Adam, from whose side emerged the first woman, Eve, according to the Bible, which is why Longinus performed a rudimentary `caesarian section` employed by gynecologists in difficult births, when spearing Jesus` side with his spear to release the `Second Eve` of the `Holy Spirit` as the teacher that would teach after Jesus` Resurrection and Ascension to heaven.

 Britney`s spaceman`s gift is a hero`s: `Well, baby, I went down and got it for you.` Here, rose, is a gesture from the spaceman symbolic of the hierosgamos, which is the `royal marriage` of alchemy, an early form of research into medicine that takes its name from Al-Khem, that is, the black Earth of ancient Egypt, where the `royal marriage` of incest was practiced amongst the Pharaohs. According to the developmental psychologist, Carl Gustav Jung (1875-1961), the `royal marriage` of the alchemists represented a projection of unconscious contents into the chemical procedures used in the attempt to produce immortality, which was known variously as the aurum philosophicum and the lapis philosophorum, etc. Jung observed that what he called archetypal figures and symbols appeared throughout the alchemical works describing their attempts. He adjudged that the incest motif represented a desire of the unconscious self to become conscious. In simple terms, the focus upon chemistry was colored by a need to understand why it was that human weren`t immortal, and the imagery constellated out of the collective unconscious of the alchemist gave some insight. In the paradise of heaven on Earth, the first woman, Eve, was tempted by the serpent, Satan, who`d been the angel in heaven that rejected God`s plan for the human host to be greater than the angelic and so was transformed into a serpent and placed in Eden: `You shall be as gods.` (Gen: 3. 5) Tempting Eve with the `fruit of the tree of the knowledge of good and evil`, that is, death, Satan trapped her into host womb slavery in parasitism, although God had warned Eve and the first man, Adam, to eat only of the `fruit of the tree of life`, which was immortality, or Eve`s `seed` would have `enmity` with the serpent`s. Expelling Eve and Adam from paradise, God told Adam he must labor, while Eve would experience labor pain before Redemption would occur: `You shall crush the head of the serpent with your foot but he shall bruise your heel.` (Gen: 3. 15) Human brainpower greater than Satan`s would defeat the serpent. In Christian iconography Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, is depicted as her crushing the head of the serpent, because her `seed` is futanarian women`s, who`re capable of sexually reproducing human brainpower without men`s semen to facilitate humanity`s escape from slavery in ephemerality through medical science conferring immortality. Incest is then comprehendable in alchemy as the desire of women`s single species to avoid ownership in ring slavery to enjoy a `royal marriage` in which the species is free, rather than slaved, that is, incest is a male taboo designed to prevent women`s human race from sexually reproducing with itself.

 Degeneracy has labeled the hierosgamos, the game of heroes, or the hero`s game, because Jesus was the hero that taught `woman`s seed`, that is, heroes know, whereas cowards keep women`s slavery a secret to have more power over the human species. Britney Spears` `Oops! ... I Did It Again` is of literary tradition resurrected in the 1920s by T.S. Eliot, whose poem, `The Wasteland`, depicts the world as a dead place needing archetypal symbols and imagery, which Jung viewed as arising in dreams, art and the imagination, to inspire human progress. According to Eliot the spirit in the desert of `The Wasteland` characterized modernity, which could be restored to living meaning in eternal life by artists. Those who accepted Jesus` teaching of `woman`s seed` would be redeemed and through art Redemption could occur.

 On the red planet Mars, in her red pilot`s suit, Britney Spears is the pilot of her Titanic ship, and a type of the woman of the Bible, `clothed with the sun and with the moon at her feet`, who gives birth to the child that `will rule the nations with an iron scepter` on behalf of `woman`s seed` before she leaves men`s slavery to sow her own `seed` in colonization of the planets amongst the stars of heaven.

 If mankind wants Redemption, man has to accept the hierosgamos, that is, women`s independent mode of sexual reproduction, symbolized by incest in alchemy and the woman of Revelation, `clothed with the sun and with the moon at her feet`, in the Bible, where sun and moon are the symbols of women`s mode of independence from slavery through their own sexual reproduction as God`s actual producer and product, that is, human art, culture, and civilization, which emerges from women`s host womb. Men must accept `woman`s seed`, or God`s punishment of eternal unendurable pain, that is, perdition, will befall, while she leaves for the new heaven and Earth promised by God.

 The `red dragon` of Revelation, which is depicted as waiting to devour the child born to the `woman clothed with the sun and with the moon at her feet`, is men`s enslaving wars against her in which woman`s humanity`s art, civilization, and culture on Earth is devoured before she leaves perforce for heaven. As a parasite upon her womb, irredeemable men are depicted in Revelation as having the `mark of the beast`, which is the slavers`: `...and there fell a noisome and grievous sore upon the men which had the mark of the beast, and upon them which worshipped his image.` (Rev: 16.2) By the late 20^th century men`s mixing of blood, shit and semen in each others` anuses, in homosexual rejection of `woman`s seed`, spread the `incurable killer disease`, HIV/AIDS, as a `biological weapon` keeping women in fearful faithfulness to monogamous ring slavery. The model for modern democracy was ancient Greece, where homosexuality in pederasty was institutionalized, while women`s host wombs were enslaved for warfare against her human race. Consequently, democracy is a sham in which human sexual reproduction is made impossible so the alien parasite can enfranchise itself in power over an enslaved species: `And no one could buy or sell anything without that mark, which was either the name of the beast or the number representing his name.` (Rev: 13. 17) The Greeks bred boys for war, sodomy, and pederasty, which is why democracy`s plague was HIV/AIDS` biological warfare against `woman`s seed`: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11)  Or, as Britney Spears sings in `Toxic` (2004): `I`m addicted to you. Don`t you know that you`re toxic.` Although it`s written in the Bible that God sent `blood plague` (Rev: 11. 6) to convert men from their sinful nature, homosexual men in pederasty for war against `woman`s seed` made it themselves: `Your toxic. I`m slipping under.`

 

`Oh, the taste of your lips, I’m on a ride.
You’re toxic, I’m slippin’ under.
Oh, the taste of the poison paradise.
I’m addicted to you.
Don’t you know that you’re toxic.
And I love what you do.
Don’t you know that you’re toxic.

 

It’s gettin’ late to give you up.
I took a sip from the devil’s cup.
Slowly, it’s taking over me.
Too high, can’t come down.
It’s in the air and it’s all around.

 

 The September 11, 2001, terrorist hijacking of airliners to crash into the Twin Towers of New York city was an HIV/AIDS` metaphor, and biblical. Osama Ben Laden was the `king` that sent `terror from the skies` (10, 72), according to 16<sup>th</sup> century French seer Nostradamus. The terrorist Al Qaeda group, led by Saudi Arabia`s business heir, Ben Laden, were airAIDS, and the airliners were Trojan horses, rather than Trojan condoms, an American brand of prophylactic recommended for use against contracting the HIV/AIDS `killer disease`. Although the modern successors to the Greeks, the `geeks`, devised `bad machine code` they called Trojan horses to infect systems with the equivalent of the HIV/AIDS virus, the Trojan horse was the huge hollow wooden horse deployed by the ancient Greeks before the walls of the city of Troy. Taken into the city by the Trojans, according to the Greek poet Homer`s Iliad (760-10 B.C.), the Greeks emerged to enslave the wombs of the Trojan women for homosexuality in pederasty and warfare against `woman`s seed` and spread their contagion further. Consequently, the Al Qaeda planes were Trojan horses designed to infect the system like computer viruses causing breakdown. The World Trade Center was chosen as the focus for the attack because homosexuality in pederasty for war is `rough trade` euphemistically, which has as its aim the enslavement of the host womb of the human species for its entertainment in TV wars. Bred as a single creature with a male brain wearing each others` clothes as a transvestite TV, enslaved humanity is devoured by a parasite becoming parasitoid, which according to parasitology occurs after the parasite emerges from the host womb.

 Diverting finance from researching a cure for HIV/AIDS, homosexuality in pederasty for warfare against `woman`s seed` eluded US` defense `protocols`, symbolized by an Al Qaeda hijacked airliner crashing through the wall of the Defense Department of the Pentagon at Arlington, Virginia, while the Military Industrial Complex (MIC) was instead activated as a virus within the US` system. US` Invasion of Afghanistan in December 2001 removed the notoriously misogynistic Taliban regime that had supported Ben Laden`s Al Qaeda, and Iraq was invaded in March 2003 after dictator Saddam Hussein evinced support for Al Qaeda there. Executed in December 2006, Saddam Hussein represented the problem facing the democratic nations from Islam`s Moslem nations. Although the Judeo-Christian tradition doesn`t seem futanarian, the tradition of Jews being born only from Jewish women is of `woman`s seed`, which Jesus` birth from his mother, the Virgin Mary, emphasizes. Judaism`s founder was Isaac, son of Abraham by Sara, who was barren after Isaac`s birth and gave Hajer, her maid, to Abraham, who bore Ishmael, the founder of Islam through his descendant Mohamed, who received the Koran (610-30 C.E.) from the angels of God, who`d been told the human host was to be greater than the angelic. Because the Koran is the basis of the Moslem four wife marriage, Islam is a futanarian tradition affording the possibility of sexual reproduction between women within the family, which extends Judeo-Christianity into that realm beyond democracy where women`s independent socio-economic system is discernible as matriarchy. Consequently, with an 80% to 20% ostensible woman to man ratio within the family dictatorship in misogyny is the formula that appears most widespread in Moslem nations, although the absence of education about women`s penis in the democratic nations where penisless women are lauded as the epitome of beauty indicates to `woman`s seed` in Islam where it`s the practice of women to conceal themselves in public that democracy is also evil. Ben Laden`s hijacked airliners crashed into the WTC to reestablish `rough trade` was symptomatic of men`s general desire for parasitoid activity represented by Hollywood, labeled `Babylon` for `a woman` of the Bible who gave her name to Babylon (c. 4000 B.C.), the capital city of the Persian Empire: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Saddam Hussein, whose name meant `small handsome man` and `crusher`, and who could see the ruins of the ancient capital city of the Persian Empire, Babylon, from his summer palace at Hillah, was a Hollywood `leading man` constructed as `crusher` of the head of Satanism by Hollywood Babylon, where the death of the human race had been prepared since D.W. Griffith made the first Hollywood movie, Old California (1910), in the city of Los Angeles on the west coast of the US. By 1930 President of the Motion Picture Producers and Distributors of America (MPPDA), Will Hays, established the `Hays code` banning `woman`s seed` from the movie theaters and so effectively ensuring the extinction of her species through a lack of education ensuring blind unconscious ignorance resulting in anger and war through a repressed sexual instinct emerging as the urge to devour: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`1 In colloquial terms, the `eyes are bigger than the belly`, that is, men have but one penis, and there are many women, which results in wars of possession. Although HIV/AIDS is known as the `thin disease`, it`s a devourer, and it derives from a species sex starved, that is, `woman`s seed`, because homosexuality in pederasty and warfare against her is an extinguisher`s mode. Consequently, Laden`s Al Qaeda terrorist attack resembles descriptions of the `four horsemen of the apocalypse` as a personification of war, plague, and famine, before God`s punishment of the evil with perdition. 9/11 personified HIV/AIDS as war (airaids), plague (AIDS), famine, that is, the `thin disease` of the sex starved, riding with death:

 

`Oh the taste of your lips. I`m on a ride.`

 

 

 In `Toxic` Britney`s airhostess appears in a uniform from Gerry Andersen`s Thunderbirds (1965-6), the `International Rescue` (IR) Supermarionation  British science fiction TV `puppet` series. Revealed as a superheroine she avoids `protocols` at an HIV/AIDS` research laboratory in order to obtain the anti-toxin. Avoiding infra-red light beam detectors, she`s in a role similar to Jennifer Garner in the TV spy series, Alias (2001-6), a `vamp` who`s the `Holy Spirit` of International Rescue (IR), rather than the `vamp` ire of Al Qaeda terror keeping women in fearful faithfulness to men`s ring slavery for homosexuality in pederasty and warfare against her.

 

 

Thunderbirds` features `International Rescue` vehicles 1 through 5. Thunderbird 3 is a red spaceship, which may be the reason for her red pilot`s suit in `Oops! ... I Did It Again`, while in `Toxic` she`s in the distinctive blue Thunderbirds` uniform with flight cap as the air stewardess who transforms into the Jennifer Garner Alias type of spy stealing the HIV/AIDS anti-toxin from the tight security facility.

 

 

 In `Oops! ... I Did It Again` `Mission Control` has the likeness of the bespectacled `Brains` from Thunderbirds, and although he`s ostensibly on Earth, Brains and the crew of `Mission Control` appear to be on the inside of the spacesuited astronaut`s head as `puppeteers` directing his movements in a shift away from the bestringed movements of the puppets directed by puppeteers in the Thunderbirds TV show. The `camera` at the side of Britney`s spaceman`s helmet is her knight`s vision, that is, an allusion to `night vision`, because infra-red or `IR` detects bodies at night from heat generated by the flow of blood pumped from the heart to reveal those who wouldn`t otherwise be seen. When suspended above herself in a white bikini dress by a hook placed in his backpack winched up by Britney in her red pilot`s suit, her spaceman resembles space station Thunderbird 5 hanging in Earth`s orbit, while she`s rendezvousing with him as the red spaceship Thunderbird 3, his heart`s blood, because the Traceys of International Rescue are family. Brains later development of a a Thunderbird 6  was a De Havilland Tiger Moth biplane, which in `Oops! ... I Did It Again` is taken to refer to actress Olivia De Havilland`s role as Scarlet O` Hara`s friend, Melanie Hamilton, in the movie Gone With The Wind (1939) about the disappearing slave culture in the Southern United States of America during the Civil war (1861-5) of manumission. Humans don`t want to be puppets and Britney Spears in her red pilot`s suit isn`t Rhett Butler, the war profiteer, manipulating humans into killing `woman`s seed`, represented by her `bi` self in a white bikini dress, because she has a knight`s `IR` vision, rather than `vamp` ire represented by the suspenseful image of the spaceman hanging vampire-like in the air above her.

 

 

 In the Grail legend the `red knight` is killed by Sir Perceval for having stolen a cup, a symbol of the Holy Grail, that is, the bowl Jesus ate and drank from at what was known as his `Last Supper`, and which signifies the `Holy Spirit`, because eating and drinking isn`t homosexual war`s devouring bloodthirstiness. Perceval assumes the title of the slain `red knight`, who stole the cup. The dead red knight is a figure of Judas, and the `poisoned chalice`, that is, the betrayal of Jesus` invitation to eat and drink, which is what 9/11 was, because the Al Qaeda terrorists had obtained visa invitations by posing as students. Consequently, in her red pilot`s suit Britney Spears is `evil`, that is, Perceval, who`s a complexio oppositorum of red knight and Redemption insofar as the Grail represents Resurrection and Ascension for `woman`s seed` through men`s repentance from their devouring parasitoid sinful nature, and conversion to acceptance of the Holy Spirit.

 

 

 Atop what appears to be a tablecloth, or an altar cloth, Britney`s white bikini dressed twin, below the spaceman with the camera attached to his helmet, looks like a human sacrifice, whereas Jesus` offer of `bread and wine`, as symbols of his `body and blood` at the `Last Supper` for his disciples, was a metaphor for the need to accept women`s futanarian human host. Consequently, twinned Britneys represent women`s sexual mode of replication between themselves, which is why she`s altared, that is, the `royal wedding` of alchemy is depicted, where incest is a transposition of species` sex, which slavers don`t want because it`s liberating for `woman`s seed`.

 

 

 HIV/AIDS, that is, the human immunodeficiency virus (HIV) and the acquired immunodeficiency syndrome (AIDS) that causes system collapse and death, is believed by scientists to devolve from SIV, that is, simian immunodeficieny virus. Consequently, Britney`s sending away of her spaceman in the promotional video for the song `Oops! ... I Did It Again` evinces a fear of the spread of HIV/AIDS, because the earliest NASA `spacemen` were monkeys. At the commencement to the video Britney`s spaceman finds a `cookie` in the sand, a cameo of her, which signals the emergence of her ship from the desert sands of the red planet, Mars. Like a website url accepting a `cookie` from an unauthorized user gaining access through a `cheat`, Britney`s `protocol` is for protecting her from apes and their raids, that is, the monkey men who`re rapes and AIDS.

 The hypothesis is that Britney`s a `tough cookie` defending against the devouring bloodthirstiness of the homosexual terrorist vampires, and their HIV/AIDS virus represents the plague aim of their plague `game plan`, that is, ephemerality in slavery for `woman`s seed`. Walking backwards in the `Oops! ... I Did It Again` video, after being told to leave, Britney`s spaceman represents `rewind` after a `raid`, that is, `reset`, which is what systems analysts do after hackers have been invited to test a system`s defenses. Consequently, Ben Laden could argue he was responding to the US` defense system`s invitation to hackers to test the US` defenses:

 

`The U.S. Department of Defense launched a `Hack the Pentagon` project Wednesday, which invites vetted outside hackers to test the security of the government's public websites.`2

 

 

 As the 16^th century seer Michel Nostradamus predicted, the `king of terror` is the devouringly bloodthirsty `red dragon` of Revelation grown to full size since its days as the `serpent`s seed` in Eden. AL Qaeda`s airaids of 9/11 were the first indications to Americans of the dangers of a homosexual vampire whose viral plague aims to `play games` of hacking. In her red pilot`s suit, Britney`s a `red team` member: `In the past, the Pentagon has tested its own network security by using internal resources such as `red teams`, which are composed of the U.S. government's top hackers.` The prognosis for the infected system is that the virus spreads if the infected react badly to the infection, that is, warfare against `woman`s seed` in Moslem Islam spread the `incurable killer disease` infecting the human species:

 

`I took a sip from the devil’s cup.
Slowly, it’s taking over me.
Too high, can’t come down.
It’s in the air and it’s all around.`

 

 In `Oops! ... I Did It Again` Britney`s `pierce evil`, that is, penetrating knowledge. Sir Perceval assumes the role of the red knight, who`d stolen the cup, because the `red team` must examine the system and restore the Grail, that is, improve. Britney appears in `Oops! ... I Did It Again` figured in white, because Perceval, after attaining to the Grail, appears as the white knight wearing a circlet of gold in remembrance of the `crown of thorns` placed upon Jesus` head at his crucifixion in Roman mockery of the perceived failure of his disciples` circle, whereas Perceval`s golden circlet is a symbol of the `knights of the round table`, which devolved into the 20<sup>th</sup> century`s improvers, the `Rotary Club`, and the Grail of Redemption from men`s parasitoid devouring sinful nature.

 

 

 `The Game` (1997), a movie starring actor Michael Douglas in the role of Nicholas Van Orton, is based on the idea of the `Rotary Club`, Orton is asset stripped of everything he possesses by his social peers who, after torturing and tormenting him for several months, restore Orton to his position; a materialist mockery of Resurrection and Ascension. Helplessness against one`s peers isn`t redemptive. Novelist Brett Easton Ellis` 1991 anti-hero, Patrick Bateman in American Psycho, dramatized in the subsequent movie by actor Christian Bale, American Psycho (2000), represents the `big game` philosophy of the species` exterminator, who isn`t redeeming:

 

`You gotta kill a lotta people!`3

 

Spied by the disciple, Judas, who was known for stealing from the collection plate after a sermon, Jesus rebuked him for suggesting that the perfume a woman was using to anoint his feet with should be sold to raise money: `Leave her alone.` (Mk: 14. 6) Judas, like Satan before him, betrayed the human host at the `Last Supper` by selling Jesus to the Jewish religious police, the Pharisees, for `thirty pieces of silver` as a dissident, and the Pharisees gave Jesus over to the Romans for crucifixion, because Judas didn`t want `woman`s seed` to sexually reproduce and escape from the Roman Empire of male braining for warfare to ensure  humanity`s enslavement. In `Oops! ... I Did It Again` Britney in her red pilot`s suit hooks her spaceman before winching him up to where he can look down upon herself in a white bikini dress. Suspended, he`s a figure of Judas` subsequent self-murder for his crime, that is, in murdering Jesus he murdered the human race, and his subsequent hanging of himself was symbolic of that.  and, indeed, self-betrayal, which is a `mortal sin`. In fact, betrayal was ultimately what the disciples practiced against Jesus. Judas` was the `gay game` of assuring Jesus he was loved while he was useful whereas Judas was a pederast insofar as Jesus was his boy:

 

 `...the chief priests and the scribes sought how they might take him by trickery (deception) and put him to death. And being in Bethany ... [Jesus] sat at the table, a woman came having an alabaster flask of very costly perfume... she ... opened ... the flask and poured it on his head. But there were some who were indignant among themselves, and said, `Why was this fragrant oil wasted? For it might have been sold ... and given to the poor.` And they criticized her sharply. But Jesus said `Let her alone. Why do you trouble her? She has done a good work for me.` Then Judas Iscariot, one of the twelve, went to the chief priests to betray him to them. And when they heard it, they were glad, and promised to give him money.` (Mk: 14. 1-8)

 

 By the side of Britney`s spaceman are the tines of a fork, and below she`s surrounded by her `crew`, prepared to take on the role of those who have places around her white bikini dressed self upon the altar cloth. Although it`s to be hoped that the scene doesn`t presage the human sacrifice of actress Nastassia Kinski as Catherine Beddows in the movie of Author Dennis Wheatley`s 1953 novel, To The Devil A Daughter (1976), the tines of the fork illustrate the aim of the devourer.

 Britney`s theme of devouring reappears in `Piece Of Me` from Blackout (2007). She appears on the cover of the CD single release as Jesus crucified, because men keep women in blind ignorant unconscious occlusion while they devour `woman`s seed` in wars against her ephemeral children uneducated in defense against the alien parasitoid devourer: `I'm Mrs she's too big now she's too thin (You want a piece of me).`4

 

 

 In her red pilot`s suit Britney represents the Thunderbird 3 spaceship rescuing the spaceman because he`s unconscious: `Forgive them, for they know not what they do.` (Luke: 23. 34) In `red dragon` terms, which is called draco or vampire in Eastern Europe, where drinkers of human blood are legendarily immortal because of it, warfare dismembers the `blood bags` of the bodies, which otherwise would serve as drinking vessels in parasitism, that is, `woman`s seed` sundered from herself is enslaved by a vampiristic spirit that`s immortal as a virus. The `bread and wine` of Jesus` bowl at the `Last Supper` was a symbol of the `body and blood` of the human host offered to his disciples, because acceptance of `woman`s seed` isn`t parasitical vampirism.

 

 

 The ancient Egyptian myth of Osiris relates how Set, the `evil one`, tore apart the body of Osiris, who was remembered, that is, his parts were put back together, by Isis. As Horus, the `sky god`, Osiris was resurrected and restored to heaven, where he`d been the sun god Ra before his incarnation on Earth. Set was Osiris` brother, so Jesus` focus is on brotherliness, and Redemption through forgiveness, which results in Resurrection and Ascension, because `enmity` isn`t remembered. Isis` remembering of Osiris is because he`s remembered, whereas no one wants to remember the evil. Set would tear Horus apart, so Isis doesn`t remember Set.

 The wish to eat and drink within a protective circle of friends excluding the remembering of the evil devour ring is what Jesus` discipleship and the Grail knights of the round table represents. In the Grail myth, the knights fight a war against Mordred, who has the evil brother role, and king Arthur`s fellowship of the round table is broken, because evil was remembered when queen Guinevere`s affair with Sir Lancelot produced enmity between the knights. Lancelot was Judas to Arthur, and so Mordred was remembered and the round table broken in pieces: `Now are you sure you want a piece of me?`

 Each silver CD is a piece of Britney Spears broken on the cross of Jesus` victimizer, Judas, because `woman`s seed` is taught she doesn`t exist and can`t sexually reproduce her futanarian human species by men`s blackout of mass media edutainment. After winching her spaceman above herself in a white bikini dress, Britney somersaults through the air in her red pilot`s suit to land in front of her spaceman, transformed in white top and black boots and skirt, to receive her gift, the `heart of the ocean`. She`s homoousia, that is, the conjoined body, soul, and spirit, which was the living meaning eternal through human art, culture, and civilization, according to the ancient Greeks, which expressed what Christianity calls transubstantiation. The transformation of the body by the Holy Spirit in the ritual of the officiate giving to the petitioner a wafer of bread and a sip of wine from a chalice as symbols of the futanarian human host of `woman`s seed` accepted by the sinful nature of men seeking to convert and repent from their role as parasitoid devourers.

 The Rosicrucians believed the secret of immortality was to give freely, and receive freely, which is way of asking for forgiveness through kindnesses, and represents a form of freedom from attachments that the Rosicrucian `doctors` practiced in order to be loved, which was Jesus` practiced advocacy as a healer. In the developmental psychology of Carl Gustav Jung, the doctors of alchemy`s quest is perceived as `the pearl of great price`, which is depicted as the ourobouros serpent, and is a symbol as ambiguous as the vampire. Described as self-devouring, and self-begetting, the ourobouros serpent is a figure of the hermaphroditic aspects of women whose penis is denied by men. If women are a species, the appearance of a male imago in her mind is a threat to her development, which is why the serpent in Eden is male. For a devourer, infra red (IR) technology is for finding victims, so Britney Spears in a red pilot`s suit in `Oops! ... I Did It Again` is the commander of International Rescue`s (IR) Thunderbird 3 spaceship against the predator who`s hypothetically looking at her through the eye of the camera lens attached to the spaceman`s helmet. `Oops! ... I Did It Again` is the reminder that the evil devouring bloodthirsty draco exists, and the innocent are kept in blind unconscious ignorance, so that lack of knowledge produces the abomination of war against the human race waged by nations believing that homosexuality in pederasty is normal.

 

 

 2000 years after Christ 9/11`s terrorist attack on the `Big Apple` of Eve`s hard won wisdom announced the evil draco`s plan to immortally drink the Earth`s blood, and imprison `woman`s seed` to prevent her from colonizing the lpanets amongst the stars of heaven. Britney Spears` music videos  present her as the `Holy Spirit` by humanity`s side. Longinus` spear was known as the Spear of Destiny after Jesus` side was pierced by the spear of Longinus upon his death to release the Holy Spirit as the `Second Eve` from the `Second Adam`, and the Spear of Destiny is associated with the American Dream and the US` Manifest Destiny, which is to colonize the planets amongst the stars: `I`m Miss American Dream since I was seventeen.` In music videos `Oops! ... I Did It Again` and `Lucky`, for example, Britney`s multiple selves present her as the Spears of Destiny, that is, as the `tutelary spirit` by the side of humanity. Omnivalent as God`s omnipresent spirit, the Holy Spirit is God`s omniscience and, complementing God`s omnibenevolence and omnipotence, is the multiple unity symbolized by Britney Spears` `Piece Of Me` video, for example, in which she appears as several different characters commenting upon the single theme of women`s slavery:

 

`Guess I can't see no harm
In working and being a mama
And with a kid on my arm
I'm still an exceptional earner
And you want a piece of me.`

 

 `Oops! ... I Did It Again` is Interplanetary Rescue (IR) modeled on Thunderbirds, and the theme is rescue from the evil vampire that wants to feast on the Earth`s blood symbolized by Britney Spears` white bikini dressed self on an altar cloth resembling a table with a tablecloth in a Satanical parody of the `bread and wine` as symbols of the `body and blood` of `woman`s seed` devoured by men`s parasitoid nature. Women are an evil old vampire`s torture victim, which is what Britney`s endeavoring to teach, despite the mass media blackout on educating `woman`s seed`, and her sexual repression through devices labeled moral, for example, an incest taboo that exists to dissuade the single human species of `woman`s seed` from sexually reproducing with herselves.

 `Mars lander`, that is, Britney`s spaceman in `Oops! ... I Did It Again`, observes to `Brains` at `Mission Control`, who appear to be inside the astronaut`s head as `puppeteers`, rather than Thunderbirds` puppets, `Oxygen content 98%.` Infra-red (IR) night vision detects blood heat produced by higher levels of  oxygenation, which makes Britney Spears` Holy Spirit visible on the red planet, Mars, according to the science fiction device employed by the video maker, so she`s knight vision`s `IR`, that is, International Rescue: `Whoah there horsey!`

 She has the role of the archetype of the anima, that is, the soul intercessor who Jung terms psychopomp as she appears in dreams, art, civilization, and culture as a guide, and so the dream, myth, and symbol content of `Oops! ... I Did It Again` is for the soul`s development through the Holy Spirit.

 The Hollywood `vamp` is a tradition of the `silver screen`, where the great actresses are deemed eternally enshrined, that is, as vampires who drain human resources. In Jungian psychology, the eyes are associated with the function of `Sensation` which, unconscious, remains an aspect of the parasitoid devourer`s sinful nature.  According to Jung there are four functions of consciousness. The `Feeling` function, which Jung associates with the mouth, or speech, is the Grail, because it`s the `sharp two-edged sword` from the mouth of Jesus when conscious, so God`s guide and teacher has a voice. `Thinking` is the ears, and `Intuition` is the olfactory system, which are associated respectively with the sword, as discriminating function, and the spear as penetrating insightfulness, which produce knight`s vision, that is, Britney Spears` Holy Spirit appears to guide her spaceman in `Oops! ... I Did It Again` as a an `IR` vamp of the silver pieces of the CD screen, who isn`t a vampire.

 Britney`s `Oops! ... I Did It Again` depicts the ancient Egyptian tradition of the mother goddess, Hathor, who has the horns of a cow, because she represents the moon as the first step along the path through the Duat to the colonizing of the planets amongst the stars of heaven where the hero, whose heart is weighed to see if he has what the NASA astronaut training program called `the right stuff`, dwells in the House of Horus inside the House of Hathor, according to Egyptian mythology, as his reward. While Ammat the devourer waits to devour the heart of the hero, it`s being weighed against the feather of Ma` at, and if the heart proves heavier it`s given to Ammat to devour. Consequently, Britney stands before the NASA Apollo astronaut with the red disk of the mother goddess, Hathor, above her, to receive the `heart of the ocean`, that is, the blue diamond pendant, as a symbol of the hero`s yearning to cross the Duat and enter heaven. In her red pilot`s suit she raises her spaceman above her to where he can see herself in a white bikini dress, because he`s to continue with her altar ego if he has the `right stuff`, that is, if he can transcend his own ego in acceptance of the multiplicity of `woman`s seed`.

 

 

 The hierosgamos is the heroes` game of decipherable meaning, which in `Oops! ... I Did It Again` is Thunderbirds` Interplanetary Rescue (IR) against the evil vampire`s bloodthirsty devouring in warfare against `woman`s seed`, which the innocent are kept blindly ignorant and unconscious of in order to maintain their enslavement to the parasitoid devourer`s sinful nature in Satanism. The vampire`s `IR` is a heat seeker, that is, any warm body is a potential slave in a system where `gamers` use the innocent as games` `platforms` for their unseen plague aims of warfare against `woman`s seed`. Kept in blind unconscious ignorance through mass media blackout of the edutainment medium that could provide knowledge enough to save the human species, Britney Spears in her `Oops! ... I Did It Again` red pilot`s suit is a sign of the Thunderbirds 3 spaceship of International Rescue (IR) and the Holy Spirit made visible to the knight`s vision as the Grail.

 Traditionally, the `Holy Spirit` is invisible, and vampires are invisible in mirrors, because penisless women are unconscious in blind ignorance of the absence of `woman`s seed` from the mirror of their dreams, that is, the invisible vampires have devoured it for the chimera of an eternity as an evil spirit in continuation without development.

 

 

 According to Bible commentators the Tarot deck of cards was originally a pictoral Torah, where the Torah and Talmud are the law and history of the Jews, that is, the Old Testament of the Bible, where the Torah depicts the journey of the soul through life. There are four suits corresponding to Jung`s `Sensation`, `Thinking`, `Feeling` and `Intuition` functions, and the pentacle is associated with sight, that is, `Sensation`, whereas ears, mouth, and the olfactory system are `Thinking`, swords, `Feeling`, cups, and `Intuition`, spears, respectively.  The pentacle contains a pentagon as a protection for the eyes, that is, the Department of Defense at the Pentagon is the eyes of the USA, which failed on 9/11, 2001, because Hollywood Babylon`s movie industry planned the disaster with movies like Towering Inferno (1973) in which the fictional Glass Tower in Chicago is raised to the ground by fire, and King Kong (1933) in which a giant ape is attacked by planes atop the then world`s tallest building, the Empire State in New York city. When the Al Qaeda terrorists hijacked civil airliners to crash into the WTC on September 11, 2001, `live on CNN` and other television news` networks, it`d been programed into the system by Hollywood`s psychopathic imbalancing of the human species by occluding `woman`s seed` in favor of male braining to produce a single creature wearing each others` clothes as a transvestite `TV` for the `TV wars` that would ensue.

 The war against Saddam Hussein`s Iraq was known as `the video game war`, because the real-time depiction of the action from cameras in the cockpits of fighter bomber airplanes encouraged a gamer`s perspective, which ultimately gave credence to the view of Saddam Hussein as `crusher` of the head of the serpent, Satan, because aerial depictions of US` planes devastating `woman`s seed`, that is, the desert homes of the burka clad futanarian remnant of human women, turned public opinion against the so-called democratic nations suppressing women`s sexual capacity for reproducing their own socio-economies and enfranchised voting majorities. The winged dragons of the B1 and the B2 `Spirit` bombers costing 1, 000, 000, 000 US$ each to maintain and fly, were the vampires of Revelation that don`t want to be seen in the mirror of women`s nightmares, as the evil serpent in Eden didn`t want to be perceived by Eve, though she felt embarrassed at being targeted by such a shameful creature. In Jungian terms, the evil draco devours eyes, that is, it feeds on `Sensation`, as women are tortured and murdered, whereas God`s futanarian Holy Spirit is the species` eyes that are blind because they`ve been killed in the flesh.

 

 

 In `Oops! ... I Did It Again` and elsewhere in her video singles, Britney Spears is the eyes of God`s omnipresent Paraclete that, effectively emerging as the `Second Eve` from the side of Jesus when cut therefrom by the spear of Longinus, appears as the Spears of `Intuition`, that is, she`s the tutelary guide to the `game` of communication. `If You Seek Amy` was widely interpreted as `f*u*c*k me`, whereas if you want to see, `game` me, is the heroes` game, that is, the hierosgamos, which requires knowledge of `woman`s seed` to understand its communications.

 `Homeland Defense` couldn`t foresee 9/11 because Hollywood Babylon was the whore riding the `beast` of abominations` occlusion. The Pentagon couldn`t see `woman`s seed` to defend her, and ultimately attacked her `remnant` amongst the desert peoples, because American women are penisless, which is the `mark of the beast` and the abomination of its acceptability.

The futanarian Holy Spirit is an instrument of Jesus` mission on Earth being prepared for her role in the war against the evil draco`s `seed` in heaven. She`s not visible in the mirror, because killed by men, although according to Revelation she`ll be protected by the child who will rule with the `iron rod` of the law of God`s love before she leaves Earth for the planets amongst the stars of heaven. Judaic tradition is that demons are descended from Cain, who murdered Abel, because murderers do murder the more able to ensure slavery in ephemerality. Those who murder are the demons, because slavery in ephemerality is what murderous demons are for. Consequently, penisless women are the `mark of the beast`, because men are the murdering demons of `woman`s seed` in the murder rings of host womb slavery and ephemerality through marriage to the demonogamy.

 Distinctions between the invisible Holy Spirit that gives eternal life by means of the `body and blood`, and the vampire that`s invisible in the mirror, is a reflection of the soul that`s murdered. According to Jung vampirism is the collective shadow of inferiority projected onto `woman`s seed` as the host for its parasitism become its parasitoid devourer`s victim, for example, Nazism`s `death camps` for God`s `chosen people`, the Jews, in the 1930s. In the 20^th century the draco spread paralyzing fear through its  HIV/AIDS` `TV` transmissions and, when Saddam Hussein became dictator of Iraq in Baghdad, he was `blood bag dad` in vampirism to `woman`s seed` wearing the shapeless one-piece coveralls of their burkas. Although the poison deployed against the Kurds in Iraq wasn`t HIV/AIDS, which is spread through homosexuality in pederasty, that is, the fathers` boy sons manufacture, poisons are a symptom of men`s false fatherings of their boy sons.

 Jesus` torturers and murderers were vampires evincing the the parasitoid stage of men`s sinful nature, whereas Jesus` `bread and wine` offered to his disciples at his `Last Supper` as symbolic of the need for men to accept the futanarian `body and blood` of `woman`s seed` for the sexual reproduction of human brainpower to escape from slavery in Satanism is the teaching of the Holy Spirit. Though a `healer`, Jesus wasn`t aware of the efficacy of blood transfusions in the saving of life, which requires a donor in the same way that vampires need a human host for their continuance. Consequently, vampirism is a correlative of the teaching of the Holy Spirit, that is, it`s necessary for the patient to be a `blood drinker`, so Jesus` offering his `body and blood` prefigures modern medicine while distinguishing vampirism from the teaching of the Holy Spirit, that is, the `bread and wine` of fellowship in acceptance of futanarian `woman`s seed` through men`s conversion in repentance from enslaving host womb parasitism and their devouring parasitoid`s sinful nature.

 

 

 In `Oops! ... I Did It Again` the vampire`s reflections can`t be perceived, because they`re the audience`s, so the absence of the vampire from the mirror doesn`t mean the vampire`s absence from reality. The futanarian `Holy Spirit` means life eternal through the brainpower of `woman`s seed` in medical science, whereas the vampire is men`s embracing of their unredeemed parasitoid devouring sinful nature in ephemeral parasitism for `woman`s seed`.  Hollywood teaches that murder`s harmless entertainment, for example, the `stalker` who kills the woman, Casey Becker, in Scream (1996) after asking the actress in the role, Drew Barrymore: `What`s your favorite scary movie?` It`s 20^th century homosexuality`s promotion of women`s serial killers, rather than the serial love affairs of great men, for example, 18^th century Giacomo Casanova, or Rudolph Valentino, Hollywood`s portrayer of the `great lover`, the thought of whose performance in the movie The Sheikh (1921) caused women to faint in theater aisles. In The Ring (2002) those who watch a videotape are killed after seven days, because video is the age of the `snuff movie` recording of real killing for entertainment to assuage men`s need to devour as sinful parasitoid nature`s, which is where Hollywood`s promotion of horror led. In Saw (2004) actor Cary Elwes is Dr Lawrence Gordon told his family will live if he kills Leigh Whannell in the role of Adam Stanheighta. Gordon had woken to find himself in the stereotypical homosexual scene, chained up in a large bathroom with the man, Adam, he`s told to kill, which is the point where God`s love was felt to be absent. Men preferred killing `woman`s seed` rather than that she raised herself.

 

 

The `heart of the ocean` corresponds to the suit of cups in the Tarot, that is, the pictorial Torah depicting the soul`s journey through life, which Jung associates with the `Feeling` function. Consequently, Rose`s experience with treachery in the movie Titanic helps in differentiating her `Feeling` function symbolized by Jesus` bowl at the `Last Supper`, which is sanctified as the Holy Grail after his death, Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`. Britney`s `Perceval`, that is, `pierce the veil`, as women`s `Intuition`, symbolized by the suit of spears in the Tarot, has to be differentiated, because their `Thinking` function is male brained, which impairs human vision, that is, women`s `Sensation` function. Men`s irredeemable nature wants horror for `woman`s seed`, so she`s a species kept in blind unconscious ignorance through a denial of her own mode of sexual reproduction between herselves, which is effectively a decapitation labeling her `vampire` by the collective shadow of men`s irredeemable nature`s inability to recognize their own inferiority projected onto `woman`s seed`. Without `Feeling` horror movies reveal that men have only a stake in the hearts of women, because women`s own species` penis has been transposed into the `murder weapon` after the virus` inveigling itself into her host womb to steal her sexual reproductive capacity and emerge as her race`s slayer.

 

 

 In the Brothers Grimm tale, `Rose Red and Snow White` (1837), two girls show kindness to a `little man` who repays them evilly, that is, the evil are `little men`. The `little man` in `Rose Red and Snow White` is killed by the girls` friend, a bear, which is why Britney Spears` stage set for `Oops! ... I Did It Again` seems surrounded by a bears` claws. In her red pilot`s suit, she`s Rose Red, and in her white bikini dress, she`s Snow White. The tines of a giant`s fork, visible beside the spaceman, as he looks down upon Snow White, from where he`s been winched up by Rose Red with a hook in his backpack, is a sign that evil men are `little` irrespective of their size. The evil devourer eats what it doesn`t want others to see, so it eats eyes, which is why women are decapitated in male braining and labeled `vampire` because men don`t want them to see truth. `TV` viewers thought they were watching a movie when the hijacked Al Qaeda terrorist airliners were crashed into the Twin Towers on 9/11, because it represented the inferior `Sensation` function, that is, vision, which men`s decapitation of `woman`s seed` has produced as the vampire of their projected collective shadow, which is what Hollywood Babylon promotes. Removing the eyes of `woman`s seed`, it`s eat what you see for the irredeemable parasitoid nature of the devourer who`s murdering a species` vision.

 Trained to enjoy watching themselves murdered by the evil vampire in Rambo: First Blood (1985), etc., differentiation of the `Feeling` function is practical, because it teaches kissing, rather than devouring. Speech is the means Jesus employed as a teacher, while Hollywood is but `lip service` to conversion through cinema in preference for promulgating the vision of an evil draco.

 In `Oops! ... I Did It Again` Britney`s spaceman`s spacecraft isn`t seen, although `Mars Lander` corresponds to Thunderbird 1, a rocket which, in Thunderbirds, flies rescue missions about the Earth`s atmosphere. NASA`s original plan was for spaceplanes to fly to the moon but pilots experienced blackout at high altitude causing the X-15 prototype to crash. Consequently, Thunderbird 1 is the spaceman`s while Thunderbird 3 is Britney Spears` `woman`s seed` because women`s brains denied by men`s repression of their capacity for sexually reproducing are strong enough to crush the head of the serpent, Satan, and escape from slavery to the host womb parasitism that occludes her species. Thunderbird 1`s red nose cone signifies the type of `Luna lander` delivery, whereby the X-15, replaced by a rocket, delivered a `red nose` on July 21, 1969 (UTC: 2. 56): `One small step for a man, one giant leap for mankind.` And a red face too when it was discovered that `woman`s seed` was the futanarian `foot` of God`s that wasn`t a `Red Nose Day`6 joke made by unkind men. In short, Britney`s spaceman represents undifferentiated functionality. In Jungian psychology, `Intuition` is associated with the olfactory system, which corresponds to Thunderbird 1`s `red nose`. The notion that men`s irredeemable devouring parasitoid nature belongs in heaven is a `Red Nose Day` joke, because Red knows.

 

 

 The 20^th century`s space pioneers` weren`t pilots of spacecraft, but NASA `puppets`; like Thunderbirds. It`s a reflection on Satan`s role as the `ape of God`, who apes the brained. After the use of apes in the early stages of the Space Program NASA`s Apollo astronauts campaigned to be accepted as pilots, which foolishly resulted in the `dumbing down` of `smart` technology to preserve men`s image of themselves as `operators`, while supposedly lesser humanoid apes became the operators` puppets. Britney Spears` Red Rose commanding her Thunderbird 3 spaceship doesn`t need a  spacesuit, because she`s `woman`s seed` and her brain doesn`t `blackout` as the ape men`s do.

 NASA`s astronauts were apes who wanted supposedly lesser men to be their `puppets`, which is what the Al Qaeda terrorists were on 9/11. Although puppetry requires strings for the puppets, planes, and other vehicular forms of transport, move along wires, because that`s how lesser men are moved by the puppeteers. Consequently, 9/11 was an attempt by ape men to break their strings and avoid being moved along wires by the puppeteers. In the movie Thunderbirds (2004) there weren`t any strings visible, because real actors were in the role of the Tracey family, but although wires weren`t visible either, logic suggests they were there, because the puppeteers still want to operate the humans behind the scenes. In `Oops! ... I Did It Again`, the Thunderbirds` character Brains appears to be `Misson Control` behind the eyes and, indeed, inside the head, of Britney`s `puppet` spaceman, that is, he`s a male imago, whose directing represents the danger of humans surrendering to the irredeemable parasitoid nature of the devourer symbolized by the giant`s fork suspended above Britney Spears in her white bikini dress.

 

 

1 TV Tropes, 'Foot Popping',  https://tvtropes.org/pmwiki/pmwiki,php/Main/FootPopping/ .

2 Alba, Alejandro, `Pentagon invites hackers to test its online security, offers incentives if loopholes are found in system`, New York Daily News, Wednesday, March 2, 2016, 1:39 PM, https://www.nydailynews.com/news/politics/pentagon-welcomes-expert-hackers-supports-encryption-article-1.2550405 .

3 Bale, Christian as Patrick Bateman, American Psycho, Lions Gate Films, 2000.

4 1 Åhlund, Klas, Christian Karlsson Pontus Winnberg, Britney Spears `Piece Of Me`, Blackout, Jive, 2007.

5 Brothers Grimm Fairytales, 1837, 161.

6 `A day, usually every other year, on which the Comic Relief organisation encourages the public to engage in fundraising for charity`, https://en.wiktionary.org/wiki/Red_Nose_Day .

 

The Safe Pear

 

 

The most recent development in terms of culture, civilization and art, is the rise to greater prominence of the futanarian woman with penis` semen of her own for the sexual reproduction of human brainpower between women, which means that `woman`s seed` is now perceivable as a productive species, and for which knowledge and, indeed, wisdom, the instantaneous telecommunications` system known as the `information superhighway`, connected to each home, has become the teacher. Although internet `porn` is criticized, living without the awareness that women have a penis of their own is a lack of education that can only be remedied by recourse to moving pictures within the prevailing model of heterosexual marriage as received wisdom, because there`re no pop icons, movie stars, political figures, writers, artists, news reports, or anything else, visible of woman as a species.

 

 

 One of the more interesting aspects of futanar women is that it takes more than two to make a marriage if one partner has a penis and the other doesn`t, because if the partner with a penis wants to reproduce she needs another woman with a penis even though she`s `married`, as it were, to a woman without a penis, because the woman to whom she`s pledged her love doesn`t have a penis to fertilize her.

 

 

 In Eden the first pair were Adam and Eve, and their symbol, the apple, represents the dichotomy between the fruit of immortality, and the fruit of good and evil, depicted as an apple in iconography. The serpent tempted Eve, and she shared the apple with Adam, which represents achievement by the `sweat of the brow` for Adam, and the `pain of childbirth` for Eve, after the pair`s expulsion from Paradise for eating God`s `forbidden fruit`, which is acceptance of host womb parasitism to ephemerality in slavery, that is, death, rather than brainpower through sexual reproduction that confers immorality through science, and freedom by means of labor saving technology. The apple also represents knowledge and wisdom, according to the New Testament of the Bible, because of Jesus` promise of Resurrection and Redemption for those who accept his teachings and guidance through the medium of the Holy Spirit, which is known as the Paraclete. After the crucifixion, the Paraclete effectively emerged from the side of Christ, when pierced by the spear of Longinus that, afterwards was known as `the Spear of Destiny` for its ability to release God`s `tutelary spirit`, and is also known as the `Second Eve`, because of Eve`s emergence from the side of Adam`s rib in the biblical book of Genesis, but with her wisdom increased since Eden, and the capacity to teach as the soul of `woman`s seed`:

 

 `You shall crush the head of the serpent with your foot but he shall bruise your heel.` (Gen: 3. 15)

 

 God turned Satan, the angel, into the tempting serpent of Eden for rejecting God`s plan that the human host be greater than the angelic, and Eve was told she`d have `enmity` with the `seed` of the serpent, who`d told her: `You shall be as gods.` (Gen: 3. 5) God`s `foot` in Christian iconography is Jesus` birth from his mother, the Virgin Mary, who is represented as crushing the head, that is, the brainpower of the serpent, with her `foot`, because born uncontaminated by male semen, Jesus is futanarian human women`s `seed`, who were born after Eden and repressed as male braining`s sexual alternative, which provides the psychological balance needed to avoid  extinction through war. When Jesus was taken to the hill of Calvary by agents of the male brained Empire of Rome and nailed to a cross of wood to be left there until he died, he experienced Resurrection and Ascension to heaven as a prefiguration of that of `woman`s seed` raised from the Earth to colonize the planets and stars through the futanarian sexual reproduction of human brainpower for colonization in starships.

 The attack on the `Big Apple` of New York on 9/11, 2000 years after the birth of Christ, represents a threat to civilization, art, and culture, which is woman`s as `God`s producer and product`, because everything that`s mankind emerges from her womb but, if she has her own penis, she doesn`t need men, who appear in the shape of the red dragon of Revelation that, waiting to devour the child of the woman `clothed with the sun and with the moon at her feet`, fails. According to the book of Revelation in the Bible, her offspring, the New Redeemer, protects her upon the Earth until she`s ready to leave and sow her `seed` amongst the stars in heaven, whereas the evil serpent`s `seed`, that is, the `red dragon`, fights against her in heaven and is defeated. God gives her the new heaven and new Earth prepared for her, while those men who remain unredeemed by Jesus` teaching have unendurable eternal pain as their punishment for enslaving and devouring her in their wars: `Love your neighbour as you love yourself.` (Mk: 12. 31)

 

 

 In the psychology of Carl Gustav Jung (1875-1961), woman is depicted as having an animus, which is the male aspect of the anima, as man`s female soul. The animus is depicted as a crowd of men who admire the woman, and so she is encircled. If woman is a species, men correspond to her `demons` for whom she`s attractive. In biblical terms, the anima is the soul of man, and the animus is the soul of woman, and both are female, because the animus, as conceived by Jung, corresponds to men as the devouring imago depicted in Revelation as a `red dragon` waiting to devour its child, and her. In other words, Jungian psychology mistakenly assumes that the image of men is developmental, whereas the appearance of the male imago in the dreams or imagination of women, because they are a species with a penis of their own, is indicative of the presence of the `false hero`, as devouring imago, that appears to surround her, as the ancient Greeks surrounded Helen of Troy`s citadel, to attack, possess, and destroy her. In other words, the archetypal hero of dreams and imagination, whether Menelaus, the Greek husband of kidnapped Helen, Paris her kidnapper, Achilles, the archetypal Greek hero, or his `friend` Patroclus, the archetypal Greek homosexual `norm` of male perpetuation as the enslaver of woman`s `womb`, represent the devouring imago and not a savior, who`s Jesus in Christianity, because Christ, the Jewish Messiah, represents `God`s love`, and not torture, murder, and the homosexual aim of the perpetuation of war upon the Earth as the Earth`s devourer.

 The appearance of the `red dragon`, in Revelation, indicates the role of the devouring imago to consume woman upon the Earth before she leaves, and so the Earth has to be aware of heroes appearing in familiar guise, because they represent the devourer. Consequently, Revelation warns of the `False Prophet` that had `horns like a lamb and spake like a dragon`, and is given perdition with the `beast` while the `red dragon` is defeated in the war in heaven waged against `woman`s `seed`, and for which the supporters of the male brained Empire of war receive eternal unendurable pain thereafter.

 

 

 Actor Arnold Schwarzenegger`s `Terminator` character, in the Hollywood movie, Terminator (1984) and its prequels and sequels, is a famous example of the `false` hero as devouring imago, and a symbol of the `False Prophet` that is Hollywood Babylon`s `direction`. Arnold`s role, as the time-travelling humanoid machine, is to kill the child of the woman, Sarah Connor, because the future of the Earth is better with her child who, in movie terms, is the `New Redeemer` of Hollywood Babylon. Although Schwarzenegger portrays a child killer, the demonic `false hero` of the devouring imago he represents didn`t prevent him from gaining the position of governor of Los Angeles` Hollywood`s state of California on the West coast of the United States of America, which is what Revelation warns of, that is, accepting the `false hero` as the Hollywood director`s image of the future, rather than Redemption from the sin of male braining for war through repentance and acceptance of `woman`s seed`, so that humanity will have the planets and stars:

 

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 

 

 In the Bible `Babylon` is `a woman` and the capital city of the Persian Empire, Babylon (c. 4000 B.C.), while Hollywood movie capital is `Babylon` because human futanarian `woman`s seed` is repressed there, that is, unseen. Schwarzenegger`s Terminator movies correspond to the `red dragon` of Revelation, and so Babylon Hollywood`s devouring imago, while the ancient ruins of Babylon are to be found in modern Iraq at Hillah near the summer palace of dictator, Saddam Hussein, whose support for Al Qaeda`s terrorism resulted in the US` army`s March 2003 invasion and his execution on December 30, 2006, although Hollywood Babylon`s male brained Empire had created the scenario. Amongst other Hollywood `programers`, directors Merian C. Cooper and Ernest B. Schoedsack, gave cinemagoers King Kong (1933), the story of the giant ape that, climbing the world`s tallest building, the Empire State in New York, provided a model for Al Qaeda`s terrorist hijacked planes crashing into the World Trade Centre, while the `Hays code` (1930-67) banned women for being seen to be able to sexually reproduce human brainpower to balance male aggression through sex scenes in films, and so made war: `… women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`1

 Hollywood is `Babylon` in the film industry, because Saddam Hussein`s male brained Iraq was Hollywood Babylon in the Middle East. Moslem marriages in Islam have four wives and so futanarian sexual reproduction between women is afforded but `hidden` from Westerners, so 9/11 was `programed` by `Hollywood` as an attack on `woman`s seed`; for example, in White Heat (1949) actor James Cagney, screams `Top of the world!`, and immolates himself atop a gas tower, while Towering Inferno (1974) featuring a conflagration reducing to ruin The Glass Tower, Chicago`s fictional 1,800 ft `tallest building in the world`, and higher than New York`s `real` WTC by 400 ft, encouraged the terrorist pyromania that resulted in war against women.

 God, in Eden, makes a distinction between good fruit, because it`s safe, and fruit that isn`t good, because to want to eat that means devourment. Earth provides sustenance as fruit, and from the breast of the woman, `mother`s milk`, which is why the Earth is `mother`. As the Paraclete is the `tutelary spirit` from the side of Jesus, like the `First Eve`, who emerged from Adam`s side in Eden, according to the Bible, Woman is God`s producer, and product. The art, civilization, and culture of humankind emerge from woman`s enslaved host womb in parasitism, which means that, with a freed penis of her own, she`s the Earth`s futanarian species, whereas if God`s `foot` remains subject to men`s parasitoid nature, women are a race devoured by men`s unbalanced psychopathy before they can run.

 

 

 The `fruit` of Eden that was eaten by Eve and Adam wasn`t safe, whereas ordinary fruit is safe, that is, the `apple` of Eden is symbolic of what is forbidden, because it encourages devouring, which is why the `Big Apple` of New York city was chosen for the act of terrorism by Al Qaeda that precipitated war against `woman`s seed`. If women have their own penis` semen, the Earth is mother to her own futanarian species. If the Paraclete is the male animus of Jungian developmental psychology, women are designed to watch over themselves, whereas the appearance of the animus in dreams, art and the imagination as a staring throng in `bloodlust` suggests the reality `snuff movie` is closer to the truth about men`s imago. Although women`s futanarian animus might guide their minds within the bodies, conditioning teaches women to reject that `spirit`, while within men the anima-figure of `woman`s seed` struggles as the human soul to be `teacher, guide, helpmeet, and comforter` to the Earth`s species.

 

 

 The symbol for a new Edenic pair would be the pear rather than the apple. Although Adam and Eve were `conventional` as a heterosexual pair in Eden, heterosexuality is transvestite `TV`, that is, the production of a single male brained creature wearing each others clothes, which is what the Hollywood Babylon media Empire promoting war against the human race became after the invention of television `TV` in 1926 by Scotsman, John Logie Baird, and the `Hays code` banning `woman`s seed` from films was established in 1930. The model is `Greek`, because in ancient Greece host womb enslavement by men for homosexuality in pederasty and war was institutionalized. Consequently, the `apple` in Eden was Eve`s arse, and the pair were expelled for practising the sterility of anal sex, which God later punished (Gen: 18, 19) by destroying the `cities of the planes`, Sodom and Gomorrah, and which the Al Qaeda terrorists repeated in their `cities of the planes` attacks on New York City`s WTC, the Defense Department of the Pentagon, and the aborted attack on George W. Bush, at the United States` President`s residence, the Whitehouse in Washington D.C., when passengers crashed their plane at Shanksville, Pennsylvania, to prevent it from reaching that target. From the perspective of `woman`s seed`, America` s penisless women aren`t human, but rather TVs producing homosexuality for the recording of the reality `snuff movie` of war against futanarian humanity in Satanism: `Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16. 11)

 They`re experiencing AIDS, and the woman `clothed with the sun and with the moon at her feet`, who gives birth to the New Redeemer that protects the woman `hidden` upon the Earth, is a complexio oppositorum, a sun and moon symbolism that refers to Jesus` birth from his mother, the Virgin Mary, as futanarian humanity`s anti-virus. Jesus had Ascension after being tortured to death because he rejected men`s sickness, that is, `brutality and violence`, which is associated with `rough trade`,2 a euphemism for pederasty and, after 9/11`s terrorist attack on the World Trade Centre in New York  city, institutionalized `Greek` homosexuality in pederasty for war against `woman`s seed`.

 The simplest New Testament message is that the Virgin Mary and Jesus born uncontaminated by male semen didn`t want men`s `demons`, that is, STDs, while in Revelation men are effectively depicted as being tortured and murdered by the `incurable killer disease`, HIV/AIDS, which they`ve spread in homosexuality and pederasty as a `blood plague` (Rev: 11. 6) for `brutality and violence` in `rough trade` by keeping women in fearful faithfulness to misogynist ring slavery through their deployment of . HIV/AIDS as their `biological weapon`, and refusal to repent.  Analogous to men`s functioning as a devouring imago, HIV/ AIDS is the microcosm mirroring their macrocosmic cancer of an unnatural homosexuality which God punishes to prevent its spreading.

 

 

 Although in the first book of the Bible, Genesis, the Old Testament God of the Jews is depicted as destroying Sodom, and Gomorrah, which contained what modernity calls BDSM `training`, that is, acceptance of HIV/AIDS through bondage, and submission to sado-masochism, in Revelation, the last book of the Bible, and the Christian New Testament, men are still disobeying God and mixing blood, shit and semen in each others` anuses in rejection of women, which spreads HIV/AIDS. According to Revelation Jesus returns to the Earth as the New Redeemer to `rule the nations with an iron sceptre` and protects the `hidden` futanarian woman, because `woman` seed` must grow, before she leaves to colonize the planets and stars to prepare for the war against the `serpent`s seed`, symbolized by the devouring `red dragon` of Revelation that, grown in size since its days as a `serpent` in Eden, waits to devour.

 The symbol for a women with a penis, that is, the human futanarian species of `woman`s seed`, is the pear, because it`s their shape, rather than male `fruit`. Consequently, tulip and pear are the matriarchal symbols for male and female in Hungary, where `fut` means `run` and `tanar` means teacher, that is, `futanar` is the futanarian race, because humans need God`s `foot` for balance. Although the term `futanari` is Japanese for that form of `manga` cartoon which features women with their own penis` `seed`, `futanar` is Hungarian too. In Japan the ancient practice of `foot binding` to prevent women from running signifies ancient misogyny, and `futanari` manga is BDSM. Women with their own penis` semen need women to fertilize, so there was a second woman in Eden, Lilith, who refused to accept submission.

 Lilith is described as the `mother of demons`, because the devouring imago constellated within men, which corresponds to the animus of Jungian psychology as a crowd of male watchers of the human futanarian species of women, is homosexual and enslaving of woman`s `host` womb` as a parasitoid devouring virus. As the `hidden` futanarian `woman`s seed`, Lilith`s demonized as a `witch` preparing to ride the `broomstick` of her brains` powers for liberation from slavery to host womb parasitism, and ephemeral death, through the sexual reproduction with other women of immortality conferring science and labor saving technologies maintainable through permanent knowledge.

 Men`s ring slavery is monogamous, whereas for women, who`re a single futanarian human species, marriage is what they are. Consequently, a woman with penis` semen of her own needs a woman`s womb, but also a woman with penis` semen of her own to fertilize her, that is, three women constitute a possibility, which is absent in monogamy, because it`s ring slavery. In Christianity the single species, with its shepherds, rather than its slavers, is represented by the term `agape`, which is `universal love`. Because, for women, as Jesus taught, there isn`t any marriage:

 

`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)

 

 

 Conventional heterosexual marriage is God`s plan for man`s Redemption, but unless the woman is `Paracletian`, that is, she has the psychological bisexuality that denotes love for her own species, and her own male part that is `hidden`, which is manifest in her acceptance of what she is often led to believe is the only penis for her, that is, man`s, there can be no Redemption, because heterosexuality is a `TV` culture of transvestism for a single male brained creature wearing each others` clothes to participate in a devouring parasitoid `snuff film` of the human futanarian race of women represented in `TV` television and the movies as a socio-historical record. Heterosexuality, especially for men, constellates homosexuality, that is, a desire for the male brain and the male penis` `seed`, which is the devouring imago of HIV/AIDS, whereas `lesbian` love between women is `normal` futanarian sexuality for those who don`t want their host wombs to be parasitically enslaved for parasitoid devourment by a self-perpetuating viral form, and so the real danger for women is species` self-hatred, and unconscious collaboration in women`s extinction.

 

 

 Lilith is unfairly described as `mother of demons`, because the devouring imago constellated in homosexual activity is non-reproductive sterility, whereas the Lilith archetype is women`s futanarian humanity.  Homosexuals are evil, because in anal penetration they don`t need the penis of the `other` to function, whereas futanarian women need the other`s penis to fertilize their ovum. Consequently, the `red dragon` is the devouring `serpent`s seed` of homosexuality in pederasty for war, which hates woman, and her penis.

 

 

1 TV Tropes, 'Foot Popping', https://tvtropes.org/pmwiki/pmwiki.php/Main/FootPopping .

2 Merriam Webster, https://www.merriam-webster.com/dictionary/rough%20trade .

Hit Me Baby One More Time

 

Britney Spears` video for Hit Me Baby One More Time is interestingly lyrical, because it features two basic notions, that of `taking a hit` as in heroine injection, for example, or being hit by a boxer, or even a hit in the sense of being assassinated by the CIA. The obvious allusion is to Britney as a `hit maker` of pop records, but abusive parenting may even be a consideration.

 

 

 If Hit Me Baby One More Time is a film for the intelligence community, there are clues as to its meaning. The basic principles in spying are to prevent those who you don`t want to see from seeing, which is why there`s a reference to blindness.

 

`Oh baby baby,
The reason I breathe is you.
Boy you got me blinded.`

 

 It`s a metaphor for enslavement. A later work was entitled Blackout, because it relates to the idea of asphyxiation, which produced blindness or unconsciousness, because of a lack of air. In Oops I Did It Again, which precedes Blackout but was recorded after Hit Me Baby One More Time, Britney on Mars is visited by a spaceman who narrates: `Oxygen content 98%.` In astronaut training, high levels of oxygen are used but `blackout` is always a danger, and although Britney takes his helmet off for a minute or so, further exposure would be fatal, and she replaces it. She wants him to be able to see her.

 The Femme Fatale album of 2011 is about a Mafia `hitman`, and so there`s continuity within the concept of blindness and unconsciousness, which begins to emerge in Hit Me Baby One More Time. The idea of intelligence and blindness is closely related in thematic terms. Piece Of Me is about the intrusions of the paparazzi into her privacy, and the issue of deepest concern, which is her parenting, A snap of Britney`s baby losing a hat during a paparazzi melée was the basis for a custody battle that resulted in her children being taken away, so she was denied the right to see:

 

`And with a kid on my arm
I'm still an exceptional earner.`

 

 For someone whose preoccupations are intelligence and seeing, it`s hardly surprising that she`d become obsessed with criminals, because they represent non-governmental secret organizations that might be responsible for preventing her from seeing, and the USA`s governmental intelligence organizations didn`t protect her from those who wanted to keep her from being able to see. In Piece Of Me she appears in dark glasses, which suggest that she`s able to see but is blind to, or unconscious of, the truth, and she wants to see:

 

`No wonder there's panic in this industry
I mean please...`

 

 The chaos in the industry is due to the perspective that false is truth, and is more entertaining, which is like preferring shit to what`s edible. It`s a metaphor that`s translatable because Hit Me Baby One More Time contains lyrics that complain of interference with her planned development:

 

`It's not the way I planned it
Show me how you want it to be
Tell me baby cause I need to know now oh because...`

 

 Pop songs have often been accused of having `hidden` meanings that are `Satan`, and one of the more infamous is that, if The Beatles Revolution 9 was played backwards from The White Album, the words `Paul is dead` could be heard.  Britney`s lyric `...oh because...` sounds like `Robigus`, which is a reference to a Roman deity that protected the crops. In terms of Britney`s oeuvre, `crops` may be understood as what an editor does when deciding what to keep of the picture, that is, to crop a picture means to choose what is illustrative  from the processing angle, but from the individual`s perspective it`s what`s `treasured`.

 

 

 The analogy is of wedding video rather than a movie such as Shakespeare`s The Merry Wives of Windsor. In Shakespeare`s day only men were thespians, and women were allowed to act later, but the extrapolation would be of a drama that only contained women, which would be what a man who was interested in `harem` pictures would desire. To extrapolate further, a divorce would necessitate the `cropping` of pictured from a marriage. It`s a scenario further complicated, or even made easier, by the knowledge that Woman has her own penis, as futanar, and so doesn`t need a man at all, which means that, in terms of the Shakespeare analogy, she`d want the woman`s  picture for herself.

 

 

 In the Bible the `hidden` woman of Revelation leaves Earth to sow her `seed` in heaven where she defeats an attack by the serpent`s `seed` from Earth, that is, men. The New Redeemer protects her with a `scepter`, and the red dragon of Revelation is depicted as waiting in vain to devour the protector of the `hidden` woman, which means that she can`t be prevented from escaping from the Earth and sowing her `seed`. According to Revelation God creates a new heaven and Earth after Jesus slays the serpent and its `seed`, so Woman as a species can live. Britney`s Hit Me Baby One More Time invokes the Roman god Robigus to protect her `crop`, that is, her `picture` of Earth, because she`s leaving to sow her `seed` amongst the stars.

 

 

 If True Stories isn`t defended, that is, her understanding of what the picture should contain, which is Woman as a species with her own penis, then she remains blind and unconscious, which is why the metaphor of the corn god is important. The notion of endless cycles of reincarnation in death and rebirth relate to the Buddhist idea of karma, which is the perception that, although completeness of memory is possible across lifetimes, as Jesus` Resurrection and Ascension indicates, those who practice evil cause blindness and  unconsciousness in those who don`t. Or, as Britney says in Piece Of Me:

 

`I'm Miss bad media karma
Another day another drama.`

 

 The archetypal story of blindness and unconsciousness is from Greek drama, that of Sophocles` Oedipus Rex in which the protagonist is psychologically blind or unconscious from the beginning because he doesn`t understand that all the characters are himself. It`d be much easier if he were aware that Woman is the species upon the Earth.

 Men are the red dragon of Revelation that, waiting to devour Woman as the product, and producer, of God, as civilization, art, and culture, are the reason why Oedipus is blind and unconscious of his predicament. It`s Seventeenth Century Shakespeare in reverse, where all of the characters are Woman as a species with her own penis, but men want to keep her as `host wombs` for their parasitical viral forms to enslave in endlessly reincarnated blindness and unconsciousness. Jocasta, Oedipus` wife, is indifferent to his discovery that she`s his mother because it`s an incest taboo that`s designed to prevent Man from realizing not only that each individual upon the Earth is Man, but that men are parasites, because Woman is the species.

 It`s a two stage realization that men don`t want to be perceived, and so Sophocles` drama is about blindness and unconsciousness. Oedipus blinds himself after discovering his wife`s his mother, and that he`s killed his father. His `accidental` patricide is a plot device, to underline the idea that he`s his father, and so his mother`s his wife. Men are evil, because Oedipus isn`t able to see his father as himself. Men don`t want him to see even that much because it`d allow him to see that Woman is himself, which is the second stage of realization or `seeing` that they don`t want, because then he wouldn`t be on the `blind side` but able to see Woman as his species.

 Seeing Woman as a species is the basis of Christian Redemption. Jesus preaches `God`s love` and, at the crucifixion`,the Paraclete  emerges as the `tutelary guide` from the side of Jesus when its pierced by the spear of the Roman centurion Longinus. She`s the eyes of God and the `Second Eve` who represents God`s memory because she sees all that men do. If they`re doing it to her, then God knows. That`s why Britney Spears` Circus album is significant. Spying is often termed the `circus`, and the aim of spies is to see, or prevent others from seeing.

 

 

 The cover for Piece Of Me is Britney crucified, and so she`s the second stage of self-realization after Oedipus` discovery that God`s species is Woman. The Paraclete effectively emerges from the side of Christ when  its pierced by the spear of Longinus, and so Britney Spears is symbolic of the multiscient omnipresent Paraclete as the `Spears` of God, that is, God as the omniscient producer that, with God`s omnipotence and omnibenevolence, are the visible signs of God`s goodness upon the Earth. Britney`s Roman protector `Robigus` are the complimentary aspect to God`s `Spears` as the ears of corn, which are as sharp as Spears and represent the man who has the ears of God, as she has the eyes.

 In the USA `corn` is simple truth, and is ridiculed by unbelievers. Britney`s `Robigus` has ears to hear, and eyes to see, which means he`s accepted the `tutelary guidance` of her Holy Spirit.  He adheres to the preached Word of God, as written in the Bible as an account of Jesus` mission as a proselytizer, and so is the type of the Egyptian `corn god` Osiris, who`s Resurrected `ears` and eyes as the `sky god` Horus, the hawk-eyed, denotes God`s `watch` over the Earth prior to the `hidden` woman`s leaving to sow her `seed` in the `fields of heaven`.

 Redemption and Resurrection is completeness of memory across reincarnated lifetimes, which is why it`s of paramount importance, because it`s the years of Man, and the eyes of Woman. In Hit Me Baby One More Time Britney`s `scarecrow` is asking for the eyes of the Paraclete, that is, intelligence, and an end to the years of `corn`, that is, the ridiculing of Robigus, as her man`s simplicity, and so an end to the cyclic Resurrection of Man and Woman that they represent, without Redemption, which is as fertilizer for the `crops` rather than heaven and God.

 In terms of the artistic process, Britney`s `pictures` for `Robigus`, as well as herself across the generations, are `crops`, that is, it`s how they remember each other, and so it`s how they`re remembered, by the power of the Holy Spirit, which are her `eyes of Horus`, in Egyptian mythology, and her `ears of Osiris` when her message is heard by the listening `Robigus`. Hit Me Baby One More Time is like the Bible, in the sense that `Robigus` listens, and reads what she shows, and penetrates the `logical fallacy` that it`s ridiculous `corn`.

 The Paraclete is omnipresent, as the Holy Spirit, and so the evil seek to blind Britney`s `scarecrow` into unconsciousness by dulling her `intelligence`, that is, denying her a brain, and refusing her the Paraclete`s eyes to see, and her `Robigus` ears to hear her. Because she sees what they do to her, and the evil want the good to know, especially God, who has condemned the evil to unendurable eternal pain, and so we receive glimpses of what the Paraclete can see of the tortures they perpetrate upon those who`ve accepted `God`s love`.

 

 

 In Hollywood`s movie of Frank L. Baum`s `corn bowl` tale The Wizard of Oz, the `scarecrow` asks Dorothy for a brain. She has a brain, and he`s brainless. It`s reminiscent of Oops I Did It Again in which Britney sings:

 

`I played with your heart.`

 

 

 In The Wizard of Oz, the Tin Man asks Dorothy for a `heart`, because he doesn`t have one. He`s a type of Osiris who, dismembered, received a tin body as each of his parts had to be replaced. Originally named Nick Chopper he lived by logging, but his axe was cursed by an evil woman so that it cut off his own limbs. It`s a metaphor for fascism, which has as its symbol a bundle of sticks wrapped around an axe. When the Allies uncovered Belsen and other places they discovered that, in the Nazi concentration camps, dead bodies were stacked like piles of wood in preparation for the furnaces.

 

 

 A `chopper` is a euphemism for `penis`, and so Dorothy`s `tutelary guidance` is axed at the movie`s close. The evil don`t want Woman to use her penis, but want to axe her. Nick Chopper`s penis is cursed so that he can`t marry the woman he loves, and that`s the meaning of Dorothy`s axing at `rainbow`s end`. A symbol of God`s promise of Resurrection and Redemption, Dorothy`s singing of Somewhere Over The Rainbow signifies God`s Covenant fulfilled, and Man`s refusal to accept anything other than Woman as ``lumber`.

 Nick Chopper doesn`t get the girl because he doesn`t want her, that is, his chopper is accursed, but not by Woman. The cursing of it by a witch is a metaphor for how women are seen by men. In a further allusion to the movies in Oops I Did It Again, Britney references the movie Titanic. She asks her spaceman about his gift: `But I thought the old lady dropped it into the ocean at the end.` It`s `the `heart of the ocean`, a jewel Rose lets fall from her grasp into the sea at the place where the Titanic is being salvaged. Aboard the `unsinkable` vessel as a passenger in 1912, she`s betrayed by an ex-lover who frames her new lover for stealing her `heart` by depositing the jewel in his pocket. Rose`s boyfriend drowns while helping her and others to the lifeboats while the ship is disastrously sinking, and so the raising of the jewel of the `heart of the ocean` from Earth to Britney on Mars indicates loss, and the Titanic task of Redemption.

 Dorothy gives the cowardly lion a medal for courage in The Wizard of Oz, because he isn`t brave but afterwards he`s confident and becomes courageous. Although he falls into the trap of aggessivity, he`s lucky, as `heroes` often are, and so becomes successful rather than an unpleasant type of bully. Because he`s male, and a lion, however, he`s the type of devouring men`s imago which, constellated in the psyche as a `hero`, functions as the devouring red dragon of Revelation, that is, it consumes the developing ego-personality and, in so doing, turns the individual it devours into a devourer.

 Britney is applying the boxing analogy from Hit Me Baby One More Time. Those who are taught that boxing is defence have no chance against a gun, and the evil aren`t noble. Boxing is a device to persuade men that facing each other is what they must do, whereas boxing`s devised to prefer the bully to the man, and make a coward of a man because the man sees through the device. It`s like criminalization. Police surveillance is designed to make a criminal of a man, because the system prefers the police to the man, and the man won`t face the police, because the police cowardly manipulate the man into being angry and facing them, which justifies their criminalizing.

 Taking a hit what heroes do, but it`s the system that has to be beaten, which is what is meant by Jesus` preferring of the Paraclete to the bullies and the police of Galilee. Jesus observes that he`s taken enough hits and succumbs to the blows. He isn`t a boxer, but he is a man, and the bullies and the police aren`t. in Revelation the `number of the beast is the number of a man`, which means that men elect themselves into the role of first beast, second beasts, and so on...

 The number of the police, fire brigade, and ambulance service in Australia, England, and most of the rest of the world, is 999, and 666 is the `number of the beast` in Revelation, that is, in a reversal akin to those of George Orwell`s 1984 in which the state produces such slogans as `Peace is War`, a man asking for help is likely to be placed on `death row`, where he waits to be executed, because he`s `troublesome`.

 When the `War on Terror` (2003-) began with the USA`s reaction to the terrorist attack on New York`s Twin Towers, it was 9/11, and 911 is `the number of the beast`, that is, it`s the number used by its citizens to call for help, and where the National Security Administration (NSA) asked for, and received thereafter, the authority to monitor and process every single e-mail or other piece of information sent electronically everywhere upon the Earth. The result is that, in Orwellian terms, `Help is Hate`, and the bullying murderers  have everyone on `death row` awaiting execution for their intelligence and ability to see when they should, according to the bullies and the police, be punch drunk and KO`d in blindness and unconsciousness for accepting the devouring imago of the hero, who helps you to devour yourself as the red dragon of Revelation waits to devour the New Redeemer being born of Woman.

New York`s the `Big Apple` and the devourer was born as a bite was taken out of it. Those who planned 9/11 intended it to be perceived as an analogy of the bite taken out of the apple of Eden, which signals the separation of the `seed` of the serpent from the woman who`s `hidden` in Revelation prior to her leaving for the heavens to sow her own `seed` with her own penis. Amongst the stars, she prepares to defeat the `seed` of men, and is able to do so because the red dragon of Revelation isn`t able to devour the New Redeemer with the `scepter` that protects her before she leaves.

 George Bush Jr`s declaration of a `War on Terror` was the beginning of 666, and men as `beasts`. In Revelation, God sends plagues to turn men aside from their enantiodromian Orwellian enforcing of such nonsenses as `Freedom is Slavery`, and AIDS is depicted as a reversal of such simpler constructions as aids for the blind, mobility aids, hearing aids, etc. Because men are a parasitical viral organism they`re the evil `plague aims` who `play games` of bio-degradation against Woman as a species, and which have, as their goal, the reduction of humanity`s wisdom, derived over many millennia from `the fruit of the tree of the knowledge of good and evil`, to the status of `hear no evil, see no evil, speak no evil` AIDS` monkeys that can`t see, speak, or hear objective goodness; because everything has been evilled by them:

 

`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.`

 

 If it`s a good apple, I want it. That`s the definition of good and evil. It`s obectivally simple. Why would I want a bad apple? I wouldn`t. At the end of The Wizard of Oz, the Tin Man, Lion and Scarecrow are rulers of Oz and Dorothy, who has got them their positions, as it were, is spirited away as, effectively, `hot air` in a  balloon, having performed her function as the `tutelary guide` to God`s heaven and installed the despots. Noone would want to be governed by the brainless, the heartless, and the cowardly. But with the `tutelary guide`, who`s `God`s spirit` in Dorothy, Mankind would have good and not evil. Men prefer to be guided by evil rather than have Woman as their guide, because she`s God`s species, and they`d rather be enslavers and devourers of God in warfare, plague, and famine.

 Famine is the awareness of the existence of food, and the refusal of it, which effectively is what first world nations do with third world nations. They know how to produce it, but they say they can`t afford it. They`d rather build Saddam Hussein the third largest army in the world, and the first world`s first largest army for themselves, and then watch the USA and Iraq devour each other on CNN.

Filmed before World War II, The Wizard Of Oz is a reflection on both Nazism and the emergent psychology of Carl Gustav Jung (1875-1961) who observed that, in a fully functioning human being, there were four functions of consciousness, which he called `Sensation`, `Thinking`, `Feeling` and `Intuition`. Undifferentiated, these were respectively associated with ears, eyes, mouth, and nose. They had to be differentiated, or brought into conscious use, in a process he termed individuation.

 The Tin Man, Lion, Scarecrow and, finally, the Wizard, who is a charlatan frightening the people of the Emerald City into obedience, denote early twentieth century fascism in The Wizard Of Oz. The ears, eyes, mouth and nose function successfully, but `God`s spirit` is wanted only to achieve victory. Saddam Hussein was a similar `scarecrow` for early twenty first century fascism and, although several `lions` were `lost in action` (1990-2011), and several purple hearts were awarded to `full metal jackets`, it`s Tin Man, Lion, and Scarecrow II for the War On Terror (2003-) while the only sign of the Holy Spirit is her palpable absence.

 Redemption is Salvation and not a `salvaging` that, passively, is the activity of `grave robbers` and, actively, is the actions of `wreckers`, but definitely isn`t Resurrection. Rose`s dropping of the jewel at the scene of the `salvaging` is her asking for Salvation for herself, and her man, as Britney, the Spears of God in Oops I Did It Again, is  being given, and is taking, heart for her Titanic task of Resurrection and Redemption. She receives heart, in accordance with the Egyptian myth, as a part of Osiris` `remembering`.

In Egyptian mythology, the evil Set dismembers Osiris, which is a metaphor for the murder of a social group that lives as a unity of individuals who, perceiving in the `mind`s eye` that their society`s being murdered, either in dreams mediated by the soul, or in a waking state by means of what, in Christianity, is called the Paraclete, represent what the evil do as torturers of those who have accepted God`s Holy Spirit.

 Man can only have Redemption if Man accepts her, but the second stage of realization incurs the knowledge that, just as the Virgin Mary in God and heaven is the Assumption, so Man`s Ascension to God and heaven is impossible. Unless Man accepts that Man is Woman, even if Man has Redemption, because Resurrection is Man in the eyes of Woman, who`s Man as the `hidden` woman with her own penis that`s capable of sowing her own `seed` to defeat men as the `seed` of the serpent that has been trying to devour her since Eden.

Piece of Me features a `True Story` tableau in which a `photoshoot` in the style of the National Enquirer is presented as entirely false, and is a brief analysis of the press`s blinding and dumbing down into unconsciousness of those who believe what is written about her. If they`re concerned to blind others into stupidity, what are they doing to her? The same thing, obviously. The analogy is of Princess Diana in the Pont D`Alma in Paris being hounded to death by paparazzi on a `photoshoot`. Many people believed that was an assassination, and Britney`s Piece Of Me indicates how the paparazzi operate.

 Every crop needs a `scarecrow` and Britney`s Hit Me Baby One More Time is the notion of the assassin as the `scarecrow`, who wants a brain but the evil don`t want him to because then he`d see, which is what intelligence is for. The `scarecrow` is also the `straw man` who`s a `cover` or `front`, which is what CIA intelligence operators make for themselves.1 In Hit Me Baby One More Time, Britney`s a `scarecrow` for her `crop`, which is also protected by Robigus, the `corn god`.

 On one level, Britney`s a `straw man` herself, because a `logical fallacy` is that the answer is obvious. In Sophocles` Oedipus Rex it`s that Oedipus is blinded for patricide and incest, whereas the truth is that he`s married to his wife, and the evil don`t want him to perceive that he`s her. In Hit Me Baby One More Time Britney presents herself as the `scarecrow`, who`s in need of intelligence, and her man is `Robigus`, who`s for protecting her `crop`, that is, her picture of God and heaven, and so Hit me Baby One More Time is designed to explode the `logical fallacy` that Britney is `simple`.

 In the Egyptian myth of Osiris, Isis fashions the penis of the `corn god` anew, when it`s lost because of the evil Set`s dismembering of Osiris. It`s archetypal insofar as daughters help their mothers to prepare meals, etc. They do this because it`s what binds mother and daughter together. It`s the alchemical secret which the ancient Egyptians called Al-Khem, or `the black earth`, which alludes to the cycle of the growing seasons. What is grown is fertilized, and what is decayed is fertilizer. Osiris` decayed penis is fertilizer, and that`s the secret. Men are for the earth because they`re its fertilizer. Isis, however, is Woman`s secret. She`s the fashioner of the penis that she shares with her daughters. Her own. Hit Me Baby One More Time is Britney`s perception that she, as the `scarecrow`, and Robigus, her man, share a penis.

The term`straw man` is also used of an opponent who`s set up to be easily defeated. Saddam Hussein is a good example for this. The USA made him strong by giving him the 3<sup>rd</sup> largest army in the world and then defeated him in a few weeks. Effectively, he fulfilled the criteria of a CIA `front` for taking over Iraq`s oil production. Saddam didn`t have brains or vision, because he was a `straw man` and the USA didn`t want him to have any. In Hit Me Baby One More Time Britney`s a first Gulf War (1990-1) baby who`ll be a `front` man for the second Gulf War (2001-3), which effectively went on for twenty one years (1990-2011).

 Hit Me baby One More Time underlines Britney`s nation`s preoccupations with Resurrection and Redemption, that is, `scarecrow` and Robigus, are Isis and Osiris in mythic terms.  The Roman Robigus corresponds to the Egyptian Osiris insofar as Osiris is the `crop` and Robigus is the protector of Osiris, who`s remembered by Isis in the Egyptian mythologem. Osiris is Resurrected as Horus, the `sky god`, which is indicative of his `special` nature as having broken the karmic wheel of reincarnation, death and rebirth, symbolized by the cycle of the seasons, to achieve what Christianity calls Redemption, that is, completeness of memory across lifetimes.

 As the `sky god` Horus is the `hawk` and corresponds to the New Redeemer whose all-seeing eye protect the `hidden` woman from the devouring dragon of Revelation, that is, men, and denotes the function of the Paraclete that, omnipresent with those who have accepted her `tutelary guidance` sees what the evil do and so can defend the `hidden` woman prior to her leaving the Earth to sow her `seed` in the `star` fields.

 Although the Roman god Robigus is Britney`s protector of the crops, which is her edited picture of the reality God seems wants from her, the Roman Robigalia, a celebration of the growing season, often featured a feminized version, Robiga. Britney envisages a hero and heroine, and Robigus takes hits for her, while she`s his heroine, but not in the sense of hitting.

 The spaceman in Oops I Did It Again hits on Britney, which means that she`s `some heroine` because she`s made some hits. From this premise is derivable a false analogy based on the logical fallacy that the language is simply understood by everyone. To a heroine addict, she`s a hit and, to an assassin, she`s as he is. It`s a joke as bizarre as `civil` aircraft being polite enough to avoid 9/11`s computerized air traffic control protocols and `hack into`  the Twin Towers of New York`s air defense system because men are alien parasitical viruses that use woman as a host womb to punish her for making them eat the apple in Eden.

 To extrapolate further, Britney is Robigus and Robiga, that is, god and goddess of their man and woman. It represents an awareness from ancient times that Isis` fashioning of Osiris` penis anew is symbolic of their spiritual unity. In other words, Woman is Man, and Britney`s knowledge of that is transmitted through Hit Me Baby One More Time by means of her realization that, if she can conceive of herself as Robiga, then Robigus exists. It`s a Christian principle that requires some seriousness. In the US TV series, Scarecrow and Mrs King, Bruce Boxleitner and Kate Smith were CIA agents whose `handles` were `Scarecrow` and Mrs King. Britney`s usage of the mythologem of Robigus and Robiga is a key to a simpler understanding. Without the concept `god and goddess`, the concept of Man is Woman as a realized belief is difficult to achieve, whereas Christianity relies on notions of man and woman as a species to perpetuate the enslavement and devourment of God. This isn`t serving the intelligent community.

 The Earth`s true species is Woman, with her own penis, and so she`s Satan from Christianity`s perspective by enantiodromia, which is what the ancient Greeks termed `reversal of opposites` and why Britney once called herself the Antichrist. She`s Woman giving birth to Redemption, and Christianity , in refusing to acknowledge that Woman is the species here, prefers to worship itself as a baby-devouring dragon imago and prevent Womankind from developing.

 

1 McDowell, Don (Lanham, MD) Strategic Intelligence: A Handbook for Practitioners, Managers and Users, The Scarecrow Press, Revised Edition, 2009, 286 pp.

 

Transformation Symbolism

 

In the developmental psychology of Carl Gustav Jung (1875-1961) symbols are transformers. The basic transforming symbolism is that of the Catholic Mass in which the bread and the wine is the body and the blood of Christ who gave it to the disciples at the Last Supper before his crucifixion. Symbolic of the immortality of the Resurrection, and Redemption of the body through the acceptance of the continuing teachings of God`s Holy Spirit, she effectively emerges as the `Second Eve` from the side of Jesus Christ, after his death and Ascension to heaven, the first Eve having emerged from the side of Adam, the first man, in Eden.

 The Holy Spirit or Paraclete is the `teacher, guide, comforter and helpmeet`, which is how a woman is traditionally perceived, and so the Paraclete is `female wisdom` accumulated over many thousands of years as the body and the wine from the `fruit of the tree of knowledge of good and evil` from the Garden of Eden. As the Shekinah, or `spirit of God`, she`s in the Old Testament of the Bible at the place where the `law of God` is kept within the `Ark of the Covenant` and, in Gnosticism, she`s Sophia, the `wisdom of God`, and God`s `female spirit`. In Jungian psychology, she`s the soul or anima which, as an archetype or `developer` of the unconscious self through imagination, would correspond, in Catholicism, to the figure of the Virgin Mary as a mediator of thought which, as deep meditation, or the emergence of helpful ideas in dreams, corresponds to the Christian concept of `prayer`.

 The concept of the Holy Spirit is of the anima or soul as an ancient, and therefore wise, `teacher, guide, comforter, and helpmeet`. In Jungian psychology there are four functions of consciousness, which correspond to `Thinking`, `Sensation`, `Feeling` and `Intuition`. When unconscious, or undifferentiated, the functions are associated with the eye, ear, mouth, and nose. Buddhism states that eye and ear (`Thinking` and `Sensation`) can be `trained` to see what is invisible, which means that kissing and smelling, for example, requires the differentiation of `Feeling` and `Intuition`, and the differentiated eye (`Sensation`) and ear (`Thinking`) enable the seeing and hearing of what is invisible before it`s heard or seen, which is why the unseen is described as `felt` or `intuited`, and radio and television are visible manifestations of what is invisible before perceived by ear or eye.

 In archetypal terms, inventions are heard and seen within dreams or imagination before they become visible and tangible through the mind of the inventor. However, after 2000 years of the developing Logos of Christianity, that is, the Word of God, we can`t see or hear the Paraclete, which means that we can feel for her and intuit her, but we can`t see or touch her.

 In Revelation, the red dragon waits to devour the child of the woman `clothed with the sun and with the moon at her feet` because he`s the male devouring imago, and that`s why we have radio and television rather than her. Her child is the New Redeemer, because he protects the `hidden` woman of the Earth until she is prepared to leave and fight with the `serpent`s seed`, that is, the evil, in heaven. She`s `hidden` because she`s the invisible and intangible Paraclete, who is visible and tangible to those who can see and hear her by accepting Jesus` teachings of Redemption, which those who prefer radio and television can`t accept.

 

 

 After war in heaven in which her `seed` defeats the evil serpent`s `seed`, that is, the `seed` of the devouring imago of the red dragon, the evil receive eternal perdition, and God creates a new heaven and Earth for her and her `seed`. The suggestion is that, because she fights and wins against the `serpent`s seed`, men`s technology is insufficient against her. Her `seed` wins, which suggests that she even has her own penis, and so has her own technology because, according to Jung, the instinctive libido or sexual urge is the transforming developmental impulse, which is defined as the movement from instinctive promptings to spiritual creativity.

 Woman`s technology would be of use in defending her as a species, against the `serpent`s seed`, which is the evil that wants to see her in order to devour her, and is discovered by Adam and Eve in Eden. They experience nakedness when observed, and this is described as evil not the nakedness. In Revelation the serpent`s grown into the red dragon, which looks to consume her child with fire. The traditional perspective is that there`s something wrong with nakedness, but men are the serpent`s `seed`, so the wrongness is theirs. They don`t want woman as a species with her own penis to develop, and so it and she`s `hidden` and protected by the New Redeemer because men would devour her in fire if she were visible.

 The story is Christian because it`s truth, whereas myth is designed as a lie. Jungian psychology posits archetypes as the content of myth that is developmental truth, but it`s perspective is that of the liar. Because the creatures are unbelievable. However, they`re archetypal and so have a meaning that isn`t representative but symbolic. Hercules is depicted as a hero, but he more closely corresponds to the devouring imago as represented by the red dragon of Revelation insofar as his encounter with the Lemaean Hydra is concerned. The Twelve Labours of Hercules are a Greek myth and amongst them is the slaying of the Hydra, which has many heads.

 

 

 The Hydra is guarding the Danaiiads, forty-nine women who are incarcerated for murdering their husbands. The fiftieth spared her husband`s life if she remained virgin, which resembles Joseph`s acceptance that he has no part in the Virgin Mary`s parthenogenesis in the New Testament of the Bible. The husband of the Danaiian accepts he has no part for her, which is why Jesus is celibate in the New Testament. He has no part for woman because she has her own penis. Hers is the `seed` of the hermaphroditic woman who defeats the serpent`s `seed` in the battle for heaven, that is, men`s evil design to continue the enslavement of woman, with or without a penis, before God creates a new heaven and Earth for her to dwell in.

 In the Greek myth Hercules` cutting off of the Hydra woman`s heads reflects the ancient world`s approach to women as breeders: less women more men. But this isn`t only ancient history. In the 20^th century Chinese women were killed at birth, because men don`t want them at all. Pederasty was the norm in ancient Greece and homosexuality was the preferred mode, which suggests that men aren`t even for reproduction.

 In Homer`s Odyssey the wooden horse is the device used by the Greeks to hide men inside and, `taken in` by the Trojans, they `devour` the city from within. That`s why a virus is called a Trojan, because the computer is `taken in` by it. The analogy is of the air raids in the USA where `civil` aviation protocols were used by the terrorists to be `taken in` before attacking New York`s Eve`s `Big Apple`, that is, 2000 years of Western civilization, art, and culture. Eve`s as God`s producer and product since she accepted the promise of future wisdom from the `fruit of the tree of the knowledge of good and evil`. In Eden Adam and Eve perceived their nakedness because they were spied upon. The `serpent` doesn`t want to be seen, or heard, but to see and listen, which means he doesn`t want you to see and he wants to attack you by means of subterfuge – as `son` 9/11.

 Adam and Eve`s vulnerability is reproduction. That`s why Cain kills Abel. He`s the serpent`s `seed` as the devouring imago constellated within the individual that doesn`t want development. Cain was a `gatherer`, and offered fruit to God, whereas Abel was a `hunter`, and offered animal sacrifice. Cain killed Abel because Abel had prepared `cooked` meat for God. In other words, Abel didn`t only kill, which is what the serpent`s `seed` wants.

 

 

The equivalent of the protocol Eve`s `Big Apple` of New York lacked for dealing with `air AIDS` was a `Trojan condom` because the terrorists were the equivalent of a Trojan virus that the polite `civil` aviation authority were `taken in` by. The second Gulf war (2001-11) and the `mother of all battles` ensued, which effectively released the `virus` in George Bush`s declaration of a global `War on Terror` (2003-). As the 16^th century prophet Nostradamus foresaw, the 21^st century was to be the fight against the insidious perfidy of its devouring imago:

 

` From the sky will come a great king of terror.` (Century 10, Quatrain 72)

 

 In the New Testament of the Bible the Virgin Mary gives birth to Jesus without fertilizer, and Jesus is depicted as a non-fertilizer, which is Adam and Eve before the `apple`, that is, in the New Testament God`s developing an anti-virus. In Revelation the `hidden` woman, protected by the New Redeemer, leaves Earth for the stars, which means she escapes from what plagues her. That`s why AIDS is found in Revelation. Because it`s from chimpanzees:

 

`...and there fell a noisome and grievous sore upon the men which had the mark of the beast, and upon them which worshipped his image.` (Rev: 16.2)

 

It`s champ, chump, chimp, that is, champions are achievers, but `the mark of the beast` is the `chimp` who, in contrast to Jesus, the `Son of Man`, wants to make chumps of those who have achieved development - as `son` 9/11 when, civilly in planes, terrorist `chimps` destroyed the Twin Towers of the World Trade Centre in 2000 in what was the equivalent of being `taken in` by the USA in a `Trojan condom`, before taking it off to rape her, and deliver her of air AIDS, which the USA spread as far as Colonel Ghaddafi`s Libya in 2011 after President George W. Bush`s 2003 declaration of a global `War on Terror`.

 

 

 The serpent`s `seed` is often described as the `ape of God`. Men worship its imago because it`s a consumer and not a creator, which means they want the product and not the producer, that is, woman`s womb rather than woman. That`s why the red dragon of Revelation waits to devour the New Redeemer, because it wants to kill the development as a silenced witness to its destruction of mankind`s future. Effectively, it`s the commandment `Thou shalt not steal.` Because silencing a person who`s product you`ve stolen is to prevent mankind`s development. If the murderer and the thief know how to use the equipment, but can`t make it, then they`re `chimps` spreading air AIDS - as `son` 9/11.

 The terrorists of 9/11 were thieves and murderers using craft they`d stolen without making, and they used them to attack and destroy what had been made by others to use. The virus is the 21<sup>st</sup> century paradigm, and the terrorists` polite avoidance of the USA`s defence system to `hacked` into it by means of `civil` aircraft protocols. Effectively, `crashing` the system of politesse that ensured relative global peace silenced `Big Adam and Eve`s Apple`, that is, New York`s `voice box`, and the Twin Towers of Christ, Jesus, in the West, which means that theft and murder has as its aim the prevention of free speech:

 

`...the sun was given power to scorch people with fire. They were seared by the intense heat and they cursed the name of God, who had control over these plagues, but they refused to repent and glorify him.` (Rev: 16.8)

 

 God is omnipotent good, and who wouldn`t want it? Theft and murder result from the prevention of free speech, which is the civilization, art and culture of God`s producer, who is Woman because, truthfully, all of it is indeed from her womb. Development isn`t possible if thieves murder the maker to use an invention they can`t make. The aim of the plagues of Revelation is to `plague aims`, that is, prevent achievement. In this analysis 9/11 was `play game` and the Twin Towers of the World Trade Centre were Microsoft`s X-Box for terrorist `gamers` to `shoot-em-up`. To stop the world`s development is, therefore, a `plague aim` of thieves and murderers whose modus operandi this is. It`s the `degeneration game`.1

 

 

 The 9/11 terrorists were `the ape of God` because they aped trained civilian aircraft pilots to fly the planes they used to destroy the Twin Towers. The pilot that landed his damaged airliner in New York`s Hudson river wasn`t aping God. He was using something made by others like him to obtain financial remuneration. He was of God and the terrorists were the `ape of God` because they were parasitical. If men are perceived as parasites perpetuating their viral form through woman`s womb then the role of them as the red dragon of Revelation and devouring imago is clear. They`re for preventing the `child` from developing a `vision` to deal with them. Adam and Eve perceived their nakedness in Eden because they were being watched. Consequently, Jesus` New Testament message is of the Paraclete, the invisible eyes of God that watch for us. The lesson of 9/11 is that America`s eyes were blind to the danger posed by terrorists politely asking to be admitted to the USA and using `civil` planes to politely enter USA airspace, before hijacking them and destroying global peace.

 The mythological signifier is Sophocles` Oedipus Rex in which the central character is psychologically blind from the beginning because, after marrying his mother unknowingly as a consequence of mistakenly murdering his own father, he blinds himself because the taboo against incest is too strong to prevent him from abhorring his own eyesight. The mythologem is a description of what the devouring imago is. Sophocles` drama presupposes that all of the characters are Oedipus, which means he is his father and mother, and his marriage to his mother is a marriage to himself. His blindness is a metaphor for development. He is unconscious at the start, and physically blind at the end, because the incest taboo doesn`t want him to achieve the realization that his mother is his wife. The `plague aim` of Oedipus Rex is that men want blindness so that the evil that they do isn`t seen.

 In Jungian psychology the original form of marriage is posited as endogamous, that is, within the close family circle, and the exogamous marriage with a stranger from another village, for example, succeeded. According to Jung, the anima or soul is that aspect of the psyche which prefers family because the mother is the first anima-figure the infant encounters. Consequently, the anima received some additional dimensionality in exogamous marriages, which is reflected in the emergence of the Paraclete as `tutelary spirit` from the side of Jesus after it was penetrated by the spear of Longinus upon Jesus` death at the crucifixion. The Paraclete is the eyes of God, which guides the soul or anima, as God would, and as Eve emerged from the side of Adam in Eden to be `teacher, guide, helpmeet, and comforter`. In Egyptian mythology, the `ba` is the soul and the `ka` is the spirit, but they have independent existences, and come together as the `magical personality` or `akht` in the afterlife.

 

 

 In Christian terms, the soul is guided by the `tutelary spirit` from the body, and so an individual leads a life of three existences. That`s why Christian thinking is Trinitarian. If a man`s soul is female, and the spirit is female, then the `magical personality` would partake of God and be male and female in a single unity, which is what a woman with a penis is. As the woman `hidden` upon the Earth, preparing to sow her `seed` amongst the stars in preparation for her victory against the serpent`s `seed`, and the new heaven and Earth God promises in Revelation, she`s triune because she can fertilize both a woman with a penis and a woman without, which means that, if she marries a woman without a penis, she needs a woman with a penis to make a trinitarian marriage. It`s simpler to suppose that love in heaven would be universal because men, as parasitical devouring viral imagos, will be experiencing perdition unless they accept God:

 

`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev:16.10)

 

 Men worship the imago of `the ape of God`, which is aping the developed, rather than developing, because they can`t develop, or they refuse to. Instead, they disable the able to have what they have developed, and then they have abandoned development and are mocking God, which is the `plague aim` of those who want to `play games` and God condemns them to perdition, so releasing woman as a species from her degenerate captors.

 The disabling of the maker, in order to have what the maker has, is how the devouring imago virus functions. Reduced to the level of `chimps`, in Revelation men accept and even worship it. As Cain was with Abel, men don`t want enablement. Abel was therefore the `champ` killed by a `chimp`, and AIDS is a virus originating in monkeys, according to scientific research, so is concerned with making a `chump` out of the `champ`, that is, mankind, and killing it.

 In the Greek myth Hercules is `champ, chump, chimp`, because he`s a champion chump. The Lemaean Hydra is the guardian of the Danaiiads, who don`t want men because women`re a species with their own penis, and woman doesn`t need men for reproduction. Consequently, the Lemaean Hydra is Woman and corresponds to the archetype of the `Terrible Mother` of Jungian psychology who, as Khidr in the Koran of Islam, appears evil because her actions aren`t comprehensible as being nurturing and developmental.

 In the Koran, Khidr kills a boy because he`s going to be evil, helps build a wall when he`s in a hurry because there`s treasure there and he doesn`t want it found, and makes a hole in a boat so that he`s not followed. This is incomprehensible to Moses who asks for an explanation each time and Khidr observes that he doesn`t need to give him an explanation. Moses is one who has to follow the law. The archetype of the `Terrible Mother` similarly doesn`t give explanations, because her actions aren`t comprehensibly good.

 In the myth of Hercules, she appears as the `monster` that is comprehensively defending the Danaiiads. Hercules is the male devouring imago and so isn`t heroic or a prefiguration of Jesus, although what the myth pictures is a prefiguration of Christianity because it depicts the defence of the `hidden` women who`re forced to marry because they have to reproduce themselves as women, although men are parasitical viruses seeking to enslave Woman and perpetuate themselves by means of her `host` womb.

 Each time Hercules cuts off the Lemaean Hydra her head another grows. Effectively, the Hydra represents better technology than men`s because neither men nor women would defend a woman with a penis that`d want her own species. She`d be a `monster`. In the Christian tradition, the red dragon of Revelation is men as `monster` because they are the devouring imago who`ll consume Woman`s art, civilization, and culture. The myth of Hercules depicts Greek culture`s desire to enslave women, and so her guardian is depicted as a female monster to have its head cut off until she aquiesces.

 Each time a head of the Lemaean Hydra is removed by Hercules, the Lemaean Hydra grows two more, which reflects upon her duplex nature as woman with a penis and woman without a penis, that is, she`s self-reproducing. Consequently, Hercules represents the male devouring imago as men who are prepared to slay the entirety of Woman`s reproductive capacity as a species in order to enslave her.

 The Lemaean Hydra prefigures Woman`s technology, the idea of which is depicted in the Hercules myth as monstrous to the ancient Greeks, and so Hercules, a `monster`, is depicted as heroic. The idea of Woman`s technology is comprehensible to the Christians because Revelation depicts men as the devouring imago of the red dragon of Revelation. The problem is that mainstream Christians wouldn`t accept Woman as a species, and so she`s Satan to Christianity. Consequently, Woman as a species is Satan, and so Satan, as the `woman clothed with the sun and with the moon at her feet`, is paradoxically protected by the New Redeemer`s scepter.

 The New Redeemer`s scepter would correspond to that technology derivable from Woman`s hermaphroditic reproductive capacity, which would enable her to escape from men as her enslavers, devourers, and slayers of her upon the Earth that contains her as a species. Consequently men are her virus, which is why the New Testament represents both the Virgin Mary and Jesus, that is, Christ, the Messiah, as uncontaminatable by male `serpent`s seed`. The Paraclete or Holy Spirit is God`s technology for Woman, because the soul or anima of man is instructable, and so may be separated and saved from the body which is men`s devouring imago.

 In Islam Paradise on Earth is `heaven` or `Jennah` and is everywhere, but `hidden`, which is what the Christian Bible says of Woman upon the Earth. It`s the Middle Eastern tradition. In Islam evil is `iblis` and exists only as a whisperer but has no corporeal reality, which means that, if men are an evil parasitical organism perpetuating itself through the wombs of women, men have no actual existence in God. In Judaism, you can only be born a Jew if you`re born from a woman, so only women are Jews, which is the same principle that women hold to in Islam. They are real, whereas men aren`t.

 In Christianity, Jesus and Mary are virgin because they`re uncontaminated by the `serpent`s seed`, which is men as a parasitical virus upon her product as civilization, art, and culture. The Paraclete that, effectively, emerges after the crucifixion when the spear of Longinus pierces the side of Christ, is Woman`s technology for `teaching, guiding, helping, and comforting` the soul in what the Arabians term `Jennah`, which is the `hidden` heaven or Paradise on Earth, and neither the Jews nor Christians believe in Paradise on Earth because Adam and Eve were expelled from Eden for accepting the devouring imago of the serpent in the apple of Eve`s future wisdom, which was the 9/11/2000 attack on New York`s `Big Apple` that `commemorated` 2000 years of Christianity`s acceptance of the teachings of the Paraclete from her `hidden` place by the side of mankind.

 Paradise on Earth is believed in by the Arabs, but in Christianity the future sign of what the Arabs term `Jennah` is the `hidden` woman of Revelation. Consequently, 9/11 may be understood as an attack on the USA for allowing her to be seen, or to see. The distinction is important because being seen means that the eyes of other men can perceive your woman, which is why Adam and Eve feel naked in Eden after accepting the devouring imago of the serpent in the apple of Eve. However, if the woman can see, she`s wise, and so men, who`ve accepted the devouring imago, don`t want her to see through their desire to enslave, devour and slay her. Their `plague` aims at the fare of war, and they want to `play games`.

 

 

 The children`s game of `blind man`s bluff` is to place a scarf around the eyes of a man and hide from him as women. The `bluff` is the precipice, and he may stumble and fall. In the Greek myth of Oedipus, blindness is associated with Oedipus` failing to accept the woman Jocasta, even after she tells him that his fears over the incest taboo are a device of men to keep him in blind unconsciousness, and he blinds himself, that is, he `falls` at the `bluff`, or is `deceived` by men`s aim of preventing him from achieving enlightenment through the teachings and guidance of his woman, who`s his `helpmeet` and `comforter`, irrespective of the consanguinity of the relationship.

 Jocasta is wise and can see, but Oedipus isn`t. It`s the `serpent in the Garden of God` analogy. The serpent doesn`t want to be seen, because it`s designs are evil, and evil men are the `seed` of the `serpent` which, in Sophocles` drama Oedipus Rex, finds ways of preventing the `everyman` figure of Oedipus from seeing that Jocasta is a `good apple`. The 9/11 terrorists didn`t want the USA to have what they saw, that is, New York`s `Big Apple`, symbol of the American Dream and Manifest Destiny in accordance with the principles of God, was a `good apple`, and so they attempted to devour it and the world in terror.

 If man isn`t kind, then the soul can`t live upon Earth in the `hidden` Paradise of Jennah as described in the Koran of Islam, even if she accepts the teachings of her Paraclete that helps and guides her to be her comforter in heaven on Earth, and so her `hidden` woman of Paradise must leave to sow her `seed` amongst the stars and wait to defeat the evil `seed` of the `serpent` in the `war in heaven` that God promises in Revelation shall result in her victory and God`s creation of the new heaven and Earth in which she shall dwell forever.

As the devouring imago bent on enslaving and slaying her, men have worshipped themselves in their own image, and God forbade `other gods` and `graven images` in the Bible, but they were emergent in the 20^th century`s personality cults of Stalin, Hitler, Saddam, Gaddhafi, etc. God`s allowing Adam and Eve to eat of the fruit of immortality in Eden was because he didn`t want Adam and Eve to be devoured by these devouring imagos. Genkhis Khan, Pol Pot, Idi Amin, etc., represent the serpent`s desire to destroy, that is, to have Adam`s `descendants` eat what has developed from Eve`s `apple`.

 Eve was deceived into eating from the `tree of the knowledge of good and evil` by the `serpent`, which is the red dragon of Revelation waiting to devour the New Redeemer protecting the `hidden` woman of the Earth with the `scepter`, which would probably correspond to those enlightened persons with `backbone` enough to fight the evil. The `imagic` representative of the `seed` of the `serpent` at the beginning of the 21^st century was another `cult of the personality` leader, Osama Bin Ladan, whose terrorist agents attacked the `Big Apple` of New York in 2000, and so precipitated the Earth into a continuation of the war and terror that had begun with Saddam Hussein`s invasion of Kuwait in 1990.

 The 9/11 terrorists were able to do this because they were `snakes`, `seeds` of the `serpent` eluding US protocols by feigning the demeanour of guests in order to launch a treacheous attack as representatives of the devouring imago, which was as sneaky as 1941`s Pearl Harbour when the US 6^th fleet was destroyed in Hawaii by the Japanese fascists.

 

 

 In Roman mythology, the symbol of enlightenment is the wand of Hermes, which is associated, in Jungian psychology, with the transformation of instinct into the intelligence of soul and spirit, which is why Eve, the soul, came from Adam`s rib, and the Paraclete, the `tutelary spirit` of the soul`s journeying, effectively emerged from the side of Christ, Jesus, when pierced by the spear of Longinus. The spear is often called the Spear of Destiny, and is associated with absolute power equivalent to God`s, which is why it was so sought after by Adolf Hitler amongst others. It`s a prefiguration of how those with  `backbone` are a `scepter` of protection against evil. It`s God`s technology for Woman in the realm of the spirit, which directs its forces against those who`d blind the eyes of their body to perpetrate evil against the eyes of their souls and spirits in the `hidden` Paradise of Woman`s Earth.

 The eyes of the soul and the spirit are those of what Jungian psychology terms the anima, and those of the Holy Spirit or Paraclete, which `descended from above` according to the New Testament, and suggests it`s further than the soul or anima up the chakra ladder of energy centres that Buddhism conceives as the backbone. If body, anima, and Paraclete have eyes of their own, then dreams and visions are where they communicate to the individual what the `scepter` needs to do in order to defend.

 Seeing is the key to understanding, and why terrorists attacked the USA on 9/11. The evil don`t want to be seen, and the good want to see. If they could see, the good would destroy the evil, but the good are `fooled`. AIDS is a disease that `fools` the body`s immune system into accepting what`ll destroy it, and 9/11`s evil terrorist attack `fooled` US protocols to launch air AIDS upon Eve`s `Big Apple`, which finds mystical correspondence in the `apple of the third eye`. Between the frontal lobes the pineal gland at the centre of the forehead is the `vision` centre. The good would`ve seen, and destroyed the evil, if they`d been able to see them, and that`s what the eyes of God`s `scepter` are for.

 The fact of 9/11 means that the USA declared war on evil in body, soul and spirit. It`s God`s war against the evil that blinds, which is what Revelation is for – to reveal the evil so that the good can destroy it. The red dragon`s a devourer of the light, whereas the woman who produces New Redemption, that is, the backbone`s `scepter` of the mind, is `clothed with the sun and with the moon at her feet`, which means that she, as the light of the Earth, remains.

Eve didn`t create the civilization, art, and culture of New York`s `Big Apple` for the devouring imago to consume, but that`s the paradigm of the 21<sup>st</sup> century. The `plague aim` of the system-as-game is to mock God in `shoot-em-ups` in which killers are successful. Good is defined as a successful killer by `gamers`, and 9/11`s terrorist `plague aim` is definable as `godly` because `successful`.

 This is not the perception in Revelation where God`s plagues are men`s AIDS, presented as resulting from war as `play games`, with men who see themselves as God, and originating with men`s worship of themselves in the form of homosexual sterility, which produces AIDS, degraded, and men who`re degrading of other men women, and who aren`t God.

 Men prefer to make war with each other, which is `hate-making`, and so the planet Earth has produced AIDS, which is the antithesis of `love-making`, because men want to destroy women and the Earth with each other in the form of armies. Woman could make love with herself with her own penis, and be a species that doesn`t need men at all, which is why men make war upon her, so that she`ll accept enslavement, and the slaying and devouring of her and her Earth.

 The Greek myth of Hercules is a false picture, because the hero is depicted as a slayer of the `Terrible Mother` in order to rescue women who`ve refused to marry men, whereas the Christian picture is true because it recognizes that the red dragon of Revelation is men`s devouring imago of war that they worship as the god they`ve created in their homosexually perverse desire for sterility. Because war historically precedes plague, AIDS results from men`s final war games in Revelation:

 

`God remembered Babylon the Great and gave her the cup filled with the wine of the fury of his wrath.` (Rev: 16.8)

 

 The Lemaean Hydra is Woman transformed by men`s myth, and in Jungian psychology she represents the `Terrible Mother`, which isn`t perceivable by Hercules who believes he`s good when he`s defeated her, whereas Hercules represents the desire of men to kill women, which is why they worship themselves as the devouring imago of war upon her Earth. Because Hercules and his audience are meant to perceive him as good, it`s a pictoralogical recipe for matricide, and most myths can be read in this same way.

 The Oedipus` myth is a recipe for blinding, whereas the baby of the woman of Revelation is in danger of being devoured by dragon fire, which is murder by mouth, and distance (as in Nagasaki or Hiroshima), and denotes an indifference in which women aren`t even valued for the protein from their breasts` milk. Although the strong male fire breather has been nurtured by her breasts` milk, she`s not desired for anything other than becoming charcoal, which is what the Jews discovered about men. Flesh isn`t even valued as protein by the devouring imago, which means that women`s lactations are for their daughters in the same way that their penis is for their wives.

 The robin is a mythic Christian symbol that`s famous for its futile struggle to remove the crown of thorns from the head of Christ and receives a wound that stains its breast feathers red. It`s a harmless tale, but a target for evil. Manchester United`s soccer stars, after the air crash of February 1958, gasped out their lives in the snow of Munich airport, and are ridiculed each year by supporters of other English footlball clubs for lying red in the snow like Christmas robins.

 

 

 Mark Robins was the star that, netting the winner against Nottingham Forest in 1990, sent United on an F.A. Cup run that resulted in their winning the Cup. The story is that Alex Ferguson would`ve lost his job as manager if Robins hadn`t struck, and United went on to overtake Liverpool`s record of championship wins after twelve more by 2011. Resurrection isn`t a myth, but the evil crucified Jesus for promulgating the truth.

 The robin hops on the snow in Christmas cards celebrating the advent of Christ, but the evil want to turn it into a red dragon. Just as the myth of Hercules is a pictorial recipe for perpetrating genocide against Woman as a species, so the Christmas card has mythic pictoral properties that may be understood as a recipe for futility.

 

 The Danaiiad women`s punishment for refusing to have husbands was to endlessly attempt to fill an empty vessel by carrying water to it from sieves. The motif is not uncommon in Greek mythology. Sisyphus was punished for violating the laws of hospitality by endlessly being made to roll a stone up a hill only to see it roll down the other side. The robin of Christianity`s attempt to remove the largest thorn from the head of Christ, and its receipt of bloodied breast feathers as an eternal sign of its attempt to remove the crown of mockery, is symbolic of the meaning it has for non-Christians whose devouring imago, constellated by the pictorial recipe, wants to torture the robin, which is a constellation of the red dragon.

 

 

 The meaning of the myth for Christians is that the robin is `washed in the blood of the lamb`, which is a Christian prerequisite for Resurrection, Redemption, and Ascension. The `lamb` is Jesus and the story of the robin is a metaphorical truth. The thorn has the blood of Jesus upon it and the robin receives a wound from the thorn, which means that Jesus` blood is mingled with that of the robin`s. The symbolism is significant because the robin`s attempt indicates a genuine, rather than the theoretical acceptance of the Holy Spirit which the disciples demonstrated, along with the traitor Judas, at the Last Supper. The robin`s attempt to alleviate Christ`s pain from the crown of thorns placed upon his head in mockery of `God`s love` is a concrete implementation of Jesus` teaching that `the body and blood` are transformed by the `power` of the Holy Spirit, and that`s `bread and wine` to the soul in the transformed breast of the robin.

 The complexio oppositorum of Jesus and Mary, as an archetypal virgin pair, is symbolic of a strong anti-viral component, and so the robin is symbolic of the anti-virus that is needed in the 21^st century war against terror. Those who violated the `laws of hospitality`, by eluding `protocols` in the terrorist `air AIDS` of 9/11, were attacking the body of the USA`s `immune system`, which news, met with cheers in some parts of Arabia, receives an insidious echo in the perennial jeering at stadiums all across England at the memory of the red robins in the snow of Munich in February 1958.

 

 

 Not to relate to the picture of the robin on the snow in the Christmas card as a Christian is to constellate a pre-Christian devouring imago - and an enemy within. Not even blood transfusions from German and English volunteers, in accordance with `the laws of hospitality`, could save the Manchester United robins in the snow at Munich in 1958 and the `enemy within` jeers at them and the `laws of hospitality` every February in England. Just as `air  AIDS` was the USA`s reward for accepting guests in the name of Jesus` Holy Spirit on 9/11.

 

 

 Anti-virus programmes are about protocols, and so is terrorism. If the system has an adequate prophylactic, the virus can`t get through. The Christmas card robin is acceptable to God, and God`s protocols are adequate to save it on the snow of God`s picture. It isn`t the same picture when perceived by non-Christians, whose devouring imago is constellated within them. For them, the robin isn`t a symbol of Redemption from the shed blood of the body of Christ, that is, it isn`t a healing transfusion from the thorn from Jesus` brow, but a fear of AIDS from the `body and blood` that`s 21^st century terror released into the air on 9/11 over New York.

 

 

1 Cf. BBC TV`s Bruce Forsyth and the Generation Game (1971-2002) in which families of contestants answer questions to prove they`re more intelligent than other families of contestants, which is a way of telling others they`re stupider and you want them to be more stupid so that you can win. For thieves and murderers it`s about giving the other monkeys air AIDS so that they can steal and use without making anything and preventing humanity from developing beyond murdering Abel for the food he`d cooked and without knowing how to cook it.

Woman

 

The roundness of her belly,

The roundness of her breasts,

The roundness of her buttocks,

- and her penis between her legs.

 

Women are Superior

 

Jesus follower, Judas, `married`, in the biblical sense of `knowing` or, in William Shakespeare`s sense of `understanding`, in order to betray and torture. The spurious `followers`  made sure the Christians` divorce from Jesus was permanent by making rolling a stone in front of his tomb to prevent his escape, or achieving something more that they didn`t want him to, like marrying. Upon Jesus` Resurrection, the `followers` would want to abrogate his Ascension and steal a path to heaven.

 

 

  Those followers of Jesus, who weren`t his disciples, were homosexuals, who wanted to transmit their disease. Such are the devourers of women`s productions, because women`s host wombs produce civilization, culture and art. As women have their own penises as the `futanarian` human species, they don`t need men, so the spreading of men is parasitical. Men perpetuates themselves by devouring the woman`s penis and so `woman`s seed` by replicating themselves and so enslaving her `host womb` in parasitism and death as her consumption.

 In Revelation men are represented by the devouring male imago of the dragon at the birth of Jesus which, waiting to devour the `New Redeemer`, whose scepter is depicted as defending the Earth, represents the danger of men`s devouring mankind`s penis as well as womankind`s. In the Bible, God`s commandment is, don`t `worship graven images`, because men are the imago of the devourer within the collective consciousness, while individual ego-consciousness partakes of the more ancient, and so collective unconscious, that is, collective race memory, which contains the archetypal heroine, rather than the devouring male imago, as the protector of `woman`s seed`.

 In Revelation the woman who gives birth to Jesus as the `New Redeemer` in his `Second Coming` to the Earth after Resurrection and Ascension lives upon the Earth while `woman`s seed` fights a `war in heaven` against the `serpent`s seed`, and the remnants of `woman`s seed` on Earth are persecuted by the `serpent`s seed` after their defeat. God`s heaven, according to Revelation, is changed and altered, because the `seed` of the `hidden` woman defeats the `serpent`s seed` on Earth, which precedes `woman`s seed` dwelling in heaven forever. As men have no function, other than to seek Redemption through repentance and conversion from their sin of host womb slavery for war against `woman`s seed`, Jesus` `sacred heart` is at the center of the story. Britney Spears` promotional video for `Oops! ... I Did It Again` resurrected the theme 2000 years after Jesus` betrayal by Judas as a `dissident` speaker against the Roman Empire`s occupation of Palestine. The Romans nailed Jesus to a cross and tortured him to death before his Resurrection and Ascension to heaven illustrated for the Romans humankind`s future amongst the planets and stars. In `Oops! … I Did It Again` a spaceman brings Brintey `the heart of the ocean` as a symbol of Jesus` `sacred heart` of Redemption:

 

`But I thought the old lady dropped it into the ocean at the end.`

 

 

 The `heart of the ocean` is the blue diamond pendant Rose drops into the sea at the place of the salvage of the wreck of the ship in the film Titanic (1997). Because she was aboard the vessel when it sank on its maiden voyage from Liverpool to New York in 1912 after hitting an iceberg. The `heart of the ocean` is Jesus` `sacred heart` in the movie, because Rose, played by Kate Winslet as a young woman, was betrayed by a jilted fiancée who framed her lover, Jack, for theft by placing the `heart of the ocean` pendant in his pocket:

 

`Well, baby, I went down and got it for you.`

 

 

 Britney`s spaceman`s words reflect on Jack`s drowning when the Titanic sank, `I played with your heart. Got lost in the game.` Jack drowned because Rose`s fiancée, Cal, didn`t want him to have Rose, `the heart of the ocean`, which is how men are. Jack`s the lover, so his rival, Cal, has the role of the devourer:

 

`I played with your heart. Got lost in the game.`

 

 

 The vampire myth is central to the fears of Eastern Europe, which reflects upon the role of the devourer. In Egyptian mythology, Osiris is dismembered by the evil Set, and his parts are sunk in the river Nile in a trunk, which lodges in the roots of a tree by the bank. The reemergence of the `heart of the ocean` on Britney`s Mars in her science fiction promotional video for `Oops! … I Did It Again` symbolizes the salvaging of the Titanic, `All aboard!` The theme is Resurrection. Osiris rose each year, according to Egyptian tradition, when the crops by the side of the Nile ripened, and so Britney`s spaceman is Rose when he brings Britney `the heart of the ocean`. Britney represents the `eternal flame` for `woman`s seed`. The `game` is homosexuals` divorcing her from her own `futanarian` species with their own penis` semen for sexually reproducing their own brains` power for developing labor-saving technologies to escape from the `serpent`s seed` enslaving and devouring them.

 Just as the goddess, Isis, has to fashion a new penis for Osiris because his is lost, so Britney`s reading of the homosexuals` `game` is that Osiris shouldn`t have a heart, although the Egyptian tradition of the feather of Maat is that it should balance the sins of he who is to make the journey to the House of Horus in heaven, or the trip can`t occur and the heart is Ammit the devourer`s. Osiris` dismemberer, Set, represents the homosexuals` `game` of betraying a marriage so there`s no conjoining in heaven:

 

`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)
 

 Because women are `futanarian`, which is why Egyptian tradition divides the human into `Ka` or spirit and `Ba` or soul, symbolized by the temple of Abraham in Saudi Arabia`s Mecca. Built by the Egyptian woman, Hajer, and her son, Ishmael, as the `Ka` Ba`, the Haj pilgrimage is the annual task willingly undertaken by thousands of Moslems, because the conjoining of `woman`s seed` as the `Akh`, or `magical personality of Egyptian `futanarian` tradition, is desirable for the Salvation of the human race. Homosexuality conceives women as a `game` to be thwarted, which is why it`s `haraam` or forbidden in Islam. Men are perceived as the jailors of the `Ka` or spirit of `futanarian` woman with her own penis` semen, while her `Ba` is herself as her host wombs, and men seek to keep her a prisoner in slavery. Having inveigled itself into her womb eons ago, the parasite has devoured her penis and enslaved her. Jesus` teaching is of Resurrection for `woman`s seed` and Redemption for mankind if men convert and repent from slavery, but homosexuals prefer their `game` of thwarting women`s sexual reproduction as the human race that excludes sterile homosexuality:

 

`Honor your father and mother.` (Ex: 20. 12)

 

 If women have penis` semen of their own, she`s fatherer and motherer of the human species, whereas honoring a homosexual `game` that aims at the extinction of the human race is dishonorable. In Islam, God is `neither male nor female`, which means `Allah`, who is `Eloah`, in Judaism, is male and female (https://www.futanaria.com), that is, `futanarian`.

 In Christianity, prayer is giving thanks to God. The Holy Spirit is the `tutelary guide`, and although men define the Holy Spirit as Jesus`, the Judaic tradition of the `Shekinah` as female, which travelled with the Jews in their escape from slavery in Egypt, suggests that Jesus` Paraclete, that is, the Holy Spirit, is female.  As an archetype, the Shekinah or Holy Spirit is the heroine, because men are women`s devourers. In Judaism it isn`t possible to be born a Jew unless from a Jewess, which means Jews are women.  During the pogroms against the Jews by the Geman National Socialist (Nazi) government in the course of World War Two (1939-45), the Shekinah represented `woman`s seed` forced into heaven, which for homosexuals is heroine production, that is, for `shooting up`.

 In Hollywood Babylon movies like Scream (1996), The Ring (2002) and Spiral (2007), the paradigm is the `snuff movie`, which is a film of murder made by homosexuals as entertainment, and that`s what Jesus` spirit is for, according to the evil. Men are preying on God`s Holy Spirit and `woman`s seed` rather than accepting `tutelary guidance`. That`s why drug users want `The Man`, who`s their supplier, because sterile homosexual men shoot heroines.

 

 

 In the psychology of Carl Gustav Jung (1875-1961), the anima or soul corresponds to the Holy Spirit, which is the female contrasexual component of a man, that is, the Shekinah or `Ka` of the women within that desires her `Ba`, symbolized in Islam as the `Ka` Ba` of Hajer`s temple. Addicts inject heroin into their eyes, so they can look for women numbly and get the devouring male imago closer to her. As those who `shoot up heroin`, homosexuals are plague, that is, they`re plague aims, and they prey on the archetypal heroine:

 

`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores.` (Rev: 17)

 

 The sexually transmitted disease (STD) of HIV/AIDS is plague as men`s incurable killer disease`, because that`s what they are for women, so God gives them perdition as a punishment before creating a new heaven and Earth in Revelation for `woman`s seed`.

 In Eden Eve and Adam accepted the devouring imago of the serpent`s `seed` when they ate the `fruit of the tree of the knowledge of good and evil` from the serpent, Satan, who`d been an angel but was cast down from heaven and turned into a serpent by God, according to Christian tradition, for refusing to accept that humankind would be greater than the angels. Consequently, the serpent of paradise tempted Eve and Adam to evil, `You shall be as gods.` (Gen: 3. 5) After Eden came parasitism and host womb slavery by men of the `serpent`s seed` who so devoured `futanarian` womankind that her human species now hides from its subjugators.

 

 

 On the stage set for `Oops! ... I Did It Again`, Britney Spears appears to be performing inside a giant`s rib cage, which suggests the feather of Maat is being weighed when her spaceman with his camera is hooked up above her. His heart isn`t pure enough so he returns to Earth. The imagery is reminiscent of Miley Cyrus` promotional video for, `Can`t be Tamed`, where she`s a hawk in a cage. The hawk is a symbol of Horus who, as the resurrected Osiris, travels through the Duat to the House of Horus in the heavens. Consequently, the hawk is a metaphor for the heart that`s brave within its rib cage. In Eden Eve emerged from Adam`s rib, because she`s his heart, and so the Roman guard at Jesus` crucifixion, Longinus, pierces Jesus` side with his spear, because the `Second Adam` has the `Second Eve`, that is, the Holy Spirit, at his side.

 As the hawk, Horus is a metaphor for heart that flies out of the body at death, which in a man corresponds to the `Ka` of the spirit of the woman`s sexual desire for her own soul or `Ba` woman without penis` semen.  Horus is symbolic of an ancient pair faithful through the eons, so in Christinaity Jesus is rules with the scepter for the hidden pair. Britney `twinned` in her red pilot`s suit and white bikini dress in `Oops! … I Did It Again` symbolizes the Resurrection of `woman`s seed` while the weighing of her spaceman`s heart represents mankind`s need for Redemption through repentance and conversion from the sin of slavery. Britney represents the entwined souls of those who have Resurrection, that is, completeness of memory across reincarnated lifetimes, because they`ve accepted the teachings of Jesus Christ.

 In Egyptian mythology, Hathor, in whose house Horus` is, is of equal importance with the Virgin Mary as a mother archetype representing women`s self-reproductive nature. Britneys `game` in `Oops! … I Did It Again` is `eeny, meeny, miny, moe, catch a nigger by the toe, if he squeals let him go, eeny meeny, miny, moe.` Her spaceman is the toe she catches and won`t let go if he doesn`t repent and convert from sin represented by his giving her the `heart of the ocean` as a symbol of Jesus` `sacred heart`. Descending inside her giant ring a the outset of the performance in `Oops! … I Did It Again`, she`s a thumb of Hathor waiting to show him the path to heaven if he`s brave and pure.

 

 

 The Spanish Inquisition tortured people to accept Jesus, and continued in disbelief when their victims said that they did. Consequently, women are God`s great `Akht`, which  is the plural of `Akh`, the `magical personality of `Ka` and `Ba` conjoined as `futanarian` humanity. Women have to be actresses because men aren`t their species and so racism and xenophobia is omnipresent. Homosexuality is an imago of the devourer attempting to enslave `woman`s seed` of humanity through war.  Mariage affords the devourer an opportunity in heaven, which is why Britney represents women`s need for great tact in `the game`.

 

 

 Jesus has great tact in the New Testament, mildly rebuking his eventual betrayer, the disciple Judas, for suggesting a woman`s money had been better spent on the poor than anointing Jesus` feet before his crucifixion: `Leave her alone.` Britney Spears` spaceman is a toe, who wants a toehold on women`s heaven, and so Britney Spears descending inside her giant ring at the outset in `Oops! … I Did It Again` is a `thumb screw` of the Spanish Inquisition. Men`s autos are their whore`s toes:

 

 `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 

 Because men`s enslaving of women`s host wombs prevents her from sexually reproducing her own brains` powers for the development of labor saving technologies to facilitate her escape from the Earth in starships to the planets and stars of God`s heaven. The benzene driven automobile, or `whore toe`, represents women`s subjugation to a pervert`s `bent scene` propelling a low level technological stasis designed to perpetuate war and extinction for her human species of `woman`s seed`.

 

 

 In the psychology of Carl Gustav Jung (1875-1961) the key to the structure of the benzine molecule emerged from a scientist`s dream. From his unconscious appeared the archetype of the serpent devouring its own tail endlessly, which Jung interprets as a symbol of self-recognition and realization. According to Jung, the anima or soul is the archetype of woman and of the unconscious `Self`, which accords with the Egyptian tradition of the woman`s `Ka` desiring sexual union with her own `Ba` as the `Akh` or `magical personality` of `futanarian` human women`s species.

 In Jungian psychology, the self approximates to God. The male imago in dreams is woman`s devourer, and so indicative of their aim of devouring God. Consequently, the ourobouros can be an imago of that, although it functions developmentally as an archetype. Jung observed that pressurized carbon becomes diamond, so benzine is carbon that didn`t. Consequently, `bent scene` driven `whore toes` is what humans represent, because technological development requires brains` powers that humans devoid of their women`s penis` semen don`t possess.

 

 

 Britney`s stage set on Mars is the giant rib cage of Osiris, because Set was his devourer. Consequently, Britney is the remembering heroine. In television`s Star Trek: The Original Series (1965-7) space travel at faster than light (FTL) speed  posits the return of travelers to Earth who`ve remained youthful, while those on Earth have grown old. Consequently, a partner may be left to become decrepit, which is what the `bent scene` of `whore toes` is, because the remnants of `woman`s seed` are devoured by the `serpent`s seed` in artificially created low level technological progress.

 

 

 Travelers` youthfulness and remnants` agedness was based on German scientist Albert Einstein`s `Special Theory Of Relativity`, which posited that space was `folded` and that  contiguity between parts of the universe seemingly separated by great distance were accessible through what Einstein called `anomalies` or `wormholes` that allowed the gulfs between the stars to be bridged instantaneously. Human relations would become strained, and so the `serpent`s seed` would target travelers` remaining families to follow their path and devour their relatives.

 

 

 In `Oops! ... I Did It Again` Britney`s a woman of Revelation, `crowned with stars`, as Jesus` second mother was. But the imprisoning screws seek Jesus` human relations amongst the stars. Britney`s spaceman is guided by `Mission Control`, although he appears to be their spaceship, that is, they`re `little people` using his eyes and living inside his space helmet. Consequently, he`s possessed by controlling men known for devouring women, so Brintey needs to display `great tact` in the game. If she`s a `star woman`, they can locate her relatives and `shoot up` some heroine, which is the `bent scene` driven car metaphor of men with their `whore toes`.

 The concept of Satan is conflated with evil, although `woman`s seed` is Satan to the `serpent`s seed`. Consequently, it`s perspectival. A destroyer of the devourer is Satan to the devoured. To an abuser, the abused child is Satan because he`ll be jailed. Consequently, the Christian church is Satan for preaching, `Honor your father and mother.` Because they`re often the child`s abusers. Neither are they mistaken, because `woman`s seed` is Satan to the churchmen.

 Sex is an aspect of men`s devouring imago, because men have devoured the woman`s penis so they can have her. Consequently, fathers are evil, whereas Satan is `woman`s seed` to churchmen, which means that Satan represents God to daughters. From woman`s perspective, Satan is the archetype of Redemption, because she has her own penis.

 In Jungian psychology, there are four functions of consciousness, `Sensation`, `Thinking`, `Feeling`, and `Intuition`. Just as men are the devouring imago as `father`, women develop consciousness through the archetypes of the collective unconscious, for example, the ourobouros. The archetypal heroine is Jesus, because he`s the first of `woman`s seed`, while Satan is the archetype of Redemption, because `woman`s seed` is what men don`t want. Unless men convert from televised Gulf war `shoot-em-ups` couched as `PC` games in which the products of humanity are devoured, she`ll `beam up` and go.

 

 

 The Salvation Army`s salvaging of people as a Christian organization is analogous to the salvage of ships like the Titanic. Given `tutelary guidance`, the salvaged are reanimated for Start Wreck, the homosexuals` stalk show. Britney Spears` animated style in `Oops! … I Did It Again` reprises Gerry Anderson`s Century 21 Productions` Captain Scarlet and the Mysterons (1967-8), for example, which employed the technique known as `Supermarionation` for its puppet dramas. In the promotional video for the single, `Toxic` (2003), Britney wears a light blue TV 21 Thunderbirds (1965-6) uniform as a stewardess aboard a passenger plane, and changes like Superman in the toilet before going to a top secret laboratory to steal an HIV/AIDS` serum. Although Salvation isn`t reanimation in novelist Mary Wollstonecraft Shelley`s  sense of the monster in Frankenstein (1818), that is, a reanimated corpse, Britney Spears` character`s TV 21 style in `Oops! … I Did It Again` acknowledges her role as an animated `puppet` in a game of ogres while indicating her desire for genuine Salvation rather than the reanimation of the start wreck stalk show that passes for Christian Salvation.

 

 

1 David Zincavage asserts that the origin is Scottish and posits that the first line of the verse is a corruption of Inimicus animo, a Latin phrase that translates as `enemy of the soul`, https://en.wikipedia.org/wiki/Eeny,_meeny,_miny,_moe .

The War Of The Worlds

 

 

The lasting image from 2005`s War Of The Worlds is of Dakota Fanning, running down the street while rays from giant war machines from Mars annihilate her friends and relatives as she flees. The original text was written by H. G. Wells in the nineteenth century, and it was director narrator Orson Wells radio broadcast of 1938 that restored the story to prominence. The tale was presented as happening in `real time` and many people thought the story factual. There were a significant number of suicides, and Wells was criticized. However, the power of the technique was recognized and adapted for use by hypnotists who, using positive words of auto-suggestion on cassette tapes, were able to help people who, psychologically damaged by World War II, for example, found that they couldn`t live without `programming`.  Orson Wells` War Of The Worlds radio `programme` preceded WWII by a single year, and the fact that it was perceived as real wasn`t lost on the propagandists. If a radio broadcast purporting to be the truth could persuade people to commit suicide, then the USA and her Allies would broadcast radio `programmes`. The 1953 film of War Of the Worlds coincided with the `Cold War` against the Soviet Union`s take over of Eastern Europe after WWII and the USA`s continuation of its `programme`:

 

 

`From the 1950s the export of American culture and the American way of life was heavily subsidized by the federal government and was coordinated by the United States Information Agency (USIA), which operated from 1953 to 1999 ... [and] the distribution of Hollywood movies were some of the activities designed to extract propaganda value from the appeal of America's way of life, particularly its popular culture and material success. From the 1960s the Voice of America (VOA) utilized the popularity of American rock music with audiences behind the Iron Curtain, using the music to boost the standing of the United States. While radio remained an important weapon in waging psychological warfare against the Soviets, broadcasting was also seen by American authorities as a means by which the United States could win hearts and minds throughout the world through a long-term process of cultural propaganda. Throughout the Cold War, the United States was also able to call upon the appeal of products of private and multinational concerns such as Coca-Cola, McDonald's, and others. The universal popularity of such symbols of “Americanization” testified to the success of this approach. Such "cultural imperialism" was designed to convert the world into a "global village" dominated by American values.`1

 

 

 The core of 20^th century thinking was `programming`. H.G. Wells` War Of The Worlds (1898) was textual, and the 1953 Hollywood film version was about the `Cold War`, that is, the Martian invaders were extrapolations of the `Communist threat` into the `alien menace`. The 2005 version is `sexual`, because the aliens aren`t perceivable as anything other than men`s extrapolation of what they want to do with Dakota Fanning. It`s the devouring imago, much ignored by psychology, but found in Revelation where the red dragon waits to devour the newborn New Redeemer. The dragon waits in vain and the New Redeemer is born to protect with his `scepter` the `hidden` woman of the Earth until she leaves to sow her `seed` amongst the stars. In heaven she waits for the serpent`s `seed` from Earth, that is, men, and there`s `war in heaven` in which the `serpent`s seed` (and the serpent, grown much since Eden) are `cast down to the Earth` where they await the final judgement of God who destroys the Earth and gives them perdition. God then creates a new heaven and Earth for the `woman`s seed` to dwell in. This can only be understood if woman has a penis of her own from which her `seed` can emerge, and as `futanarian woman` she does have her own penis.2

 

 

 War Of The Worlds 2005 is the continuing war of men against women. The nineteenth century text written by H.G. Wells is a creative man`s perception that there`s a devouring imago to be feared, which is that of the `serpent`s seed`, that is, men, who want to devour God`s producer and product, who is Woman. Orson Wells` radio version of War Of The Worlds constellated the devouring imago in the mind`s of his listeners and they committed suicide.  The principle is that the devourer can be `programmed`. The 1953 film version of War Of The Worlds is a `programme` that intelligent extrapolators perceive as being directed against US` fears over Soviet Communism. But, for cinema goers, it`s simply a constellator of the devouring imago, and so an attack on the USA from within and upon itself.

 

 

 A historical analogy is Helen of Troy, where the Greeks are a Trojan Whore`s virus and she`s the Trojan`s Whore. The story is of how the Greek army deployed to Troy to force Paris to return Helen, the bride he`d stolen from Menelaus, the brother of Agamemnon, the king. They used a wooden horse as a ruse. The Trojans took the horse into the citadel when they saw the Greek ships leave and the Greek soldiers emerged, took over the city, and the ships returned. Troy was sacked, the people murdered or enslaved, and so they were they were the Trojan Whore`s, that is, Helen`s. It`s how the devouring imago functions.

 

 

 A symbol for MacDonalds in Eastern Europe is a `wooden horse` because it represents `devouring`. War Of The Worlds isn`t about aliens or Communists. It`s about devouring. The genuine fear is what occurs in 2005`s War Of The Worlds in which Dakota Fanning is made the explicit target of the devouring imago. The story`s development is from text, which simply indicates that there`s a devourer imago to be feared, and successive extrapolations in radio, music, and film, present the devouring imago until, in the early 21<sup>st</sup> century, it`s clear that Woman is to be devoured.

 

 

 The second level of critical interpretation requires the understanding that the devouring imago is what we have been taught to think of as the `hero`, and that the aliens are women who`re in the grip of men as the devouring imago of her own species. Rarely contemplated by psychology, it`s clear that the 20^th century was coming to terms with the realization that the archetype of the heroine is what should be found within the dreams and unconscious impulses of the self, or conscious ego, because Woman is a species, and so the appearance of the `hero` is merely a constellation of the devouring imago as the Trojan Whore`s. This is why Babylon is described, in Revelation, as the `Great Whore of the Apocalypse`, and the `Mother of Abominations`, because she`s women who betray their own species in order to devour it, like men.

 Many writers have observed that new work isn`t favourably received by Hollywood production companies, who prefer to make `safe` movies, and so we have a continuous remaking of `proven successes`, like War Of The Worlds, which focus on the function of the devouring imago, and that isn`t an archetype with a developmental function, as the soul or anima that is represented in the New Testament of the Bible as the Paraclete, emerging from the side of Jesus after being pierced by the spear of Longinus, the Roman centurion, at Jesus` crucifixion and death.

 As `Second Eve`, the Paraclete`s `wisdom` is from the `fruit of the tree of the knowledge of good and evil` from the apple given to her by the `serpent` in Eden, whereas men are only the devourers of it. The Paraclete is the `tutelary guide`, sent by God after Jesus` preaching of `God`s love`, and men`s betrayal and torturing of Jesus to death after `marrying` him, in the Shakespearean (or even biblical) sense of `knowing`. Because men didn`t accept the guidance of God`s Holy Spirit, they`re Jesus` devourers if they continue to present the devouring imago as the epitome of heroism. This is why Hollywood is often described as Babylon. H.G. Wells` asexual text War Of The Worlds emerged in 2005`s screen version as misogynist hatred for young women`s pubescent sexuality, and reinforced Hollywood`s imago as the `Devourer of Souls`. It`s perspectival. Wells` War Of The Worlds is about the devouring imago, so it isn`t about Dakota Fanning`s `development`.

 

 

 Hollywood movies are about the hero - or villain - as `devourer`, and the women who devour, or are devoured. The red dragon of Revelation waits to devour the New Redeemer who`s to `protect` the `hidden` woman with his `scepter` because men are the devouring imago and that`s what they`re for: devouring themselves. Every male child is a `villain` because it`s a devourer. Consequently, there`s no difference between dragon (villain) and newborn (hero) until the birth of the New Redeemer, who survives because he`s not a devourer or a devoured, and so is the hope of Woman, who doesn`t want to devour or be devoured. In Arabia`s 1001 Nights Sheherezade saves all the women by telling her nightly `cliffhangers`, and so prevents the powerful man who listens to her from beheading a fresh bride each day after the wedding. He`s the devouring imago and she`s the archetypal heroine that saves the women, which is what the archetype of the woman who gives birth to the New Redeemer represents in Revelation, the `hidden` woman guided by the `tutelary spirit` of God`s Paraclete who refuses to devour or be devoured.

  The emergence of Woman as `heroine` in Hollywood invariably initiates a spate of remakes in which there`s a stereotypical devourment. In King Kong (1933) the prototypical AIDS` virus monkey, functioning as both hero (devoured) and villain (devourer) climbs to the tip of the Empire State building, where the dumb monkeys that are men have released it, and so King Kong prefigures the devourers` virus as terrorism, and the 9/11 planes, `two civil`, politely eluding protocols, and `hacking` the Twin Towers`, symbol of the USA`s air defence system. It`s The Girl, Phwoar! movie in which Fay Wray is rescued on the understanding that all the monkeys are her boyfriend, but not the one that tried to save her. He didn`t want to devour her, and she didn`t want to be devoured. So he was the enemy of men, and so was Fay Wray. Until she accepted that all men are her boyfriends, which is how STDs and AIDS are spread, and how men make everyone as stupid as monkeys with AIDS.

 

 

 The analogy is of Gulf War I in which the Emir of Kuwait`s wife asked help from Barbara Bush, and Gulf War II in which some AIDS` monkeys munched into the `Big Apple` of New York, so initiating `apple munching` all over the Middle East.  In 2003 virus-replicating devouring imago, that is, George Bush Jr.,  declared a `War on Terror` rather than a `War on AIDS`. Hollywood remade War Of The Worlds and Dakota Fanning took a `big apple` role against men as `Martian war machines`, and with supporting actor and hidden `serpent` Tom Cruise as the `heroic` devouring imago, began conducting a war of terrorism against the young woman, lest she develop immunity to their `plague aims` society.

 

 

 In 1979 War of the Worlds was released as an `eat-em-up`, which is a more applicable description to what is commonly termed a `shoot-em-up`, which is the same `plague aim` of the `play game` society that gave us Pac Man. The `plague aim` of the devouring hero imago is to `shoot` heroine, because `plague games` addicts are the equivalent of `heroine junkies` where Woman is heroine and warfare is just an excuse to `shoot` some heroine, that is, Woman, who has built a civilization containing art and culture in spite of the imago of the devourer masquerading as a `hero`, and who`s `plague game` is to give her nascent Woman`s civilization the equivalent of AIDS and its monkeys.

 

 

H.G. Wells introduced his concept of the devouring imago in War Of The Worlds and, in The Shape Of Things To Come (1933) he predicted the beginning of WWII in 1940. In a `frame story` reminiscent of Sheherezade in its methodology, Wells claimed the book was an edited version of notes written by Dr. Raven, who`d had dream visions of history since 2106, and wrote down what came to memory after waking. The allusion is to the Paraclete as `the eyes of God`.

 

 

 In Egyptian mythology, the evil Set dismembers the god Osiris, as a mnemonic for what `fragmentary recollection` means. In political terms, the story refers to the replacement of a social group with Osiris at the apex. But it`s couched as the murder of an individual because evil politicos murder rulers and their supporters. Christ`s exhortation to `love your neighbor` and accept `God`s love`, because every individual is a manifestation of `God`s spirit`, and it`s Christianity`s counter to evil egoism. In The Shape Of Things To Come Wells` `fragmentary` future society is glimpsable because the omnipresent Paraclete is `God`s spirit`, and she`s giving Raven glimpses of what`s happening as the Paraclete`s `bodily vehicles` are murdered. In The Shape Of Things To Come Wells is prophesying the role of the Paraclete, and the imago that devours Woman and her art, civilization and culture, that is, men as `plague`. In Revelation God`s a virus buster:

 

`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.`

 

 The Martians `plague` Mankind in War Of The Worlds because they`re `God`s plague`, so there are many scenes of prayer in churches and other non-Christian religious centres in different parts of the world. Wells` `programme` is for repentance for Mankind. At the movies` end the Martians die of `the common cold`, and the `hand of God` is perceived. In Revelation men constitute `plague` because they carry the virus of the replicating devourer`s imago, and they constellate it in women`s minds until they succumb. In Dakota Fanning`s 2005 version of The War Of The Worlds the `aliens` are perceivable as women who`re possessed by the devouring  imago of men. The movie has `developed` in accordance with Revelation. Tom Cruise is `virus` as devouring imago-constellating `false hero` to Dakota Fanning`s archetypal ` heroine`, and the viral organism that`s men`s collectively devouring imago is represented by the `Martian war machines`.

 

 

 Tom Cruise is a devouring imago simply because that`s what men`s `hero` image is for; it`s their `Trojan virus`. Dakota`s the real heroine, because there are only heroines, and no heroes amongst the developmental archetypes of what Carl Gustav Jung (1875-1961) calls the creative contents of humanity`s collective unconscious. According to Jung, the soul or anima is the mediator of developmental images which, emerging from dreams or imagination, assist the individual to develop. Because Woman is a species and men aren`t, the devouring imago of the `false hero` indicates that humanity`s collective archetypes are Woman`s and not men`s. Men constitute an alien, hive mind.

 

 

 In first Grand Master of Science Fiction, Robert A. Heinlein`s Starship Troopers (1959) men are involved in a War Of The Worlds style conflict with `the bugs`, arachnids representing men`s own devouring imagos. It`s paradigmatic. Everything that isn`t a devouring imago will be devoured by men, because that`s what they are. The Bible presents Resurrection and Redemption through acceptance of `God`s love` and adherence to Jesus` teachings of accepting the guidance of the Holy Spirit, but it`s mainly angled towards feminization and so is rejected by men who perceive of themselves as egos rather than individuals.

 

 

 For Carl Jung individuals are individuated. In Jungian psychology, the anima or soul mediates the differentiation of the four functions of consciousness, that is, `Sensation`, `Thinking`, `Feeling`, and `Intuition`, which is symbolized by the fourfold cross of Jesus because men didn`t want self-actualization and so crucified him. The emergence of the Holy Spirit from Jesus` side is to guide humankind to that completeness of memory across lifetimes that the `Second Eve` represents. Her role as `helpmeet, guide, teacher, and comforter` indicates the fourfold nature of Woman and Jesus` path for Resurrection and Redemption.  Jung called the process individuation, and so distinguished between egos and individuals. Resurrection and Redemption is possible for individuals but not for egos. Partly because Resurrection and Redemption is completeness of memory across lifetimes, which Wells` Raven was vouchsafed a glimpse of in The Shape Of Things To Come. Egoism is what the Buddhists call `the wheel of karma` in which egos experience reincarnation, death and rebirth in endless `fragmentary recollection` or glimpses of lives that they`re living, or have lived, while they`re murdered by the evil devouring imago of Set, god of egoists.

 

 

 In War Of The Worlds Dakota`s development is under threat from the devouring imago represented by Tom Cruise`s `hero` as `Trojan whore`s virus`, that is, men as aliens symbolized by the Martian `collective` that seeks to `subvert` Dakota to make her `one with them`. It`s `scifi` of the Invasion of the Body Snatchers type in which women become a `Trojan Whore`s`, and the threat to Helen of Troy`s `Most Beautiful Woman in the World` story is perpetuated as the devouring imago, that is, men, continues to seek the replication of its virus in the psyche of Woman.

 

 

 The metaphor of the AIDS virus is not misplaced because it`s believed by scientists to have emerged in monkeys, and the aim of men is to prevent civilization, through art and culture, from realizing that Woman is a species with her own penis, and men are her AIDS monkeys that don`t want intelligence for her. In War Of The Worlds terms, the `Martian war machines` are Woman`s AIDS from men, and her `hero` is an AIDS monkey who, in the guise of her `protector`, ensures that she`ll never leave Earth because the `alien` is her `protector`. Dakota accepts Tom Cruise as her `hero`, because she doesn`t see that the Martian `aliens` are extrapolations of men who are viruses. All the Martians die of the `common cold`, because the `Martians` are also women who`ve accepted men as their devouring imago `plague`, rather than the Paraclete.

 

 

 In the video for her song Oops I Did It Again (2000) Britney Spears is `invaded` by a spaceman who`s `the plague` on her Mars. She`s the Paraclete because her name`s Spears. The Paraclete emerged from the side of Jesus as `Second Eve` and `tutelary guide` to completeness of memory across lifetimes. Jesus` side was pierced by the spear of Longinus, so causing the emergence of the Paraclete. Consequently, Britney Spears represents the Spears of Longinus, the Roman centurion, and Venus as God`s Paraclete.

 Britney`s the Woman of Revelation on Mars who, `clothed with the sun and with the moon at her feet`, gives birth to the New Redeemer  that protected the `hidden` woman until she was ready to leave Earth and sow her `seed` in heaven. There she`s prepared her `first stage` defence with her `Martian war machines`. She`s `alien` because she`s Woman, and on the red planet Mars she`s her red dragon of Revelation. She`s the devourer of all men who aren`t the New Redeemer, because they haven`t accepted her. The Bible describes the red dragon of Revelation as `Satan`, but Satan is a perspective. Jesus was Satan from the point of view of Rome`s Caesar, the Pharisees and Pontius Pilate, because he was perceived as a political enemy, and so God`s `heroes` were those men who `married`, that is, `spied` upon Jesus, in the Shakespearean sense of `knowing through closeness`, to betray and torture him Jesus death.

 

 

 `Satan` is a label. But anyone can label others as `Satan`, and so `Satan` is what good people call evil, and what evil people call good. If men are a parasitical alien virus that enslaves Woman as God`s product and producer, that is, art, civilization and culture, in order to devour it, they`re `Satan`. However, once a moral perspective is achieved, it`s easier to define evil as evil, and then `Satan` is understandable as that which is good but the evil don`t want it, and so the evil apply the good people`s labeling. Having `married` it in the Shakespearean sense of `knowing`, they are prepared to betray, and torture it to death. Whatever good Woman has produced, she`s definable as `Satan` by Caesar, the Pharisees and Pontius Pilate because she`s Jesus` Paraclete and he was `Satan` to the evil. She wants to leave and use her own penis to `father` God`s own species, which is why she worships God on Earth, and men want to maintain her as a `meat slave`.

 

 

 Pornography is where men express their true vision of her. They begin by admiring her fashions, persuade her to remove her bra for `glamour` shots, then her briefs for `nude` shots, show her naked with them in various sexual positions, torture her in BDSM, that is, bondage, domination, sadism, and masochism, and then kill her in `snuff` movies, which are what films like Scream and `PC` games like Pac Man are for, the devouring imago of men. What they don`t publicize is Woman`s penis, which she has as `futanar`, because that would threaten their `meat market`.

 

 

 Futanar women aren`t pictured having sex with women without a penis, even at https://www.futanaria.com . They`re `corralled` within their `ghetto`, as the Jews were in Nazi Germany, in case they contaminate `normal` society. It`s a perfect analogy because, in order to be born a Jew, you have to be born of a woman, which effectively means that only women are Jews, and so `futanar` are Woman`s species, because they`re women with a penis, and that`s why men ghettoize her as `alien`. Alienated to prevent her from leaving their prison of Earth, men kill her there.

 

 

 In Oops I Did It Again Britney Spears` spaceman notes `Oxygen ststus 98%.` She removes the spaceman`s helmet for a minute or two, which is the maximum for those exposed to high levels of oxygen, even in astronaut training where higher levels of oxygen are used to prepare for high altitudes where `blackouts` are anticipated. In her red pilot`s suit, Britney is reminiscent of the USA`s X `programme` test pilots that flew their planes into the stratosphere and often `blacked out`. The aim of the X-series was to have a plane that`d fly to the moon and planets, but it was cancelled because of the constant recurrence of `blackout`. Britney`s perception is that of the USA when the Twin Towers were attacked on 9/11 by `civil` aircraft. The terrorists had bought a ticket and declared their intention to visit the USA. Her spaceman is a `visitor` to her Mars, and she lives in a high oxygen content atmosphere because she`s a space pilot, whereas he`s subject to `blackout` because he`s from a `concentration camp`, that is, Earth, where women are `gassed` to death by Nazis.

 The idea of Nazis in space is familiar from science fiction. In Robert A. Heinlein`s Rocketship Galileo (1947) a Nazi base is discovered on the moon by schoolboys who`ve refurbished a `mail rocket` to get them there. Oops I Did It Again is an electronic Britney `card` by `Yeah, yeah, yeah, yeah, yeah, yeah` mail. The boys find evidence of an ancient lunar civilization, and postulate that the craters of the moon were formed not by impacts from space, but by nuclear bombs that destroyed the alien race. When the base's Nazi leader shoots the pilot to keep it a secret, a trial finds it to be murder. Britney on Mars is in `pilot`s heaven` because she`s a woman, and so an `alien` murdered by men, space Nazis who`ll want to bomb her civilization, art, and culture. Because that`s what men`s devouring imago does. The `hero` of Rocketship Galileo is Cargraves, who mentors the boys, and whose name prefigures Heinlein`s central heroine of the 80s, `Gay Deceiver`, who`s a Ford aircar`s onboard computer that embodies as a woman. Heinlein`s conception with Gay Deceiver was of a vehicle that could access all fictions, which were created in accordance with quantum physics` perception of the possible existence of alternative worlds. In practice, Heinlein`s `continua device` was designed to prevent homosexuals from attaining access to the heaven he`d envisioned sharing with his wife, Virginia.

 

 

`Gay` people don`t produce anything, and so represent the spread of sterility, like contagion. The Nazi image is often `jokingly` defined as `camp`, which is definable as `artificially sexual`. Such `Gay` camouflage signifies a sterile `pattern` that doesn`t want life, and Heinlein depicts it in his novel The Number Of The Beast as the `black beast` which won`t leave him alone. The curious thing about Rocketship Galileo is a lack of explanation over why the Nazis want to keep secret the bombing of the `alien race` on the moon. Ordinarily, it couldn`t have been done, because that would`ve revealed them to the appalled watching Earth. But, with Gay Deceiver, Heinlein`s `continua device`, which functions also as a `time machine`, they could spread their `camp` contagion by travelling backwards or forwards through time to attack her, that is, Woman as `alien` civilization, art, and culture. Gay Deceiver would be the `plague game` of  `artificial sexuality`, which disguises the `plague aims` of spreading sterility and death, and that`s what Cargraves` name signifies.

 

 

 Britney`s Oops I Did It Again features bio-chemical warfare, which may sound strange but not if you`re aware of Marilyn Monroe in Diamonds Are A Girl`s Best Friend in which her male dancers surround her at the beginning of the song and shoot themselves with pistols. They immediately experience `Resurrection`, but in the Catholic Church suicide is an unforgiveable sin, so Redemption, which is completeness of memory across lifetimes, is impossible, and eternal perdition is their punishment. In Britney`s Oops I Did It Again Britney`s surrounded by her dancers, and the men collapse at her gesture while the female dancers continue.  It`s `natural selection` in which the `fittest survive`, because Britney`s `red in tooth and claw`3 and women have breasts. Men don`t because they`re only for reincarnation, and not Resurrection, that is, they`re for the endless cycle of death and rebirth, which is the karma of those who are fertilizer and want enslavement and devourment for what they fertilize. Woman has breasts because it`s the feature of her species to have Resurrection and Redemption, and God offers it on her behalf as the Paraclete. If men reject Redemption through `God`s love` and `God`s spirit`, eternal unendurable pain is their punishment. Breasts are the sign of Woman`s nurturing, and her desire for what she nurtures to develop beyond fertilizer.

 In the Egyptian myth of Osiris, Isis` remembering of Osiris is Resurrection and Redemption in completeness of memory through the power of the Egyptian`s equivalent of the Paraclete, but she can`t find Osiris` penis and so fashions anew. In some versions of the myth, Osiris` new penis is fashioned from Isis` saliva, which refers to DNA, the individual`s gene `code`, and what`s required for cloning, for example.  Ancient Egyptian hieroglyphs are a `code`, but their `oral` language would be simpler. That`s why the myth is suggestive of `oral sex`. The penis speaks with the woman`s mouth, which is why oral sex is against the law as `sodomy` in a few states in the USA. It`s like the incest taboo, in Sophocles` Oedipus Rex, which is designed to prevent Oedipus from seeing that he`s his own father and mother, that is, he kills his own father because he doesn`t recognize him, and `marries` his own mother because he doesn`t recognize her. Either of which needn`t have occurred, if men hadn`t blinded him into unconsciousness.

 

 

 

 Jesus` marries men in the Shakespearean sense of `knowing` in the New Testament, and he isn`t blind to them, or unconscious. He speaks with the mouth of his mother, because she made sure he was the `Perfect Man` uncontaminated by men`s semen. That`s why `oral sex` between men is `sodomy`, because homosexuals don`t want to speak with Woman`s mouth. They don`t accept the Paraclete, which is God`s offerer of Resurrection and Redemption on behalf of Woman as a species with her own penis. That`s why the futanarian woman of Revelation is `hidden`, because men would want to `know` her in `sodomy`. As `God`s species`, she`d lose her penis` ability to speak with `God`s mouth`, and the spoken Word of God is what God meant for her to be.

 When Britney gestures and her male dancers collapse as if gassed, that`s exactly what it means. They`re the `corn` fertilizer. She believes in a product, or `crop`, without homosexuality, and men`re methane incarnations if all they`re interested in is being fertilizer, and making women reincarnate as `future methane`. She doesn`t believe in their `corn`. Their arse is talking and not their mouth, and that`s why it`s `the Fall`.  In the science fiction of Britney`s Oops I Did It Again it`s when grown things return to the soil as fertilizer for the next series of Devour and Fart. The `Big Picture` is what it means to accept `God`s love` and `God`s spirit`, that is, Resurrection and Redemption. Britney, in Oops I Did It Again, is declaring herself for her own species, because she remains dancing with her female dancers, while the male dancers `fall`. Although the males are immediately `Resurrected`, as they were in Marilyn Monroe`s Diamonds Are A Girl`s Best Friend, here they`re irredeemable if they murder the Woman, or attempt to silence her, as the 9/11 terrorists attempted to do when they interfered with her `voice boxes`, that is, the Twin Towers of New York`s Adam`s apple, and Eve`s World Trade Centre, when Britney was beginning to sing and dance `God`s Gospel` to an Earth that wouldn`t accept `God`s Word` from the Paraclete as `Second Eve`.

 Oops I Did It Again actually begins with the spaceman`s rejecting of her: `Whoah there horsey!` He discovers an `icon` of her in the Martian sands: `What the..?` Mission Control, observing through his space helmet`s camera, respond: `Cute. What is it?` The spaceman evinces surprise: `It couldn`t be..?` There`s a Mars quake as Britney`s internet explorer is activated by her icon. Mission Control is unnerved: `Mars Lander! What`s happening up there?` They`re clearly preparing for their future invasion as devouring male imagos, which is why the `icon` looks like a `cookie`. It alludes to the protocols a system requires before guests are admitted, which is why 9/11 was a terrorist attack. The planes were `civil`, but so were the Japanese before Pearl Harbour in 1941. Britney`s perception is that, if all men`re interested in is making the series Devour and Fart, they won`t even get a `cookie` and don`t bother asking her for a date in the future, because she treats guests well and, if they`re going to ignore protocol to attack her Woman`s Mars in the same way they avoided her nation`s protocols on 9/11, then `Mars Bars` are to be found in Earth`s prison, and Woman as a species won`t be spied out by men in God`s heaven, because Britney`ll be there and they won`t.

Oops I Did It Again is as Wellsian as H.G. Wells for prophesy. Britney`s spaceman gives her a gift referring to love and betrayal, because the scene begins with an announcement: `All aboard!` It`s an allusion to the Titanic movie in which Rose, the old lady, drops the jewel known as `the heart of the ocean` at the scene of the salvaging of the Titanic. Rose was betrayed by an ex-lover who, putting the jewel in the pocket of her new lover, framed him for stealing her heart. Her new lover was subsequently drowned, while showing people to the lifeboats. After the Titanic hit an iceberg, it began to sink. The Titanic was described as `unsinkable`, so Britney`s taking on the mantle of unsinkability in Oops I Did It Again. Because sinking women is men`s `game`. She`s a Wellsian, however, that believes in the prophesy of Revelation, that is, the unsinkability of Woman as God`s species.

 

 

 Britney`s spaceman drops the jewel into her hands before she embarks: `Before you go...` It`s a gift for the journey, and she takes heart: `But I thought the old lady dropped it into the ocean at the end?` He replies: `Well baby. I went down and got it for you.` Britney`s the `well baby`, and her `heart`s jewel` is brought by the New Redeemer from the depths of her soul. H.G. Wells` stories are `sinkable`, because they have the devouring imago as their subject matter. War Of The Worlds and The Shape Of Things To Come narrate the danger of the devouring imago, and the devouring of the Paraclete respectively. In Oops I Did It Again Britney is constructing a `scifi storyline` in the style of H.G. Wells` prophesies and, because it`s about belief in God, it`s a story that`s inkable from the wellsprings of her heart, and `unsinkable` because she`s the baby of Revelation, that is, she can`t be devoured because God says so.

 Symbolically, Britney`s spaceman is Jesus`, because he`s a `genuine hero` who gives her heart for the killing of her devouring imago. Oops I Did It Again is her emergence from the `well of loneliness`, and she`s writing it in her video as if she`s using ink from her soul`s well. In Hit Me Baby One More Time (2000) she sings: `My loneliness is killing me. I must confess I still believe. When I`m not with you I lose my mind. Give me a sign!` In Stronger (2000) she sings: `I`m stronger than yesterday. Now it`s nothing but in my way. My loneliness ain`t killing me no more. I`m stronger than I ever thought that I could be. Baby.` It`s a singles` chronology that represents a struggle to be born.

 

 

 The archetypes of the collective unconscious contain the jewel, which is the lapis philosophorum or `stone of the wise` that, according to the developmental psychology of Carl Jung, confers immortality because it represents the culmination of the individuation process which Jesus, as the `Perfect Man`, represents. When Britney`s spaceman gives her the jewel she replies: `Oh, you shouldn`t have.` Men have devouring imagos, and they have to be fooled into performing acts of heroism. He doesn`t, and it`s a shared understanding that he accepts Jesus into his heart also. Jesus is the archetypal `hero` of Christianity who has to be activated in the psyche, because it`s the  acceptance of God, and his `heroine` is his mother, the archetype of self-birth, which receives help from the Paraclete`s tutelary guidance after Jesus` Ascension to God and heaven.

 In Jungian psychology, the spear is associated with `Intuition`, and so the tuition which the Paraclete gives is cleverly linked to the spear of Longinus which, cutting open the side of Jesus after his crucifixion and death, effectively releases the Paraclete to give the soul the tuition it needs in order to individuate. If `Intuition` is the function of the Paraclete, and the spear is her symbol, then Britney Spears symbolizes her omnipresence, and Oops I Did It Again is a Wellsian `message` of Revelation in terms understandable to those who have enough `Intuition` to accept the Paraclete`s tuition.

 The Bible depicts Jesus as God`s genuine hero, because he`ll kill his dragon in Revelation, whereas men are fools, if they act heroically for anything but killing their own devouring imagos: `You see my problem is this. I`m dreaming away. Wishing that heroes they truly agree. I cry watching the days. You see I`m a fool in so many ways. But to lose all my senses, that is just so typically me. Baby.` In Jungian psychology, the four senses of hearing, sight, taste, and smell are associated with the four functions of consciousness in undifferentiated form, that is, `Thinking`, `Sensation`, `Feeling`, and `Intuition`, which have to be differentiated if the individuation process is to receive completion.

 

 

 Completion of the individuation process is symbolized by the `heart of the ocean` jewel`s arrival on Mars in Britney`s Oops I Did It Again video. In the lyrics, she describes it as `typical` of herself that she `lose all her senses`, which is an allusion to Jung`s theory of psychological types, where he describes pre-individuated egos as `Thinking`, `Sensation`, `Feeling`, or `Intuition` types, because he observes that, in most cases, individuals have a superior function, with an auxiliary, an ancillary, and an inferior, which he associates with negative personality traits that the individual doesn`t wish to be seen, and so s/he takes great pains to conceal them, which is wise if s/he`s seeking individuation because this shadow or subconscious self can cause anger or hatred towards oneself or others.

 

 

 Oops I Did It Again is the observation that men are fools, if they`re not heroes like Jesus because, if they don`t kill their dragons, that is, their devouring imagos, they`ll lose all their senses, and she`s wise enough to see that she`s not dreaming of any other hero but Jesus, because Jesus is `God`s hero`, that is, a genuine archetype of the collective contents of her unconscious self. Through belief in Jesus she can individuate by accepting Jesus` teachings, and the tutelary guidance of the Paraclete`s ancient wisdom. Her spaceman may fool some, but not her. He`d have to kill his own devouring imago to be a hero, and he wouldn`t be hers, because only herself or Jesus could kill her devouring imago.

 In simple terms, Jesus is a `hero` archetype of God`s, whereas those who embrace the devouring imago are evil, and that`s why Jesus slays them in Revelation. Because they wouldn`t kill their own devouring imagos and accept Redemption. In Oops I Did It Again Britney admits that she`s `dreaming` when she wants heroes to `truly agree`, that is, she`s a `fool` who loses her `senses` because she recognizes from her dreams that her heroes are devouring imagos who`ll devour her psychological type. She has to be fooled into acting heroically, or she`ll succumb to devourment, which is why the Jesus archetype is important for her. The song Oops I Did It Again is, apart from that, her defiance of the devourer, on the understanding that she has a hero in Jesus:

 

`Oops!
... You think I'm in love.
That I'm sent from above...
I'm not that innocent.`

 

 She`s wise because she`s been on the Earth for at least 2000 years since the time of Jesus, and if she`s the `Second Eve` then she may even be as old as Eve, who was created from Adam`s rib, according to Genesis, the first book of the Bible. In the prophesy of Saint John the Divine in Revelation, there`s war in heaven between the woman`s and the serpent`s `seed` and the woman` s seed wins. God creates a new heaven and Earth for Woman as a species, and the evil experience unendurable eternal pain. Because Woman`s a species, the Assumption of the Virgin Mary is God`s Assumption of Woman. That`s why God sent the Paraclete, because it`s God`s Assumption that Woman belongs in heaven. The red dragon of Revelation that waits to devour the baby is a sign that men represent the Consumption of Woman and, even if disguised, consumerism is enslaving a woman by giving her a washing machine that looks at her like a man leaving her for an episode of Space Nazis On The Moon.

 

 

1 'Propoganda', https://science.jrank.org/pages/10871/Propaganda-World-War-II.html .

2  Futanaria, https://wwwfutanaria.com.

3 Tennyson, Alfred Lord In Memoriam, 1850. The quotation refers to man: `Who trusted God was love indeed, And love Creation's final law. Tho' Nature, red in tooth and claw, With ravine, shriek'd against his creed.` Usually used in support of capitalism and fascism, the quotation actually signifies Woman`s nature, which is ruthless in support of her own species, and Resurrection and Redemption, because she`s God`s, and her nature goes against men`s.

 

Reservoir Dogs, Adam (Who`s Sane?): An Essay From A Constructionalist Point Of View

 

 

The Middle East has been a crisis zone since the British and the Israelis in 1956, without the support of the Americans, invaded Egypt in order to take back the Suez Canal, an artificial waterway linking the city of Suez in Egypt with the Mediterranean sea port of Port Said, from President Nasser, who had nationalized it. Nasser wanted to place a toll upon the usage of the canal, which afforded travel to and from Europe without having to navigate around Africa, in order to construct the Aswan Dam, which was necessary for controlling the annual flooding of the Nile river that, traditionally, is the source of well water for the crops of the Egyptian farming communities, and therefore essential to the economic well-being of Egypt.

 The `dogs of war`, unleashed against Saddam in the Gulf Wars (1990-1, 2003-), symbolically and concretely, are the `reservoir dogs`, `reservoir` being what was created by the Aswan Dam. In the movie, The Reservoir Dogs (1992), the action is evil, that is, it`s about murderers who are men. Some religious organizations turns away lesbians on grounds of unnaturalness while men with a penis aren`t. But the perception that a woman that wants her own species is for `hellfire` and God`s punishment of `eternal unendurable pain` for the evil is without foundation in scripture. If a woman had a penis, she would be `man` in definable terms, and there are many `futanarian` women with penis` semen of their own. In short, women are a species and men may be perceived as a parasitical virus that perpetuates itself by using her species as a host womb. Jesus` mother, Mary, preempted this in giving birth to Jesus as a virgin, that is, by means of parthenogenesis, so men could see they don`t command input. Mary represents the archetypal mother that doesn`t want her offspring to have STDs, and so she`s a prophylactic against the incurable `killer disease` of HIV/AIDS, for example, which is what men mean to her from the point of view of protecting the child that`s her species. POV is important, because from the POV of Mary men are either self-perpetuating, self-devouring parasitical viruses (boy sons = poisons), or parasitical orgasm viruses (STDs = HIV/AIDS), and she doesn`t want them.

 Churchmen believe they`re employed by God, and for some officiates lesbians are those for whom the `fire of hell` is being prepared. From a woman`s POV, men are those who want to `fire us`, that is, `virus`. The delusion is men are employees of God and `fire us`, that is, they make women redundant. As a virus upon the species of women who can sexually reproduce from their own host wombs without the parasites, men are women`s virus making the human race redundant, that is, extinguishing her as a flame of love for herself. As a virus men demand the belief that they are superior because they have a penis, which is capable of waging the biological warfare of STDs, for example, HIV/AIDS, to keep women`s host wombs in faithful monogamy to her parasite. Lesbian actress, Sophie Moon and others, represent the parasites` mocking human sexual reproduction.

 

 

 In terms of understanding God`s plan, the Gulf conflict and American `Superbowl` are analogous constructs. In `Superbowl`, the quarterback, who throws the successful touchdown or `TD`, is performing against the offense of the other team, and that may be construed as the sins from which Jesus has redeemed mankind, that is, Jesus is the `QB` that`s beaten the offense. In Britney Spears` video for her pop single, `Oops! ... I Did It Again`, her QB is the astronaut, who makes `touchdown` on her Mars, where he gives her a gift before, walking backwards from within his `opponent`s end zone`, he celebrates with a typical American football `dance` of victory.

 American football is about `offense` and how to beat it, and the analogy is of ICBMs aimed at Russia and how to survive to hit back, which is what American football represents. In the Gulf, the US was perceived to have built the Iraqi army until it was US Iraq, so there to fire at each other they were `fire US`, that is, the parasites` `virus`. In her red suit on Mars, Britney is Redemption, if the astronaut has beaten the `offense`, because she`s the species, so the QB has Redemption if he recognizes she`s the redeeming human that might accept him. If not, he`s a virus seeking to penetrate her, whereas the woman, even if she has a penis of her own as `futanarian` women have, can`t penetrate him sexually in order to reproduce her human race. Moreover, women without a penis of their own can`t penetrate the `offense` to sodomize, which is what American football posits as an unspoken aim, that is, Sodom and Gomorrah were the `cities of the plains` destroyed by the angels in the Bible, while Lot and his family were rescued, but for his wife, who turned back in regret and was transformed into a pillar of salt, that is, sodium (Na), which is why sodomy is associated with nuclear holocaust, because Sodom and Gomorrah were destroyed by God for sodomy, that is, homosexuality in pederasty, which produces war as a `pillar of salt` insofar as parasitism prefers its teleology of extinction for the host and mixing shit, blood and semen in its anus in mockery and rejection of women`s human sexual reproductive processes.

 In American football, the ball represents the woman`s egg through which men want to sexually transmit their disease, that is, self-perpetuation as a viral parasite by means of a host womb. However, in terms of homosexuality in pederasty and host womb enslavement, they`re a virus that practices its teleology of extinction by inserting their penis into each others` anus, which is how the STD HIV/AIDS virus was born and `woman`s seed` was hijacked.

 Britney Spears-eption is redemptive. Spears penetrative insight is of women with their own penis that exclude men as their species` viral parasites. Jesus` exhortation, `love your neighbor as you love yourself`, must be accepted in order to perceive Jesus` conception of the whole of God`s law as `love`. If lesbian actress, Sophie Moone, had a penis, her sex films wouldn`t be mocking Britney Spears` human species` extinction. Redeeming knowledge for men is they`re conceivably the woman`s penis, even though their predecessors have devoured hers, which is why it`s possible to be with God Almighty and against the Sodomites, represented by the might of Saddam.

 From the descendants of Abraham, who left Sodom and Gomorrah at the behest of angels, according to the Bible, where was practiced sodomy, that is, homosexuality in pederasty, Islam sprang. The story of Sodom is Lot`s wife being told not to look back in regret, as the angels of God destroyed Sodom and Gomorrah, but she did and was transformed into a `pillar of salt`, or sodium (Na), which is a necessity for desert dwellers:

 

`The symptoms of sodium deficiency … are neurological, such as confusion, loss of reflexive movement, convulsions or even coma.`1

 Racism argues that `salt` is what the Moslem people of Islam are for and the destruction of the `cities of the plains` by God`s angels foreshadows what Moslems can expect from the nuclear devastation to be unleashed upon them by the United States of America, as the Japanese cities of Hiroshima and Nagasaki were destroyed to bring US` involvement in World War Two (1939-45) to a closure after the US` Pacific fleet had been sneakily attacked while becalmed at Pearl Harbor, Hawaii, on December 7, 1941.

 The attack by Al Qaeda terrorists on the World Trade Centre, when planes and `woman`s seed` were both effectively hijacked as the `civil` airliners were crashed into the Twin Towers on September 11, 2001, to precipitate the Gulf war (2003-), made New York biblical as the 21<sup>st</sup> century`s `city of the planes`. Racists would argue 9/11 foreshadowed the destruction of `the people of the salt`, that is, the descendants of Lot and his wife, who fled from Sodom and Gomorrah, and who were the ancestors of both Jesus and Islam`s Prophet Mohamed, who received the word of the Koran (610-30 C.E.) from the angels, according to Moslems. Figuratively, the might of Saddam was that of the Sodomites, and their madness is that they lack `salt`, that is, sal sapientae or traditional wisdom, which lack represents a failure to defend `woman`s seed`.

 For Christians, Redemption after and during the Gulf wars required their overcoming their role as `fire US` (virus), because `futanarian` women are those whose penis, that is, God`s, has been devoured by men of the `serpent`s seed`. Love for woman is the sine qua non of Redemption, because she`s the instrument of `God`s love`. Identifying with the `fire US` (virus) is an attack upon women, God and Jesus, whereas women are capable of loving themselves, that is, their own species, rather than the viral parasites that emerge from her host womb to decimate her mothers, sisters and daughters in Arabia, the United States, or anywhere else, that is, men`s parasitism is construable as a virus in the `Word` of God as transmitted by men through war, whether conventional or by means of their STDs and Satan`s `biological weapon` of HIV/AIDS.

 There are those employed by God and those who are doomed to `eternal unendurable pain`, that is, `hellfire`, because God`s employees put them there. However, if woman is God`s species, men alone are for hell, because they want to `fire us`, that is, virus the women employed by God.  The British took control of the Aswan Dam in 1956, because Egypt`s President Nasser wanted to finance the Aswan Dam, while Adam was created by God as a bulwark against Satan`s `serpent`s seed`, that is, the `reservoir dogs` of Saddam Hussein who was executed on December 30, 2006, after the fall of the dictator who`d supported Al Qaeda. Hussein was a dam financed against God`s `seed` by the British after Suez in 1956, that is, Saddam was a `false Adam`, who burst forth in an invasion of Kuwait for the first Gulf war (1990-1) to remove the Iraq army. Rather than accept Nasser`s Aswan Dam, the British preferred to finance Saddam Hussein as a dam against Egypt.

 

 

 In Islam the holy place in the city of Mecca is the Ka` Ba which is the temple of Abraham built by Ishmael, son of Abraham and Sara, by Hajer, Sara`s maidservant. Sara`s son Isaac was of the lineage of Judaism while Ishmael`s line was Islam. The Haj depicts Hajer`s role in the building of the temple of Abraham in Saudi Arabia`s Mecca and her Egyptian ancestry is reflected in the `Ka` or spirit and `Ba` or soul of ancient Egyptian tradition. Conjoined, Ka and Ba are `Akh` or `magical personality`, that is, the spirit and the soul of women separated by men`s bodies from sexual reproduction, which is why Saddam Hussein was conceived by the British as a dam between Egyptian knowledge and the Middle East.

 Eve, created by God from the side of Adam, means `that which precedes`, and therefore is the future of the spirit of humanity. Traditionally, water is associated with the immortality of the spirit, and of life. Especially in Christian baptism, and in the ancient Egyptian myth of Osiris, who is the Christ-like figure believed to be `resurrected` when the beneficial waters of the river Nile cause the crops to grow. In the myth Osiris is cut into pieces by his `brother` Set, who is evil personified. Isis, representative of the female principle, restores Osiris. She fashions a penis which is effectively hers, and Osiris is `risen` as Horus, who returns to heaven, because those who accept that women have penis` semen of their own haven`t enmity towards humanity.

 In the Christian tradition, Jesus may be understood as the incarnation of God with the penis of Isis` Osiris, who also wasn`t born of man. Men who didn`t accept Jesus` teachings, for example, that `God is love`, nailed him to a fourfold wooden cross and tortured him to death, while the four wives permitted Moslems in Islam represent the remembering of him who was crucified because he was `woman`s seed`, just as Isis was remembered by Osiris after his dismemberment by the evil Set.

 In Egyptian mythology, Osiris is a `corn god`, which means he represents bread and water, whereas in the Christian tradition Jesus is associated with wine. He transforms water into wine in the verses from the New Testament dealing with a `wedding at Canaan` (John: 2. 8) and, at the meal for the disciples called the `Last Supper` before his crucifixion, Jesus offers wine and bread to the disciples as his `body and blood` with the added observation that Judas Iscariot will `betray` him.

 

 

 Wine is forbidden or `haraam` in Islam, because alcohol befuddles the mind for the obtaining of water and bread, which is why Osiris is a `god of corn` and not grain alcohol.  Jesus` use of wine is similarly metaphorical and illustrative, that is, the blood in the bodies of his crucifiers isn`t transformed. According to structural anthropologist Claude Levi-Strauss (1908-2009), the signs of culture may be constructed as a triangle in which fruit and meat form the base (one at each corner), and at the apex is that which is produced through patience and understanding (wisdom), that is, cheese and vinegar, for example, are the result of corruption and rottenness; wine producing vinegar and milk producing cheese. In structural anthropology, therefore, Jesus belongs at the zenith of the Levi-Strauss `cultural pyramid` because, in terms of transubstantiation, that is, the religious procedure of the Catholic Communion in which the parishioners accept `bread and wine` from the officiate as a preliminary to the transformation of the `body and blood` by means of Jesus` Holy Spirit as `teacher`, with the promise of a physically immortal body in heaven, Jesus` blood  is the wine, that is, metaphorically the water transformed into wine at the Canaan wedding (John: 2. 8), while the bread is his body, and he`s the `cheese`, that is, cheeses (Jesus), insofar as what is `corrupt and rotten` belongs at the apex of Levi-Strauss `cultural pyramid` and Christianity emerged from Jesus` torture and death.

 From the structuralism of Claude Levi-Strauss it is evident that, just as patience is a virtue attributed to the Madonna, that is, the Virgin Mary, so patience is required if milk is to become, as it were, despite rottenness and corruption, cheeses (Jesus). Imbibing milk at the breast of his mother, Mary, Jesus is preparing to become cheeses from Levi-Strauss` structuralist POV, because rottenness and corruption will form his mission. From this POV Jesus` cross is a mousetrap, that is, without Redemption, unendurable eternal pain follows. Jesus is the cheeses in God`s mousetraps and represents the triumph of mother Mary`s milk over rottenness and corruption, just as the vinegar given to Christ at the crucifixion, as a fortifier for endurance, represents Jesus` patience and understanding towards overcoming rottenness and corruption because vinegar is the bitterness of rotten and corrupt wine.

 

 

 In Islamic thinking, alcohol, that is, wine, is `haraam` because it encourages passions that are inhibited for good socio-cultural reasons. At the `Last Supper` Jesus says that the wine and bread are his body and blood, and in the communion service of the Catholic mass these are given to the congregation as a sign of transformation, that is, the wisdom and eternal life that comes through the acceptance of Jesus` teachings, and the Paraclete or Holy Spirit as tutelary guide sent by God after Jesus` Ascension to heaven. At the crucifixion, which precedes Jesus` ascent to God, it is the spear of Longinus that penetrates the side of Jesus, effectively releasing the Paraclete from his side as the Second Adam producing the Second Eve, who is called the Shekinah or `spirit of God` in the Old Testament (Lam: 1. 5) where she dwells in the tabernacle that contains the Ark of the Covenant of God`s Promise of Redemption, which itself contains the commandments of God that are distilled in Jesus` words as `God is love`.

 After the `Last Supper` (Matt: 26. 17-30) however, Jesus` offer of the wine and the bread as his `body and blood` of eternal life and Redemption, in accordance with the fulfilling of God`s Promise, is betrayed by Judas and he is flayed like a dead animal preparatory to being eaten raw as steak tartare is. Similarly, the Roman soldier Longinus` giving of vinegar to Jesus to drink represents the bitterness that precedes awakening. Judas is the mouse caught in the trap by Jesus. As the Koran of Islam observes, water doesn`t arouse evil passions (90. 1 `The Table Spread With Food`), which is why Jesus` birth included the added precaution of his being spiritually blessed in water through baptism, a ritual universally maintained in Christianity.

 

 

 During his crucifixion, Christ was given, not water or wine to assuage thirst, but vinegar to sustain him, which is symbolic and archetypal, that is, it denotes the transcendence of rottenness and corruption. In terms of Lev-Strauss` structuralism, Jesus is water, bread, cheese, and vinegar, that is, alcohol is absent from the equation as it interferes with judgment, that is, choosing choose good over evil, while vinegar denotes the bitterness that comes with bouts of drunkenness and impatience without comprehension, which is why the Romans crucified Jesus, because he was patient and comprehending as `woman`s seed` of what misogynistic power the Empire of Rome was based:

 

`My God! My God! Why hast thou forsaken me?` (Matt: 27. 45-6)

 

 In spite of Judas` treachery (Luke: 22) the meaning of the wine and the bread as the `body and blood` of Christ is that of forgiveness, that is, the inflammatory position of alcohol may contribute to the perception of Judas as corruption and rottenness furthered by too much wine at the `Last Supper`, and the furthering of the `bad blood` existent between the `seed` of Adam and that of woman since Eden and the `perpetual enmity` (Gen: 3. 5) God warned Eve would come from their rejection of the `tree of life` for what would be the `serpent`s seed` of ephemerality in enslavement to war.

 Even `bad blood` is part of God`s omniscient plan for Redemption. Jesus` receiving vinegar in his extremity is a torture, because he`s sustained in the prolongation of suffering. However, vinegar is produced through patience and understanding from wine, that is, it`s a virtue of the wise. Prolongation of Jesus` pain is virtuous insofar as Jesus` message is strengthened. Vinegar represents the true virtue of wine, that is, with patience amidst rottenness and corruption, God`s plan becomes visible, and so virtue is represented by vinegar and the bitter spilling of Jesus` blood during his crucifixion.

 Jesus` `vinegar personality` (Mark: 15. 23) resides in his capacity to spring the trap, that is, though even Judas Iscariot may be redeemed from his `bad blood`, that is, his crime deriving from consumption of too much wine at Jesus` last meal. In Aesop`s (620-564 B.C.E.) fable of The Fox and the Raven, the cheese the raven works for and that the fox steals makes the raven a slave of the fox:

 

`Where did you get that cheese?`

 

 

 `Vinegar` is the answer, because the fox had to wait for the milk to become cheese, that is, for the raven to have cheese, just as it takes time for wine to become vinegar. From slavery`s POV, vinegar is the raven and the fox is the enslaver of nigger, that is,  desire is freedom but freedom can be manipulated so that the result is slavery because the raven wants cheese and the fox is prepared to wait until the raven has some.

 The enslaved are enduring Jesus` torture, which is the meaning of Jesus` mousetrap Redemption. Ignorant Christians play a game of entrapment, rather than proselytize for Redemption of the erring. Christian `gamers` fall into the trap of seeing themselves as the fox. Slavery, however, is the denial of the fruits of their labors to people who work. Jesus` Ascension represents escape from slavery, because workers like the raven who have product torn from their hands are given the illusion of freedom by the slavers who`re their torturers. Jesus` role in the New Testament is to teach that enslavers are torturers and eternal pain will be their punishment, whereas God and heaven is for the producer of good. Consequently, although the 19<sup>th</sup> century Southern States of the United States of America`s production of good cotton by slaves resulted in the American Civil War (1861-5) for emancipation, freedom to desire good only represented the foxes` wiles in waiting for what the good produced before dispossessing them further.

 Bible commentators ask why Jesus, in following what he clearly perceives as God`s instructions, allows himself to be crucified. Some have seen Job, who represents `patience` (Job: 21. 83) as Jesus prefigured, that is, God`s patience before impatience. Jesus delivers the message of `God`s love` (1 John: 4. 8) though God allows Jesus to be the instrument of vengeance in Revelation, because he was patient. Consequently, the crucifixion occurs though Jesus perceives it needn`t as an aspect of his understanding of God`s patience. In terms of Levi-Strauss` cooking analogy, Jesus is the recipe for Redemption. God will be angry, but not with Jesus, or those who accept Jesus` teachings, in order to have Redemption.

 In Kuwait city, Kuwait, there`s a mousetrap beside a bus lane big enough to trap an elephant. Such whimsical art is commonplace in Arabia, and Jesus is a prophet of Islam whose story is retold in the Koran (Maryam, Sura 19). Jesus (cheese) was not in the trap, although his physical presence was implied. In both Islam and Christianity, Jesus has Ascension to heaven. For Islam, the meaning of Jeddah, `Bride of the Red Sea`, is Eve because her tomb is there. Consequently, Jeddah`s  Jesus is the `Second Adam`, whose bride waits in heaven for `woman`s seed`, while Jesus has sprung the trap on the blasphemer.

 In Levi-Strauss` structuralist terms, Jesus is the cheeses in the Kuwaiti mousetraps sprung on Saddam Hussein. In Jesus absence, the rogue elephant that was Saddam Hussein was trapped and killed by the Holy Spirit. It`s Schroedinger`s Cat for Christians, who believe in the spirit rather than physics, that is, particle physics, which is about possibility. Erwin Schroedinger`s cat (1935) was either in the box or not, depending on what was perceived as being possible within the closed container:

 

`If a tree falls in the forest, and there is no one there to hear it, does it make a sound?`

 

 The Zen koan applies to the aliveness or otherwise of the cat in the box. Jesus isn`t in the mousetrap, but the mouse is trapped. Necessarily, all evil spirits are inevitably trapped in the Jesus Mousetrap because they can`t be anywhere else, although Jesus` presence is entirely spiritual.

 Jesus didn`t have to be on the side of first Gulf war (1990-1) US President, George H. W. Bush, or second Gulf war (2003-)  US President, George W. Bush Jnr (2003-). President Richard Millhouse Nixon was impeached in 1974 on behalf of the US people and Jesus didn`t have to be there either. Being There (1979) is a Peter Sellers (1925-80) film in which he has the role of the US President `being there`, like Jesus, while the evil are forever trapped, because it`s their nature to be there.

 

President Bobby: `Mr Gardner, do you agree with Ben, or do you think that we can stimulate growth through temporary incentives?`

[Long pause]

 

Chance the Gardener: `As long as the roots are not severed, all is well. And all will be well in the garden.`

 

President Bobby: `In the garden.`

 

Chance the Gardener: `Yes. In the garden, growth has its seasons. First comes spring and summer, but then we have fall and winter. And then we get spring and summer again.`

 

President Bobby: `Spring and summer.`

 

Chance the Gardener: `Yes.`

 

President Bobby: `Then fall and winter.`

 

Chance the Gardener: `Yes.`

 

Benjamin Rand: `I think what our insightful young friend is saying is that we welcome the inevitable seasons of nature, but we're upset by the seasons of our economy.`

 

Chance the Gardener: `Yes! There will be growth in the spring!`

 

Benjamin Rand: `Hmm!`

 

Chance the Gardener: `Hmm!`

 

President Bobby: `Hm. Well, Mr. Gardner, I must admit that is one of the most refreshing and optimistic statements I've heard in a very, very long time.`

 

[Benjamin Rand applauds]

 

President Bobby: `I admire your good, solid sense. That's precisely what we lack on Capitol Hill.`

 

 It`s comedy, but there`s no sense that what is said is nonsense. It`s exactly the kind of homily that Ronald Reagan successfully applied both in his campaign for the Presidency and during his tenure: `All great change in America begins at the dinner table.` In the Gulf conflict, George Bush may be said to have been in a good position with regard to God, and Jesus was there. But Jesus was not where Saddam Hussein was, and Jesus` mother, representing the perception that Jesus needed to be protected from the might of Saddam, that is, the Sodomites, God parthenogenetically sealed off from men`s contaminatory `seed`. In short, Jesus wasn`t a man of men. Jesus patented the cheeseless mousetrap, whereby he is trapped who condemns a lesbian in need of `woman`s seed` to conceive a child. Although homosexuality is usually defined in terms of the sterility of anal sex between men, those who refuse to produce parasitically feed virally upon those who can. Advocating supposedly heterosexual adaptation isn`t pastoring, because `woman`s seed` is true heterosexuality between members of the same species. The homosexual can`t reproduce with a lesbian, although she can reproduce as lesbianism is a measure of her species` normality and her wisdom in face of her teaching to be a schizophrenic rejector of her own race`s sexual orientation. For the condemner all women are lesbians remaining in the gene pool for the parasites` replication. He`s a slaver caught in Jesus` mousetrap:

 

`Thou shalt not take the name of the Lord thy God in vain.` (Ex: 20.7)

 

 In the Koran, Joshua ben Nun is with Moses when they lose a fish by the Red Sea (Sura 18, Al-Khaf), and it`s important because Joshua fights the battle of Jericho (Josh: 5.13, 6.27) after Moses` death, before subsequently entering into the land of Canaan God had promised the Jews. In Christian iconography the fish is a symbol of Jesus, and the loss of the fish by the Red Sea is attendant upon the emergence of the figure of Khidr who, as a Wise Old Man, directs Moses` attention to his lack of patience in understanding before leaving. Jesus is archetypally patient, which suggests Khidr as an aspect of Jesus` leaving.

 

`From the halls of Moctezuma to the shores of Tripoli…`

 

 `Joshua` is a derivative of `Jesus`, and so Jesus fought the battle of Jericho, and the `walls came tumbling down`. Although the US Marine Corps didn`t wholeheartedly support the European invasion of North African nation, Libya in 2011, to depose terrorist supporter Colonel Ghadaffi, Jesus` spirit was there. Whatever revenge might be taken upon the Germans for Zeppelin air raids over England in World War One (1914-18), Jesus spirit is there in the mousetrap for the evil whoever they are.

 

 

 Jesus, like Jeri Ryan, as `Seven of Nine` in the science fiction television series Star Trek, isn`t bound by time and space. Jesus fought the battle of Jericho, although he wasn`t there. `Joshua ben Nun` means `the one who is the fish that is born from the waters` while, in Egyptian, `nun` means `ocean`, and so the fish prefigures the meaning of Jesus` birth, that is, Jesus is there.

 In Arabia the meaning of Jesus is related to the stories of djinn. A `marid` is a type of djinn, and so `marid jinn` is interpretable as `Mary djinn`. Emerging from his mother, the Virgin Mary, as if she were a `bottle`, and he a powerful granter of wishes, is in perfect accord with the tales of the djinn in the eighth century collection, One Thousand And One Nights, where djinn appear as the geniuses of legend, `Your wish is my command.` Although Jesus` story isn`t narrated as that of a djinn, his genius was in perceiving the need for technological development and progress through `woman`s seed` because men`s had degenerated. According to the Koran, djinn have `free will`, that is, genius is free to flourish rather than being imprisoned. In Islam God created men and djinn, who`re the geniuses of the race. Iblis was a `shaitan` djinn who refused to bow before Adam, which in Christian terms means Satan didn`t accept men, because they were parasites upon genius. Jesus, however, was the `son of man`, and represents Redemption for genius from enslavement, that is, freedom through good.

 Praying to God is, theoretically, praying for genius to work within the individual, which is God granting wishes. However,  if God had to emerge from a bottle he`s imprisoned in, as Jesus emerged as `woman`s seed` from his mother, the Virgin Mary, then he represents Almighty God who`ll sentence the transgressor, who imprisons genius in order to have what good the imprisoned produces, to unendurable eternal pain. Jesus` message is that he won`t be there in hell, because he wasn`t in the mousetrap either. He doesn`t have to be.

 As `virgin` is homonymous with `djinn`, lost virginity is equivalent to the loss of intelligence through breeding with parasites, which is what `djinn` or geniuses lost after the killing and culling of `woman`s seed` when Eve and Adam were expelled from their original home by God for preferring the `serpent`s seed` of power through men`s host womb slavery of Eve`s daughters, `You shall be as gods.` (Gen: 3. 5) As `futanarian`, women can remain virgin while fertilizing with her own penis` semen. `She`s us` is what Jesus as the first of `woman`s seed` means. So, why should monogamous ring slavery in parasitism be forced upon `woman`s seed` if Christianity accepts she`s us? In structuralist terms, a woman with a `futanarian` woman with a penis is `fruit of the tree of life` (Gen: 2.9), which is immortality. In Levi-Strauss` `culinary triangle` (1966), woman`s archetype of socio-cultural, politico-economic potential for civilization is represented:

 

 

 From the perspective of virginity, the original couple, that is, woman as a reproductive system, requires a third woman in order for the `futanarian` woman with a penis to reproduce with another woman with a penis. It`s `she`s us`, as it were, which is the recognition that polygamy is the instinct of woman to form relationships that do not prevent the development of her planet. She is woman born from the womb, that is, `womb man`. Heretofore everything, including the parasitical organisms that are men, have been born from her womb. Or, in other words, civilization is hers. To reclaim it, and progress, the structuralist `culinary triangle`, which is the archetype of civilization, that is, patience in development from knowledge to recognition, and onwards to realization, has to be applied in terms of the human `software`, as it were. Jesus represents patience allied to understanding in order to attain knowledge, and Redemption is intelligence, that is acceptance of good, whereas those who don`t want it are trapped by the crucifixion-as-mousetrap metaphor, and are doomed to unendurable eternal pain. The archetype of realization is dependent upon actualization, that is, Jesus represents the cheeses of development, that is, imbibing mother`s milk and following her instruction and education is a `training program`  that, avoiding corruption and rottenness, which is the process that produces cheese from milk, creates Jesus-consciousness that, from the POV of woman, means `he`s us`. Levi-Strauss` `culinary triangle` archetype of woman`s development represents the realization that women`s species can be successfully actualized:

 

                               Futanarian woman (cooking)

 This ménage a trois posits that, rather than the `original couple` perceiving the need for a third woman with a penis to fertilize the woman with a penis (futanarian women) in the course of the original woman`s love for her `futanarian` partner, the goal is to rise through `gathering` (fruit), that is, understanding and patience, whereas a parasite perceives from his vantage point that women with a penis have the needed equipment and so murder is a path towards womb theft. Contaminated by the meat eating parasite who murders her species for food, women degenerated into practicing the religion of Cain who, in killing his brother Abel (Sura Maidah, 27-32) rejected early the path of Redemption from evil, although woman`s archetype is strong:

 

 

                                               Futanar woman (Jesus/cheese)

 

Futanar woman (cooking)  Woman (fruit)

 

 The original women with their `fruit of the tree of knowledge` live on the mountain, and educate, instruct, and train their `futanarian` species with a penis how to eat without murder. Through patience and understanding, the `futanarian` women with a penis progresses from cooking apples to producing cheese, a metaphor for avoiding corruption and rottenness, that is, killing, culling and species` womb slavery, which is for parasites. The apex of the pyramidical structure is the `futanarian` woman with a developed penis, that is, she has the raven`s cheese and has accepted Jesus. However, the woman with a penis needs a woman with a penis to sexually reproduce her. The archetype functions as a marital structure which is a natural trinity. In archetypal terms, the teaching is  protein without death, that is, food without killing: `Thou shalt not kill.`

 

 

 Abel was a lesser killer than Cain, because he killed animals for meat, and God was pleased with that. Cain, however, was a fratricide close to species` suicide, that is, woman`s. When Britney Spears `hooks` her spaceman in `Oops! … I Did It Again` it`s 2000 years after the birth of Jesus, but her wisdom is the same, `She`s US`. Seen from the camera`s eye attached to the spacehelmet of the suspended spaceman, Britney is meant to be sexually arousing. Consequently, if `God is love`, Britney`s testing the hypothesis that self-love in the form of masturbation is undesirable? Onan (Gen: 38), the prototype for masturbation, despised his `seed`, which is a metaphor in the Bible for `product`. If Onan doesn`t want `fruit` from his `seed`, he doesn`t want to live and so is a self-murderer. God killed Onan for not desiring to produce what he needed. Britney`s captured astronaut in `Oops! … I Did It Again` films her because he`s positioned to, which means he`s productive, and that`s what slavers do with self-murderers who don`t want to produce. Abjuring onanism is life and Britney Spears demonstrates that she wants to be a `fisher of men` like Jesus, hooking the viewer who wants to make videos by suspending her spaceman and encouraging the desire for freedom.

 Many churchmen are unable to perceive that Jesus was born 2000 before the 21^st century began and everyone knows the difference between good and evil, because technology provides. The perennial question directed at churchgoers is, `Have you accepted Jesus?` Well, I accept `futanarian` women rather than parasitical viruses wanting to masquerade as the human species while preying on the her host womb to perpetuate their devouring of her rather than development. Homosexuals, by definition, are those who want others to produce for them. Jesus represents refusal, which is why he was murdered.

 Japanese mitsubishi zero pilots, using their planes as flying torpedoes, launched a surprise attack on the US Pacific fleet at Pearl Harbor on December 7, 1941, as were suicidal self-murderers. So were the Al Qaeda terrorists who hijacked planes on 9/11, 2001, to crash into the Twin Towers of the World Trade Centre in New York. Jesus was accused of suicide, but he represented refusal to be a slave, whereas the Empires of Rome, Japan, and the terrorist group, Al Qaeda, represent enslavement to men`s homosexuality in pederasty and war. Although Jesus` crucifixion was sacrificial, Jesus wasn`t sacrificing, but was a human sacrifice, which he used as a platform to spread his teaching of Resurrection and the Ascension of `woman`s seed` through her own brains` powers for self-actualization in self-reproduction.

 Lesbianism is good pornography, because there are no parasitical virus organisms present (men) to interfere with the human species` sexual interactivity. The Levi-Strauss` `culinary triangle` archetype of species` evolution suggests that, because woman with a penis or without are a universal constant like God, so Jesus is too because she`s us.

 

 … 1 AD … Jesus crucified … Redemption … mousetrap won … eternal undendurable pain for the evil …  Jesus left … for Kuwait … arrival 2000 AD   … mousetrap won … cheese`s left …  fuck you …

 

 Conversing with an English language from the UK, he observed that women weren`t a species with a penis, and patiently explained `she-males` were surgically produced `transsexuals`. Fortunately, an American explained that women were a species as `futanarian` women had penis of their own. The UK trains belief in heterosexuality as men and women, whereas species` sex is woman sex. Propounding the symbolism and archetypal structure of Old  England`s Beowulf (1100 AD), or US` poet Walt Whitman`s Song of Myself (1818-92), preparing women for University requires knowledge that can often be had only from websites (https://www.futanaria.com) illustrating Shakespeare`s perception that `hero`, the name of the woman in Much Ado About Nothing (c.1598), is a comment on women`s absence from the stage of Shakespeare`s Globe Theatre because men played all the parts as that`s how the parasite functions, whereas women with and without a penis can be said to legitimately have all of the parts. However, because men want women to accept their parasitism, Shakespeare`s `hero` is a man pretending to be a woman pretending to be a man, and Jesus on the cross is Shakespeare`s true `hero` playing the role of `woman`s seed`.

 In `Oops! ... I Did It Again` Britney Spears is Shakespeare`s `hero`, because it`s Romeo and Juliet, where the Montagues and Capulets, rival families, who`re Ghibelline (white cross on red) and Guelph (red cross on white) politically, that is, the Emperor`s Ghibelline temporal power, and the Pope`s Guelph spiritual power represented by Britney Spears `twinned` in a red pilot`s suit and a white bikini dress symbolizing the difficulties facing `woman`s seed` on a world`s stage that denies women`s species` reality:

 

`I`m not that Innocent!`

 

 The Popes Innocent asserted spiritual over temporal power, so in terms of the promotional video for `Oops! … I Did It Again` Britney is Ghibbeline and Guelph, Romeo and Juliet:

 

`Wishing that heroes they truly exist. I gry watching the days. Can`t you see I`m a fool in so many ways.`

 

 As two Britneys, Romeo and Juliet, she`s Shakespearean heroes. Red is Redemption, so Romeo is white, and together they`re `Ka` and `Ba` represented in Islam as the Ka` Ba, which is the Egyptian temple of female sexuality representing the original `futanarian` spirit and soul of woman as the `magical personality` or `Akh`, which is celebrated in the Haj pilgrimage`s recognition of Hajer whose son, Ishmael, built the temple of Abraham in Saudi Arabia`s Mecca called Ka` Ba:

 

`I`m a fool in so many ways.`

 

 According to Judaic tradition the deck of cards known as the tarot were a portable torah, that is, a Jewish Bible depicting the journey of the soul, which Britney Spears` suspended astronaut is an allusion to. The `Hanged Man` of the tarot is her spaceman and she`s `The Fool`, who is innocent, while the spaceman`s suspension signifies Jesus` surrender to God.

 

 

 Although Saddam wasn`t a father of Islam, the red cross and crescent helped restore the `fertile crescent`, where the light of civilization first dawned in Babylon (c. 4000 B.C.), according to Iraq`s history, by breaking a sad dam, where `dam` is a witch`s term for her woman: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) The `dam` was Babylon, a woman, because men`s enslaving of her for homosexuality in pederasty and the spreading of war`s contagions is witchcraft. Baghdad was dad bagged, but the Resurrection of `woman`s seed` requires Babylon`s liberation. Ben Laden was a `bagged dad` on May 2, 2011, when the terrorist leader of Al Qaeda was killed in Pakistan, but Hollywood Babylon`s dad culture continues to deny `woman`s seed` reality, so that sad `dam` of Babylon`s still needs to be broken and redeemed where the parasites perpetuate themselves through images of civilization being devoured as entertainment:

 

`I gry watching the days.`

 

 

 Britney Spears` lyric in `Oops! … I Did It Again` contains a riddle. There are but two words in English that end in –gry, an-gry and hun-gry, and the challenge is to discover a third. Britney`s solution is to conflate `skry` with `augury` because  she`s trying to see into her future. In Shakespeare`s Romeo and Juliet (1591-5), Juliet fakes drinking poison to escape a suitor, and Romeo, discovering her inert form, drinks real poison, because he doesn`t want to live without her. Juliet wakes and stabs herself to death with Romeo`s dagger when she discovers him. The suitor is someone`s boy son, that is, the drama`s poison, which was true in William Shakespeare`s (1564-1616) theatre, because men had the women`s parts. `Oops! ... I Did It Again` redresses the balance, and Britney in red and white represent `woman`s seed`. Although `suited`, she isn`t `suitored`, so she`s free. In symbolic terms, she`s space (spiritual power) while in her white bikini dress she`s time (temporal power), and the pair don’t need the spacesuited man.

 In Shakespearean terms, the spaceman is the suitor Juliet didn’t want. In `Oops! … I Did It Again` Britney and herself are together. In red and white she has the Romeo and Juliet roles and all of the female parts.

 As an archetype, Jesus is `She`s us`, that is, Britney Spears` twins in `Oops! … I Did It Again` represent `woman`s seed`, just as the spear of Longinus that pierced the side of Jesus represents the release of another sad `dam`, that is, the Holy Spirit of the Paraclete, as the `Second Eve` from the side of Jesus as the `Second Adam`, and so the `tutelary spirit` of Britney Spears` twins.

 The `Hanged Man` of the tarot is often associated with Odin, father god of Norse mythology who, to gain knowledge, with a spear`s wound hung from a tree. The spear is Gungnir, `the swaying one`, which describes Britney`s astronaut suspended above with his camera eye trained on her. In `Oops! ... I Did It Again` Britney`s run past a tree before throwing herself like a spear through the air until she stands in front of her spaceman is probably an allusion to Odin`s spear. Her spaceman gives a gift from a small black box, `But I though the old lady dropped it into the ocean in the end?` It`s an allusion to the film Titanic (1997) in which the aged survivor Rose drops the `heart of the ocean` blue diamond pendant at the point of salvage of the wreck of the ship that sank after it hit an iceberg on April 15, 2012, while she was a passenger. Her story is of a fiancée she jilts and a lover who drowns. The pendant`s part in the story is of the jilted fiancée planting it in his rival`s pocket to accuse him of theft, and as Rose`s memorial. Britney`s spaceman is depicted walking backwards after giving her the `heart of the ocean`, which means he`s rewound on the video and so can remember his future when the track is played again, which is the knowledge Odin sought and that Jesus possessed because he was able to predict his own death and Resurrection. Although Jesus isn`t a self-sacrifice, he`s a human sacrifice, which is what traitors like Judas do, while those who remember are likely to be safer, and so Britney`s spaceman remembers.

 `Oops! ... I Did It Again` is also Britney Spears` 2001: A Space Odyssey. In terms of her `riddle`, that is, finding a third word ending in –gry, apart from `an-gry` and `hun-gry`, is a matter for pronunciation. In Stanley Kubrick`s 1966 movie of Arthur C. Clarke`s novel, Hal is the sentient computer that attempts to murder the crew on the way to Saturn, the name of the Roman god of devourment, as Satan is the devourer in the Bible:

 

`Then another sign appeared in heaven: and behold, a great red dragon having seven heads and ten horns, and on his heads were seven diadems. And his tail swept away a third of the stars of heaven and threw them to the earth. And the draon stood before the woman who was about to give birth, so that when she gave birth he might devour her child. And she gave birth to a son, a male child, who is to rule all the nations with a rod of iron; and her child was caught up to God and to His throne.…` (Rev: 12. 4)

 

 

 Another name for Satan is Chronos, the Greek god of `time` that was the Roman god Saturn, who Chronos devours all his children but Zeus in Greek mythology. Zeus is saved by Rhea, his wife, by having Chronos swallow a boulder instead of Zeus. In 2001: A Space Odyssey, the space mission is redirected to Jupiter, which is the Roman name for Zeus. In `Oops! ... I Did It Again` Britney`s suspended astronaut upon a hook alludes to Leviathan from the Book of Job, `Can you pull in Leviathan with a fishhook?` In Hungarian `Hal` means `fish`, which was Jesus` symbol amongst the early Christians,  because he described himself as a `fisher of men`, that is, he sought believers who`d proselytize his teachings. Although Leviathan is sometimes associated with Satan, when God is revealing his Almighty nature before Job, he says of the comparably great Behemoth:

 

`He is the chief of the ways of God. He who made him gives him his sword.` (Job: 40. 19)

 

 In Psalms the third great creature of God is mentioned, Ziz, a bird. (Ps: 50. 11) According to Jewish mystical `kabbalah`, which is a form of occult study frowned upon by Judaism, Leviathan and Behemoth are to be devoured by the Jews in celebration of God`s judgment upon mankind. If Leviathan, Behemoth and Ziz represent sea, land and air power, the allusion is to `Armageddon`, which is the battle against evil that precedes their perdition and God`s giving of heaven to the good. God`s giving of a sword to Behemoth suggests he`s for God. Consequently, Judaic tradition refers to `Armageddon` as a naval, land and air conflict, which will consume much of the Earth`s resources, and that`s why `kabbalah` is forbidden because Jewish humanism doesn`t want ruination for the Earth.

 In the Middle East the United States of America is called `Satan`, and Britney sends her spaceman home, after receiving `the heart of the ocean`, that is, the blue diamond pendant, symbol of Leviathan, because the US prepares to defend herself. 2001: A Space Odyssey culminates in Jupiter`s transformation into a second sun in the sequel, 2010: The Year We Make Contact (1984), within the solar system by means of its diamond core. The analogy is of Satan devoured, which is real Judaic tradition. In 2001: A Space Odyssey, the sentient computer, `Hal`, which means `fish` in Hungarian, is Satan, because Hal attempts to murder the mission. Actor Keir Dullea, in the role of Dr. David Bowman, disables Hal, which is a symbolical eating of the fish representing the success of Christian humanism over Satan, who is replaced by God`s `heart of the ocean` of space, that is, Jupiter becomes a second sun within the solar system containing the Earth, which is why Britney accepts the diamond blue pendant, the `heart of the ocean`, from her spaceman in her science fiction opus, `Oops! … I Did It Again`. The schizoid impetus is simplistic, because Jesus is `Meshiah`, that is, the inaugurer of the `Meshiahn` or machine age, whereas Hal is depicted as humanity`s enemy, because men fear being made redundant by women`s having labor saving technology produced from `futanarian` humans` sexual reproduction together as women with their own brains` powers. Consequently, although the viewer doesn`t see the contents of the spaceman`s black gift box in Britney Spears` `Oops! … I Did It Again`, it has the same compelling effect as the black monolith in Arthur C. Clarke`s short story, `The Sentinel`, which was the prequel to 2001: A Space Odyssey and introduced the mysterious black gift from an ancient civilization seeking to impel the path of `woman`s seed` to the planets and stars: `Well, baby, I went down and got it for you.`

 

 

 There are many paths to God, and scifi writer Robert A. Heinlein (1907-88) wrote the first $1,000,000 dollar contracted novel, The Number of the Beast (1980), which is `666` in the Bible but `6 raised to the power of 6 raised to the power of 6` in Heinlein`s novel and constitutes the number of possible universes accessible to the `space-time continua vehicle` that sits at the center of the work. All possible worlds are included in Heinlein`s `666`; even those from fiction. One scenario is of Edgar Rice Burroughs` Barsoom, the setting for A Princess of Mars (1917), where red-skinned women are usual. There are four characters within the space-time car, Gay Deceiver, and one is DT, which is `short` for Dejah Thoris, the name of Burroughs` Princess, but it might also be interpretable, in American football terms, as how to reverse a `TD` or `touchdown` , because the space-time vehicle can go backwards in time as well as forwards. Barsoom suggests `Ba` and `Zoom!` In ancient Egyptian mythology, `Ba` is the soul, while `Ka` is the spirit, and so `Akh` is the `magical personality`of the `futanarian` woman, that is, `woman`s seed`, which in `Oops! … I Did It Again` is represented by Britney `twinned` .  With her `Ka`, the woman can `Zoom!` Consequently, Barsoom represents her `Ba` soul, and she needs her `Ka` to get her there through her brains` powers created in sexual reproduction with herselves, `Zoom!`

 

`One becomes two, two becomes three, and out of the third comes one as the fourth.`

 

 

 Alchemy, according to the developmental psychologist, Carl Gustav Jung (1875-1961), that is, the science preceding medicine, and deriving from the Egyptian `Al Khem`, meaning `black earth`, was psychological insofar as the practitioners were projecting their psyches into the material world in search of a solution. Jung argued that the psyche consisted of soul, anima, and ego, which projected the anima or soul onto women as the cause of sexual desire. What puzzled the alchemists was `futanarian` women, which is why their symbolism contains hermaphroditism. Women`s `Ka` seeks union with her `Ba` or anima-soul trapped within men as her parasites. Although alchemy is perceived as designed to produce the elixir of immortality, God`s expulsion of Eve and Adam from paradise for rejecting the `tree of life`, which was immortality, for host womb slavery in parasitism, identifies the reason for humankind`s ephemerality. Men want an early death for women, so the human race can be brain slaved in mindlessness.

 As Britney Spears` red Martian Princess suspends her spaceman above herself in a white bikini dress in `Oops! … I Did It Again`, he trains his camera lens upon her attached to his space helmet by `Mission Control` observers. In the Bible, God` injunction is, `You shall have no other gods before me. You shall not make for yourself an idol in the form of anything in heaven above or on the earth beneath or in the waters below.` (Ex: 20. 3-4) It`s God`s training program for women. Men are her parasitical virus seeking the extinction of her species, and nude pictures of men and women are confusing to a species denied knowledge of her penis` `seed`.

 `The Hanged Man` hangs by his foot in the tarot, which is a concealed wisdom relating to the brain damaged species limping on handicapped by men`s enslaving of the `futanarian` host womb of the race of women in parasitism. In Hungarian `fut` means `run` and `tanar` means `teacher`, so Jesus is mocked as the teacher of `woman`s seed` who can`t run to escape her brains slavers and exterminators.  

 Although a `futanarian` woman with a penis is needed to fertilize a woman without a penis, a second `futanarian` woman is needed to impregnate the first, and so the fourth is born, `One becomes two, two becomes three, and out of the third comes one as the fourth.` Species` oneness.

 The appearance of Britney `twinned` in `Oops! … I Did It Again` is repeated in the promotional video for her single, `Lucky` (2000), where there are at least four red Martian Barsoomian Princesses waiting upon herself, while the promo video for `I was Born to Make You Happy` (1999) features Britney`s pregnant self, and a vision of herself as twins, which might be construed alchemically as, `One becomes two, two becomes three, and out of the third comes one as the fourth.` Robert A. Heinlein`s `magic carpet` in his novel, The Number Of The Beast, that is, the continua car, `Gay Deceiver`, has four occupants, because there are four functions of consciousness, according to Jungian psychology; `Thinking, Sensation, Feeling and Intuition`. The novel details the four characters, Jake, Zeb, Hilda and Deety quarreling about who`ll drive, because the ego makes one function superior to the others. Consequently, individuation or personal growth requires equality amongst the functions, although Heinlein`s two couples squabblings actually denote the women`s repressed species` hatred for her parasites. In short, all of the occupants of the `magic car` should be `futanarian` women`s race. Heinlein`s fictional solution was `wife-swapping` and homosexuality, because it`s reality, but Britney Spears` self-replicated woman is closer to God`s truth.

 The `culinary triangle` of Levi-Strauss is species` developmental, because it represents the `futanarian` archetype of a woman with a penis and a woman without a penis, and the woman with a penis needs another woman with a penis to complete her. Just as `Ba` and `Ka` are soul and spirit in Egyptian mythology, so according to Islamic tradition, the Ka`Ba in Mecca, brought from heaven by angels, `whiter than milk but the sins of the sons of Adam had made it black`.

 Jesus` teaching `God is love` was against men as women`s  parasites, which is why Jesus was tortured and murdered. Men didn`t want his ancient Egyptian predecessor Ra, who was the Egyptian father god incarnated upon Earth as Osiris, according to Egypt`s mythology, and was cut into pieces by his evil brother, Set, before being remembered by the goddess, Isis, who gave him a new penis. As Horus, Osiris had Ascension to heaven, and the archetype of the `seed` of woman reemerged in the figure of Jesus, born from his mother, the Virgin Mary, uncontaminated by male semen, before his Resurrection and Ascension to heaven prefiguring the `futanarian` reemergence of `woman`s seed` to make white the `Ka` Ba of Islam made black by men of the `serpent`s seed`, who`ve killed and culled the species of woman to make her their slave.

 The beginning of Britney Spears` `Lucky` features an advertising hoarding with her picture that bears the legend: `Top Of The World`. The allusion is to Jimmy Cagney (1899-1986) in White Heat (1949), a `gangster` movie: `Made it, Ma! Top of the world!` Cagney`s character, Cody, dies defiantly as the gas tower he bestrides explodes.

 Cigarette smoking wasn`t banned from cinemas and movies, although what was an adjunct to most scenes in films was heavily curtailed. `Luckies` were the common name for `Lucky Strike` cigarettes which were the most popular brand in the United States of America in the 1930s. From Britney Spears, an acknowledged `smoker`, `Lucky` is an allusion to `Lucky Strikes`, while the legend on Britney Spears` advertising hoarding, `Top Of The World` alluding to Cagney`s fate in White Heat, `Made it, Ma! Top of the world!` suggests an anti-smoking awareness. Cagney`s smoking throughout White Heat and atop the gas tower is symbolic of the absence of women`s penis from the movie screen. Gangsters describe murder as `smoking` and in Russia `smoking` is fellatio, that is, the activity of murder is associated with `smoking` the penis. Consequently, Britney Spears` proliferated character in `Lucky` represents an attempt by a woman to stop smoking because it`s deleterious to her health.

 The image of Cagney atop the exploding gas tower is reminiscent of the giant ape in King Kong (1933) atop the Empire State building in New York swatting at planes attempting to kill him, and World Trade Centre (2005), the movie of the Al Qaeda terrorist hijacking that resulted in planes crashing into the Twin Towers of New York`s World Trade Centre to precipitate the United States` invasion of Afghanistan, and the overthrow of the notoriously misogynist `Taliban` regime that had provided bases for Al Qaeda, before the United States` invasion of Iraq and the deposing of Al Qaeda`s supporter there, Saddam Hussein, who was executed on December 30, 2006. His demise preceded the rise of another gangster, Caliph Abu Bakr Al-Baghdadi, whose Islamic State of Iraq and Syria (ISIS), continued Hollywood Babylon`s `monkey picture` franchise, and which Britney Spears` self-replications in `Lucky` and elsewhere acknowledge as species` threatening. As Adam was the first man, according to the Bible, Jesus is the `Second Adam`, as the first of `woman`s seed`. The Virgin Mary`s legacy to Jesus uncontaminate is that men are parasites who want to smoke her penis to death, so love women, and don`t ape men, because it`s an animal experimentation laboratory in which the tobacco manufacturers seek to prove that smoking doesn`t damage your health.

 The Fox and the Raven is a `gangster` fable. The fox says the raven sings well, and the cheese falls from the raven`s beak as the raven opens its beak to sing, which is how smokers are persuaded. In the Bible Eve and Adam `must earn their bread by the sweat of their brow` (Gen: 3.19), because those who live by others` work are slavers:

 

`Topic! A hazelnut in every bite! I remembered!`

 

 

 An `ad` for Topic bars of chocolate in the 1980s illustrates the modern slaver, who waits for the raven to drop the cheese that the raven has worked for: `Yes. Funny how you always remember right at the end!` Without brains to remember, humans will always drop the cheese, which is what the woman`s penis was `smoked` by men for:

 

`You shall not steal!` (Ex: 20.15)

 

 Taking life from others is how `stealing` is defined, and `You shall not kill!` is for those who can`t learn in kindergarten. Jesus on Mars (1979) is a science fiction novel by Philip José Farmer with the premise that, found on Mars, Jesus returns to Earth and is condemned as `the Antichrist`, because the people there refuse to believe:

 

`We keep both my hands above the blanket. When the light`s out!`

 

 Britney Spears` lyric from `I Wanna Go` (2011) follows her shaving her head in 2007 and declaring herself `Antichrist`, because she`s a `smoker` and lighted cigarettes beneath the blanket are hazardous, but will occur if brainlessness ensues from men`s smoking of her human species` penis. Although the legend is that vampires die with a stake in their heart, men`s stake in the heart of women is a small lighted wooden match for their cigarette as a symbol of her `smoked` penis, because she won`t live long without her own penis` semen for the sexual reproduction of her own brains` powers to develop labor saving technologies and medical sciences to give her longevity and memory enough to recognize what endangers her species in the bedroom.

Britney Spears` Blackout album appeared in 2007 after she declared herself `Antichrist`, because `blackout` is unconsciousness and occurs as the brain ceases to function, which is what occurs in species` death. The promotional video for the song, `Gimme More`, features brunette Britney pole dancing, while her blonde self watches with two blonde girlfriends. Gimmel rings are traditionally in three pieces, and the cover of Britney Spears` `Piece of Me` features her upon the cross of Jesus, because `woman`s seed` are her pieces, that is, a woman without a penis, and a woman with a penis, who also needs a woman with a penis to impregnate her, which is Britney`s three piece Gimmel ring. A cinema sign in `I Wanna Go` reads Crossroads 2: Cross Harder, a reference to Britney`s `road movie`, Crossroads (2002). It`s traditional for criminals to be executed at the crossroads, because Jesus was nailed to a cross and tortured to death. Consequently, Britney appears on the cross of Jesus for the cover of the single, `Piece Of Me`, because she`s a `martyr` to smokers that give her `blackout` and kill her human species of `woman`s seed`:

 

`You want a piece of me?`

 

 In the United States of America `a piece` is a handgun, which is what cigarettes represent, that is, the death of the human species by smoking her penis. Traditionally witches are burnt at the stake and are depicted in legend as riding phallic broomsticks through the air, because the development of technology from brain power is what the woman`s penis` semen represents. Consequently, men`s matches and cigarettes represent the burning of the witches at the stake, and the extinction of her penis` semen, symbolized by gangsters` smoking in `Criminal` (2011), because they`re the vampire drinkers of women`s blood:

 

`He is a sucker with a gun (gun, gun, gun).`

 

 In Richard Wagner`s opera, The Ring, Siegfried, a hero, is given a magic potion, to forget Brunhilde, and marry Gutrune. Brunhilde, angry, has Hagen murder him, and then gallops on her horse to her funeral pyre, and so Valhalla, the home of the gods and their father, Odin, burns. The subject is memory, that is, if the brains of the species are extinguished, `blackout` ensues, which is what slavers want, because it eases their enslaving of the human race, but Wagner`s tragedy describes the consequences. Actor Guillermo Diaz, Clyde (Barrow) to Britney`s Bonnie (Parker),2 pours a carton of milk over his face while driving Britney from the Crossroads 2: Cross Harder street scene, and his eyes burn fire, that is, her milk isn`t going to be Jesus`, because she`ll never remember from the ember.

 

 

 Britney is asked at the `spoof` press conference for the promotional video for `I Wanna Go`, `Is it true that you banned junk food, smiles, candy, sunshine and laughter from your Femme Fatale tour?` `Candy` is the name of her clothing line. In the Hans Christian Andersen (1805-74) tale, the Emperor`s told he wears clothes but he`s naked, `The Emperor has no clothes!` It`s safer to assume you have clothes; even though you perceive your own nakedness. As Jesus, before Judas` betrayal. Britney`s Mars` `Ba` in `Oops! … I Did It Again` wears a red pilot`s suit, while her twin, `Ka`, wears a white bikini dress. Britney Spears isn`t an Emperor without clothes, as her `Candy` clothing line indicates, which is why she can reply to her interlocutor:

 

`Fuck you!`

 

 Bell language school in Tripoli had a black eight ball engraved in the frosted glass, before the European assisted rebellion that overthrew Colonel Gadaffi in 2011, that is, the pool players had extended their cue to the black eight ball of Libya after the battle for Kuwait. The Emperor isn`t wearing clothes anymore, because it`s clear that a game is being played that isn`t about politics, economics, society, or culture and civilization; it`s the Antichrist.

 

 Although Asset is a name for Isis in Egyptian mythology, Britney Spears` `Gimme More` song represents `asset stripping`, after a United States` court stripped Britney Spears of her assets, because paparazzi snapped her leaving her child`s hat in the street as she ran for a car near New York`s Central Park and labeled her an `unfit mother`:

 

`Gimme more, gimme more, gimme gimme gimme more.`

 

 The parroting repetition of `Gimme More` depicts Britney as `Polly` and so `Gimme More` is `more polygamy`, which was the cause of Britney`s assets being stripped. After a brief marriage to Jason Alexander in 2004, Britney Spears married Kevin Federline in 2004 before divorce in 2007, although the affair she`d with one time manager, Jason Trawick, left her penniless when the United States` court made him Co-Conservator of her fortune with her father, on the strength of what the lawyers viewed as an unwillingness to marry based on her own declaration of being `bisexual` and advocating `woman`s seed` in her promotional videos.

 

 In `Oops! ... I Did It Again`, the spaceman QB makes the TD, and a pass to the receiver, Britney Spears, who `twinned` represents wide receivers. As `chicks` who`re Baltimore Ravens, the fox doesn`t want to fertilize their eggs, `All aboard!` Receiving the `heart of the ocean` diamond blue pendant, it`s time to board the Titanic to make rendezvous with the iceberg, that is, it`s all abort because all abhorred, as men don`t want `woman`s seed` to fertilize herselves. Sterile homosexuality in pederasty and war doesn`t want `woman`s seed`, because the `serpent`s seed` doesn`t produce anything, and wants others to produce for it, and it doesn`t actually want anything to be produced, as that`s its sterile nature.

 

 

 Cheese, like Jesus, represents spiritual or intellectual production, rather than sexual reproduction. Consequently, the fox wants to devour the egg to prevent species` development, and ensure that Brintey`s ravens `croak`, just as the dragon of Revelation wants to devour the `New Redeemer`, that is, Jesus in his `Second Coming` to the Earth after his Ascension, born to the `woman clothed with the sun and with the moon at her feet` (Rev: 12. 1-18) who will `rule the nations with an iron scepter.

 In the opening sequence to the `Oops! ... I Did It Again` video, Britney Spears descends inside a huge superbowl ring, a Giant`s. For women it`s about proportion, whereas for men it`s about size, that is, a woman is sexually desirable as a giant on the movie screen or on the small screen of television, whereas the film, Giant (1956) is about men`s domination of each other in the oil business, which is what homosexuality in pederasty and war is. The dragon waits to devour `the son of man` because that`s what fathers do with sons who`re becoming bigger than their fathers. Britney `hooks` her spaceman in `Oops! … I Did It Again`, because she wants to catch Leviathan, `Can you catch Leviathan with a fish hook?` If she can give men a sense of proportion, her spaceman can recognize himself as amongst the Giants rather than the ogres.

 In Revelation (14. 19) the pressing of the grapes in the `wine press` of God is the wrath to follow men`s betrayal of humanity. Levi-Strauss` `culinary triangle` shows the development of culture from fruit, which doesn`t require preparation, to meat which requires the capacity to murder and the ability to cook, and the further knowledge that rottenness and corruption produce cheese from milk, for example. If Jesus is `cheese`, renunciation is corrupt and rotten. Moreover, ferment is how alcohol is produced as a medium by which evil spirits obtain renunciation, whereas the anger of God`s `wine press` is from righteousness, rather than ferment.  Although Jesus blessed the marriage at Canaan by changing water to wine, he received vinegar to add to his torment on the cross of his crucifixion. And Jesus offered `bread and wine` to Judas, who betrayed the `body and blood` of the human host, so with Judas wine is a symbol of ferment, and the corruption and rottenness of vinegar, although `Christ`s Passion` transmutes that bitterness to wisdom.

 Satan isn`t able to devour Jesus in his `Second Coming` because `woman`s seed` isn`t the species of the `serpent`s seed`. The serpent of Eden represented the penis of a poison before it grew to become the devouring dragon of war and HIV/AIDS. The Bible doesn`t indicate Eve`s penislessness, or Adam`s lack of a vagina and breasts, Adam is God`s image and Eve emerges from his side. Both may be hermaphrodites:

 

`So God created mankind in his own image, in the image of God he created them; male and female he created them.` (Gen: 1. 27)

 

 Eve and Adam`s progeny would be boy sons (poisons), hermaphrodites, or penisless women. If it became the aim of the boy sons (poisons) to kill and cull `futanarian` humanity and become parasites, then the story of Abel and Cain is clear. Cain`s murder of Able, as he who is able to cook, is Cain`s plan for parasitism. The ignorant won`t know they`re slaves, so Cain murder of Abel prefigures the extinction of civilization and culture by the `serpent`s seed`.

 It`s necessary to `play dumb` to learn what isn`t explicit, which is what the virgin birth means. Wine is at the `wedding at Canaan` as an persuasive `spirit`, or the woman would prefer her own species. The sustaining vinegar at Jesus` crucifixion represents his capacity to `play dumb` and endure. From a developmental point of view, Jesus `plays dumb` to invent television. He`s `Logos`, the `Word of God`, or the technology of the future after developing consciousness. But Cain, who can`t cook, needs slaves, and will `dumb down` humanity to an agricultural level of awareness in order to maintain enslavement.

 As parasites men manifest spiritually as viruses, for example, American `Superbowl` represents the triumphant possession woman`s egg. In `Oops! ... I Did It Again` Britney waits for the STD, that is, the spaceman`s `touchdown`, and hangs him safely suspended from a hook:

 

`For me? Oh, you shouldn`t have!`

 

 The North American Space Administration (NASA) probes indicate there isn`t any water on Mars, or if there is it`s beneath the desert surface. As the `Ka` with her Mars `Ba` in `Oops! … I Did It Again` on the red planet, Britney`s a dessert `ad`, `A Mars a day helps you work rest and play.` Water is the source of life and spirit amongst the Arabs where it`s more precious in fact than oil. Christians use in baptism as a mnemonic. The heat of the sun kills, so water is the connection with the living spirit, and a Mars Bar is worth even more.

 As `Oops! … I Did It Again` commences, Britney`s astronaut finds an `artifact`, a small cameo with her likeness in the desert sand. The artifact, like the monolith in Arthur C. Clarke`s science fiction prequel to 2001: A Space Odyssey, is compelling. In the film Titanic, Kate Winslet, in the role of Rose, is painted nude by Jack, her lover, after she jilts her fiancée, who `frames` Jack by placing the `heart of the ocean` blue diamond pendant in Jack`s pocket and accusing him of theft. Britney Spears` `cameo` performance in `Oops! … I Did It Again` compels the viewer to examine the video for meaning. Britney`s `cameo` in the Martian desert alludes to Frank Herbert`s desert world of Arrakis. Herbert`s science fiction novel, Dune (1965), contained references to the `Butler Jihad` as a `holy war` against literature. Dune was therefore related to Robert A. Heinlein`s `multiverse` in his novel, The Number Of The Beast, which contained all worlds `real or imaginary` and was accessible through the `continua car`, Gay Deciever, because William Butler`s Jihad represented the sterility of homosexuality in pederasty and its wars upon the human spirit.

 Humans are capable of eating and drinking, apart from sexual activity, which means that their imagination is concerned with that. Jack, in the Titanic movie, was framed by Cal`s butler, because Jack didn`t want to imagine Rose with Cal. Rose wants Jack to paint her naked, so he does, because that`s her imagination. Britney`s suspended spaceman films her, because that`s the imagination of the video`s director, Nigel Dick. `What The Butler Saw` is a traditional English seaside machine that imagines for the viewer what goes on in the bedroom of the butler`s employer. Consequently, imagination isn`t for butler`s, because if it was they`d be in the bedroom. Herbert`s `Butlerian Jihad` is a `gay` war against love.

 In Revelation, the dragon waits to devour the child of `the woman clothed with the sun and with the moon at her feet` as a symbol of the difficulties `woman`s seed` has with atomic weapons and terrorism, symbolized by Al Qaeda`s flag with the moon upon it. The dragon Satan`s Roman mythological counterpart is Saturn, the cannibal who devoured his own offspring. In Greek mythology, he is Chronos, `time`, because women`s children are born to be devoured in time to prevent their growing bigger than their father. In Egyptian mythology Osiris is `risen` when the corn is ripe for harvest, because the children of fathers are fertilizer. Those who are food for their fathers are `cropped`. Those who accept Jesus` teachings are saved. For the devourer, children are food, but the child wants to live: `If music be the food of love, play on…`3

 

 

1 'What Are Deficiency Symptoms for Sodium in the Human Body?', https://qna.rediff.com/questions-and-answers/what-are-deficiency-symptoms-for-sodium-in-human-body/15896814/answers .

2 Gangsters eliminated by US marshals in 1934.

The Devourer

 

In the depth psychology of Carl Gustav Jung (1875-1961), the eye, ear, mouth and nose are connected with the four functions of consciousness, `Sensation`, `Thinking`, `Feeling`, and `Intuition` which, when differentiated, constitute enablement of the individual ego. Without this enabling, the individual remains unconscious, and subject to successive reincarnation, death and rebirth, without Resurrection in completeness of memory, which Jesus Christ`s Ascension to God signifies. The archetype of the enabled man is Jesus, who`s crucifixion is a symbol of men`s hatred of enablement. He is murdered upon a symbol of the four functions, the cross, and the reason why Jesus is enabled is because his birth isn`t contaminated by men, and he never marries. This means he`s free of contagion because men are an alien parasitical organism that uses woman as a host womb in order to periodically devour her by means of warfare against her art, culture, and civilization.

 God`s product and producer is Woman, and in Revelation the red dragon waits to devour the New Redeemer because that`s what the plague of men do. In Revelation `the number of the beast is the number of a man`, because men account themselves men to the extent that they are devourers of Woman and her products in warfare, which is their culinary description for devouring appetites, punished by God in Revelation by eternal unendurable pain. Woman won`t be here, because she`s `hidden` for a while before she leaves to sow her seed amongst the stars in heaven by the New Redeemer, and there she fights against the `seed` of the serpent that is men and wins.

 As a futanar, Woman has her own penis and is a species, so she never needed men who are described in Revelation as a plague that `play games` of degradation, which is a part of their devouring methodology as applied to Woman and her product, and these are their `plague aims`, whereas God`s `seven plagues` of Revelation are designed to be virus busters and convert Woman from the path of men`s degrading of them. Because men`s sterile activity of warfare and devourment is a sign of the anti-Christ, it`s for contagion, which Christ`s life was hermetically sealed from, and so disease is what men are. Sterility is also the mode of sexual gratification between homosexuals, and so men who are a parasitical virus upon Woman as a host womb are more resistant to their instinctual nature than others.

 In Jungian psychology, the eye is associated with the`Sensation` function, because we want to touch what we can see, and that`s why men don`t want Woman`s penis to be seen; she`d be understood as a species. Even on her own website, she`s ghetthoized from having sex with Woman without a penis, so that the possibilities inherent in her being realized as a species are `censored`.

 In Britney Spears` video Oops I Did It Again, the `lost` spaceman is told, effectively, `Get!` She`s polite, but knows what he represents: a toe. The `Mars lander` was a successor to the `Moon lander` and represents a `toehold` on the stars. Because the `Mars lander` was built in Hungary and `hold` is `moon` in the Hungarian language, the Apollo style spaceman in Britney`s Oops I Did It Again is denied a `toehold` on her Mars, because she isn`t `the moon` to him. The `woman clothed with the sun and with the moon at her feet` gives birth to the New Redeemer, who hides her until she`s ready to leave Earth. Red suited, she`s Redemption but, in Catholicism, Woman has Assumption, which means that Redemption is for Man and Woman, so Neil Armstrong on the moon is `woman clothed with the sun and with the moon at her feet` because, like Jesus born from the Virgin Mary, he represents Woman.

 

 

 On Mars, Britney is Woman, who`s independent of Mars, the god of war, and a Venus who doesn`t need a man who looks like `a toe in a spacesuit`. He brings her a gift, which is symbolically understandable as the `heart of the ocean` from the 1997 Titanic movie, because of her question:

 

`But I thought the old lady dropped it into the ocean at the end?`

 

 Kate Winslet drops the jeweled `heart of the ocean` into the sea at the end of the movie at the sight of the Titanic`s salvaging, She`s Rose, the woman painted nude by her beau and betrayed by her ex-fiancée, who arranges her new fiancée`s drowning as the Titanic sinks. Jesus` `Sacred Heart` is a similar symbol. He represents marriage (with men), betrayal, torture, and divorce/death. Rose feels that God has betrayed her love by drowning him, but Britney sends away the `toe` who brings her the heart. Effectively, she says, `Get toe.` Because the toe wants to make a ghetto of her:

 

 

`Oops! I did it again!

 I played with your heart.

Got lost in the game.

 Ooh baby, baby!

Oops! You think I`m in love.

That I`m sent from afar.

I`m not that innocent.`

 

 The spaceman has come from afar. She  hasn`t. He`s lost, because he comes to find her. She tells him that it`s her heart he`s been playing with, and  that she isn`t innocent any longer. Her head rules her heart. Britney`s Oops I Did It Again is about the eye, which in Jungian psychology is `Sensation` and tangibility. Oops I Did It Again is about see but don`t touch, which is why Jesus said:

 

`Touch me not!`

 

 The eye and ear are connected in psychology, because the tutelary guidance of the Paraclete, which effectively emerges from the side of Jesus after he is pierced by the spear of Longinus at his crucifixion, is the voice that gives sight to the blind. Because men are anal, their spirit is evil, and so their voice would connect the eye to the anus, which explains their devouring psychology. The perception in Oops I Did It Again Is that Britney`s spaceman would ghettoize her, because `the toe has gotten her heart`, so he wants to devour it and her in a Jewish holocaust, or something similar. The `final solution` can be avoided if she can `get toe wise`, and avoid the `toe`, which is what Jesus said to it:

 

`Avoid me.`

 

 

 God`s producer and product, that is, Woman as civilization art and culture, is shit to be eaten. In other words, eye (`Sensation`), ear (`Thinking`), and mouth (`Feeling`) are connected to the anus. The fourth function, which is `Intuition, is associated with `smell` or the nose. `Intuition` enables the ego to perceive, in dreams, or through the mediation of unconscious contents of the psyche. The mediator is God`s Paraclete as `tutelary guide` which, in Jungian psychology, is termed anima, but which may be understood as Jesus` Woman.

 Jesus` crucifixion tells us that men don`t want fourfold enablement, but homosexual marriage, betrayal, torture and divorce, which is an eternal cycle of death and rebirth for Woman in endless reincarnations of unconscious blindness and torment rather than that Resurrection in completeness of memory, which Jesus` Ascension signifies.

 

 

 Homosexual marriage with her parasite, that is, betrayal, torture and divorce/death for Woman, is what men`s psychology is. The `eye` or desire to `touch` is connected to the ear, which is `Thinking`, and so what is created by the mind, for example, any beautiful and good structure or development, is connected to the anus and, from there, to the mouth (`Feeling`), which is why men sought to drink all the Kuwaiti oil, devour the `Big Apple` of New York`s World Trade Centre, eat the pearl from the oyster of Pearl Harbour, drink all the oil in Iraq, and so on. The function of `Intuition` is devised by homosexuals, that is, men in marriage with women, to enhance their premeditated aims of betrayal, torture, and divorce/death. Woman`s `Intuition` is that shit is being eaten, and she can `smell` it, which is what her torturers want to hear from her. Hear me.

The apple in Eden, and the `Big Apple` of New York, symbolize Woman`s attainment to knowledge and wisdom, and when she gives it to her man he becomes a worm, because he is. Britney`s Oops I Did It Again is `worm psychology`, and she understands it. The spaceman wants to be the `worm` in Woman`s `apple` there.

 

 

 In Britney`s single Womanizer there are four of her, because there are four functions of consciousness, symbolized by the square egg, which is four-sided, and the yolk is the ego. The four versions of herself are the housewife (marriage), the office secretary (betrayal), the waitress (torture), and the chauffeur (divorce/death).

 

 

 The motif of the tray signifies betrayal in potentia. Just as the `toe` saves her heart in Oops I Did It Again, so the tray with the brandy motif symbolizes a `splitting of the psychological function`, which is `Feeling` because it`s associated with the mouth, and speech under the `tutelary guidance` of the Holy Spirit, or the devouring red dragon of Revelation. Red haired Britney represents role play (portrayal), or betrayal, that is, play or danger. In Oops I Did It Again she tells us: `I`m not that serious.` She prefers play, because serious is `red for danger`. Oops I Did It Again is post Iraq war I (1990-1) in which Kurdistan is the `ghetto`, and that`s why Saddam Hussein was the `apple` there; he gassed them with poison, so he was the `knowledge of evil` from `the fruit of the tree`.

 

 

 As the `chauffeur` in Womanizer, Britney caresses the steering wheel of the car with her foot to signify that the toe is in the car with her. He is but the car steers itself also, which suggests that the Holy Spirit is with her. Her foot on the wheel signifies `futanar`, that is, Woman with a penis, but her toe`s not actually needed and her passenger disappears at the end of the video`s `gay` activity. For a woman who loves a man, it`s a portrait of Redemption. She`s the four functions of his consciousness, and futanar is what she`s prepared to become, which is Woman as her Man – as God intended.

 The apple of Eden is God`s omniscient knowledge and wisdom, whereby Man becomes Woman through faith and God`s omnipotence. Originally, Eve came from the side of Adam, so they were one hermaphroditic being, and the Paraclete comes from the side of Jesus as the `Second Eve`, or continuator of God`s plan, which means that hermaphroditism is the centerpiece of God`s Revelation to the woman `hidden` upon the Earth.

Munchies with Britney Spears

 

Oops I Did It Again depicts the imago of men as the devourer, which is represented in Revelation by the dragon waiting to devour the New Redeemer, who is the antidote to the parasitical viral organism that has woman as a host womb in order to replicate itself and play games of development and nurturing. In biblical terms, these are `plague aims`, and men are revealed as Woman`s disease, that is, as God`s producer and product she`s devoured by their `play games` system of bio-degradation. In Revelation, the `hidden` woman leaves to sow her `seed` in heaven, and win a war against evil.

 In simple terms, Woman has her own penis, and so her `seed`, that is, Woman`s, propogates amongst the stars, and defeats the `plague aims` of the viral illness that devours her upon the Earth as cancer. The `seed` of men is called the serpent`s `seed`, because God isn`t a devourer, whereas the serpent in the garden of Eden is the appearance of the imago of the devourer, and Adam`s devouring of the apple given to him by Eve is his symbolic acceptance of the imago of the devourer. Eve is the apple and he has accepted his role as her devourer.

 

 

 In Revelation, the New Redeemer is born while the serpent waits to devour it, but it protects her with its `scepter` while she remains `hidden` and prepares to leave. The scepter is, effectively, her penis. Because her libido is different from that of men. In psychological terms, libidic energy is instinct that is transformed by thoughtfulness into spiritual product. NASA`s space programme is a typical example of the transformation of libidic impulse into rocket science because, as Freudian psychology argues, the Apollo space programme is `nothing but` the expression of a repressed penis` upward thrustings, and so is the rest of art, civilization and culture.

 If Woman has a penis, the desire for escape from Earth is the expression of her repressed upward thrustings, because men want to devour her, and so prevent her `hidden` self from leaving. That`s why Britney appears in Oops I Did It Again in a red pilot`s suit, rather than a spacesuit, because the X-series of planes were designed to fly to the moon, and onwards to Mars, but the programme was cancelled in favour of Gulf Wars I and II, in which the USA fed Saddam until he was big enough to eat, thereby curtailing Woman`s upward mobility.

 

 

 When Britney`s spaceman arrives on Mars, he`s observed by Mission Control who`re `behind him all the way`. In fact, as he looks out upon the sands of Mars, it looks as if they`re looking out of his eyes, which is what it`s like for a man who has the devourer imago constellated within his mind. He picks up what looks like a `cookie` with Britney`s image on it. Of course `cookies` are what`s needed to access a website, so Britney`s Mars is her domain.

 Immediately the spaceman observes that she`s `cute`, it`s an `Open Sesame` from the tale of `Ali Baba and the Forty Thieves` in the Arabian One Thousand and One Nights where a `hidden` treasure is revealed by using the correct password or `cookie`. There`s a Mars quake as the website opens to reveal the `hidden` treasure, which is Britney`s Woman on Mars who, `clothed with the sun and with the moon at her feet`, represents the emergence of her species, that is, the `hidden` treasure is she who was `hidden` upon the Earth.

 In 1001 Nights Sheherezade tells tales in order to save the women of the kingdom from marrying a madman who cuts off one of their heads each night after marrying each day. It`s Sesame Street and the `cookie monster` has, Open Sesame, come to devour it`s `treat`, which is the path to the stars. The great `jar ring` of Mars is the Sesame Street version of The Ring in which the `cookie monsters` are preparing to devour Britney Spears.  The red dragon of Revelation is a big baby that hasn`t learned not to put things in its mouth, which is infantile and dangerous, because it`s the devouring imago that is men in the mind as demoniacal influences concerned to megalomaniacally devour everything they see, because they don`t want to be looked at by Woman.

 

 

 Britney`s spaceman is observed by a `controller`, who`s a man sitting at a console that seems to be inside the spaceman`s eyes, and he`s directing the spaceman`s movements, which is what demonic possession is. The spaceman, immediately he arrives on Mars, begins with the `cookie`, who`s Britney Spears. Mission Control is the devourer, and it seems childlike, but that`s what children are afraid of. The devouring monster.

 

 

 The distinction between the female of a species, and the male is intrinsic to our understanding here. Men are devouring imagos because they are parasites that replicate themselves in the female`s `host womb` in order to enslave and degrade for their entertainment as torturers. Woman, as a species with her own penis, is the archetype of God`s intended creation, because she`s `hidden` until Revelation when she leaves and, after her defeat of evil in heaven, God creates a new heaven and Earth for her to dwell in alone.

 Woman isn`t a devourer but a developer and nurturer, and why men use the bogeyman of `devil` as a means of frightening children. The devil is a man who wants to be a `cookie monster`, whereas a woman is a developer who doesn`t want her child to be devoured by an infant who hasn`t learned not to put things in its mouth and has grown monstrous and evil in the doing of it.

 

 

 In the tale of Ali Baba and the Forty Thieves, the thieves are `hidden` in jars in order to perpetrate their crimes, which is what possessive demons do. They are the devouring imago that hides in order to steal the password, which is `cookie` devouring for those that don`t want the `hidden` treasure, but want to prevent those who find it from having it. The spaceman is a `jar head`, because of his helmet and, when Britney takes it off for a minute or so, she releases `the bends`.

 The X-series of planes that would have flown Britney to Mars were cancelled because of `the bends`, that is, blackouts, which seems to be a preoccupation of hers. The subject of a later album Blackout, contains a track called Break The Ice, which contains the line:

 

`...let`s get it up.`

 

 What she wants `up` is Woman`s penis, which is a metaphor for the `woman clothed with the sun and with the moon at her feet`, who`s `in ice` on Earth until she`s `up`. In Oops I Did It Again Britney`s hypothesis is that `the bends` are the result of demonic possession by men as evil spirits that didn`t want the space programme, but wanted to eat Saddam when they`d made him big and fat enough to justify wasting all her billions of dollars on.

 The spaceman`s head becomes rubbery and distended as `the bends` of his demonic possession. Released, he`s able to see because his blindness and unconsciousness are removed. He gives her a gift, which we are able to deduce is a symbol of the `heart`, because now oxygen is flowing through his system, and not the demons that are the evil spirits that are the men that are possessing him and telling him what to do. It`s Britney`s astronaut training programme:

 

`Oxygen status 98%.

 

 In diving, `the bends` are an acknowledged hazard, and higher levels of oxygen content are a part of diver and astronaut training. Britney`s spaceman says he`s also a diver:

 

`Well, I went down and got it for you baby.`

 

 It`s the `heart of the ocean`, which Rose drops into the sea in disillusionment at the close of the movie. Her man was betrayed and drowned as the ship sank. Framed for stealing the jeweled heart, which she wore about her neck as her man painted her nude, her ex-fiancée had him `framed` by putting it in his coat pocket.

 In spying, demons are called `sleepers`. They `sleep` behind the eyes of the `host` in order to devour. Britney, in Oops I Did It Again, reclines on her white eight-pointed star-shaped `security blanket`, which identifies the tale as Arabian, because Arabian stars have eight points. Britney`s concerned about who wants to `sleep` with her. That`s why she has her `blanket`. It`s a fireman`s `trampoline`, which is used to catch escapers from fires in multi-storey buildings.

 Oops I Did It Again is the story of Ali Baba and the Forty Thieves, and she wants to catch him, but not Ali Baba`s  `evil spirits`, so she hangs the spaceman above. In the tarot, the `hanged man` is a symbol of `planning`, so he`s saved while she expels his demons. Her fireman`s `trampoline` is a `soul-catcher`, to catch his soul.

 

 

In Ali Baba and the Forty Thieves, the thieves emerge from jars to steal. Here Britney`s thieves is a `soul-catcher`, and he shows her what is familiar from primitive cultures beset by notions of animism: a camera. Primitive cultures believe that a photograph is a soul-catcher, and in the Titanic movie Rose is painted nude by her lover, which results in her ex-fiancée betraying her because he doesn`t want her new boyfriend to have her. It`s a form of animism. Her soul has been caught, as it were. Her betrayer `frames` her new beau by planting the `heart jewel` in his coat pocket, which she`d worn for the painting. In other words, Rose gives her heart, but the soul-catcher won`t let go of it.  He`s a soul-eater, and Rose`s lover drowns. Because men are devourers.

 Britney`s `soul` is for her, but her fireman`s `trampoline` is a `soul-catcher` for the women of the kingdom, because she`s Sheherezade, and the good characters in her multi-storied construction are good souls. Britney`s spaceman photographs her and so he`s a `thief` who emerged from the `jar` of his spacehelmet to give her the jewel. In American terms, the demon possessed astronaut didn`t `blackout`. Resurrection and Redemption is completeness of memory across reincarnations, which is what the Titanic movie represents. The painting of Rose nude is more important than the jeweled `heart of the ocean`, because it represents the love of Woman`s beauty and soul, which she gives freely. Only those who want to devour her would want to possess her, which is why Woman is `hidden` before she leaves to sow her `seed` amongst the heavens.

 According to Revelation, there`s war against the serpent`s `seed`, that is, men, and God creates a new heaven and Earth for Woman as a species with her own penis, which means that there won`t be men to see her. This is the meaning of the serpent in Eden. He wanted to see Adam and Eve naked. Resurrection and Redemption for Man is Woman`s memory, that is, she remembers him in completeness across reincarnations, but he isn`t there. Jesus` exhortation to `love one`s neighbor` is a corresponding principle to his preaching of `God`s love`, and the acceptance of the Holy Spirit as the `tutelary guide`. It`s the awareness that all individual egos partake of God, irrespective of the devouring imago. In simple terms, Man is Woman, and so Woman`s memory of Man is Man`s Resurrection and Redemption. Her penis would then be the `scepter` of Revelation, a symbol of her immortality, which is her memory of herself as Mankind. Britney`s spaceman didn`t `blackout` because, in symbolic terms, he says:

 

`Take heart.`

 

 She gives him heart because she`s released him from his demons and his oxygen flow is restored. However, restoration isn`t what`s required. It`s the heart of the ocean because it`s Osiris`. In Egyptian mythology, Osiris is cut into pieces, and the parts sunk in the ocean inside a trunk. His penis can`t be found, but Isis remembers the rest of him and fashions a new penis for him. Egyptian iconography has the `bee goddess` as an aspect, of Isis, because honey symbolizes resurrection. Spores, of course, are the means by which flowers are pollinated, and viruses replicate by spores. Britney`s analogy is of honey and monsters. Having observed that the `cookie monster` is a devourer, she observes that the `honey monster` is a symbol of resurrection and devourment.

 

 

 On Mars, Britney is Hathor, the mother goddess, who has a red disk. Isis, in her aspect as `bee goddess`, appears without a disk between her `deeley boppers`, which means that she`s yet to save Osiris, in computer terms, through her disk. In Egyptian mythology, Hathor lives in Horus` Mansion, and Horus is the restored Osiris, so Hathor restores Osiris as Horus because it`s Horus` Mansion she dwells in. Osiris` Mansion is Horus`, so Hathor`s disk is a portal through which he`s `rescued`. The bee metaphor is the idea of Woman as a species, which is that of Resurrection and Redemption, where the honeys would be her. Because men are monsters, they`d eat them.

 

 

 In her scene with the spaceman, her red disk`s visible between them, but she`s not concerned with restoration, she`s for Resurrection and Redemption of Woman with her own penis, which is Revision. There won`t be the form of man in God`s heaven and new Earth. They`re more concerned with presenting Woman`s teddys as their devourers, rather than have their daughters aware that the imago of man is the devouring monster that`s frightening them out of their dreams.

 

 

Britney`s spaceman takes her photo, because he`s possessed by `foe toes`, which is why he looks like a `toe`. In English, he`d be a `toe rag`, because his demons tell him when to stop (red), pause (amber), and go (green), which is a `traffic light` system (RAG) in which Mars is red, Sol is amber, and the Earth is green.

 

 

 According to Claude Levi-Strauss, the structural anthropologist, reality corresponds to the structure of the brain, because what we perceive is what the brain is constructed to perceive. This means that nature is a part of our constructionality, that is, red for danger, amber for stolidity, and green for development, or life`s progression. Consequently, reality is structural but, if the brain is determined by the imago of men as devouring evil spirits, reality will be progressively eaten.

 

 

 Britney`s spaceman is a `toe`. The label derives from the nomadic Arabs, the Tuareg, who wear headgear that`s a wraparound cloth that leaves only the eyes visible, because they have friends they don`t want you to see, rather than enemies who don`t want them to see.

 

 

 In English `slang`, `toe rag` means `tramp`,1 which is how Britney`s astronaut appears. He`s Oedipus at Colonus, in Sophocles` Oedipus Rex, where he`s psychologically blind, that is, unconscious of his fate, which is to be physically blind and unconscious in his doom of being unable to accept love.

 

 

 Britney`s spaceman`s controlled by demons who want to watch what he`s doing, and voyeuristically vampirise his emotions through vicarious participation in his life. Controlled by demons, he can`t accept love either; as Oedipus couldn`t. The demons control his every movement, and so she allows him to take her picture, because it`s all they`ll let him see of her.

Britney`s `Tuareg` takes an aerial photograph of her, and she`s become an Arabian Sheherezade atop her `Big Top Tent`. Her spaceman`s constructed on the `Tuareg model`, but he`s a primitive controlled by demons. Warfare is `limited engagement`, based on `rules of engagement`, and so Britney`s astronaut is being prepared for an Arabian `engagement` involving the Tuareg, and they live in North Africa, Libya, etc. In simpler terms, it`s about handicapping. The spaceman would have to become a `toe rag` in order to be in competition with a `toe rag`, which was the principle of Gulf War I (1990-1), and that of Gulf War II, where  in order to waste zillions of dollars, the `players` were blind and in wheelchairs with the brakes firmly applied.

 The role of Sheherezade is to save the women in the telling of her many stories in 1001 Nights, so Ali Baba and the Forty Thieves is a reference to Britney, in her red pilot`s suit, as a `P-40 Warhawk` because Ali Baba and the Forty Thieves was the name the USAAF `training wing` for the `fighting tigers` was known as in WWII. Pilots graduated from 40s propellor thrust to the X-series` programme of rocket-fuelled jets in the 50s, and so on to Apollo rockets in the 60s, which got the first man as far as the moon in 1969, before the `Luna lander` was piloted to the surface, where Neil Armstrong transmitted these words to Mission Control on Earth:

 

`One small step for a man, one giant leap for mankind.`

 

 Britney Spears on Mars, in Oops I Did It Again, isn`t unaware of the import of her words:

 

`I think I did it again.`

 

 She`s the red Indian who`s not selling her Mars, as those of Manhattan sold theirs for $24 in 1626. New York was built on Manhattan Island, and the common perception is that the Indians were cheated. Invested in 1626, $24 would be worth $50 billion today. To engage in a contract is akin to marriage, and Jesus` relations with the disciples, which followed the pattern of betrayal, torture, divorce and death, is what `cheating` represents. When the spaceman finds Britney`s `cookie`, it`s a `cheat` and it`s her domain:

 

`I made you believe we`re more than just friends.`

 

 The `cookie` is a `cheat`, from the perspective of the cheat, whereas it`s perspectival. From 9/11`s terrorists` point of view, the `civil` planes were a polite `cheat` from the Americans point of view, but a `cookie` is a protocol and the terrorists bought a ticket to visit as guests of the USA. It`s the type of the `marriage` contract. Just as Saddam`s was a contract to accept the 3<sup>rd</sup> largest army in the world from the USA. He married in. In simple terms, Britney`s Sheherezade is a `tough cookie` who insists on her protocols. Atop her `Big Top Tent` she`s preparing for her `circus`, which is intelligence gathering. It`s Isis `gathering intelligence` of the whereabouts of Osiris` parts. First she collects the `heart of the ocean` and so that`s her first `protocol`. From men`s perspective it may be a `cheat`, but from her perspective it`s her `cookie` irrespective of their thoughts of betraying her.

 

 

 As the spaceman hangs, suspended above her, she`s reading Osiris` heart. Ali Baba is an `honest man` in Sheherezade`s tale, and overhears a `password` that gives him access to a `cave` in which thieves and murderers have their `hidden` treasure. Britney`s spaceman is a `pro toe call`, which means he thinks he`s honest, whereas he works for professional thieves and murderers, engaging protocols and marrying `cookies`. In Shakespeare`s era, `to marry` meant to gain knowledge of. To `know` men and women is prohibited by God, and he destroys Sodom and Gomorrah (Gen: 18, 19) for `knowing`, which is a metaphor for sexual access.

 

 

 The thieves` cave is a metaphor for their refusal to accept protocol, and they have a password that allows them access and egress from their hiding place, which contains what they`ve `hidden`. It`s a protocol that`s a `cheat` because they`re evil, so `Open Sesame` and `Close Sesame` are `cookies`. In the New Testament, Jesus` tombstone is rolled away to reveal him resurrected. He was `hidden`, because he was `treasure`, and the tombstone was a `cookie`. In other words, having married (known), betrayed, tortured, and divorced Jesus (death), the murderers wanted to see what he was hiding.

 In Oops I Did It Again, the `cookie` of Britney that the spaceman finds, that is, her image on an icon found in the sand, is her `Open Sesame`, and the `Close Sesame` is hers also, which means that, although the spaceman finds her `cookie`, if he uses it as a `cheat`, he hasn`t followed the protocol. In terms of Britney`s symbolism, it`s reset. In Egyptian mythology, the evil Set cuts Osiris into pieces, which means that Oops I Did It Again is Britney`s `See-card` sent by `yeah-mail`, and the subject title is Re: Set which is why the spaceman says:

 

`Woe there! Horus See.`

 The written lyrics are:

`Whoah there horsey!`

 

 The spaceman is a `horse and buggy` doctor, and he has found the `cute cookie` with the image of Britney on it. He`a about to ask her to take heart, and the `Mars quake` occurs, which equates with the opening of Osiris` trunk, containing his parts, especially the sadness or woe of his heart, but also its restoring.

 

 

 Britney`s is Horus` See, or the `seat` of Hathor, which is Horus` Mansion, and the evil Set murdered Osiris to steal his Earth. That`s why he`s put into a trunk, and it`s sunk to the sand of the ocean`s floor. The discovery of Britney`s `cookie` on the sands, where the blue oceans of Mars had been, signals Resurrection and Redemption, and the opening of Hathor`s `seat`, the Mansion of Horus.

 If she`s `cheated`, Britney`ll press `reset`, and Ali Baba, the `honest man`, will try to evade the thieves and murderers that beset him, that is, who want him to `be Set`, so she`ll be there to uncover the `cookie` in the sand. To do this she needs `intelligence gathering, which is what her white bikini-dressed self atop her `Big Top Tent` signifies.

 The parts of Osiris remain in the trunk on the ocean`s floor, and to gather the pieces she needs to know who the `cheaters` are. That`s what Piece Of Me is about. Britney appears on the cross on the cover for the single, and Piece Of Me is a song about a previous marriage to Tom Hulk, which took place during the Vietnam War between 1955 and 1974. The protocol in the Vietnam conflict was of pretending to be injured as a G.I., which the Khmer Rouge did, and then cry out for assistance using a common Christian name:

 

`Tommy! Tommy!`

 

 When the Americans went to help, the Khmer Rouge murdered them. Being injured is a protocol, because it`s a convention, ratified by the United Nations in what`s known as the `Geneva Convention`, for either side in a conflict to give medical assistance to the wounded.

 

 

 Pretending to be injured on behalf of someone else is a sign of the devouring imago, because it`s what the Khmer Rouge did. Pretending to be injured for - or by - someone else is an offense, because it`s signifies `offend`, which is how the Khmer Rouge murdered the `Geneva Convention`, and why President Richard Millhouse Nixon ordered `carpet bombings of Indo-China as well as defoliation, using `agent orange`. The Khmer Rouge signaled `offend` and Nixon offended.

 George Bush Jr. ordered Gulf War II and a global `War on Terror` (2003-) when two `civil` aircraft broke protocol and demolished the Twin Towers of New York`s World Trade Centre, because of a few individual extremists, a few of whom may`ve been Arabs; but Afghanistan isn`t. The Taliban and Saddam Hussein signaled `offend` Arabia, and George Bush Jr. offended.

 As Sheherezade, Britney atop her `Big Top Tent` is `offensive` to terrorists because, if men are parasitical viral organisms, they`ll follow the Khmer Rouge `pattern` and  pretend to be injured for – or by – her. Piece Of Me is about the paparazzi as Vietnam war, that is, to photograph her they need her help, and so they cry out her name and pretend to be injured for – or by – her, if she doesn`t `help`. That`s an `offense`, and it signals `offend`. It`s a programmer`s `tool`.

 Britney writes SUCKER on the head of one cameraman in red lipstick, because the `offend` signal is a `red rag to a bull`. In terms of `traffic signal` symbolism, it means Khmer Rouge, that is,`offend`. Without the `tutelary guidance` of the Holy Spirit, pretending to be injured for – or by – someone, is a SUCKER punch, which is thrown by psychic vampires:

 

`I cry watching the days.`

 

 She`s crying out for help, but won`t receive it, because the paparazzi want to offend her, and start a war. The USA was understood to be the `world`s policeman` in the 50s and onwards, but policemen function as criminalizers, which means that they `offend`, and that means constant offensives, because policemen are offensive in their creation of offenders. The `sleeping policeman` imago fits the `traffic signal` picture, because it`s a devouring male imago that has as its goal the devouring of the developing ego as a censor. That`s why `the number of the beast`, 666, has been associated with 9/11 and 999, because the police, whether the USA as the `world`s policeman` or the `sleeping policeman` that`s the imago of the devouring father, are criminalizing bullies that want to careen through red lights chasing their tale.

 Britney`s allusion to Ali Baba and the Forty Thieves alludes to the `cookie`, that is, the thieves weren`t `for tea`, so she didn`t see them. But an `honest man` recognizes a `good cookie`. In the tale Ali Baba`s brother, Kassim, enters the cave but forgets the password, which is `Simsim` in Arabic, that allows him egress.

 The thieves and murderers cut Kassim into four pieces, which Britney Spears alludes to in her single Piece Of Me, that is, her role as Osiris. In the Egyptian myth, dogs carry the pieces of Osiris to the four corners of the Earth, which is a symbolism that Jesus` crucifixion also represents in the arms of the fourfold cross which point North, East, South, and West.

 Kassim was the name of the ruler of Iraq who was murdered by Saddam Hussein in 1959 so that he could steal his `earth`. Saddam did this with the full support of the USA and the CIA, because Kassim preferred a `mixed bag` in terms of his economic alignments, which largely excluded the USA. During the Gulf Wars (1990-2011) insurgents were called `Ali Baba`, because they were unable to distinguish between an `honest man`, murderers and thieves. In other words, they`re illiterate.

 Criminalization of the `honest man` is the product of illiteracy, and crucifixion is the symbol of `God`s love` with the disciples as the homosexual marriage partners betraying, torturing, and divorcing Jesus in death. Because men are parasitical viral organisms that want to replicate themselves from Woman`s `host womb` and, by means of insurgency and counter-insurgency, devour civilization, art and culture, that is, the product of God`s Woman as producer, they`re homosexual, which is why STDs and AIDS is believed to originate with monkeys. They`re illiterate too.

 The police have a similar concept, which is why they`re associated with the Antichrist as `big brother` CCTV etc. Their perception is that Judas is Jesus, so they never accept that a man is innocent, because Jesus words `love your neighbor as you love yourself` indicate that your neighbor is yourself, so Winston Churchill is Adolf Hitler, and Winston Smith is both of them, and so George Orwell is guilty in the eyes of the police. Because they`re illiterate too.

 In the tale Ali Baba and the Forty Thieves, Morgiana, a woman, kills all the homosexuals, and Ali Baba lives as an `honest man` with the secret of the cave to himself. It is in accordance with Sheherezade`s principle of saving all the women. Morgiana is a good woman.

 Britney`s cave is where the spaceman finds her. His `Open Sesame` is the `cookie`, and she is the `hidden` treasure, which is the Earth because it is that which was stolen from Kassim. In symbolic terms, she`s the red dragon of Revelation, and the `woman clothed with the sun and with the moon at her feet`, who is `hidden` treasure and the New Redeemer with the scepter that protects her is her guardian while the dragon is that which waits to devour it. In this sense, she`s what the psychologists call a complexio oppositorum, and so is Khmer Rouge too.

 Britney`s red suit is a siren suit, and sirens, appearing as beautiful mermaids, lure sailors to their watery grave in `Davy Jones` locker`, which is a metaphor. It`s found in the journey of the Argos in which Odysseus ties himself to the mast rather than have the sirens` singing lure him to the ocean`s floor. Britney`s Mars is sandy desert, and waterless. It`s the love of a siren for a man, and she`s prepared to lose her tale. When her spaceman gives her the heart of Rose from the Titanic, she says:

 

`Oh, you shouldn`t have.`

 

 For a siren it`s a titanic struggle. The Earth is blue and green with sky and ocean, and Mars is sand, but she`s lured herself by the heart of Osiris to return to the sea. In the Egyptian myth, Osiris` parts are placed within a trunk, before Set sinks it to the ocean`s floor. If Britney`s suited siren is to remember herself, she only needs to remember her man is herself.

 

 

It`s a tradition of the United States Armed Forces that they never lose a serviceman, and they`re still trying to locate them, or their remains from their wars in Indo-China. In Oops I Did It Again, Britney receives her `purple heart`, and so is the Khmer Rouge because, from a Christian point of view, he was Khmer Rouge too. In Piece Of Me, she writes SUCKER on the forehead of a paparazzi with red lipstick,  which means that she`s Khmer Rouge to the psychic vampires:

 

`You wanna piece of me?`

 

 Drug addiction is psychic vampirism because of `the man`, who is the imago of the devourer for those who need a fix. Britney`s spaceman, when he sees her `cookie` image, says `Woe there. Horse see.` `Horse` is heroine, and so for those who see by means of heroine it`s woe, because they have to see the devouring imago of `the man` to see through heroine. For drug users it`s about confidence. To see the heroine, you get heroine from `the man`, which means that you see through the heroine because you`ve accepted the devouring imago of `the man`, who wants you to shoot heroine and not see her.

 

 

 In her red body suit, Britney`s Podkayne Of Mars, that is, Poddy Fries, the heroine of the first Grand Master of Science Fiction, Robert A. Heinlein, and Britney`s reference is to the travelogue, Tramp Royale, in which Heinlein`s wife is asked: `Anything to declare?` She replies: `Heroine.` Tramp Royale provided backdrop for Podkayne Of Mars and Oops I Did It Again, because it`s about passenger liners, and Poddy journeys to Earth from Mars aboard a passenger liner. There`s a `voice over` in Oops I Did It Again before her spaceman gives her the `heart of the ocean`, which is effectively her Earth ticket:

 

`All aboard!`

 

 Before he gives her the gift, her spaceman says: `Britney, before you go - ` Heroine is all she has to declare, because she`s embarking for Earth, which is blue because the `heart of the ocean` is from there. The structurality is red (Mars), amber (Sol), green and blue (Earth). In order to leave Earth for Mars, instinct, which is associated with the colour red for danger, has to be transformed into spiritual rather than libidic energy, which is associated with men`s penis. Britney, in her red suit, symbolizes the goal, Redemption from `the bends` of evil possessive spirits that force the diver or astronaut to struggle `up` in order to be `turned down` by the demons, who don`t want her.

 In the psychology of Carl Gustav Jung (1875-1961), blue is associated with spirit, so Britney`s observation is that, on Earth, RAGE has to be overcome, that is, Red, Amber, Green, Earth, and the solution is the Holy Spirit, which is `blue` in Jungian terms and can release you from `traffic light` demonic control systems which are men as evil spirits that tell you when to stop, pause, and go.

 Demons take over the minds of others in order to murder and experience how it feels, or simply to have you know that they are there and understand that they are tormenting you with the knowledge that they are in possession of you. It`s confusable with voyeurism, which is watching and vicariously enjoying. It`s also confusable with pornography, which is pictorial representation of sexual activity.

 

 

 In the movie Sliver, Sharon Stone is watched by CCTV, but demons watch as you and perpetrate murder as you, which is neither voyeurism nor pornography. It`s psychic vampirism. In the Many Coloured Land novels of science fantasy writer Julian May, she posits the existence of chakra vampires, which devour these `energy centres` in their `hosts`, much in the same way that Woman is devoured by men as parasitical viral organisms that keep her as a `host womb` for replicating themselves.

 In Oedipus Rex, Oedipus kills his father accidentally, because he is symbolically blind and unconscious of who he and his father are. He breaks the incest taboo by unconsciously marrying his mother, which is enforced by his conditioning to the point of his self-blinding, whereas the taboo is designed to prevent him from understanding that he is his father and mother, and that possessive demons are men as evil spirits that have murdered Oedipus` parents in order to vicariously enjoy it.

 Sophocles` Oedipus Rex is a tragedy because that`s what men want for Jocasta, who`s Oedipus` mother. As a woman, she doesn`t care that Oedipus is her son, and advises him to accept her as a woman. The tragedy is that the devouring imago, that is, the image of a man inside Oedipus, is so strongly possessive that he blinds himself, which extends the vicarious enjoyment of the evil men as demons that are possessing him, and that`s their intention with the incest taboo. Because Woman is nurturing and developmental, in the person of Jocasta, who wants to continue with her love and family, the devouring imago is a man or men.

 In Oops I Did It Again Britney `s `set` looks like `spare ribs`, which are red and so`s Britney`s Poddy Fries in her red pilot`s suit. In Ireland, `ribs` are called `bodice`:

 

PODDY`S FRIES

 

 Because it was Britney`s first stage set for her lift off in 2000, it`s an allusion to the evil Set of Egyptian mythology that dismembers Osiris. Britney is given Osiris` heart symbolically, and the ribs of her set suggest that `Set` is dead and she`s returning to Earth to remember Osiris.

 

 1 The Tuareg nomads of Arabia bind cloth around their feet as footwear.

Men Stole My Penis by Britney Spears

 

 

Britney Spears` Oops I Did It Again begins with a dialogue between herself and Earth, which revels in the Western tradition of the Sandman, Lukoi, who sprinkles magical sand in children`s eyes to prevent them from seeing that they don`t want him. Because dreams are what God and the angels gives them to reveal what it is that they do want:

 

`...his coat...changes from green to red, and from red to blue as he turns from side to side. Under each arm he carries an umbrella; one of them, with pictures on the inside, he spreads over the good children, and then they dream the most beautiful stories the whole night. But the other umbrella has no pictures, and this he holds over the naughty children so that they sleep heavily, and wake in the morning without having dreamed at all.`

 

Umbrella, Lokoi

 

 Britney isn`t Lokøi, the Sandman, she`s the Sandwoman. She introduces her story in Lucky: `This is about a girl called Lucky.` The song begins: `Every morning she wakes up. Knock, knock, knock! On her door.` It`s the Hollywood dream factory, and Lukoi, the censor, wants to tell her what to dream: `Isn`t she lucky. She`s a star. But she cry, cry, cries with her lonely heart, thinking; if there`s nothing missing in my life, why do these fears come at night?` It seems like a nightmare, because she`s struggling to dream:

 

`Lost in an image, in a dream,
But there's no one there to wake her up.
And the world is spinning and she keeps on winning,
But tell me, what happens when it stops
- Baby.`

 

 

 A baby is what happens when it stops; the cycle of death and rebirth which is reincarnation, but not Resurrection and Redemption. This is why her dreams are nightmarish. She`s successful, but she doesn`t have it. She `keeps on winning`, but that`s only a repetitive cycle. To break it, Woman thinks `baby`, but Resurrection and Redemption are indestructible immortality, so why would she want a baby? Because men need a `host womb` for their continuance, and so Lukoi, the Sandman, allows her to have dreams that are good for men, but censors her when she is `naughty` enough to dream truly good archetypal material that would allow her to live – as Woman.

 

 

 Oops is an earlier self-reflecting single. Britney has an eclecticism that allows her to parade her references, self-knowledge, and wisdom. `Ground control to Major Tom...` is the line that begins Ziggy Stardust and the Spiders from Mars` Space Oddity. It`s a single by David Bowie, a bisexual, and relates to the idea of being an `oddity` as equivalent to an Odyssean journey as well as referring obliquely to Arthur C. Clarke`s A Space Odyssey in which the central protagonist, by reduction, is the monkey that, hurling the bone of an animal skywards, is projected into the future by the science fiction writer as Man travelling aboard a spaceship to Saturn. The story is, virtually, free of Woman, which is indicative of the problem. The first `astronaut` was a monkey and, effectively `man in space` excludes Woman.

 

 

 Britney, on Mars in Oops, is `Gerund control to Major Red`. It`s about continuity, that is, -ing is the `gerund`, which is affixed to words in English in order to indicate that the activity is continuous. In Lukoi terms, her Sandman `changes from green to red, and from red to blue as he turns from side to side`, that is, Earth is green and blue, and reflects an aspect of the personality, while Mars is red and reflects a different aspect of the personality.

 

 

  In symbolic terms, green is the colour of eternal life, represented by the Virgin Mary in Catholicism. Blue is the colour of the spirit in the equally eclectic psychology of Carl Gustav Jung (1875-1961), and red is associated with instinct, that is, the transformation of instinct into spirit, which is Redemption and eternal life through Resurrection, rather than reincarnation, death and continuing rebirth. That`s why Britney on Mars is `Gerund control to Majorette.` She`s direct-ing her parts` ensemble, and is a `superconductor` as she announces her circus` perform-ing. Her goal is to develop a multi-faceted personality to deal with Lukoi as, `turning from side to side`, he changes from green (life) to red (warring instinct), and from red to blue (spirituality). This methodology is continuity, but such events as the Gulf War (1990-1) interrupt her `work`, as it were. It interferes with her American Dream:

 

 `I`m Miss American Dream since I was seventeen.` - Piece of Me (2008)

 

  Lukoi is the one who doesn`t want the children to see that they don`t want him. He is the liar. Because he wants war, and Britney is the true American Dream; because she perceives that war is evil, but instinct (red) for Redemption (Earth`s green and blue, life and spirit) is being  perverted by Lukoi to promote the sterility of reincarnation, death (war, plague and famine) and rebirth (more war, plague and famine) rather than Resurrection. Men are Lukoi. Because they want Woman to remember only that they are her penis, whereas she wouldn`t need one if she had eternal life in an immortal – because indestructible body – given to her by God.

 

 

 David Bowie`s A Space Oddity is, therefore, a child`s request to be Woman with a penis. Virginity is precious, but the Virgin Mary gave birth to a penis as a virgin – Jesus – who according to scripture remained virgin and celibate. Why? Because virgin, immortal, indestructible, and celibate (with her own penis) is what Mary, and by analogy Woman, wants. This is freedom from Lukoi`s  enslaving of her by deciding what `good dreams` are. It isn`t that the `umbrella` of blindness is because her child is `naughty`; it means that the child`s dreams are moving away from men, whose dreams are for reincarnation, death and rebirth (the heroic buffoon), and towards genuine Redemption, which men don`t want for Woman; because she`d leave and they`d lose the `host`.

 

 

 In Catholicism, the `host` is the body of Christ, symbolized as a wafer that represents the bread given by Jesus to Judas, and the other disciples, at the `Last Supper` before his being tortured and murdered by Lukoi (men) for having good dreams – of Woman, and his mother, who represent `God`s love` for him – and Catholicism. But, from the perspective of men as parasitical viral organisms, the body of Christ (the church), is Woman as the `host`. This is why the `hosts of God`, the angels, are often depicted as hermaphrodites, because they`re not the `hosts of men`, and God`s plan is, clearly, that Woman is to be among the hosts of God; because she`s their dream.

 

 

 In Catholicism women are often told to cover their hair in church, lest the angels are enamoured of them and want to be with them. They don`t. They want her to be with them – as they are – in heaven and in God. The prohibition is men`s. They don`t want her to leave; because they want reincarnation, death and rebirth (for themselves). She is only a host womb, and if she leaves they`ll lose the `host` of God, Woman`s Holy Spirit that`s God`s developer on Earth, and which is depicted in Christian iconography as `the devil`. Because men don`t want `red (instinct), to green (life) blue (spirit), and Red-emption. They want `turn and turn about`; green (life) to red (war), and red (instinct) to blue (spirit). In other words, life is for war, and development is for destruction; from men`s angle.

 

Britney`s red dragon showing its claws.

 

 Without indestructibility, humans may be immortal, through reincarnation, death and rebirth, but are the victims of Lukoi, who is men as the torturer and murderer of the Earth and Woman. Britney is `the woman clothed with the sun and with the moon at her feet` from Revelation, which is the fulfilment of God`s covenant insofar as the evil receive unendurable eternal pain as their punishment, and a new heaven and Earth is created by God for Woman to dwell in. The child she gives birth to in the teeth of the `red dragon` of the Apocalypse `rules with an iron scepter` on behalf of her who is `hidden` until she is ready to depart.

 

 

 In Oops there`s a `choke chain` , seemingly newly emptied, which means `animal training` in the circus, but there are only men and women in the Oops video. Although, as Marilyn Monroe indicates in Diamonds are a Girl`s Best Friend, she indicates what they`re for – Ring-a-Ring-a-Roses (All Fall Down), that is, war, plague, famine and death; followed by reincarnation, death and rebirth, which is a prefiguration of the eternal unendurable pain that God has prepared as a punishment for the evil upon the Earth. Marilyn`s men all shoot themselves, and fall down, as she begins to sing.

 Her affair with John F. Kennedy led to her suicide; allegedly. However, in Diamonds are a Girl`s Best Friend, she`s being told what she can dream of as the American Dream of the 1960s – suicide. Lukoi is developing from torture and murder, in Jesus` case, to species` suicide. Men aren`t her protectors and Lukoi doesn`t want her to know, so he shows her a seemingly good dream in which her men are instantly resurrected to dance with her. Her Ring-a-Roses are women:

 

 

 Britney`s `animal chain` alludes to BDSM. Lukoi tells you what you can dream of. Here he wants her to dream of `woman as an animal` but, as the developer upon the Earth, she`s what Carl Jung has identified as the anima, that is, the soul. According to Revelation, `the number of the beast is the number of a man`, so a man is a beast, and BDSM is the methodology of the Antichrist who`d explain that Jesus` torture and death is sexual, and that that`s what women are for. It`s `suicide training`. That`s why BDSM symbolism is often misconstructed as `training`, and by extension all `training` is men`s imposition of torture and death as a methodological approach towards intelligent life. Here or on Mars. Lukoi depicts it as Woman`s `naughty` ideas in Oops, and doesn`t want us to see the real picture; although Britney`s Sandwoman can.

Britney has described herself as the Antichrist, but Lukoi has shown us that  Christ`s self-sacrifice is to be perceived as suicide. Having tortured and murdered Jesus, Woman is to understand that` she`s their victim and give herself over to them as a sacrifice, which is suicide. It`s a Christian picture; but not an archetype. It` s a distortion. Britney corrects it, in Oops. The men fall and the women remain standing. As in Marilyn`s Diamonds, they resurrect; but it isn`t Resurrection. It`s a symbol of reincarnation, rebirth and death. In other words, she`s for Redemption but has to `dance the dance of death` with men, who won`t let her escape – and that`s suicide.

 

 

 She tells her spaceman to leave; because he`s a baby. Oops is a suicide programmer`s vision of himself as the god Mars. He`s a coward who doesn`t want to have to fight Woman, who`s a danger because she represents a growing intelligence of her independence as a species, so he`s programmed her to accept Jesus, as the `baby spaceman`, and suicide as a false archetype. He`s Lukoi who`s conditioned her to believe that salvation lies in babies, who`re Jesus; whereas they`re reincarnations, that is, death and rebirth of what`s been before, rather than Resurrection, which necessarily contains memories of what men have done to Woman before. As used by Christianity, Jesus is Woman`s suicide archetype. Hence Britney Spears` (1982-) declaration of herself as the Antichrist.

 Britney`s Mars` stage of development is the `ribs` of her defence `umbrella` for the child she`s conceiving. The good dreams are for her green and blue (Earth), whereas `...the other umbrella has no pictures... [held] over the naughty children so that they sleep heavily, and wake in the morning without having dreamed at all.` In other words, she wants to keep the birth secret from men. She`s Mars – Sand – Woman and it`s a `natural` or `Lamaze` birth, which is pronounced `lamb Mars`. Britney`s `spaceman` represents the USA which has been described as the Great Satan:

 

 `Then I saw another beast, coming out of the earth. He had two horns like a lamb, but he spoke like a dragon. He exercised all the authority of the first beast on his behalf, and made the earth and its inhabitants worship the first beast, whose fatal wound had been healed. And he performed great and miraculous signs, even causing fire to come down from heaven to earth in full view of men. Because of the signs he was given power to do on behalf of the first beast, he deceived the inhabitants of the earth. He ordered them to set up an image in honor of the beast who was wounded by the sword and yet lived. He was given power to give breath to the image of the first beast, so that it could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 11-15)

 

 On Mars, Britney is actually the Great Satan, because she`s its mother. That which is perceived as the Great Satan is the `birth pangs` of Woman as she prepares to leave the Earth. It`s her revenge. Woman is a species with her own penis, and Jesus brings a sword to kill the evil and give them unendurable eternal pain. The passage continues: `...the number of the beast is the number of a man...` Who? All of them. That`s why it`s 666. They`re all the same.  Only those who can remember that they`re a woman, and accept it, can have Redemption; because that`s Resurrection with memory, not the acceptance of continuing reincarnation for death and rebirth. That`s why homosexuality is to be feared. Because it`s real, and evil, but gives a real man intimations of the truth, which is that she`s Woman`s penis, and Redemption and Resurrection is the remembering of Woman with her own penis – and that`s Revelation.

 

 

 In effect Britney`s SDI (Strategic Defence Initiative) on Mars. It`s the `umbrella` for her pregnant self`s belly. The colours red, green and blue are used for making television pictures and, in this case, transmitting them to - and from - Mars (red) to Earth (green, blue). Pictures beyond Mars aren`t descryable; because `anger management` has to be accomplished first.

 In effect, she represents the constructionalist principle of an `umbrella defence` that is all-encompassing in terms of that which is to be protected – as a woman is with an infant. Men want green (life) to red (war), and red (instinct) to blue (spirit), that is, life to fight and Woman (developments) to destroy:

`God, lost in the game.`

 

 

 The game is `mummy`s and daddy`s`, and God`s been forgotten. Like a child left behind. Lukoi is calling himseIf PG. But Britney is Woman and is `parenting`, not playing `mummy`s and daddy`s`, which is what God is – a parent. In other words, she`s censoring the pictures she doesn`t want for her child:

 

`Ooh, baby, baby.`

 

 But that`s dangerous. Because it`s playing with `mummy`s and daddy`s`, who think that they`re a species. It`s okay to play at `mummy`s and daddy`s`, but as Britney says:

 

`I`m not that serious.`

 

 She mustn`t be, because Woman is a species. From her point of view on Mars, she has to be able to transmit the pictures that are educational, while censoring out those that are non-developmental. Consequently, her video is interpretable. Obviously, she knows who Lukoi is, and he`s German, so we won`t be surprised to discover that `szív`, in Hungarian, means `heart`:

 

`I played with your heart.`

 

 She`s Eve, who emerged from the rib of the Anthropos or Adamic `first man` of Earth and, as Neil Armstrong was Eve`s `first man` on the Moon. She`s on Mars when he arrives, so her transport is more advanced. We`re told that `gravity is defective`, so she`ll develop gravity, and there`s `98% oxygen`. In premature births, and spacesuits, a higher percentage of oxygen is used; but 98% oxygen is poisonous, according to medical science. In other words, her spaceman is definitely a baby. He has baby oil, on Earth. For cars. In Hungarian, there is a sign of Lukoi Lamaze birth:

 

Amazed?

 

 

 It`s a sign of her baby`s car. Britney`s spaceman runs on baby oil, because he`s from Earth; but she doesn`t want it. Because Earth is reincarnation, death and rebirth – continuation - not Resurrection with all of her memories, and so Redemption from having more babies (men as parasites). On Mars, she`s `anger` because she knows the truth. In Hungarian, `hold` is Moon, so `the man on the moon` was her child on `hold` there. When he discovers she has a penis and she`s him, he`s her hybrid, and when he`s her as futanar, Woman with a penis, he`ll have reached escape velocity, whether she`s on Earth or not, and that`s the picture being transmitted:

 

`I`m not that innocent.`

 

 On Mars, Britney represents `anger management`. Woman would leave Earth, and man would seek to prevent her. Her child is `lost in the game`, because unaware of what Woman is. In the 80s there was an English sitcom called Whoops Apocalypse in which a `Quark bomb` destroys Israel and the US army there.  Eight years later, Gulf War I was concerned with Saddam Hussein`s stockpile of `weapons of mass destruction` to use against Israel. Britney`s video is, therefore, Oops- Apocalypse - I Did It Again. It`s her  Revelation in which, as `the woman clothed with the sun and with the moon at her feet`, she gives birth, in reach of the `red dragon`, to a child which it cannot devour; the New Redeemer which will `rule with an iron scepter` until Woman can leave Earth.

 

 

 Jesus` teachings are the Word of God, whereas the red dragon is a `thunder lizard`, and could reach out with its prehensile equipment, strangle the child, and crush it in its jaws before chewing and swallowing; but it can`t. It isn`t the Word of God. Consequently, the Bible explains in Revelation that men are no longer human, but are alien, and this is the definition of alien: that which is not a species. If men are not a species, then it`s more than likely that they don`t breathe the same air mix, which is what Britney`s saying in Oops. Woman can`t breathe the same air – and live – because their air is, literally, poison to Woman.  In short, men are strangling her by means of anoxia.

 

 

 In Hungarian `nok szia` is `hello and goodbye from/to women`, which translates as `Woman`s air`, because `noxia` is `breathe`, that is, in order to live she has to leave Earth, and is saying so. Otherwise her blood vessels will rupture, and she`ll experience the physical and mental agonies of Osiris torn apart by the evil Set, as scuba divers do who experience the `bends` if their air supply isn`t regulated correctly. In other words, the myth of Isis is of Woman who can`t remember her own penis. She thinks that Osiris` penis is god, and the `sky god` Horus is fashioned a new one by her so that he can return to heaven. But that`s resuscitation, not Resurrection and Redemption through her remembering of their `joint` penis. In other words, Osiris and Isis are `handicapped` by their breathing the same air. Earth is a prison where men don`t breathe the air that women do, and it`d be poisonous to Horus, her man, who needs to be born with - or through – her, which is the information that Oops is encoded to deliver. It`s an Odyssean structure, similar to James Joyce`s Ulysees, in which Woman is remembered:

 

`I played with your heart.`

 

 Ulysees takes place on a single day in Dublin and the chapters of the novel relate to the different organs of the body. In the final chapter, 18, Molly Bloom, muses on the desirability of a matriarchy. In terms of the chapters` characterological structures, she`s Penelope, to whom Odysseus returns; because he can remember who he and she is. If he could remember that she is him, he`d know that she was everywhere around him and wouldn`t hurry, as indeed he doesn`t. That`s why Molly meditates on matriarchy because, as every woman, she`d be everywhere for her Odyssean. Ulysees is a `stream of consciousness` novel and the musings of Molly`s heart. Obviously, it`s carefully written, and edited; but the fleetingness of thoughts, some held and some momently glimpsed, is conveyed. Similarly, Oops conveys depth, and requires depth perception, in analytical terms, as well as depth psychology, in mythic and archetypal terms, in order to perceive the extent of the Odyssey she has planned for her `child`. The ocean deep is on the menu. Her spaceman gives her a gift:

 

`But I thought the old lady dropped it into the ocean in the end?`

 

`Well, baby. I went down and got it for you.`

 

 She isn`t the baby, he is. That`s why we don`t like her tone:

 

`Oh, you shouldn`t have.`

 

 It`s reminding, but he`s too egotistical to understand it. She doesn`t want him to waste time, but if that`s what he`s done... The important criteria is that it was a good thing to do. It`s a reference to The Titanic (1997) in which Rose drops the `heart of the ocean` into the – ocean. It`s a blue jewel, so she`s Blue Molly, because Hungarian`s signatures are surname first. Symbolically, blue rose. Her beau is, presumably, Blue.

 In other words, the gift that the spaceman brings, rising from the depths from where it lay, is a flower from the ocean, which is clearly of some value because, although the `old lady dropped it into the ocean`, he `went down and got it for you`. In other words, it`s still a blooming rose, and she is still the Old Lady, which is a name often given to the Virgin Mary. In practical terms, the spaceman is saying that he wants better transport. However, the `Hungarian` is saying `Blue Mol`, because oil is `olaj` (Bluem Olaj, Blue Molly) and cars use it, not spacemen.

 

 

Woman has a penis of her own, so is a species; and men are a parasitical organism that needs a host womb in order to continue its existence as a virus and, indeed, a plague that has enslaved woman so that, rather than eternal life off Earth, as it were, she is made to anticipate reincarnation, death and rebirth which, without Resurrection, that is, memory of who she has been, is a repetitive cycle of her achievements for those who want to see her `perform` - as was – and which is necessarily futile for those who`re aware that they are resurrected. This would, of course, be the methodology of the torturers, who are, effectively, men as `aliens` making her live in a poisonous atmosphere, a rich mixture of carbon monoxide and other toxic elements, which even clean would be unbreathable, to enjoy the `choke chain` of enslavement through anoxia-inducing brain debilitation, which of course is no `joke chain`.

 Britney on Mars is her Sandwoman`s continuation of the American Dream, and faith in Manifest Destiny. That`s why she`s Britney Spears, because of the Spear of Destiny, which is the spear of Longinus that, penetrating the side of Jesus upon the cross, effectively released the Paraclete as the Holy Spirit and `teacher`. The correct flow of libidic energy is from red (instinct) to (blue) spirit and on to green (eternal life) which, without God`s Plan, is reincarnation, death and rebirth, but Resurrection and Redemption are on - if starship Earth can be made to change course. Without indestructibility, eternal life is only painful. That`s why, in alchemy, the albedo or whitening is described as the `false dawn` that comes after the omnes colores, the many colours of the rainbow that symbolizes God`s Covenant, and Britney in her white bikini dress in Oops is symbolic of the truth. An immortal body is often called a `diamond body`, so the `blue diamond` would be the heart of her. In other words, it represents the beginning of Woman`s Redemption – Diamonds are a Girl`s Best Friend.

 The icon for her single Piece Of Me is herself on the cross as Jesus; `I`m Miss American Dream since I was seventeen.` It`s interesting, because the Holy Spirit is a `teacher`, and appears in dreams. As an archetype, Britney is Christian. According to Carl Gustav Jung (1875-1961), there is a facultas praeformandi that exists in the unconscious, and the soul or anima mediates there in order to constellate creative contents of the self which, appearing in dream material, are productive of conscious activities directed towards the improvement of human life, through inventiveness and what can often appear as spontaneous genius. We are supposed to dream about Britney, and develop.

 

 

 The facultas praeformandi is, according to Jungian psychology, the closest approximation that can be made to what is called God, although Jung defines it as the archetype of the `Self`, the totality of which is knowable but, for the majority, unknown; because they`re unconscious. Jung calls the process of becoming conscious, individuation, and dreaming in faith with God, is natural. Britney, as archetypal Woman, is both anima and Great Mother, a dream for Woman and her daughters.

 

 

 Britney`s icon of herself on the cross, without the spear of Longinus, indicates her developmental role. There is Spears, but the spear isn`t there. In other words, the spear that released the Paraclete has released God`s omnipresence, which is the Holy Spirit everywhere upon the Earth; the archetype of Woman, the anima, which teaches in the invisible and visible world – as Woman, that is, `God`s love`. Without this faculty, which informed Joseph that the Virgin Mary would conceive without his intervention, and that he and Mary should leave from Bethlehem for Egypt, before returning to Nazareth, Jesus would have been killed by Herod in the `massacre of the innocents`; the murder of male infants who`d feared that a new king was to be born to replace him.

 

 

 The Sandman Lukoi represents men, as Jesus demonstrated when he cast out the evil spirits into pigs.  As God`s discerning creatures, they immediately drowned themselves. The real `Gabardene swine` were the men from whom he cast out the evil spirits. Jesus was tortured and murdered as a dreamer, because the `living God` , the facultas praeformandi, speaks through them –of dreams that men don`t want to have faith in; because it`s too hard for their egos that can`t entertain even the notion that they`re a hybrid, never mind the idea that they`re a woman, or that the goal of God is that they be a woman with a penis.

 Men are, in fact, predetermined for baby eating. Because babies are what continue their viral form. It`s their larval stage. Pregnancy `reveals` it – to them. The baby `bigs` the woman, and men`s psychology is that that`s where babies are for – and babes. That`s why they call women `babes`, because civilization is for destruction (devouring), and so are women; because that`s why they produce. It`s a psychological mechanism interpretable from Lukoi, whereby men don`t want good dreams and dreamers, so the colour coding is green (life) to red (war), and red (instinct) to blue (spirit), which is development for destruction. That`s why the red dragon seeks to devour `New Redemption`, because men are for eating babies, and Woman is for giving birth to them.

 

 

 It`s an old story. In mythology, Chronos in Greek, Saturn in Roman, and Satan in Christianity, as the red dragon of Revelation, are all baby eaters. Satan can`t eat the child of the Woman of Revelation. Because Woman is Satan, and the dragon is, in fact, men`s evil. Woman`s Satan because she wants to leave, has her own penis, and is a species. Men don`t want her to leave, so are evil, which is what the Satan concept is for. It`s God`s Redemption of Satan`s spirit. What remains is evil. So what? Slay it in battle Jesus, so God knows where it belongs, and God`ll give it undendurable eternal pain.

 As the archetype of the Holy Spirit, Britney sings: `You think I'm in love. That  I'm sent from above.`  The Paraclete was `sent from above`, according to the New Testament, after the torture and murder of Jesus, and the Paraclete was to continue the teachings of Jesus, that is, Resurrection, Redemption, and the promise of an indestructible `diamond bodied` immortality in a new heaven and Earth, while the evil had unendurable eternal pain as a punishment.

 Britney, in Oops, is singing about the inadvisability of being `in love`, and she sings that she isn`t `innocent`; the Holy Spirit was `sent` and has been here among us for 2000 years.  God`s love is Woman, so she`s not `in love`: she is love. She isn`t `innocent` after 2000 years either. She`s wiser. The astronaut in Oops is the Spear`s Man, the Spear of Woman`s  Destiny and, as Spears, she`s the omnipresent spirit of Woman which nourishes with, at the least, the milk of her breast from the heart of her earthly being.

 We know that the `fork` is a `given` in the video. It`s a symbol meaning `fork-given`. In other words, the only `given` in Oops, is the `fork`, and everything else is latent but present, because that`s how dream interpretation and creative individuals function. The heart is a symbol of a titanic task. To ask that the `fork` be assumed as a `given`, that is, that Jesus forgives his tormentors first, and then has Ascension, because he says: `Forgive them for they know not what they do.` It`s  a matter of emphasis. Britney`s Oops observes that the `fork` is `given`, but it`s not her decision to be pierced by it - as it was not Jesus` decision to be pierced by men with nails.

 The Virgin Mary has the Assumption, because she`s Woman. She`s assumed by God to be for heaven and not Earth, which is why Revelation features `the woman clothed with the sun and with the moon at her feet`, giving birth to `he who shall rule with an iron scepter` - for her until she leaves – Woman, that is. Jesus forgives Woman on behalf of God: `Forgive them for they know not what they do.` He has Ascension for that, which is what the Virgin Mary is the archetype for; she doesn`t know what men do until they show her son that they don`t want men. Consequently, she appears as the archetype of Woman in Revelation also.  Her child is born in the teeth of the red dragon, the devourer, which is men, so s/he has teeth to defend her; because the dragon cannot harm her; Revelation says so.

 

 In Hungarian, the words for diamonds is `káró`, which means that, if the Woman of Revelation is an archetype, she is the equivalent of a `ka manufacturing complex` because `Ka` is spirit in Egyptian mythology, so `káró` is a `car production line`, in which diamond bodies are the goal of the process. Woman`s problem would be that, if she were to produce diamond bodies here upon the Earth (virtually impossible because she doesn`t function in the same air mix), then men`d want them for themselves, and as evil spirits of possession, they wouldn`t want her to escape. Indeed, they`d seek to leave Earth themselves, in diamond bodies of women that they`d usurped, as evil spirits that possess - the `Gabardene swine` -  to return her to bondage if she tried to leave.

 If Woman leaves Earth, then she must leave for immortality in God, so won`t need to reproduce, which is why Mary is a Virgin birth. There are women with a penis upon the Earth, and they are called futanar. In a new heaven and Earth, promised by God in Revelation, there`d be heaven in which Woman lived – immortally – and Earth, in which she lived productively, so her penis would be everywhere – virgin in heaven because immortal, and productive on Earth, until heaven and God.  Man`s Redemption would be an acceptance of Woman, and the faith that his penis would continue – as Woman`s.  According to Revelation, there`s war in heaven after Woman leaves, presumably because men want her to remain a slave. 

 

 

 It requires inspiration from dreams (or a dreamer), to read the Bible, whereas Bible `thumpers` perpetuate the unbelievable: that the Word of God is literal and can`t be interpreted. If nothing else, tone is important. What is emphasized, when, why, and how much it is emphasized: `Forgive them for they know not what they do.` The Bible is a big book, and it can be used to construct lies and untruths. Similarly, Oops can be used to tell truth from lies, because Lukoi wants us to believe lies rather than truth; so we have to look hard for it. Britney, in Oops, isn`t Major Tom Thumb from Space Oddity, but a character from Robert A. Heinelein`s called `Poddy` from the novel Podkayne of Mars, a bildungsromans for young women, and the only one extant among a dozen or so juveniles written between 1947`s Rocketship Galileo and 1959`s Starship Troopers, which received the `thumbs down` from `mummy`s and daddy`s because, written in accordance with the principles of ancient Rome, it was deemed fascist. However, it wasn`t  about `murder in the circus`, which is butchery under the umbrella concept of gladiatorial endeavour. It`s a fight for citizenship, and acceptance. Poddy`s fight is for `Woman`s World`, and acceptance of the Holy Spirit, Ressurection and Redemption through Revelation. In the Roman circuses, it was a tradition to give the sign of the `thumbs down`, which meant the coup de grace, or death blow, to gladiators who were deemed not to have entertained.

 

 

 Britney`s Major Red is A Space Poddity. Her small song is an I-Pod `ditty`, because I-Pod`s store and produce `music and pictures`. As Poddy, the `body beautiful`, she descends thumb-size in a giant`s ring, but isn`t `thumb down` for anyone. She is, however, concerned about `thump her`, when her spaceman arrives. Is he from the Bible class? Does he read the good book well; or, indeed, does he read good books well? Heinlein was the first Grand Master of science fiction, so the giant`s ring is, symbolically, his. However, as she`s a `thumb` it seems that it`s a thumb-ring; so she`s a woman who doesn`t belong on a marriage ring finger. She`s independent, and is meant to be so. I-Podkayne also refers to Cain who murdered Abel and the riddle of the Sphinx:

 

`What goes on all fours in the morning, two in the afternoon, and three in the evening.`

 

 The answer is `man` who`s blind, is Cain, and uses a cane to feel a way for his feet to walk upon because he`s blind. He can`t see because Lukoi doesn`t want him to. Cain murdered Abel because Abel could cook, so preventing further development. Cain preffered to wait for the fruit to appear. Similarly, I-Pod `Kane` refers to Citizen Kane, which is the `greatest film of all time`, according to cinema critics. It`s the story of a media mogul whose life is told in `flashback`. His last words, as he holds in his hand `a snow globe award` are `Rosebud...` It`s an enigma until, in the last scene of the movie, we discover that it`s his childhood sled, which is burned as unimportant and useless by those who don`t accept its value. In Hungarian, it`s `az nó globusz`, which is `Woman`s World`, that is, I-Pod is the New Redeemer who`ll show her man the path to travel; even if he is a blind murderer. On Mars, she`s the `City Zen`, and uses Zen Buddhist `thinking` to achieve her ends. Zen Buddhism was founded by Bodhidharma:

 

`It both is and is not;

Neither is, nor is not.`

 

 Zen is the perspective that a thing can both be and not be; which is translatable as `evil doesn`t exist`. Poddy is Bodhidharma, which means `nature`s thinking`, but Cain is the devourer of what is grown, rather than what is `cooked` or developed, so Poddy is the developer. Men don`t want to cook. Because it`s Woman`s work, which is developmental, but God preferred Abel. Woman cooks, and therefore she`s `able`. Because Cain murdered Abel, the logic is that men want women to be the `fruit` rather than develop (cook), that is, they want to devour her and whatever`s developed. Because Cain didn`t want Abel, the Bible says so. They want to be blind and without Woman`s aid, and that`s why Jesus says that acceptance of the Holy Spirit is a prerequisite for gaining entrance to God`s heaven. Men don`t want it. Jesus` words are for Woman, who can cook. That`s all Woman was for. With the advent of technology, men can eat her. Development is what she was for. That`s why the Woman of the apocalypse gives birth in front of the dragon and her baby lives. She can cook. As the euphemism has it, `she had a bun in the oven`, which is what she was for. Edibility, because she looks `good enough to eat`. But her child `rules with an iron scepter, and she`s `hid` for a while upon the Earth before escaping from her would-be devourers.

 

 

 Britney sends her spaceman away, and he`s `walking backwards fork Christmas`. He doesn`t have his sled, but it`s a `trudge through the snow scene`, in which red-suited `Poddy` is Santa but it`s backwards. The scene of her spaceman going backwards strangely reminds the viewer of the sled that should be being pulled by Britney`s `postman`. He`s post Man, because he`s New Man, and she`s the Redeemer, who deems him. She doesn`t doom him. As Sandwoman, she`s `nature thinking`, and sends him back to green (life) and blue (spirit), while red (instinct) is hers, and Redemption is possible through transformation.

 Britney`s perspective is that those Christians who accept Redemption are `fork given`, as it were (men are the `devils` with pitchforks of Christian iconography), and she doesn`t want to be Bible thumped by Christians for believing truth, that is, she`s dev-eloped to Mars with the `bride` of God concept, and knows that her church is Woman. Her Bible is well-thumbed, because she can reveal it. In Moslem countries, it`s the custom to leave what you don`t want on your plate, whereas in Western Christianity it`s commonplace to tell children to eat whatever is on their plate. Consequently, devouring is what Christians are for. It`s like sex. Having enough isn`t satiating, and that`s why Satan is depicted in Revelation as the devourer of babies. Woman is a species, so if she`s not developed, she`s all daughters, who don`t all have their own penis – we have pictures. Men devour civilization, art, culture, science , literature, and Woman – through war. This is what is defined as paedophilia. Not the desire for sex with children, who are Woman, but men`s desire to satiate Woman as her aliens, and then devour her. The `number of a man is the number of a beast`. Because the beasts are paedophiles who don`t want Woman to grow. They want to eat her – by definition. In fact, they want to eat her while she is still living.

 Britney` has the role of an independent `thumb` on Mars because, in Islam, a senior married woman is a `thumb`, and a man with four wives has a `hand`. Consequently, a Christian `thumb` is more important than a wife. On Earth, Britney may be married; but her independent Martian war goddess doesn`t want to be eaten by the ogres.

The `fork` is what is `given` in Oops, because you don`t need a knife to eat cake. As she spaceman looks down upon Britney, the giant tines of the fork are by his shoulder. Britney`s white bikinied body actually refers to an earlier version of `Poddy` called `Puddin`, who appeared in three original short stories written for magazine Calling All Girls, and intended for a collection Men Are Exasperating.  Two of the  stories were `Poor Daddy` (1949), and `The Bulletin Board` (1951). The Bulletin is the newsletter of the Science Fiction Writers Association (SFWA), and the `bullet in` is what `daddy` seems to be `for giving` her. `Puddin` or `Pud`  is, clearly, `fork cake`; or, in other words, `fork ache`, the paedophiles desire to devour developing lives. Hence the title of the third story, `Cliff and the Calories` (1950), which may be understood as a cliffhanger for those who`re addicted to `heroine`, that is, fork-cake and a few gob-smacking calories consumed by sexual appetite, or `galleries` for those who are addicted to `shoot `em ups`.  Poddy I , Heinlein`s Empress of science fiction is, clearly, `bluetooth`; but is she transmitting an SOS in Hungarese, or offering her older self as a pay gun sacrifice, in the language of all well Hung Ares everywhere, to `Hungreek Cliff and Thug Galleries` for their news single Heroine Shoot `Em Ups – and to what extent is the SFWA involved?

 Acceptance of God means `forgiven` and heaven.  Britney`s ring is that of the `bride` of Christ, the church, in Revelation, which is, obviously, Woman. If `Poddy` and `Puddy` are a giant snuff ring, then they`re Heinlein`s `Boddy of work`, and whether he`s a PhD or not, Jesus is the teacher.  Confusion for Woman  arises with the idea that Jesus is a man: `The Son of Man.` This is how he describes himself, which is why science fiction is important for understanding the Bible. A man is a beast, according to Revelation, which is why Jesus doesn`t say he`s a man. Mary`s parthenogenesis, and her giving birth to the `perfect man`, is God`s preparation for her understanding that Jesus is her hybrid counterpart, and that in heaven and God they`ll be One.

  Mary is Virgin with Jesus, but not with Joseph, that is, Joseph has a Mary, and so does Jesus. That`s why there`s `Poddy` and a `Puddy` in Britney`s Oops. An earlier, and a later version. It`s about the space-time continuum. Jesus` birth and Ascension are represented in Christianity as a single moment in eternity, which is why Jesus is Alpha and Omega, the first and the last, because it`s Jesus` saving; from inception to – and through – Revelation, and the creation by God of a new heaven and Earth. Poddy`s inception is after Puddy`s, and they`re in different stories; but they`re the same character. If they were to be Resurrected, they`d be separate characters with different memories. However, if reincarnation were the goal, they`d be a single character, with no memory of itself, doomed to repeat fragments of their former productive achievements in an unconsciously futile circularity of continuing death and rebirth, which is a torturers` parody of Redemption and indestructible immortality.

 

 

 Poddy`s perception is that Mankind is one creature, and hybrid; but isn`t kind. So, man and woman must be one creatureliness in God, as Adam and Eve were before they began to obtain the `knowledge of the fruit of the tree of good and evil`, and that`s what the Ascension and Assumption prefigures; the attainment of a return to the perfect state by means of wisdom and faith in its attainment.  Adam and Eve were One, before God separated them, and Mary and Jesus are One, despite Joseph`s later `claims` upon her earthly flesh, as it were. That Mary (emphasis) is for Joseph, but  Revelation promises Jesus and Mary, Man and Woman`s original Paradisal  hermaphroditism in God`s heaven – which requires faith: as it would for Joseph.

 In symbolic terms, Mary is Jesus before Jesus is born, and afterwards. Joseph is Woman`s `condition`. In religious terms, Joseph would have to accept that he was married to Jesus as Mary, as Woman with a penis, or to Joseph`s Mary, who doesn`t have a penis. But Mary does have her own penis, which is her hermaphroditic self as Mary and Jesus, who`re One creature in God. It`s the work of Redemption. Joseph isn`t human, without Mary, and can only be human, that is, Woman as a species, if he accepts a hermaphroditic unity with what he perceives of as his Mary. The two Marys are, as Poddy and Puddy, separate; but characterologically  identical. They simply have different memories; as Mary the Virgin and Mary, as Joseph`s wife, represent different aspects of Resurrection and Redemption. In other words, there is Mary and Poddy, the Virgin, and Joseph and Puddy, the wife. Both are redeemable, both are individual., and both are characterologically identical but separable. It`s how Resurrection and Redemption would work. Without the concept of memory, it`s only the Boddy`s reincarnation, which is the continuing cycle of death and rebirth, in which bodies with some capacity for functionality, are doomed to work for nothing except intimations of what they were.

 

 

 Saul of Tarsus experienced a conversion on the road to Damascus, which represents a `fork` on the road, that is, he chose Christianity after conversion, and he had been a persecutor of Christians. In other words, conversion, Redemption, Resurrection, Revelation, and a new heaven and Earth are `given` for those who are `fork given`, that is, who`ve made the choice not to be devouring paedophiles. Saul became Paul, a disciple of Jesus. In Oops terms, Britney is observing that she`s successful because she`s a convert, so why is the media persecuting her? Isn`t the material enough?  She`s `for king` of the `chosen`, who`ve decided not to be devourers, and conversion takes place in eternity, as does Saul`s conversion and Jesus` birth, and Redemption, when he said he must be about his parent`s business (God`s), Resurrection after being tortured and murdered by men, who effectively  are Mary and Jesus` aliens, and Ascension.

 

 

`Those who punish retrospectively, because they arrogate authority, are evil. The `fork` symbol denotes the choice to either be a persecutor or a Christian. You can`t be `fork given`, that is, in Oops pitchfork means the tone of the persecutor, and not the judge`s after prosecution, conviction, and verdict. In other words, sentences from the Bible, as preached by pastors, are persecutive`, not `judgement`. The commandments, for example, begin: `Thou shalt not...` Which may be interpreted as `You needn`t ...` Because God shall fulfil all your needs. Similarly, in the Old Testament:

 

`And if he smite out his manservant's tooth, or his maidservant's tooth; he shall let him go free FOR his [italics mine] tooth's sake.` (Ex: 21-7)

 

 God is saying that he is the tooth, and the abuser is abusing because he`s being abused; otherwise he mightn`t. Britney`s analogy is, similarly, of the tooth of God, as it were. Herself as `bluetooth` may also be understood as `fog kék`, that is, a sweet tooth that is for cake will result in toothache. In terms of Britney`s Oops: A Space Podyssey, she`s Blue Molar, but her `bluetooth` is in danger of Blue Mol station, that is, Mol is an oil company in Hungary with stations, and `olaj` in Hungarian is `oil`, but sounds like `a lie`. In other words, her beau has a molester who lies in wait for him religiously at `service` stations with `olaj`, that is, he`s the `father of lies`. This means that, if the molester is causing her beau to knock out her tooth, that is, her `bluetooth`, it`s because the molester is abusing her, and she doesn`t accept that. Her `bluetooth` is wisdom`s tooth, and has the Holy Spirit of God. She perceives that oil is holy, but molesters aren`t.  It`s the `cake tomorrow` syndrome. As Jesus observed to the disciples, when they evinced hatred towards him and a woman who`d anointed him generously with oil of great value:

 

`Leave her alone,` Jesus replied. `It was intended that she should save this perfume for the day of my burial. You will always have the poor among you [italics mine] but you will not always have me.` (John 12. 7-8)

 

 Jesus observes that this is God`s omniscience, and the woman is, according to researchers, known only as Mary. He says that Judas and the others will `always have the poor among you`, because they, the disciples, are mean and evil. They`re saying so. They don`t want a woman to love. Jesus represents their idea of `cake tomorrow`. Mary`s love isn`t for Jesus, they`re saying, and theirs isn`t either. So it`s crucifixion tomorrow, and no cake. In other words, men don`t want a woman to love, and they want to pretend that they want to do it for Jesus. But the disciples effectively arrange Jesus` crucifixion, which is the culmination of men`s hate campaign  and the end of their feigned reverence towards the master:

 

`This very night you will all fall away on account of me, for it is written: “I will strike the shepherd, and the sheep of the flock will be scattered.”’(Matt: 26. 31)

 In Odysseus` journeyings with the Argonauts, Polyphemus is the one-eyed creature that, in Oops terms, is Britney`s spaceman. In Hungarian, he`s the `ajtó ablak`, which means `a door window`, and corresponds to the idea of a spaceman as a `one-eyed toe` that, in American football terms, signifies ajtó `war block` (ablak), because that`s how Hungarian is pronounced.

 

 

 Mars` lander has contrived to find a launch `window` for `adore` but, after taking his spacehelmet off, she decides he`s unsuitable. She sends him back to Earth, in an allusion to the way in which Saddam Hussein`s Iraqi army was turned away from Kuwait in the first Gulf War (1990-1). The deserts of Mars are her Sandwoman`s, and the simplest way of defending is to close the door, and don`t have a `window` for it. The USA gave Saddam Hussein the 3<sup>rd</sup> largest army in the world and waited for him to select a `window` to use it against  them. They didn`t defend.

 

 

The one-eyed toe is a blind penis. It`s a metaphor. Men are blind. Some have observed that a gun is a penis extension, but it`s an anus extension, that is, it farts. Guns make loud noises because they`re used by those who don`t want to listen. `You see?` is a phrase often used by people who want you to understand. They often can`t be understood because their interlocutors  don`t want to listen. Eventually, the `interrogated` use their anus extensions to stop you from speaking, and they don`t see you. Because they`ve devoured you. It`s a blindness that comes from analysing. The penis is for sex, but it can`t see. Because it`s looking from the wrong place. It`s Woman`s. It`s also looking in the wrong way. The spaceman`s one-eyed spacehelmet is technology`s. The eye of the penis, but it`s an ogre`s. In other words, the USA created Saddam Hussein as an ogre, so that they could justify spending on being ogres themselves, rather than spaceflight.

 

 

 In mythology, Oedipus is blind from beginning to end of Sophocles` Oedipus Rex, because he has the `mark of Cain`, that is, he`s murdered his father, Laius (unknowing him), and married his mother, Jocasta (unknowingly). At the last he has a cane, symbol of his role, to find his steps, his own self-punishment for his blindness – blinding himself.  Symbolically, he doesn`t want to know his father, he wants to know his mother. In other words, his penis isn`t blind. It`s Woman`s, and she wants to know herself. Jocasta`s hanging of herself is alluded to in Britney Spears` video by the `choke-a-star` motif of the animal trainers` chain, and the spaceman suspended by a chain as the `hanged man` of the tarot, which is the `portable` Torah, or Book of God`s Law, in Judaism. The `hanged man` is, simply, the traitor. Britney is indicating that her beau has a betrayer, and that he`s Cain, whereas the story of her Martian Sandwoman is that of the `City, Zen`, where she lives, and evil doesn`t exist.

 Oedipus` daughter, Antigone, guides Oedipus in his blindness – as his cane. In terms of the movie Citizen Kane, `Rosebud` is the last word spoken by the movie mogul. It`s the name of the `sled` of his infancy, a symbol of Santa, Xmas, innocence strangled, and finally burned.  A mnemonic for Christianity, because Jesus` birth, Resurrection, and Ascension are eternalized as a single moment in time, that is, the hero of Citizen Kane succumbs; but Christianity promises Resurrection, Redemption, and Ascension for those who accept God.

 Jocasta`s hanging of herself doesn`t mean that she`s a traitor; it means that she`s still blind to the meaning of what she does. In the same way, Britney proclaimed herself the Antichrist in 2004 during post-natal depression, so she doesn`t recognize herself as Antigone who guides the blind, rather than Jocasta, who hangs herself. In other words, she`s cane and not Cain, but Jocasta is blind to what she does, and needs guidance also. Jocasta understands that she doesn`t care if Oedipus is her son or not. Symbolically, she becomes Antigone to guide Oedipus. But she can`t. Antigone is Antigone. So, what is Jocasta blind to? Oedipus is her. She`s blind to that, but not to the understanding that she doesn`t care about her penis – Oedipus.

 Jocasta`s despair leads her to place a noose about her neck; as a thumb tightens in masturbation – or a condom about the penis. In other words, her `conditioning` by men (aliens) tells her it`s over; but it`s only just begun. Her hanging self reveals it, and that`s what the dramatization is for.  She is a penis, because she`s Woman and she has a penis of her own, and that`s what she`s blind to – what Woman is, a species.

 

 

 It could be argued that, symbolically, Jocasta hangs herself in order to be Oedipus` guide as Antigone but, in psychological terms, that`s developmentally backwards. In Woman`s terms, she represents the aliens` (men`s evil spirits`) approach; that is, if she has a penis of her own, she`ll have to have a masturbator, and they`ll function as her condom insofar as they`ll tell her when she can breed. The masturbators are they that hang her. They`re those that have blinded Oedipus, hung Jocasta, and Antigone is Britney Spears on Mars as the Sandwoman who`s not the Antichrist but the tutelary guide, that is, the Holy Spirit. Her perception is that men (aliens) are with her, masturbating her as evil spirits:

 

 `Got lust in the game.`

 

 As Woman she knows – or intuits - that she has her own penis, and that`s the reason why they`re evil aliens possessing her spirit with their own. Some Bible `thumpers` don`t even know what Woman is. It`s good advice to let a person leave who wouldn`t want to remain – like Woman on Earth – and that`s what he who `rules with an iron scepter` is for. However, `an eye for an eye and a tooth for a tooth` is a recipe for World War III. It`s what defence analysts call `threat escalation`. In Medieval times, the `pair of anguish` was a torture device used to torture women. Prince Philip of England once explained to me that they called Britney, Britney`s `pears`, which I wasn`t supposed to comprehend.

 

 

` A pear-shaped instrument was inserted into one of the victim's orifices [vagina, anus, mouth] ... [it] consisted of four leaves that slowly separated from each other as the torturer turned the screw... expand the "pear" to its maximum and mutilate the victim.`

 Britney`s observation in Oops is that the `fork` is a `given`, and signifies `choice`. In Hungarian, `fog kék` means `bluetooth`, so Britney`s fork is for cake, and means that her tooth is sweet, which means `decay` in dentistry. It is obviously `bluetooth` decay, or decadence, that concerns her, and what is available to her child on the `wireless`. But it`s actually about blindness. The radio was once called `wireless`, before video and `bluetooth` technology for the internet, and `brail` is the code for blind people to touch with their fingertips to grope at reading. In torturers` terms, they`d rather her child was blind and understand that she`s `a pear of anguish`, because it sets the tone for the 21^st century – asinine 11.

 

X-Box

X Marks the spot

X-Plane

(Plague Aims)

 

 The X-plane programme was designed to fly planes to the moon, and beyond. Instead, the US spent trillions on Saddam Hussein`s 3<sup>rd</sup> largest army in the world, and then trillions spent on their own to fight it. Effectively, Revelation X-planes 9/11 by criticizing US defence expenditure. In Hungarian, `körte` means `pear` but also `light bulb`, that is, intelligence. In Jungian psychology, there are four functions of consciousness that, differentiated or become conscious from the unconscious-self, constitute the totality of the individuated `Self` that, according to Jung, is indistinguishable from what we believe is God.

 

 

 The collective archetypes of the unconscious, especially the anima as mediator in terms of dreams and experiential life, assist the individual to grow and develop by means of, in effect, revelations. The notion that, in Hungarian, pear means light bulb, and so intelligence, relates to the idea of the apple and Eden, that is, the pear represents transcendent knowledge, which the `Big Apple` of 9/11 was designed to `nip in the bud`, as the mogul`s `Rosebud` was, that is, Santa`s Xmas `sled`, his child`s dreams that, crashed, eventually, in flames.

 

 

 The `pear of anguish` is for those who`ve achieved what Jung felt only two or three people had ever achieved upon this Earth; Mohammed, Jesus, and Buddha. In short, individuation requires the differentiation of `Thinking, Sensation, Feeling, and Intuition`, which men as aliens want to torture with their fourfold `pear of anguish` because they don`t want Woman to be intelligent. Hence Prince Philips description of Britney Spears as Britney`s `pears`:

 

` A pear-shaped instrument was inserted into one of the victim's orifices [vagina, anus, mouth] ... [it] consisted of four leaves that slowly separated from each other as the torturer turned the screw... expand the "pear" to its maximum and mutilate the victim.`

 

 Four leaves - consciousness. In Hungarian, `körtér` means `circus, which is what Britney`s Majorette (Major Red) is introducing on Mars. However, in spy-ring circles, `circus` is the secrets` war and, in Roman times, `circus` meant torture - in the Roman `amphitheatres` – of captives. However, her red-suit`s  intentionality indicates that she`s `majoring` in Redemption.

 

 

 By means of SFX transitions, Britney`s costume changes take place as a seamless continuity; from red, through white, and on to white with black skirt and black `pixie boots`. In Hungarian, `blouse` is `blúz`, which again suggests that she is Blue`s, even though her blouse is white. It may be a reference to the star spangled banner, the red, white, and blue; or it may simply be that blue is the colour of the Holy Spirit, which flows from green (life) to blue (spirit), and from red (instinct) to blue (spirit). If life and development is accepted as reincarnation, that is, death and rebirth in circular futility of remembered fragments of what we`ve already been, then that`s a `circus`, and a spy-ring is for taking advantage of what the intelligent have rediscovered of themselves and God. It`s green to blue, with spies and, indeed, murderers attached. Resurrection, with memories, is the refusal of reincarnation, and developing an understanding of instinct (red) that is, ultimately, Redemption; or, in other words, red (instinct), green (life), blue (spirit), and Redemption. Those who don`t want Redemption, that is, memory and Resurrection for those who have accepted the Holy Spirit, and have rejected the circus of futility that is men`s concept of reincarnation,  are those who they`d torture with the `pear of anguish`, however that might be construed.

 

 

As a `thumb-size` star, Britney symbolizes the bread of Catholic transubstantiation, which is contained, for journeying pastors, within a `pyxides` or luna.  Because Britney`s on Mars, it`s Oops Ides of March, which is the `window` in which Julius Caesar was stabbed in the back by his `best friend` Brutus. As `thumb-size` Woman, her `City, Zen` ship is her pyx in which she, as the `pixie`, as it were, is the Holy Spirit that, in the Old Testament, dwells in the Ark of God`s Covenant, that is, God`s pyx, wherein she`s called the Shekinah or `spirit of God` and, in the New Testament, she effectively emerges from the side of Jesus, as God`s omnipresent Paraclete, when Jesus` side is pierced by the spear of Longinus after his torture and murder. Judas was the representative betrayer, although all the disciples denied their master at the last. This is why God`s law has to be obeyed.

 

 

 The pyxides is a luna because it represents the Holy Spirit as the feminine principle, and the woman `clothed with the sun and with the moon at her feet` giving birth to the New Redeemer is small or great, depending on how much you value her. Her betrayer is the one who would eat her. That`s why she gives birth before the jaws of the red dragon of Revelation; because it is men`s alien instinct subluna to devour her. This is why the pyx contains a wafer which denotes the bread that Christ gave to the disciples as a symbol of his bodily Resurrection and Ascension because, as he says, when he comes again he`ll come with a sword to slay the evil and give them eternal unendurable pain. Because the wafer denotes Woman`s Holy Spirit of tutelary guidance  and not cannibalism towards her; either sublimated into wars against civilization and culture, or direct attacks upon her by means of whatever `pears of anguish` are available to threaten her developing intelligence.

 As Britney`s  spaceman `baby` makes faltering steps to her, she`s Bodhidharma (nature`s thinking), and he`s Buddha (the one who is enlightened by her). He is `risen` (raised by her), and is `körte` in Hungarian, that is, pear, light bulb, and `pear of anguish` because he`s the fruit after the Edenic apple, that is, after the `fruit of the tree of the knowledge of good and evil` has been digested. Anguish, because torture and death is what he can expect from men for penetrating the secret of Woman. That she`s a species with her own penis, and they are evil aliens that, controlling her planet and enslaving her to breed more of them, are effectively parasitical organisms using the concept of the `host` to jeer at her inability to escape from their virus; reified in Revelation as, amongst others, AIDS:

 

`...ugly and painful sores broke out on the people who had the mark of the beast and worshipped his image ... [water] ... turned into blood... and every living thing... died... and they cursed the name of God, who had control over these plagues, but they refused to repent... gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores...` (Rev: 16. 1-17)

 

 Interestingly, `God remembered Babylon the Great and gave her the cup filled with the wine of the fury of his wrath.` In other words, Babylon, the Great, Mother of the Earth, is the instrument of God`s wrath. Because she`s Woman. Although Babylon is described as the Great Whore and the Mother of Abominations, this is not her choice. Men are evil alien spirits that are devolved from her. It`s a rapprochement towards understanding. Effectually, Woman is the Great Satan from men`s point of view, because she has her own penis and wants to leave Earth forever, and the Bible says Satan will never leave but will experience unendurable eternal pain with the evil.  Consequently, Woman and men are, by definition, Satan; but men are evil aliens, and she`s Satan. In other words, the evil shall experience unendurable eternal pain because they`re evil, and God doesn`t care what Woman`s name is; Babylon, Britney, or Bodhidharma. The pear is a symbol of her eternal love, and the evil would have us understand that it`s a symbol of her and our eternal pain.

 

 

 Actually, the `pear of anguish` is the pregnant mother, and the `woman clothed with the sun` that gives birth in front of the red dragon of Revelation is giving birth to the New Redeemer as the dragon of Redemption.  In Men In Black, Lara Flynn Boyle arrives in a tiny spacecraft looking for `the light of creation`, and her spacecraft resembles a pear. She`s beautiful, as a woman, but evil as a monster, and symbolizes the red dragon of Revelation that can`t devour `the light` of Woman - asinine 11`s `Big Apple` - which leaves Earth.

 

 

 The `light of creation` is Woman, which is why Lara`s spacecraft is a tiny pear.  The `pear of anguish` is Woman`s role upon the Earth, because she`s a species. Lara Flynn Boyle`s role is of the woman that is an alien that comes to devour the light that is also woman as alien, which is ridiculous, and that`s why it`s Men In Black. Because the perception is that Woman wants to devour herself, whereas that`s what the history of the Earth tells us that men want. It`s a deconstructionalist `picture`, by which is meant that the premise is designed to be unconstructive rather than constructive - or constructionalist. If it was a constructionalist picture, Woman would be rescuing herself. Similarly, with the red dragon of Revelation; the `pear of anguish` is the birth of the `New Red`: Jesus` Second Coming:

 

`In his right hand he held seven stars, and out of his mouth came a sharp double-edged sword. His face was like the sun shining in all its brilliance.`

 

  The pear should be that of `the light of creation, which is constructionalist, that is, the `pear of anguish` is a torturers` tool that, inserted into the mouth, produces a rising intensity of pain. However, Jesus` mouth contains the `sword that cuts both ways`, which means that Jesus` word is good, so what is evil it destroys for ignoring it. A `pear of anguish` is designed to torture someone`s mouth, but the mouth of someone with the `light of creation` within them would correspond to that of the Hungarian `körte`, which means `pear` or `light bulb`.

 

 

 The child of the Woman `clothed` with `the sun shining in all its brilliance` has `the moon at her feet` because `luna` is `hold` in Hungarian, that is, the source of the Holy Spirit, in Catholicism, is the wafer of transubstantiation which is contained within that which is called the luna and that, in Hungarian, would be the `dragon`s hold` because that`s where the red dragon of Revelation is kept as Satan. In other words, the birth of the `pear of light` is Satan`s, but the evil want to torture the birth with a `pear of anguish`.

 According to tradition, Satanӓel is the elder brother of Jesus, and Jesus always preaches Redemption for his `brother`. Earth is where Satan has Redemption when the red dragon has learned not to devour the woman or her child, which is Woman who shall leave as a species with her own penis. What is evil remains in unendurable eternal pain, and Jesus doesn`t care if they call his brother, Satanӓel, Satan or not. It`s about perspective, and perception. The dragon of Revelation is, actually, the child of the Woman that watches over its own birth with the promise of Resurrection and Redemption, which is why it doesn`t devour itself.

 

 

 In US politics there`s a saying:

 

`You can fool all of the people some of the time, some of the people all of the time, but you can`t fool all of the people all of the time.`

 

 Britney outlines the problem in Oops. Heroes don`t `truly agree` in her `dreams`, because Lukoi wants her to believe in them, and she mustn`t if she`s to avoid being fooled in her birthing. She laments:

 

`I cry watching the days. You see I`m a fool in so many ways. But to lose all my senses; that is just: so typically me - baby!`

 

 Her `baby` is her brother, Satanӓel, the elder, who`s been taught, as has she, that men are her species, but the evidence is contrariwise. Woman produces and develops, whereas men destroy. Satan is called the Great Deceiver, but he has to be if men are liars. Lukoi, their sandman, doesn`t want people to dream of Woman as she is, her own species. She`s to dream of men or nothing, because that`s men`s sandmen`s idea of a `good dream`, which in fact is an evil dream or nightmare that always ends in her doom because men want to torture her forever through reincarnation, death and rebirth: `...to lose all my senses; that is just: so typically me.` In other words, Lukoi isn`t just. She`s to be a stereotypical woman who`s an `airhead`. However, Britney`s well `read` dragon of Revelation is deceptive Woman as `the Great Deceiver`, which is what women are often accused of being.

 Britney`s a `fool in so many ways`, but she doesn`t `fool all of the people all of the time` because she doesn`t want to. If they`re fools, they`re fools. Let them be slain by Jesus. She`s of the `elect of God` and so, paradoxically, is Satan. Because men have made Satan of her who is a species, which is why Satan, according to tradition, refused to accept men as superior to the angels, and was cast down upon the Earth. He preferred Woman, so persuaded her to his point of view, and that`s why he gave her the fruit of the `knowledge of the tree of good and evil`, so that he could make of her a pear.

 

 

 It`s traditional that liars speak with a `forked tongue`, which means that Britney`s fork in Oops isn`t Jesus`: `...out of his mouth came a sharp double-edged sword`.  It`s the tongue of the `Great Deceiver`, but is she `fork given` and `forgiven`, that is, has she learned more than Pseud`s psychology  of `nothing butt tits` and the Buthits karma of death and rebirth as an enslaved f**k, or is she to be a permanent star in God`s heaven?  Oops begins:

 

Earth:  `Earth to Mars Lander, report status please.`

Mars:  `Mars Lander here. Gravity device status defective, oxygen status 98%.`

Earth:  `Any sign of habitation?`

Mars:  `Not so much as a... whoa there horsey! What the..? `

Earth:  `Cute.` [mission control can see the small icon depicting her – religiously – as small; in the hand of the spaceman]. What is it?`

Mars:  `Oh, it's cute alright, it couldn't be?`

| pause |

Earth: `Mars Lander, what's happening up there?`

| pause |

`Yeah yeah yeah yeah yeah yeah.

I think I did it again.`

 

 As the `thumb` she sends the `toe` away. Because `hold` is moon in Hungarian, it`s a toehold, that is, Neil Armstrong was the `first man on the moon`, and so there can`t be a toehold on Mars, because it isn`t the moon. It`s a `thumbhold`, which is `remek erὅd` in Hungarian. In Vladimír Remek is accounted the first European Union spaceman because, in 1978, he was a Czechoslovak cosmonaut on the Soyuz 28 mission. Britney is saying that her thumb isn`t under anybody else`s, so Mars is `Remek erode` if she doesn`t want him coming up the path to her `door`, which is `ajtó`, in Hungarian; because of the toes that stair.

 If Britney does want what`s coming up her path, it`s `thumber road`. It`s a play on words. The iguanadon dinosaur was long believed to have thumbs that were like sharpened spear points, but this picture was revised when archaelogists decided they weren`t thumbs. Many pictures of the iguanadon with thumb-spears are still extant, however. It`s a metaphor. For those she likes, her thumbs are helpful, but for those she doesn`t, her thumbs are spears.

 

 

 Men pretend:

 

 `I made you believe we're more than just friends.`

 

 So Britney has to be careful not to allow her thumbs to be `spiked`, which is what Great Deceivers do. They`re not fooled by words that have two meanings. Spy king is what Lukoi is. He spies on dreamers, and `spikes`, that is, stops them, if they dream of God.

 According to one 1859 account, the native proverb that the `white man spoke with a forked tongue` originated as a result of the French tactic of the 1690s, in their war with the... [North American Indians] ... of inviting their enemies to attend a Peace Conference, only to be slaughtered or captured.1 Britney`s icon for the single Piece Of Me is her on the cross, but a `piece` is a gun in the USA, and she`s saying that she knows how to take care of herself:

 

 

 Woman isn`t men`s species – she`s God`s. Britney`s Woman and wants to leave Earth. Her symbolism indicates she`s accepted that she` fork given`, that is, she can read lies and `doublespeak`, but has accepted Jesus` teachings, knows she has 21<sup>st</sup> century Redemption because of it, is therefore forgiven, seeks Resurrection, and embraces Revelation - and  God`s new heaven and Earth. If so, why Criminal as a single?

 

`I`m in love with a criminal.

He is a loser, he's a bum, bum, bum, bum.

He lies, he bluffs, he's unreliable.

He is a sucker with a gun, gun, gun, gun.

But mama I'm in love with a criminal.`

 

 In fact, Britney has Resurrection. Because she isn`t a knowing plagiarist. The original song , lost in the space-time continuum, is I`m in love with the President. It was one of Marilyn Monroe`s. In other words, this is Resurrection and Revelation; she`s revealed as resurrected by those who don`t want her to remember her `precedent`, that is, what she was before and, although she is revealed as resurrected, her mind is criminalized; because it advocates murder as glamour.

 Britney`s possessed by men`s evil spirits, that is, coerced by these aliens into believing in reincarnation, that is, death and rebirth, rather than Resurrection, and eternity with an omnipotently good God with whom she`d be immortal.  Because men want Woman to have unendurable eternal pain, which is reserved for men. Irrespective of conversion, Redemption, Resurrection, Revelation, or a new heaven and Earth created by God – for her.

 In Hungarian, `ful` means `ear`, so her `fool` has to listen, and tól Isten, in Hungarian, means `God`s pen`, which is a reference to the `fool` of the tarot which, according to some scholars, is a portable Torah or `God`s law`:

 

`The Fool settles beneath a tree, intent on finding his spiritual self. There he stays for nine days, without eating, barely moving. People pass by him, animals, clouds, the wind, the rain, the stars, sun and moon. On the ninth day, with no conscious thought of why, he climbs the tree and dangles from a branch upside down like a child. For a moment, he surrenders all that he is, wants, knows or cares about. It seems to him that his perspective of the world has completely changed, as if his inverted position has allowed him to dangle between the mundane world and the spiritual world, able to see both. It is a dazzling moment, dreamlike yet crystal clear.  Timeless as this moment of clarity seems, he realizes that it will not last. Very soon, he must right himself, but when he does, things will be different. He will have to act on what he's learned [italics mine]. For now, however, he just hangs, weightless as if underwater, observing, absorbing, seeing.`

 

 

 The `fool` is a planner. Because of the reference to the greatest movie of all time, Citizen Kane, we must assume a reference to that which was thought of as the greatest ship of all time, the `unsinkable` Titanic, which encountered the tooth of a dragon in the iceberg that, reportedly, gouged a hole in the hull of the vessel, so causing it`s descent to the ocean`s floor.  The `heart of the ocean` motif is echoed in the `Rosebud` motif from Citizen Kane, which is that of loss. Her red-suited and white-bikinied selves are `rosebuds`, and the `fog kék` motif is the blue tooth, which emerged icily cold from the fog, and the ocean blue, to sink the Titanic. In Oops Britney`s about to embark. Her spaceman says, `Britney, before you go..,` which is immediately preceded by `ALL ABOARD!` She`s given the `heart of the ocean` from the Titanic, and the character `Rose` dropped it into the ocean at the place where the salvage teams were raising the ship. So Britney`s ship isn`t the Titanic.

 

 

 `Britney, before you go, there's something I want you to have.`

`Oh, it's beautiful, but wait a minute, isn't this...?`

`Yeah, yes it is.`

`But I thought the old lady dropped it into the ocean in the end.`

`Well, baby. I went down and got it for you.`

`Oh, you shouldn't have.`

 

 Because she doesn`t want her ship associated with the Titanic. It`s the ship Britney Spears, a spaceship because of the spaceman. At one point in Oops, she throws herself as a spear. First she passes a gnarled tree, which is symbolic of the Irish shelelagh, that is, her ship is `Irish`, which means simple to the good, and impossible for the evil. In Irish tradition a shelelagh is a spear, a `fighting stick`.

 

 

  It`s also a symbol of the National Guard`s `fighting` 69^th, whose motto is:

`Gentle when stroked, forceful when aroused.`

 

 The shelelagh is a metaphor for `cock-fighters`, that is, those who fight as cocks, or those who fight for them. Men are cowards who want others to fight for them, and women are cowards because they won`t fight for their own species (Woman). George W. Bush was accused of cowardice for doing National Guard service instead of serving in what came to be called the Vietnam War (1955-74). But his path was a secure one – a future President.

 John F. Kennedy was responsible for the `Bay of Pigs` debacle in 1959, when the US marines invaded Cuba and were slaughtered on the beaches, and the Cuban missile crisis which nearly plunged the globe into thermonuclear holocaust, while George W. Bush, implementing US policy largely formulated by his father, George Bush Snr., former head of the CIA, who wasted US defence expenditure on defeating an Iraqi army built over a generation as the world`s 3<sup>rd</sup> largest by the US themselves, so leaving the Earth to count another `hollow cost` - as Woman. In other words, holocaust is what men are known for; US Presidents being no exception to the general rule. Richard `Snuffmill` Nixon instituted carpet bombing of one of the world`s tiniest countries, Cambodia, and authorized the creation and use of `agent orange`, a biochemical weapon designed to defoliate the entirety of South East Asia so that nothing would ever grow there. George W. Bush was in the National Guard until the end of the South East Asia `campaign` (1955-74).

 

Agent orange

 

 Christina `X` Aguilera, whose surname means `from the nest of eagles`, was ridiculed for singing the National Anthem backwards, or in Swahili while exposing her penis - or something; whereas she was, in fact, inaugurated at the Hít Gyulakazet, Faith church, in Budapest, as the X^th Special Airborne before the Gulf conflicts, and prior to the endless futility of prosecuting a war against terra from behind the local park`s rose bushes, and from within the Snoopy pencil sharpener in the kindergarten.

 Christina hates those who ridicule Woman for believing in fighting for her country, while jeering her further for not understanding that she`s a species and is fighting with them, rather than for her own species, while condemning  her for cowardice;  because she doesn`t fight.

 

 

 However, `Ír` is the Hungarian word for `Irish`, and so the God of the Irish is `Isten`, because `Isten` is `God` in Hungarian, but is pronounced `Ishten`; in other words, God is `Isten Ír `. Or, in other words,  Hungary`s `Easter near` (Resurrection, Redemption and Ascension) in the `near East` of Europe. Of course, `Ír` sounds like `ear`, and in Hungarian `want` is `kell`, so `kell Isten` means that you have to `want to listen` if you want God. Moreover, `tól Isten` means the `pen of God`, so you have `to listen` to the soul, or your works can`t be acceptable in terms of God`s `tutelary spirit`, the Paraclete.  Men are analysts, that is, according to Jungian psychology, the `ear` is connected to the masculine `Thinking` function but, if superior (`super ear`), it is connected with the anus (`super rear`), which means that, undifferentiated in terms of the four functions of consciousness (masculine `Sensation` , feminine `Feeling` and Intuition`), male `Thinking` is concerned only with penetration, that is, of  Woman (civilization and culture), and that`s `anal thinking` in which the male identified itself as an `anal virus` (STDs, AIDS, etc.), which explains recent wars in the Gulf of Arabia, Afghanistan, 9/11 (a `viral` attack on the USA`s defence systems), the `War on Terror`, and Libya, etc. `

 

 

 In terms of the four functions of consciousness, differentiation would consist of East and West, as `Thinking` and `Sensation`, and North and South, `Feeling` and `Intuition`, for an individual; but in conjunction with Woman, her ears would like as not be `Feeling and Intuition`, that is, attuned to the womb of her developments, that is, vaginal, rather than anal, which is why she`s developing her own penis as a species – futanar rather than futile.

 

 

 The war against Iraq has another meaning, therefore. ` Ír` is Ireland, in Hungarian, and `ear rack` is how the English pronounce Iraq, because they believe in `Thinking` and anal, that is, the Íraq war was an excuse to to live Ír  (export their experience of Irish terrorism and `live fear`) that is, an opportunity to continue being what is commonly thought of as `Irish`, that is, stupid. The USA was culpable also in its support of organizations and governments that, directly or indirectly, supported terrorism; for example, the Taliban originally, and `Aids to Northern Ireland` (NORAIDS). In other words, the global war on terra, is actually a war for terror in which the `ears` and `eyes` of the Earth are upon the rack of the torturers - and the tortured.

 

 

 In Hungarian, of course, NÓ means Woman, who doesn`t want RAIDS or AIDS from anyone and, in America, Woman`s `rack` are her breasts while `eye rack` is torture for those who care for them, and `ear rack` is torture for those who hear about their not being cared for. In Old Testament terms, the Iraq wars were: `an eye for an eye`, and an ear for an ear; if we understand that `foreign ears` are `torture` because they hate you if you`re `foreign hear`, that is, a foreign tongue, which is Woman`s: because `Feeling` is associated with mouth and speech.

 

 

 `Sensation`, a male function, is connected to sight, which means that, without `Feeling`, the desire to communicate, the eyes want to devour, which is why  9/11 was an anal attack by Saddamites penetrating the US defence system as viral AIDS (helpful, civil aircraft) analytically deceiving themselves into `geek belief`, that is, hacking into Microsoft`s  latest X-Box software and killing 5,000 people is all one to the `plague aims` interactions that characterize the 21<sup>st</sup> century thinking of the devourers. The British and the US are `Thinking` and `Sensation`, but they did speak diplomacy with Iraq, so their `Feeling` and `Intuition` wasn`t atrophied. However, men`s preoccupation with terrorism and anti-terrorism indicates that they`d rather Woman was terrified than that she `leave fear` (live here).

 

 

 Christina`s `rack` is beautiful. But, for men it isn`t `an eye for an eye`, it`s `an eye for a woman`, that is, they`ll murder her if she`s yours, which is what warfare is for. The EmÍr of Kuwait`s wife had the EmÍr telephone Lauren Bush when Saddam`s forces invaded Kuwait. Because Saddam was eyeing her. Global terrorism is a war against Woman, because it`s designed to terrorize her; as is the war against it. In Oops, Britney observes that, in the Old Testament, it`s `an eye for an eye and a tooth for a tooth`, so Woman needs to develop her dragon`s tooth to defend her.

 

 

 Christina`s first big single was Genie In A Bottle. It`s important because she`s a genius and, according to the Muslim Koran, the djinn were created by God, who is `Eloah` in Judaism and `Allah` in Islam – as God is Isten in Hungarian. In 1001 Nights, the tales are a device whereby Sheherezade saves Woman by narrating `cliffhangers` to Shah Jehan, who had his wife beheaded for speaking with his brother, `thinking` that they were having an `affair`. Sheherezade tells her stories to prevent the women of `the kingdom` from being similarly beheaded each evening as Shah Jehan marries a new bride each day and has her beheaded each night. The djinn assist her. Consequently, Genie In A Bottle is, from a genius` perspective, how to avoid being forced into saving Shah Jehan, who`s a monster.

 

 

 In 1001 Nights, there`s the tale of The Old Man of the Sea, who`s a `marid djinn` that attaches itself to the back of a sailor and drives him on as a demon to disaster and despair. In Arabian tradition, shaitan are djinn that are demoniacal in this sense, and Satan is deemed to have been a shaitan. Ironically, the `marid djinn` of The Old Man of the Sea is, undoubtedly, homosexuality. In Aladdin and his Magic Lamp, the `lamp` is the `light` of genius, which can see to achieve. As Thomas Alva Edison, the US inventor of the electric light bulb (1879), was helped by his genius to see.

 

 

 Genies are often depicted as spirits, which assists us to think of them in terms of the Holy Spirit, which is the `tutelary guide` released from the side of Jesus Christ when pierced by the spear of Longinus at the crucificion, and before Jesus` Ascension to God. In terms of spiritual symbolism, djinn would correspond, if female, to the spirit of nature. In Arabian tradition, Satan existed upon the Earth as shaitan before man. It`s Woman`s tradition that men are `iblis`, that is, they don`t really exist because they`re shaitan. In other words, their tradition is of Woman, and the Holy Spirit of Christianity would correspond to mother nature`s spirit without men`s `contamination`.

 

 

 The `lamp` is an interesting motif. Ancient versions look like a `slipper` with a hole at the toe. In Arabia it`s considered impolite to show the soles of the feet, which relates to the idea of the `slipper`. It`s the notion that the spirit of mother nature rises from the Earth and develops. That`s why Britney`s astronaut in Oops appears as a `big toe`; it`s archetypal. Mobile telephones follow the same design principle. If we imagine the spirit of the Earth rising to consciousness, then we can envision how the djinn `travels` upon our feet, that is, mother Earth needs us as her vehicle, whereas the Old Man of the Sea is a homosexual predator.

 In Aladdin the genie is male, and Aladdin makes the `lamp` work; much in the way that Thomas Alva Edison made the electric light bulb work. Britney on Mars lives without a spacesuit because she has superior technology, that is, she`s super `ear`, her thinking is for better development than the spaceman `toe`. It`s often observed that what distinguishes men from monkeys is the `thumb`, but Britney indicates that they`re `toes` because they can`t think beyond the `lampwork`, that is, she`s represents the `lamb of God` because Aladdin is an enslaver, whereas the knowledge that good is God is enough instruction for Woman and djinn. In science fiction there`s a principle:

 

`Any sufficiently advanced technology is indistinguishable from magic.`2

 

 The difference between the ego that forces the spirit of the lamp to obey him in Aladdin and the symbol of the lamb of God, that is, Jesus, in Christianity, is simply the observance that those who think like toes won`t have thumbs. Because they won`t accept the technology that they have; they`d rather devour the Earth like ogres than have the stars in the heavens.

 Saladin was the great knight of the Muslim peoples, who fought against Richard I of England and others during what was known as the Crusades to capture for Christendom, Jerusalem , the Holy City where Jesus was crucified. The myth of the Holy Grail, which is the `heart` of Jesus and Christianity, symbolized by the drinking vessel at the `Last Supper`, is at the centre of the knightly tradition, and Aladdin`s `lamp` is in direct correlation. In Jungian terms, the wine is the symbol of the libidic instinct which, transformed, means spiritual development within the body (symbolized by Christ`s giving also of bread at the `Last Supper`). Effectively, it`s the relationship between Woman and the penis.

 

 

 It`s the spirit within, which can produce tremendous effects by the power of the personality and faith. In Egyptian mythology, the genius of the `lamp`, that is, the `light within`, is the `Akh`, or `magic personality`, which a `star` like Britney Spears, and is the envy of those who don`t have it - and want it. The Arabian `magic lamp` is for a child`s sympathies, and the `lamb` of Christianity is, similarly, directed:

 

`Truly, I say to you, unless you turn and become like children, you will never enter the kingdom of heaven.` (Matt: 18. 3).

 

 It`s not a recipe for enslavement through reincarnation and the cycle of repetitive futility that is death and rebirth. It`s not a recipe for possessing demoniacally the infant spirit so that the evil aliens that are men can enter into God`s kingdom by killing themselves and taking over the bodies of the good. It`s a recipe for developing in accordance with the teachings of the Holy Spirit, which are simply that God is good and accept it. If the apple of the `tree of the knowledge of good and evil` is development, accept God`s goodness in the pear of wisdom and embrace it.

 

 

 In Oops Britney is the red dragon of Redemption, which might be construed as the dragon of wisdom, which has developed the four functions of consciousness, `Thinking`, `Sensation`, `Feeling` and `Intuition`, and is a pear unfolded, not a torturing pear; although, like a starship from Star Trek she`s able to defend herself. Because, behind her, is `super rear` technology. Resurrection, Redemption and Ascension is the knowledge of what has been, whereas men are reincarnation, death and rebirth, that is; `resistance is futile`3; do not try to escape: there is no God.

 

 

 It`s Adam`s `poisoned apple` and it`s Saddam`s `pear of anguish`. In Christian terms,  the `host` is the Holy Spirit, but the `host womb` for Jesus is the Virgin Mary, that is, she represents the `host womb` for that which is `the Son of Man` who is Jesus, but Jesus is not a man.  He isn`t a parasitical virus organism that wants to enslave her in a futile cycle of reincarnation, death and rebirth. They couldn`t get him in the bottle, and they can`t put him back in the bottle. In Christianity, the `host` is the Holy Spirit, so the `host womb` is that which contains the Holy Spirit, but Jesus was `the Son of Man`, although as perfect as Mary and God could produce, and not the Holy Spirit. In short, Woman and mother nature, that is, God`s spirit, are the Holy Spirit because she`s the `host`, not of men but of her daughters; understanding of which is wisdom and Redemption, in anticipation of Resurrection and Ascension, for Woman.

 

 

 The name Oedipus means `swollen foot`, because of his incestuous relationship with his mother. It`s an ancient Egyptian myth, which depicts the problem of the future, that is, futanar, instead of the futility of reincarnation, death and rebirth. If Jocasta remains psychologically `stuck`, her star will be choked (`choke-a-star`). The Egyptians, a Muslim people, are `those who limp`. In the Egyptian myth of Osiris, the penis doesn`t work after Resurrection because it`s lost, and Isis gives him hers.  Fatalism is faith`s enemy, that is, the acceptance of reincarnation, death and rebirth, which denies the `Will of Allah` to the Muslim peoples. It is the `Will of Allah` that Woman shall have the victory over men who, as the Egyptian myth illustrates, must lose their own penis to Woman. If  Woman has her own penis, she can produce, but that`s reincarnation, death and rebirth without Redemption, Resurrection and Ascension, which is knowledge through faith and action in accordance with the `Will of Allah`. However, in the absence of a woman with a recognizably potent penis in the history of the world`s civilization, those who are `limp`, because they don`t have a penis, can`t revitalize her.

 In the Western tradition, Iris is the `rainbow` as a sign of God`s covenant with the `chosen people`. Jungian psychology uses the eye as a symbol of ego and self, which indicates that the ego detaches from the self in order to perceive its wholeness. In the science fiction story Stranger In A Strange Land, the central protagonist, Michael Valentine Smith, uses the term `grok` to explain what he knows; that everyone is God. Consequently, this is the missing aspect of the Egyptian myth of Ra, in which the sun god is incarnated in Osiris, who is resurrected by Isis as Horus. The Greek Iris bridges the gap between Egyptian mythology and the Bible, where the symbol of God`s covenant is the `rainbow`, that is, God is God`s pupil.

 

 

 In Oops, Britney`s Poddy is Robert  A. Heinlein`s archetypal Woman, and the `heart` symbolism is because of the character of Valentine Michael Smith who, raised by Martians, becomes a Christ-like figure who teaches the concept `grok`, which he had been taught by the Martians. As Britney`s Sandwoman, Poddy teaches that it`s necessary to suspend judgement in order to think and plan; that`s what she raises her spaceman for: so he can be the `hanged man` of her planning.  It`s what `grokking` means in Heinlein`s Stranger In A Strange Land (1961); that which is grasped in its totality before an approach is decided upon.

 Britney, in Ír (Irish thinking), represents the `grok of gold at the end of the rainbow`. Oops! I – Boddy – Did It Again is Oops! `eye` [for an eye] Did It Again. She`s an `Abel bodied` person who can cook, whereas those with the `mark of Cain` are murderers, and it isn`t accidental. Oops! I – Buddy – is Robert A. Heinlein, Ph.D (Puddy) who, using his surrogate Valentine Michael Smith, preaches a `Gospel` of love and, at the end of the novel, a crowd hurl rocks at him until he`s dismembered, while afterwards his disciples eat him to `grok` his  `fullness`.

 

 

 The `grok` of gold is the understanding that those who teach, as an example, suicide, murder and cannibalism, are insane.  Valentine Michael Smith and Jesus don`t. Suicided, murdered and, plagiarized (cannibalism as literalism) is what happens to them, which is what Heinlein is saying. The Christian church, effectively, preaches suicide, murder and cannibalism; albeit programmed. That`s why Heinlein`s Fuddy:

 

`I`m not that serious.`

 

- Britney Spears Ph.D

 

 

 It is only possible to be Jewish if you`re a woman, because you can`t be a jew unless you`re born from a woman, so a woman is a jew. In the myth of Oedipus, Jocasta`s having sex with her son without knowing who he is. Discovering he`s her son, and an unwitting fratricide, he puts out his own eyes. Because the taboo is that incest is anathema, whereas he`s less blind, in psychological terms, when he accepts Woman, effectively, as a `fatherer`, which is what Woman with a penis (futanar) is. In other words, the incest taboo is to prevent Woman from seeing further into her own conditioning. If she perceives that man is her, she`ll understand a) that she`s a hybrid creature and men are a parasitical viral organism that seeks to perpetuate itself as a species` enslaver, or b) that she`s a hybrid and can attempt genuine communication because she has a penis of her own, and quickly search the internet for futanar to begin making `alien` contact with her `man` and/or living as a species.

 

 

Men`s spirits are evil and possessive, as Jesus observed when forcing them out into the `Gabardene swine`, who drowned themselves rather than have the pigs in them. Pigs are `haraam` for both Muslim and Jew because the evil spirits of men aren`t allowed in – Woman – and that`s why it seems archaic and meaningless. Because it`s to remind Woman that she isn`t a pig. Men thinks she is, and that`s why it`s to remind Woman that she isn`t.

 

 

 In the Bible it`s proverbial that it is `as easy for a camel to pass through the eye of a needle, as it is for a rich man to enter the kingdom of heaven`. In Riyadh, Saudi Arabia, there`s the `Kingdom Tower`, which looks like a needle`s eye. Britney`s Oops I [eye] – Did It Again – is about the mythic threads of her meanings. Myths are archetypal revelations, but you can only `sew` if you have the `needle`s eye`. It`s like the `eye of the hurricane`, you can work because you have an eye for it. As it says in the Bible: `An eye for an eye, a tooth for a tooth.` You need an eye to thread the eye of a needle, so that your work can continue. It`s a metaphor for continuity rather than the futility of reincarnation, death and rebirth, which a vengeful interpretation of the proverb denies. By extension, a `tooth` is `for a tooth` and not against it; or, in other words, Woman as a species is for Woman and she`s not her own antagonist. God`s word is interpretable, but experience of men make it difficult because they want to imbue everything with their own spirit, which is that of themselves as an evil alien.

 

 

 Similarly, if you can`t see Britney`s `sewing` of her archetypal material in Oops, you can`t pass through the `eye` of her `needle`. You don`t bear examination. You`d have to be in heaven to have the leisure to decipher it, and that`s the needlepoint. Pointing to eternity isn`t enough. How am I to pass through the eye of the needle if I can`t see the woman`s sewing? If she`s with God, `in the spirit realm`, then I can`t see what she has sewn either. Men would want me to understand that they can see her, and I shall have reincarnation, death and rebirth in continuing futility, while I want to pass through the eye of her needle and see what she` sewn after accepting Redemption, the Resurrection (of memory, that is, spirit and body), and Ascension to God. The proverbial assertion that it`s `as easy for a camel to pass through the eye of a needle, as it is for a rich man to enter the kingdom of heaven` is based on the idea that men want my wife`s riches in heaven, and they don`t want it for the `camel` who is my wife and I – Woman (with or without her penis). It`s blasphemy. It`s easy for Woman to pass through the eye of a needle. It`s as big as Riyadh`s Kingdom Tower. Woman`s greatness isn`t about the size of her eyes or the eyes of her needles. It`s God`s greatness.

 

Penelope sewing her Odyssey

 

The enemy is nihilism. Those who focus on what is small, perceive everything as small, and men always perceive themselves as big after they`ve worked. So Woman is always small to them; especially after sex when they`ve finished `working`. That`s why she encourages them to hold her afterwards. To ensure that she`s perceived as being - at least - the same size. Men who`ve finished, especially in group sex, are likely to look on Woman as `nothing but`, as Freudian psychologists say, that is, she`s `reduced`. That`s why Jehovah is `jealous`, that is, in the `husbanding` of Woman as his `chosen people`, because she`s likely to be murdered like a pig when they`ve finished with her, and that`s why pigs are `haraam` in Judaism and Islam, because it`s to remind Woman that she  isn`t a pig, and the `Gabardene swine`, that is, the pigs themselves, who wouldn`t accept the spirit of the evil aliens that are men? Why, then, should Woman? In simple terms, men are only `bigs` to women – devouring ogres.

 

 

 The Kingdom Tower in Riyadh is the obvious observation that men have worked to build a huge needle`s `eye`, whereas Woman`s `needle` is small. If sex is `work`, then they`ve finished with her when it`s over. Consequently, the Kingdom Tower represents the need to work. As God says, in Genesis:

 

`By the sweat of your face you shall eat bread, till you return to the ground, for out of it you were taken;

for you are dust, and to dust you shall return.` (Gen: 3. 19)

 

 Jesus offers the bread and the wine at the `Last Supper`, as symbols of bodily and spiritual Resurrection. If men don`t work, it`s because they`ve finished with women, and then it`s war. That`s why they admire tanks and aircraft carriers; their `toys` used to destroy Woman everywhere, return her to dust, and reincarnate themselves in her so that she can develop more for them to destroy ad infinitum.

 

 

 In Arabian tradition, a woman is a `camel`, because she sustains with milk from her breasts, but camels are sometimes slaughtered by the Bedouin or Tuareg for `drinking water` when there is none in the desert. That`s Woman`s `role` to men;  continuing by finishing her. They`ll reincarnate and there`ll be more `camel riding`, a euphemism for `sex` in the early 20th century. However, towards the end of the 20^th century, `riding a camel` was a euphemism for homosexuality and, therefore, `water carriers`, that is, Woman as the spiritual vessel that gave birth to Jesus, had become debased into `putative AIDS` carrier`.

 

 

 In religious terms, man cannot enter into the kingdom of heaven, rich or otherwise; because he`s degraded Woman. As a camel, she can pass through the eye of the needle because she`s assured of her smallness by men everywhere; they want to penetrate the womb of her woman`s vagina with their needle`s point, and then she`s `sowed`. Making more pigs is what she`s for, from men`s point of view. The `Kingdom Tower` is Woman`s `pillar of Islam`, and they don`t want to be seen here forever.

 

 

 Britney`s spaceman in Oops is the `hanged man` of her tarot which, according to tradition, is the law of Jehovah in simplified pictorial form. In terms of the picture she`s painting in Oops, she`s suspended her camera. In Russia and other parts of Eastern Europe, a `teacher` is a `camera`. Consequently, the spaceman`s `camera` is `Jesus teaching`. Otherwise the spaceman wouldn`t be on Mars. He`s Britney`s US pending judgement. Is he a fool for investing in war? If she`s `fog kék`, that is `bluetooth`, in Hungarian, then she`s either `fork cake` (devouring), or`for cake` (wedding), that is, serial monogamy, and the `blue` aspect relates to the tradition of the bride to wear `something old, new, borrowed or blue`. Serial monogamy is marriage to the same man in reincarnation (borrowed), rebirth (new) and death (old), with the promise of God`s covenant fulfilled; or, in other words, memory restoration in bodily indestructibility, Resurrection through spiritual knowledge (blue) and Redemption.

 

 

 Britney`s `spaceman` is `well Hung Ares`, that is, Hungarian, because he spends all his money on war `toys` to destroy her as Woman, and that`s why he`s `hungry`. Because he`s a baby – again. However, she doesn`t want to breast or spoon feed him anymore. Hence the `fog kék`, `bluetooth` and `fork cake` symbolism. It`s her SMS. If he wants `f**k cake`, she`s not going to be the `dust of the Earth`, except and insofar as God fulfils God`s promise:

 

`I will make your offspring like the dust of the earth, so that if anyone could count the dust, then your offspring could be counted.` (Gen: 13. 16)

 

`I will surely bless you and make your descendants as numerous as the stars in the sky and as the sand on the seashore.` (Gen: 22. 17)

 

 In other words, Earth is f**k cake, but the new heaven and Earth that God promises in Revelation is for those who have Resurrection and Redemption, and that`s what she wants. If he wants that, he has to accept Jesus` teachings and the Holy Spirit, which is that Woman isn`t f**k cake. She`s for God – and good.

 Her spaceman is a baby without a penis. Because it should be long enough to `spoon`. On Mars, Britney`s hypothesizing that `man on the moon` is a memory of what`s gone before;  so if man has left Earth before, and is being kept prisoner here in order to be fooled into being `man on the moon` again, that is, reincarnation, death and rebirth in futility of repeated fragments of lives already lived, then his `seed` has already colonized the cosmos, and he`s being kept here so that his jailers can `glut` themselves on `techno-babe ice-cream`, which is what her `fork cake` self symbolizes, as she writhes seductively, in her white bikini dress, wishing upon a star, beneath the great `I` of his helmet.

 

 

 The skies of Earth are blue, and Horus is the `sky god`, the rememberment of the sun god Ra who, incarnated as Osiris, lives upon the Earth in the Egyptian myth; until Isis, giving of him her penis, resurrects and remembers him.  In Britney`s Oops this isn`t translated into: `Is this guy God?`  She isn`t the North American `Red Indians` innocently meeting `white man who speaks with fork tongue`:

 

`I`m not that innocent.`

 

 She can see the fork from where she lies. In other words, she can speak with `fork`. It`s her symbol. As `fog kék`, it`s her Hungarian `bluetooth`, that is, she`s secretly speaking rather than secretly lying. In Oedipal terms, she`s aware that she`s her own baby, to whom she`s transmitting pictures from `heaven`; to remind herself of Horus, the `blue sky god`. Oops is, effectively, a `baby shower` for her white bikini-dressed self. Rain, of course, results in rainbows; so Oops looks towards God`s covenant, Resurrection and Redemption. If man on Mars is to be merely a repeated fragment of a previous life reincarnated, it`s time to collect the baby`s things, and forget the shower that`d keep her reincarnating in death and rebirth on Earth forever, while they slurp on the `silver` teething `spoon` her baby had in her mouth when she was born.4

 

 

 Work for men is necessary, because it prevents them from devouring Woman, and her civilizations. The concept of the `spoon` can be applied to starfields: ursa minor and ursa major are the `little bear` and `big bear`, or `little dipper` and `big dipper` respectively; the penis and the brain symbologically. The penis produces flesh, and the brain produces technology. The bare flesh and the bare brain, as it were.  But, if the heir to the heavens is imprisoned upon the Earth in reincarnation, death and rebirth, she`s communicating, `bluetooth` paste – and copy: do you read? In Hungarian, `tooth fairy` is `fog tünde`, so Britney in Oops is telling her child she`s her `birthday spoon`.

 

 In Hungary,  `fog tünde`  are traditional with children. It`s a sex education concept. Adults are women with a penis – as futanar, which means `fast teaching programme`. Woman with a penis is for sex with girls (or boys) who have an instinctual desire for it. However, as Britney sings in Oops:

 

`You think I'm… sent from a farm.`

 

 

 Farming women is what men do; to be big f**kers. That`s what `fog tünde` breeding programmes are for. Then the `Gaberdene swine` murder what they don`t want, and gloat over their sex-starving what remains of the `stock`, which is what the Hungarian tradition of the `stork` is about. Traditionally, stock/stork are serially monogamous, and the idea relates to the idea of the `stork` as the bringer of the child, and the stalk that is left after the harvest. In Egyptian mythology, Osiris` is reborn when the corn grows, and death is symbolized by the stalk that is left after harvest. In other words, it`s a myth, at this stage, of reincarnation, death and rebirth in futility, where Osiris is `risen` each year as a metaphor for his role as fertilizer (sexual potency), and fertilizer (men as nitrogen for the soil from their corpses` rottenness).

 

 

 In terms of `stork` symbolism, the baby brought by the stork, according to tradition, is understood to be in the cycle of reincarnation, death and rebirth, unless the serially monogamous Woman (stork) is able to educate the child in who they have been – or indeed are. This is Resurrection and Redemption through education, in accordance with the acceptance of the teachings of Jesus, which is called futanar, or `fast teaching programme` in Hungarian. To learn it is to understand that Hungarian`s `talk`, that is, their language is `stalk` because, if you`re old stock, they`ll want to suck on your silver spoon, and your antecedent relationships won`t survive. In other words, if you lose your life in war, and your wife doesn`t know where you`ll be reincarnated, your chances of Resurrection and Redemption through educated memory are limited, which is what wars are for. To prevent us from remembering we`re Osiris, which is why Osiris is dismembered by the Egyptian god of evil, Set. It`s a metaphor for the process by which the evil men that are aliens seek to have reincarnation, death and rebirth into futile repetition of fragments of lives lived previously, rather than memory retention and Resurrection and Redemption through education, which is what Revelation, decoded, is for. Woman`s memory of her own penis, and a warning to her of men`s devouring aspect in the form of the red dragon.

 

 

 There`s a similar tradition in British folklore in which a castle`s walls are built and collapse each time they`re constructed. It`s discovered that there are a red and white dragon that, antagonistic towards each other, cause the walls to be rebuilt. It`s a metaphor for the difference between reincarnation, death and rebirth in futility, and Resurrection and Redemption, which is permanent and indestructible. Just as Oops is about the supposedly unsinkable Titanic, so it`s about the necessity for Resurrection and Redemption to follow from one another; otherwise there`s only reincarnation, rebirth and death (construction and collapse) rather than Resurrection and Redemption through education from one`s serially monogamous - and faithful to Jesus` teachings of the Holy Spirit - Woman.

 In Britain, the red dragon is Wales, and the white dragon represents the Saxons, which were the invaders defeated by the Welsh who, living in Wales are deemed by some to be Britons, while the English aren`t true British; they`re Saxons from the continent of Europe. It` s a simple lesson; men are an evil alien virus and, in order for Woman to continue, she needs to be able to educate herself in the Holy Spirit, or Resurrection and Redemption cannot occur; because men prefer to enslave her in a constantly recurring cycle of reincarnation, death and rebirth, which denotes the futility of repeating fragments of previously lived incarnations.

 

 

 In Oops terms, the red and white Britneys need to teach each other of their family`s history, so that they`re able to use the silver spoons that were born within their mouths. Then the walls of their family`s castle won`t collapse, but remain eternal.  The `bluetooth` motif is then for her child to use in order to research over the internet:

 

`Hey diddle, diddle;

The cat and the fiddle.

The cow jumped over the moon.

The little dog laughed,

To see such fun –

And the dish ran away with the spoon.`

 

 The children`s nursery rhyme is about the `confidence trick`; the parenatal liars: conscious or otherwise. In Egyptian mythology, the `Ka` is the spirit, and so the `Kau` are many, which relates to the idea that the `Ka` has many occasions or lives to remember in terms of Resurrection and Redemption, which is why Britney`s Oops takes place on Mars where she is the Mars `Ba`, that is, the `Kau` has `jumped over the moon` and may be the multi-experiential spirit, but the `Ba` is the personality, which necessarily is different according to the experiences of the spirits many lifetimes. Consequently, the `Ba` corresponds to the soul, whereas the spirit is the reusable component, as it were, a space shuttle that`s experiential, but can`t maintain the same `personnel`, that is, personalities, each time it is relaunched. This is why, in Egyptian mythology, the personality becomes `magical` when `Ba` and `Ka` are joined. The `Akh` is, as it were, the Egyptian fulfillment of the promise of God enshrined within the Ark of the Covenant, that is, Resurrection and Redemption as a single. However, because Woman is a species with her own penis, genuine Resurrection and Redemption is fraught with difficulties, which is why she has to have faith; or a Great Mother – Britney Spears.

 

 

 The spoon is the privileged role, and the dish is the `chosen`. The dog can see, so laughs. It`s a metaphor for sightedness. She can see through the `confidence trick`, that is, that life isn`t ephemeral; because her `Kau` is `over the moon`. She`s the `Ba` personality who`s been taught to see everything as `nothing but`, as the Freudians say; but she believes her eyes because she`s `sighted`. That`s why she`s the `BaKa` and, in the myth of Oedipus, she corresponds to Antigone who, after her father blinds himself because of what he`d been taught, guides him on the path. In Britney`s Oops, she introduces her `fork` and herself as `cake`, that is, that she`s `fog kék` or `bluetooth` in Hungarian, and the `dish` is a satellite, which means the child of her planet. She`s `read dish`, as it were; because of Redemption. In other words, the internet has served her purpose.  To men as evil alien ogres, she`s `fork-cake`, because she`s `for cake`, a sex icon. However, as Robert A. Heinlein, once wrote: `We are what we see.` The `dish` can see because of the spoon`s `bluetooth`, which means that the `cow` is the multi-experienced `Kau`, and the `dog` is the soul or `Bau`. Consequently, the `dish` and the `spoon` are the `Ka` and the `Ba` that constitute the magical Akh or personality that, running a way together, is the `fast teaching programme` for Britney`s futanarian future.

 

 

 It`s the tradition of the spacer. Woman gives birth to her own man; as the Virgin Mary with Jesus. It`s similar to the story of Adam and Eve. They`re innocent until `seen`. Similarly, the tradition in Arabia is that women shouldn`t be seen, and they have a tradition that men are `iblis`, which is that, if men are visible, they`re evil spirits, and if invisible are evil spirits. In other words, men are evil spirits, and that`s why Jocasta`s story in Sophocles` Oedipus Rex is a tragedy. Oedipus` name means `swollen foot`, because she`s handicapped. Her penis is blind, and she can`t see from his penis` blind eye that what she needs is her own – as futanar women have. In other words, Oedipus` blinding is a metaphor for Jocasta`s inability to see. Britney`s projected Resurrection and Redemption is futanar, which means dodging  the maws of the `Hungrians gums`. However, like the Arabians, they can learn `fast`;  so we may assume that, like Jesus, he`s multi-experienced, in spiritual terms, and ready to spread he/r `Gospel`.

 

 

 The Muslim people are women, as are jews, so a woman with a penis and four wives shows that Allah has thought much. In Arabia, the eyes are important, and in Irish mythology there`s a `crock of gold` at the end of the rainbow, and the rainbow is, in Greek mythology, Iris, which is the coloured part of the eye. There`s gold at the end of the rainbow because of the alchemical aurum philosophicorum, which is associated with the wisdom of the soul or anima that is the mediator of the teachings of the Holy Spirit; personified as the Virgin Mary in Catholicism. It`s the colours of the rainbow, as it were, that teach the black pupils that Woman – snigger - has her own penis.5

 

 

 Britney, in her red suit in Oops, is speaking `reddish` and `spoon`, that is, she`s looking for one who speaks with the `silver tongue`, like she does. As the Buddhists search for their reincarnated Dalai Lama when he is reborn. Britney, however doesn`t want rebirth. In `bluetooth` terms, her • • • T • • •Mobile• communicator would be `T – spoon`, and `kanál` means `spoon`in Hungarian, so • • • T • • •Mobile• would be Britney`s root `kanál` work, her `fog kék`, `bluetooth router` for `Eastern` (`Isten` means `God`, and is pronounced `Eastern` in Hungarian).  Because `Christ`s sake` is an epithet, tooth`s szék is `the seat of Christ`, so refers to the seat of some pain; Britney`s `ache king`, `fog Christ`, as it were, and the internet  is where God can be rediscovered. Just as Britney`s `sex icon` is educative if understood correctly, so `T` Aguilera is understandable as a mother. As God says in the Bible:

 

 

`I will make your pains in childbearing very severe; with painful labor you will give birth to children. Your desire will be for your husband, and he will rule over you.` (Gen: 3. 16)

 

 Obviously not good news. But it`s clear that this is `woman`s work`, that is, she`s to appreciate the value of her offspring, and is to nurture development rather than devour it – as men who`re evil aliens do. Men like to enjoy the `crack` together:

 

 

 Christina Aguilera`s family motto means `from the eagle`s nest`, and she doesn`t enjoy `crack`. In Hungary, `Kedd` is `Jewsday`. In the 30s the Nazis pogrommed the Gypsies because of the tradition that they were the 13<sup>th</sup> `tribe of Israel`, and the Hungarians and Gypsies are still antagonistic towards each other on many levels of the social strata:

 

`A Hungarian, a Gypsy and a Romanian go fishing. One of them catches a goldfish and they are all allowed to make one wish. The Hungarian wishes for a big Hungarian country where all Hungarians can live freely and without foreign interference. The Hungarian disappears to his promised land. The Gypsy wishes for a big country where all Gypsies can live together in peace and harmony. The Gypsy also disappears. The Romanian is last and asks the goldfish: “Hey goldfish, so the Hungarians are all gone and so are the Gypsies? In that case, I wish for nothing but a glass of beer.`

 Alchemically, the fish`s a symbol of the anima as aurum philosophicorum, which is the `philosopher`s gold` or wisdom. Here wisdom inheres in the notion of the possibility of a different order of being in which God `speaks` - from the waters of the unconscious as a psychic content - archetype - here as the `goldfish` or anima-mediator of `good crack`, that is, the perception that the Hungarians and Gypsies are antagonists, so it`s better to have a friend.7

 

 

 It`s common for children to make baking powder submarines that, filled with sodium bicarbonate, sink to the bottom before rising to the surface. It`s a metaphor for sinking children`s lives and feigning salvation. Baking powder is an essential ingredient in the making of `crack`, which is made by mixing it with cocaine.  The `toy` submarines look like `crack pipes`; because the principle by which they operate is the same; sinking lives into despair and feigning salvation. All forms of addiction are the same; it`s a methodology to prevent individuation and education enough to transcend the futile cycle of reincarnation, rebirth and death, in order to have Resurrection through memory, and so Redemption and Ascension in accordance with the fulfillment of God`s covenant and plan.

 

 

 Salvage is often confused with salvation because it`s a nautical term, and sailors are more frequently associated with such organizations as the Salvation Army because of their penchant for rescuing `derelicts` and perceiving them as salvaged `ships`, whereas `salvation` simply equates with `heaven after death`8 and it isn`t repeatable:

 

`…some who do not understand… thinking if sin is forgiven, the process of salvation can be repeated over and over again [which it cannot].` (Cf. Mark 3: 29) 

 

 

                   

 In Hungarian, `béka` means `frog`, which is the symbol of the `crack` British Special Boat Service (SBS) and a Hungarian `béka` needs `baking powder` in order to make their `crack` about `Jewsday` (`Kedd` is `Tuesday` in Hungarian), and Jesus` birthday (INRI, the `King of the Jews`) putatively. Consequently, Hungarians are `crack` kings on Jewsdays.

 

 In ancient times, heat (`HÍt` is `Faith` in Hungarian) was applied to cocaine solutions from a spoon, so it`s `Nó szex`, in Hungarian, that is, `nose sex` because f**king is passé. Or, in other words, Hungarian is `for King of the mouth` (Jesus` teachings), but `spooning` is `resting comfortably front to back,`9 and first `Nó` has to be `thawn`, that is, the `snow` melted by the `HÍt` in the `spoon` (the thawing of the first `no` by faith), and then it`s `Nó drinking`, which is the scented perfumed essence of her. However, the `crackheads` want `Nó smoking`, which means `Nó` becomes `hail`, in accordance with biblical Revelation, where Woman`s eyes turn to God because she doesn`t want to `smoke`, and God`s ice falls upon men.

 

`And they cursed God on account of the plague of hail, because the plague was so terrible.`(Rev: 16. 21)

 

 

Britney Spears Hold It Against Me

 

 Those who don`t love fall like cold, hard rain upon those who do. In Hold It Against Me Britney is `nὅk`, which means `women` in Hungarian. She fights against herself, and at the video`s onset there`s a meteor, a huge chunk of ice describable as a `hailstone`, crashing to the Earth. Possession is what she`s warning against, and her solution is `nὅk water` because, in birthing, `liquid from around her baby flows out of ... [Woman`s] ... body ... [as] the baby is ready to be born`.10 The allusion is to Led Zeppelin`s (1969-) No Quarter:

 

`Walking side by side with death
The devil mocks their every step...

... news that must get through
To build a dream... ` Houses of the Holy (1973)

 

Hailstones, in Revelation, are `plague`, and this is `no quarter`  from God. In Christianity, the `good news` is the Bible, which is HÍt in Hungarian, that is, `faith` , and is pronounced `heat`. Britney`s `pear of anguish` is her birthing of the New Redeemer under her umbrella of red (instinct) life (green), and blue (spirit) beneath a rain of hailstones despite the darkening of her dreams by Lukoi and, in the `heat` of `faith`, before the jaws of the fire-breathing red dragon of Revelation ; to the New Redeemer who`ll protect her on Earth before she leaves for the new Earth and heaven promised by God.

 

 

 The red dragon of Revelation has been postulated as a part of a symbol code that needs someone to `crack` it. The simplest solution is that it`s about `head cracking`, that is, analytical thinking is penetrative because it wants possession, and men are anal thinkers: homosexual. They`re addicted to their `crack`, which is an `own joke` similar to an `own goal` in soccer. The subject of The Book of the Revelation of St. John the Divine is how men attempt to destroy the planet Earth and the civilization of Woman, that is, the species that lives upon it. They`re `good crack`, no?

 Britney`s metaphor in Oops is of the eyes of men as `ice` upon which the ship of Woman can be broken, as a Titanic upon a `mountain of eyes`, as it were. In other words, men are the ice between them, and women are the eyes between herselves. However, as the Titanic was sunk by an iceberg emerging from the `fog`, which is `tooth` in Hungarian, so she`s saying that, even if she has only a single tooth, she`ll defend her child`s Earth.

 In Hold It Against Me, her eye is depicted as having two pupils because it`s `no quarter` in her battle for Woman and, with a single pupil, Britney has `birthed her daughter` through `nők water` (Woman`s water).

 

 

 Possession means that you`re `taken over` by an `icy` person (`I see`, not you). Britney indicates the danger. To be possessed means that you`re held by the eye of someone else. It`s the aim of the possessor to have you unable to be yourself; so Britney has a single pupil at the video`s end because she`s fought possession. It`s a motif implicit in the myth of Osiris and Set; the evil one who dismembers Osiris and is his brother. In fact, Set is the evil ones (Evil One`s) who grow stronger by becoming evil towards Osiris, and Osiris knows that they are him. Just as Jesus says in the New Testament:

 

`Forgive them [italics mine] for they know not what they do.`

 

 He is `the Son of Man`, and `them`; but men are evil and he is observing that he knows that they are he. The more evil men become, the less of Osiris and Jesus there is; and so God becomes unable to know God: this is evil because God is good. In Egyptian mythology, he is Ra, the sun god, which is the light or eye of life, so there is only one pupil for the Earth; God. That is why, in Hungarian, HÍt, which means `faith` is pronounced `heat`; because life cannot grow without the sun. The converse, of course, is `hailstones`, which `crack` the `heads` of those without the protectiveness of Britney`s Sandwoman`s green, blue and red umbrella upon Mars, that is, Earth is green (life), and blue (spirit).  The `riddle of the sphinx`, in Sophocles` Oedipus Rex, suggests instinct is the problem, which symbolically is Mars, the `red` planet`s domain:

 

`What goes on four legs in the morning, two in the afternoon, and three in the evening?`

 

 The answer, which Oedipus gives, is `Man`, but he doesn`t understand the answer, because it`s given to him by a soothsayer, Cassandra; as a `cheat`, as it were, in a `computer game`. Oedipus is `man` because he`s Cain, that is, Oedipus` self-blinding is a concomitant to his discovery that he`s effectively his father, whom he`s murdered, and so he has a blind man`s cane because he`s a follower of Set, an evil one, and can`t have Redemption without Antigone, his daughter, who is also effectively himself, to guide his footsteps.

 

 

 Oedipus fails to conceive the true solution to the basic question, that is, men blind and are blind, which is why `cheats` are deemed unhelpful. It`s the `plague`s same` to make you believe that cheating is the same as success. Those who know you to be blind, and can help you see, can`t alter you. That is your responsibility, and the correct answer to the `riddle` is to understand that `four legs` are instinct (red), which has to be understood before you can progress. The `forelegs` are the `front two` of the sphinx, which is what has gone before of man that he can remember, and the back two are what is going to come if he doesn`t. It`s a simple mnemonic, but the answer `Man`, which Oedipus gives as the `cheat` answer, is for the theatre audience to consider. If Oedipus remembers what isn`t good for man, he`s a fool in his blindness; because he doesn`t simply accept that he`s his father and Jocasta, and has been made to make a mistake in his child`s nature by men who`re liars. Men are Set, the `Evil One`, because they promote Oedipus` false perspective with respect to the incest `taboo` and, in effect, so `plan` his continuing blindness.

 The sphinx assists Oedipus by giving him a `crack` or a `cheat`, but he doesn`t have the light of God in him; so what befalls are the equivalent of the `hailstones` of Revelation, which are for `cracking heads`. On Mars, Britney`s Sandwoman`s `umbrella` is for developing her child`s instinct (red), through life (green) and, in the spirit (blue), to Redemption. God`s `hailstones` of Revelation are for those who`re addicted to media representations of `crack` special forces, that is, men who are the best `cheats` because they`re able to destroy much of the Earth during Revelation, which self-destructive `crack` addicts are known for. Consequently, God`s `hail` is a metaphor for `crack`, which is to satisfy an immediate need without the `foresight` that would allow the perception that unendurable eternal pain is God`s punishment for those who `cheat` .

 Oops is Britney`s `fog` or `tooth`; for her `Hungarian learner` to `crack`. The `fog kék` is her bluetooth `fork cake` motif, which is present in the shape of the giant tines of a fork appearing above her `tooth fairy` in her white bikini-dress. Above her, the spaceman she`s raised, films her. Traditional to wear something `blue` (kék) at a wedding, the allusion is to a `wedding cake`, and the `cheat` is he who`d `crack` her `blue`, who`s her spirit for Redemption.

 Britney`s employing the `crack plague` metaphor to those who `taught Jesus`. He didn`t `crack`, but `crack` is the spirit of the 21^st century, with regard to systems, addictions, viruses and, of course, torture. In other words, that which is for `crackheads` are `hailstones`; because they want to satisfy an immediate need without the `foresight` that would allow the perception that unendurable eternal pain is God`s punishment for the `crack head`, where `crack` is expert and `head` is intelligence that functions as a `safecracker`. Having tortured Jesus on the cross, they want to explain:

 

`Taught you rack.`

 

 

 `Jesus saves!` is a common mnemonic. But the `crackhead` is addicted to satisfying immediate needs without the `foresight` to allow the perception that unendurable eternal pain is God`s punishment for those who want to `cheat` Jesus out of his `savings`, as it were, by torturing us on the rack for our achievements through his teaching of `God`s love` through the power of the Holy Spirit.

 

 

 CDs have encryption that doesn`t allow of their being played, but the spirit of the 21<sup>st</sup> century is for `crack` and `cheat`, a sexual metaphor for sodomy and unfaithfulness which Britney incorporates into Oops by alluding to `spooning` as a complement to `forking`, that is, `spooning` is the penis between her buttocks and against the `root canal` or `carnal route`, which is her `út kanále` in Hungarian, that is, `spoon`s path`, and that`s why `spoon` and `fork` are connected with `bluetooth`; because `forking` and `bluetooth` are a euphemism for cunnilingus and fellatio, or `tongues` speaking `; whereas `spooning` is  `spoon bending` because, with the penis against the buttocks, it`s a `gender bending` position that encourages homosexuality and bisexuality, which effectively is the same. Clearly, Oops is `communication` and `education`. Without the knowledge that Woman has her own penis as a futanar, and that lesbians are, therefore, `normal` species` behavior, the Earth`s `child`, that is, the New Redeemer, would need the internet, which is why Oops recommends `bluetooth`.

 

 

 Britney`s `for king of the ways`, who is Hermes, the god of ancient Greece often depicted as a simple stone with a penis that denotes the path of the traveler, but is also the `messenger` and the `healer` by means of the caduceus, which is a symbol of wisely useful, because good, intelligence that considers sexual `libido` and `instinct`, represented by the spinal column as an elder antecedent to the developing brain, the transmitter of archetypal knowledge from the unconscious self to conscious development and practical realizations in the form of inventiveness uncovered by the adept through the `magic` of dreams, or apparently `inspirational divinations` that, in reality, require deep - and prolonged – thoughtfulness.

 

 

 Britney`s fork and spoon motifs denote the division of the sexual and analytical paths, and the `bluetooth` motif denotes her forthcoming `bisexual`, as opposed to `lesbian` choice. An unsteady tooth in dreams often denotes the need to change.  However, a `wedding cake fork` (`kék fog`) indicates that her `bluetooth` isn`t for `cracking`.

 

 

 The Hungarian word for `brush` (`kefe`) means `affair`, and `kék kefe` is `blue` brush, so the `bluetooth` brush is in the keeping of her `rack` (`kék` ever/affair), that is, her breast. As I-Poddy from Robert A. Heinlein`s Podkayne of Mars, she has the `heart of the ocean` awarded to her. She`s a 21^st century Britannia and, `ruling the waves` of `Feeling` through the wisdom she has gained over the internet from its ocean of knowledge`s `bluetooth` technology, she has achieved `victory over` the `icies`  (`I see`, not you). Held by the eye of Ole Lukoi, as a telepath who `pathed` her life to others, she`d be in possession of those who, applying Old Testament `anal thinking`, that is, `eye for an eye and a tooth for a tooth` revenge logic, would `punish` her for imaginary misdemeanours by having her live in darkness while they were able to see.

 

 

  The myth of Osiris is similar, because Osiris` dismemberment by his evil brother Set is a metaphor for how evil grows by murdering, that is, closing the eyes of those who can see. Jesus` perception was that he had brought light to the Earth; because he could see. He was opening the eyes of others; so that they could see. He was murdered by the evil because they didn`t want him to. Oedipus` myth is also similar; born psychologically myopic, his later blindness is in accordance with men`s plans. In Oops Britney`s `giant ring` is their symbol of darkness for good, and evil`s continuance, that is, reincarnation, death and rebirth in endless partial sightedness, and enslavement for Woman as a species of blindworm giving birth to men as evil parasitical aliens that exist to close her eyes in darkness and truncate her development until she`s blindness and nothingness.

 In H.G. Wells` War of the Worlds, Martians die on Earth because the atmosphere contains viruses. In Oops, Britney is the `alien`, which can breathe on Mars. H. G. Wells` aliens are, therefore, recognized by her as extrapolations of Woman.  Men are truly alien viruses because they`re parasites needing a `host` and, as the `Thinking` function in Jungian psychology is identified with the `ear`, so Oops celebrates the defeat of `ear-rack` in the first Gulf War (1990-1). Britney`s Sandwoman on Mars, however, knows it`s `anal thinking`, which means that 9/11 was a victory for `C-rack`, that is, victory in the first Gulf War represented `sense`, that is, the differentiation of the `Sensation` function which is associated with the eye, whereas the second Gulf War denotes `blinding`, because 9/11 represents anal thinking`s approach to penetrating – or `cracking` - the air defence system of the USA, that is, their `cheat` was `civil` (polite) aircraft that was invisible to US` radar and so was able to `hack` the Twin Towers` World Trade Centre, thereby inaugurating the second Gulf War (2001-3) that resulted in global terrorism (masquerading as 2003`s `War On Terror`), and which delayed humanity`s (Woman`s) differentiation of the four functions of her consciousness; as `Sensation` (eye), `Thinking` (ear), `Feeling` (mouth), and `Intuition` (nose).

 

 

 In Oops Britney observes that, if `Intuition` is employed, the desire for sex from behind is a device that transcends speech and kissing, which is another reason for `teeth dreams`; the fear of not being able to talk. Oops Psi  takes that desire a stage further, and postulates that the desire for sex from behind is a displacement of the desire to communicate telepathically, that is, mind-to-mind rather than face-to-face, which is men`s confrontational approach and is reified in anal sex and anal thinking; or, in other words, war against Woman as Earth`s genuine species.

 Typically, telepaths are tested by asking them to tell you which card you are going to show from a deck. Britney shows us `the fool`, her `hanged man`; because in 2000 she could see and plan. Beneath her spaceman`s camera and `fork`, she`s `fancy cake`, which is `torta` in Hungarian, on a `cake rack`; but she isn `t `kék crack`, that is, `blue crack`:

 

`Yeah, he's actually quite nice when he's not surrounded by people.`11

 

 Men aren`t `nice` when with other men; because it`s a collective of `anal thinkers`, which would put the fork in her rather than engage in oral pleasures; including eating, sex, speech, and other forms of `intercourse`. Because `torta` sounds like `daughter`, we may assume that `Hungry` wants to share this `crack` with his sadist `pathics`:

 

`Taught her daughter.`

 

 If we suppose that one`s friends are being murdered and tortured, and are murdering and torturing you, and the `paths` let one know by `pathing`, then they`re the telepathic equivalent of `safecrackers`, who`re torturing Jesus` saved. In terms of biblical Revelation, they`re `in hail`, which means that they`re a manifestation of the plague that is `anal thinking`, and the inhalation of Woman as Earth`s civilizing influence`s death - by men as aliens - which is `Nó smoking`, as it were, because `smoking` is a euphemism for murder and, in Hungarian, `Nó` means Woman.

 

Journal Of Women

 

 It`s the supposition that, at the HÍt Gyulakazet (Faith Church) in Hungary, this `crown of thorns` will be removed, as Jesus` was, by `the bird of faith`, the robin in folklore, which was pierced by a `thawn` (Old English) and stained red as a symbol of Redemption. The crack savers of the HÍt are symbolized by their `spoon`; because of Isten (Eastern), and Resurrection, represented by the `Eastern eggs`, where the traditional `egg and spoon` race, symbol of the `spooning` between lovers that precedes fertilization of the woman`s ova, is replaced by the `crack` and `spoon` of homosexuality.

 

 

Fly Eagle, Fly

 

`Today I saw an eagle flying
His colors they were red and white and blue…

And I said, Fly Eagle, Fly!
Go spread your freedom wings across the sky;
Don't let 'em bring you down, they'll chain you to the ground.
You gotta be strong to travel alone in the sky.
So Fly Eagle Fly! So Fly mighty Eagle fly!`

 

The `crack` British Special Air Service, `sas`, means `eagle` in Hungarian - and American. In Britney`s Oops, however, the sandman is the evil alien Lukoi, feared because he brings an end to Woman`s `adult dreams` of Resurrection and Redemption; the American Dream. Kim Bassinger is the outsider in the 1988 movie, My Stepmother is an Alien, for children on Earth are men enjoying their `crack` of sterility, and so for them the sands of the planet Mars are `read`. They're evil aliens who want the singer to `free base` with them. Don`t be a `cokehead`. If you`re a woman, the evil aliens that are men are addicted to being cockheads, and cocking their guns. They got 3,000,000 of you in WWII, and that was only a `half-cocked` idea. Britney, of course, is the Martian Red Princess of Edgar Rice Burroughs` Barsoom stories; especially A Princess Of Mars. On Mars, of course, she`s the understated goddess of war for her species, and Oops is a celebratory paean to her victory in the sands of the Gulf (1990-1), when Saddam Hussein`s Iraqi army was removed from Kuwait. With assistance from the`sun and sand` (Special Air Service) of Saudi Arabia, and the other allied nations.

 

 

 Oops is Britney`s `VR training film` for a child who`s made to believe the `scene` on Earth, whereas it`s the equivalent of a CD Rom. The Sidhe (CD) are the Tuath De Danaan of Irish mythology, the `fog kék` as Britney conceives of them, that is, the `Blue Tuath `, or Sidhe (CD), which are pronounced `she`, `who must be obeyed`, according to H. Rider Haggard in She, his Woman`s novel.

 

`Oops! I did it again.

I played with your heart.

God lost in the game.`

 

 God didn`t, and she`s US. Where Jesus saves. If we`re to save, we must `read` and `copy` her, that is, understand and implement her programme for Salvation, and her appeal is to the telecommunications industry not to be the `number of the beast` of Revelation. The phone industry`s reading and copying of the Bible is evident in its use of words like `spoon`, `tooth`, `axe` and `dish` to give itself a spurious glamour as the `beast` that preys on those who don`t have its `mark` of consensus, which is that communications` technology is for `spoon feeding` the developable. Afterwards the `telephone numbered` employ the `axe` and devour what remains of the `toothsome` dish.

 

 

1 Transactions of the New York State Agricultural Society, Vol 19, 1859, p. 230.

2  Clarke, Arthur C. Profiles of the Future , 1973.

3 Fantômas se déchaîne, 1965.

4 `To be born into wealth and privilege`, https://onlineslangdictionary.com/meaning-of/born-with-a-silver-spoon-in-(one's)-mouth .

5 Bright, R. A. `Woman`s the snigger of the world` in Spears, B. J. Men Stole My Penis, 2011.

6 Jokes4Us, https://www.jokes4us.com/ .

7 Cf. The wise Khidr, whose appearance from the Red Sea coincides with the disappearance of Moses and Joshua`s `fish` in the Koran, Sura 18, `The Cave`.

8 Salvation, https://www.wordiq.com/definition/Salvation .

9 Spooning, https://www.definition-of.com/spooning .

10 Macmillan Dictionary, https://www.macmillandictionary.com/dictionary/american/water .

11 Urban Dictionary, https://www.urbandictionary.com/define.php?term=blue%20crack .

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